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Archive for the ‘Halloween’ Category

1959SOUNDTRACK: TOM TOM CLUB-Tiny Desk Concert #82 (October 6, 2010).

tomtom Tom Tom Club were a side project of the rhythm section of the Talking Heads.  They had a hit with their song “Genius of Love” (you’d know the melody instantly).  I’ll be honest–I thought they only had one album out, but I see they had quite a few out and had recently re-formed and put out new records.

This set contains three songs.  “Wordy Rappington” which was on their debut, but which I’d never heard of.  I am shocked to see that it was a double A side with “Genius of Love.”  The song is a kind of amusing rap with a chorus of the children’s song “A Ram Sam Sam.” It is very kid friendly.

I will also be honest that I didn’t like The Tom Tom Club when they came out.  So even though I know the melody of “Genius of Love” I don’t know the song very well.  It’s kind of amusing though in that it name checks all kinds of musicians.  At one point they repeat “James Brown” over and over and then climax with “hit me!”

The music is surprisingly spare: an acoustic guitar or two, some bongos and an accordion (which plays the “Genius of Love” melody).

“Only the Strong Survive” is a cover of song by zydeco band The Franks.  Lead vocals and washboard are supplied by Mystic Bowie.

The band is having a ton of fun.  Considering Talking Heads were always kind of serious it’s nice to see Chris and Tina being silly..

[READ: September 29, 2015] The Complete Peanuts 1959-1960

This book marks more or less the ten-year anniversary of the first Peanuts strip.  Even though Patty (not Peppermint Patty) is on the cover, she gets very little time in the book.

The big news in this book is the arrival of Charlie’s little sister Sally!  In May of 1959 Charlie’s mom goes to the hospital for a few days.  And then Charlie is a proud big brother.  For a time, Snoopy is jealous and acts like a “fuzzy baby.”  However much Charlie talks about Sally, we don’t actually see her until August!  On a random Sunday Charlie is seen pushing her in her stroller (and missing out on baseball because of it).  There’s no really babyness for Sally.  She has a bottle, but while we saw a lot of baby time for Linus, there’s hardly any for Sally.  In fact, in October Snoopy gets her to dance.  And much later she gives Schroeder a hard time when he won’t play a lullaby for her.

She doesn’t really come into the picture all that much.  But by August of 1960, Sally thinks (still no speaking) that Linus is the cutest thing and has hearts floating around her when she sees him.  Charlie even has to wonder what’s going on here.  But Linus says, “I’m almost five years older than she.” (more…)

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peanuts4SOUNDTRACK: BRIAN COURTNEY WILSON-Tiny Desk Concert #76 (August 25, 2010).

bcwBrian Courtney Wilson is not Brian Wilson. Rather, this Wilson sings  lovely religious songs.

This is an overtly Christian performance and as such I did not really enjoy it. Having said that, his voice is terrific and his backing vocalists are subtle and uplifting without overpowering the music.

He sings three songs: “All I Need” “Believe” and “Already Here.”  For some reason, there’s no video for “Believe” so you have to listen to the audio only track to hear it.

[READ: September 29, 2015] The Complete Peanuts 1957-1958

Some new themes emerge in this, the fourth volume of the Complete Peanuts.  Charlie seems to get branded with the “wishy-washy” curse a lot more (except when it’s raining and he’s not willing to give up his baseball game).

The angst is getting heavier now too with Charlie Brown saying “sometimes I think my soul is full of weeds).   Then in April 1958 he says “It always rains on the unloved.”   Even the normally chipper Snoopy (who at one point says “to live is to dance, to dance is to live”) gets a little mopey and introspective “when I was a puppy every day was a happy day suddenly bang, and I’m in my declining years.”

I feel like Lucy and Linus are showing up a lot more.  And Pig-Pen, really a one-joke character is appearing less but has not been forgotten.

I particularly enjoyed the concern that the earth was overpopulated (from Lucy).  And after she says “The earth can’t feed this many people” Linus replies “Why Don’t You Leave?” (more…)

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SOUNDTRACK: INVISIBLE GUY BLOG (2012).

Jonas from Invisible Guy contacted me about a project he’s working on.  I’m not quite the right fit for it, but I had to check out his site to see what he was all about.  As his About page explains; “This blog is generally a platform for unknown bands to get promoted and interviewed.”  That’s pretty awesome in itself.  But as I browsed the site, I saw that in his post Invisible Guy recommends: 80s Post-Punk – 1982 (Part II) he includes not only The Birthday Party but also The Virgin Prunes.  Much respect there (especially for someone who wasn’t alive when those records came out!).

But the bulk of his site is full of really obscure bands (lots of bands that I’ve never heard of).  He interviews band members (sometimes in Swedish!) and has quite an impressive list of publications that he’s worked for.

So head on over to Invsible Guy for a wonderful collection of punk and hardcore music as well as some iconic (and really obscure) new wave and post-punk tunes.  He’s also got some great stuff on death metal too.  Not bad for a site that’s only a few months old.  Invisible Guy has a lot of samples and videos as well as a bunch of streaming music from unreleased or just-released albums (like this demo from the Swedish band Regimen called Välkommen hem).

And here’s a video for the Swedish stoner metal band Skraeckoedlan.  The song is “Apple Trees” and no you can’t understsnad the words because they are in Swedish.  I love that.

It’s a great site.

