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Archive for the ‘Funny (ha ha)’ Category

SOUNDTRACK: 1910 FRUITGUM COMPANY-“Goody Goody Gumdrops” (1968).

19101910 Fruitgum Company has a great, bizarre name.  Especially for a band that released such poppy songs.

I thought I knew most of the bubblegum hits just from casual awareness of them.  I was quite surprised how many of these chart-hitting songs I’ve never heard before.

I don’t think I knew this one before, and I quite like it.

The opening verses are quiet, almost dark, with just a chugging guitar and a stomping drumbeat.

It segues into a chorus that is really catchy (of course).  I really like the chord change from “goody goody gumdrops, my heart is doing flip flops” to “gee what love can do.”  It feels like perhaps a minor chord introduction.  There’s even some mildly interesting drum patterns in the middle.

The return of the opening verse brings back a slightly darker mood before the return of the joyful chorus.

It feels like it slightly defies the conventions of the pure bubblegum song.  Maybe that’s why it only got to #37.

[READ: June 15, 2020] Bubblegum Week 6

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

Coffee with Honey

Part IV of the book is called Compound. In it, Belt visits the Jonboat housing compound (they took over most of a cul-de-sac).

There’s a few interesting revelations here, and a remarkably lengthy discussion of a sexual practice that I don’t think I’ve ever seen discussed–certainly not at length–in a book before.  But overall this section does what I like best about this book–have lengthy passages that don’t move the plot along but make me laugh at the ideas and the extent to which Levin is willing to stretch out an idea.

Part IV Section 1 is called “New Modes of Fascination.”

As Belt wakes up his pillow is talking to him.  This is new.  Or, not new exactly, but unusual.  Indeed, the pillow is mad because Belt hasn’t talked to it at least six years (and it’s grumpy because of it).  There’s not much more with inans in this section (aside from a false interaction with a bracelet at the compound), but it’s probably important not to forget about them.

One interesting idea that the pillow suggests is that it can talk with books.  Belt wonders why he never talked with books.  Or had he?  Was the book reading the words to him as he held it or did books have other things to say besides the words on the page?  That idea must be tabled for now.

Belt runs into his dad who is standing in the kitchen acting like he’s had a stroke. He’s acting very strangely, frying up a huge pack of bacon and getting grease on a Jonboat shirt.  There’s a nice call back to Belt smashing the frame that held the Jonboat Says t-shirt.  For this is the shirt that Clyde has.  Clyde essentially believes that he blacked out and smashed the frame but doesn’t remember doing it.  he finds this disturbing because he distinctly remembers why he wanted to do it, but is concerned that he blacked out and doesn’t remember that part.  Belt does not put his mind at ease with the truth.

Belt also learns that his father never really liked Jonboat–he wasn’t rubbing it in by buying that T-short–rather it was … overcompensation because he felt bad that he didn’t like belt’s new friend.  This made Belt feel very good about his dad and they even shared a lengthy, sincere hug.

This week’s reading had several sections that I just loved.  The don’t advance the plot.  They are long-winded, almost set-pieces.  And each one delights me.

Like when Belt decides to sweeten his coffee with honey. (more…)

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SOUNDTRACK: THE TEA-PARTY-“Everyday is Like Sunday” (2020).

The Tea Party recently released a cover of Joy Division’s Isolation.  They have now followed it with this cover of a fantastic Morrissey song.

I prefer the guitars in the original just because of the very cool sound that Morrissey’s guitarist got.  But The Tea Party’s guitars are a nice blend of acoustic and electric.  They also add strings (like the original).

Jeff Martin’s vocals couldn’t be much further from Morrissey’s, but they work perfectly with the subject matter.

Morrissey’s been more than a little bit of a horrible person lately, so it’s nice to have another solid version of this great song to listen to.

[READ: May 25, 2020] Department of Mind-Blowing Theories

Tom Gauld is consistently one of my favorite cartoonists. Even though most of his people are stick-figurish, he conveys so much with them.  But more importantly, the content of his cartoons is unfailingly clever and funny.  Some you have to think about to get, which makes them even funnier.

These cartoons are all science-themed and were originally published in New Scientist.

Some examples include Darwin posting The Origin of Species on social media with these comments:

  • MrTomHuxley OMG! This is Amazing!!
  • BishopWilberforce1805 LOL! Totally Fake
  • MorphineEmprium: For the relief of coughs and colds [this post has been flagged as spam]

One of my favorite jokes (which relies on the visual) has a scientist saying “No wonder today’s results have been so poor.  This isn’t growth serum: it’s hand sanitiser!”  The visual it outstanding.

Some pieces that work without seeing them: Comparing covers of the new issue of Utopian Science Quarterly and The Journal of Dystopian Science.  Or seeing the new classic fiction with binary Numbers: The 11 Musketeers; 1100 Angry Men; Catch 10110. (more…)

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SOUNDTRACK: RHIANNON GIDDENS AND FRANCESCO TURRISI-Tiny Desk (Home) Concert #27 (May 28, 2020).