[READ: June 15, 2012] “A Psychotronic Childhood”

The more I read Colson Whitehead, the more I like him, not just as a writer, but as a “person” (the person he presents to us anyhow.  Although I met him briefly at a convention and he was super friendly and very nice).  This essay shows that he and I occupied some of the same headspace when we were kids (we were born in the same year)—watching sci-fi and horror movies on Channel 7 & 11 after school and on the weekends.  Of course, I didn’t really get into horror movies until much later them him (his first time was when his parents took him to  a horror film in the theater at the age of 5).  FIVE!

These early horror movies really shaped his outlook.  He lists about 70 movies in this article, of which I have seen at least half (although more from MST3K than actually sitting through them unaccompanied) and his summaries about them (four or five parenthetical words) are apt and often hilarious:

  • Food of the Gods (giant chickens rain pecking doom on a small island)
  • Alien (an outbreak of tummy trouble among space miners)
  • Demon Seed (rom-com about a horny computer that wants to impregnate Julie Christie)
  • The Devil’s Run (A negligible and mind-numbing film, notable only for the utter ineptitude of its attempt to cash in on the brief occult-movie fad that followed Rosemary’s Baby and The Exorcist.

The Devil’s Run is the first movie he saw, back in 1975, in the theater.  He says that there was something good in it, that it really captured the element of terror when your loved one turns on you.  And he tapped into this for his novel Zone One.

Then he reflects back on 1981, when his family bought a VCR and he and his brother would head to Crazy Eddie (remember Crazy Eddie?) to rent 5 movies for the weekend (I didn’t even know they rented movies!).  The movies were inevitably 4 horror movies and one mainstream film.  And the family would gather by the TV and watch together.  How wholesome!  Except when you read what they were watching (I can’t IMAGINE my family watching these together when I was a kid–even now, Sarah hates horror films).   This is getting into the era of Friday the 13ths and Halloweens as well as classics like Terror Train, Prom Night, Slumber Party Massacre, Silent Night, Evil Night, Mother’s Day and My Bloody Valentine (“not even the holidays, hallmark or otherwise were safe”). (more…)

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SOUNDTRACK: “WEIRD AL” YANKOVIC–Alpocalypse Bonus DVD (2011).

Included with the new “Weird Al” disc is a DVD of videos from the disc.  Only one of them is a video proper in that Al himself is in it.  The rest are animated.  Although of the animated ones, the one for “CNR” is, I believe, an “offical” video release (they were all official, but “CNR” was sort of a pre-album video).

All of the videos are of good quality and are well crafted with varying degrees of fidelity to the song.  The one bad thing about these animations is that Al’s own videos are usually so spot on, they are often funnier than the song itself.  So, having these, what I think of as tossed off animations–even though clearly a lot of work went into them–is a bit of a bummer.

Having said that, the video for “CNR” is great–cut-out animations of Charles Nelson Reilly doing outrageous things, like the song says.  “TMZ” was directed by Bill Plympton.  I like Plympton’s animations quite a lot and have for a long time.  And this one is pretty funny, although I find that his videos are often repetitive and don’t really hold up for a whole song.  “Skipper Dan” is a good Flash-type animation and it very effectively conveys emotions with such simple animations.  And the fidgety to adventureland is also really good.

The “Craigslist” video is the only one in which Al appears–dressed like Jim Morrison, of course.  The video has a great mid-70s feel with nonsensical cuts to Native Americans and westerns as well as swirly splotches and lights.  It’s not a “funny” video per se, except fo how accurately it apes the original style.   “Party in the CIA” is surprisingly violent (Al’s videos are often cartoonishly violent, but this one is pretty specific, of course with the animations it’s not so bad but it’s a lot more real than Al usually is).   “Ringtone” follows a few character storylines and looks good.

“Another Tattoo” is enjoyable because it cycles through a series of really funny (cartoon) tattoos.  Perhaps a series of regrettable tattoos would have been even funnier.  “If That Isn’t Love” to me undermines the song somewhat as it shows a less sincere declaration of love.  I think of the narrator of the song as clueless, but the video portrays him as devious.

“Whatever You Like” is creepy–there are a lot of real photos that are animated (the main woman’s mouth is utterly grotesque!).  Finally “Stop Forwarding That Crap to Me” is majorly disappointing because all it is is the lyrics animated.  True the animation is clever, but really, it’s just the lyrics.  A lot could have been done with this video.  Opportunity wasted.

So, all in all, these videos aren’t amazing.  Certainly they pale in comparison to Al’s greatest videos. But there is certainly some amusement value.

[READ: November 15, 2011] Babymouse: Monster Mash

I missed this Halloween-themed book in time for the holiday, so I’ve saved it for the end of Thanksgiving.

The first thing you’ll note when you look at the book is that it is not black and pink!  For Halloween, the whole book is black and orange.  It’s a cute idea.

For Halloween, Babymouse wants to be a big scary monster (and she even has a cool, scary mask).  But Felicia Furrypaws point out that it’s a rule that girls must be pretty for Halloween.  Babymouse is appalled at this idea and decides to go ahead with her (very cool) scary costume ideas anyhow.

But when she lets it slip that her parents are letting her have a Halloween party and everybody wants to come, Babymouse is torn.  She’s excited that people want to come, but when Felicia insists on coming, and insists she dress like a princess…. (more…)

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