Rhiannon Giddens has a really amazing voice.  It is powerful and full and easily commands your attention.  She’s a practitioner of traditional music and loves to share the history and the culture.  She also writes her own songs.  However, introducing the second song Rhiannon Giddens explains “We’re not doing my original songs, ’cause with these kinds of emotions, the old songs say it best.”

They start with “Black as Crow” a lovely traditional song starting with Giddens’ mournful violin and then Turris’ plaintive banjo.  It’s amazing how rich and deep her violin sounds  Which makes me think it is a viola.

Rhiannon talks a bunch about how the pandemic has effected them.

They canceled their tour of Japan and returned home to Ireland; Rhiannon lives in Limerick while Francesco lives a few hours away in Dublin where they recorded this Tiny Desk (home) concert.

She says it’s hard for them as musicians because to do anything they have to be videographers and engineers and everything.  There’s a reason why people do that as the thing that they do and we appreciate them even more.

For the “Spiritual” mentioned above, Rhiannon plays the banjo and Francesco plays a bodhrán.  It starts with Rhiannon singing a capella, then she starts playing with great banjo picking (even some groovy slide work).

Food and art are the basis of what we are as human beings. And those are hit hard.  She started a website ArtLivesOn.com.

They end the set with two songs, “Carolina Gals” segues into “Last Chance.”  Rhiannon plays a violin (fiddle) while Francesco gets an amazing variety of sounds from the tiny hand drum he plays.  It’s like a tambourine with a skin on and there’s wonderful diversity of sounds.  The lyrics of “Carolina Gals” are familiar but different: “Carolina girl’s won’t you come out tonight.”  But my favorite part of the set comes at the end when Rhiannon just takes off on the fiddle playing the super fast instrumental “Last Chance.”

[READ: May 25, 2020] “Everyday Parenting Tips”

I love Simon Rich, he makes me laugh out loud pretty regularly.  Although this piece fell flat to me.  The premise is okay but there’s not enough to do with it, so it kind of runs out of steam pretty quickly.

This comic essay is all about how to help your children who are afraid of monsters.

It starts off easily enough with the calming assurance that it is normal for children to be afraid of monster.  It shows a sign of a healthy imagination.  By five they should be convinced that monsters aren’t real.

The problem however is that some monsters are real.  Ever since the Great Monster Uprising, when the monsters arrived from the Dark Place, monsters are an unavoidable part of out lives. (more…)

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SOUNDTRACK: PHOEBE BRIDGERS WORLD TOUR (May 26-June 4, 2010).

Phoebe Bridgers is a fascinating person.  She sings the most delicate songs.  Her voice is soft and almost inaudible. Her music is simple but pretty.  And her lyrics are (often) devastatingly powerful.

And yet she is really quite funny.  Both in interviews and in her visual representation of herself.

Her logo when I saw her was a fascinating faux death metal style of her name.  And now with this world tour, you can see in the poster all of the metal bands referenced in the logos. (There’s Slayer in the kitchen for instance).

And then there’s the basic joke of this world tour.  No one can go anywhere, so she is travelling her world: kitchen, bathroom, and bedroom (second concert by popular demand??)

The first show last night raised money for Downtown Women’s Center.

After some introductory talking and even a magic show (!) from Ethan, her producer, she played five songs.  Midway through she agrees that the set was a bit of a downer, especially opening with these two sad songs.

“Scott Street”
“Funeral”

Then it was time for two new songs (and an electric guitar).

“Moon Song”
“I See You”

Before coming to the end, she delayed, because she was having so much fun (and raising so much money).  So she showed us around her kitchen and pitched the kind of guitar she was playing, the kind of capo (quite expensive!), and her Target-purchased kitchen ware.  

She ended the set with a boygenius song, “Me and My Dog ” dedicated to her dog Max who died at the age of 17 last year.

The first night of her tour was a success. Tonight is night two, from the bathroom.

You’ll laugh, you’ll cry.  You can watch it here.

[READ: May 27, 2020] “California Ghosts”

I don’t usually read profiles of artists I like.  But every once in a while, one strikes me as interesting.

Phoebe Bridgers is a pretty fascinating character (see the above part for some details).  So I though this might be an interesting profile.  And it was.

Bridgers was brought up in Laurel Canyon and came of age listening to emo.  I love that the writer has to define emo for the New Yorker crowd, “a sub-genre of punk focused on disclosure and catharsis.”  That’s probably the most concise definition of emo I have read.

She writes that Conor Oberst (of Bright Eyes) is one of emo’s most beloved practitioners.  Phoebe grew up listening to him and then met him in 2016.  He says when he first heard her he felt like he was reuniting with an old friend.  In 2018 they made Better Oblivion Community Center together.

At Carnegie Hall (where she wore a tea-length black dress and high to Doc Martens), she sang a song with Matt Berninger of The National. (more…)

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SOUNDTRACK: JERU THE DAMAJA-Tiny Desk (Home) Concert #16 (April 30, 2020).

I’ve always liked Jeru the Damaja’s name; I find it very satisfying.  It’s amusing to me that with a name like that he raps about positive things.

He used the concert to share his inspiring philosophy of self-knowledge. Jeru drops lyrics about what it takes to achieve self-actualization in tough conditions for not just himself, but for the culture.

I don’t actually know any of his songs; this is a “medley of his classics.”  Jeru’s got a great, deep voice that adds a lot of strength to his lyrics.

Like Black Thought, Jeru sits in a chair, surrounded by his gear.  Unlike Black Thought, Jeru is in motion pretty consistently bobbing and waving his hand like he does care.

He starts with 50 seconds of “Can’t Stop the Prophet” after which he says “we need a superhero and we forget that the superhero resides within us.”  he encourages everyone to be creative in this time because idle hands do the devil’s work.  This is his lead into the 90 seconds of “Ain’t The Devil Happy.”

His prescient lyrics remain as relevant as ever as he addresses the deepening fissures of socioeconomic inequalities exposed by the coronavirus crisis.

He even updates the lyrics of “Scientifical Madness”

Mind Jah lick you with disease
So I inflict MC’s like Ebola Corona
Or some other man made cancer

He says he doesn’t want to be inside, but he’s grateful that he has a place to be because living outside is “So Raw.”  I really like the slow grooving beat of this song.

After the 90 seconds of “My Mind Spray” he says his mind is always working.  He’s always wondering if this and if that. But the old saying goes “If if’s were fifth, we’d all be drunk.”  In the song “If” he adds “If if was a spliff, we’d all get smoked up.”

He closes his set from his home in Berlin with a new song, “The Power,” and offers up a message we all need: “No matter who you are, the power resides in you…We can overcome anything if you put your mind to it, you just can’t get in your mind too much.” The prophet cannot be stopped.

“The Power” is a full song which was inspired by a things his mother used to say that he didn’t understand until he got older: “nothing matters except for how we treat people.”

[READ: May 6, 2020] “Shelter Seekers”

This story is written as a letter to the “scholarship liaison officer.”

The letter writer received a $4,000 Daniel White Foreign Study Scholarship via the Government of Canada.  The money was to fund three months in Argentina to study how the region is “adapting its approach to housing in the interest of sustainability.”

This letter is the final report which is “unconventional in form, long overdue and in excess of the stipulated two-page limit.”

The writer left her husband for three months to undertake this challenge.

On the flight to Patagonia ($1,297) she read the Award Holder’s Guide.  She imagined building clay houses and hanging out with her fellow researchers, drinking Fernet and Coke.  She even considered the idea of an affair with an attractive researcher.  (more…)

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SOUNDTRACK: MAHAN ESFAHANI-Tiny Desk Concert #970 (April 27, 2020).

I love the sound of the harpsichord but always assumed that one played the harpsichord in addition to the piano, like for extra flavor.  That may be true, but Mahan Esfahani is not only “the instrument’s most ardent advocate,” he is also hilariously cocky about it.

For this Tiny Desk,

Esfahani, who grew up near Washington, D.C., but is now based in Prague, chose a double manual harpsichord — meaning two keyboards. This one was built by specialists Barbara and Thomas Wolf in 1991, but is based on a famous French instrument from 1770.

The harpsichord is a beautiful but notoriously fussy instrument. After we wheeled one behind Bob Boilen’s desk, it took the bulk of an hour to get the tuning just perfect for the very first Tiny Desk harpsichord recital. Given that our guest was Mahan Esfahani we were willing to wait.

His set began with classics: a pair of sonatas by Domenico Scarlatti, which share the same key but couldn’t be more opposite in personality. With elaborate curlicue ornaments in both hands, the opening sonata “Sonata in D, K. 534,” presents a sober, regal outlook. Its partner “Sonata in D, K. 535” is a flamboyant rocker, with the hands chasing each other across the two keyboards like a cat and mouse.

Before the next song Esfahani makes some wonderfully funny comments about the superiority of harpsichord players.

He says people thing harpsichordists take piano pieces and transcribe them for the harpsichord.  No, pianists take enough of our music; we’re a much classier bunch than them.  We have our own music.

He also tells us that there are many modern composers making harpsichord music.

But he also tells us that there modern composers making harpsichord music.  Composers are the best people as we all know.  It goes composers then harpsichordists, I think, then everyone else.

Mel Powell was a jazz pianist who worked with Benny Goodman. he then became a composer of “proper music” (as it was called in the 1950s).  he studied with Hindemith but unlike Hindemith, he’s not boring.

Angular and slightly jazzy “Recitative and Toccata Percossa,” from 1951, is a tour de force in this artist’s hands. It drives home a point he likes to make — that while the harpsichord had its heyday in the 18th century, it’s still a vibrant instrument and very much alive. “There are over 50 modern concertos for the harpsichord,” he told the audience.

He closes with a lesser known piece by a famous composer.  After giving the proper pronunciation of Pachelbel, he tells that Pachelbel was good enough to teach Bach’s brothers.

Esfahani closed with a little-known chaconne by Johann Pachelbel. Its steady bassline and colorful variations were a pleasant reminder of the composer’s one-hit claim to fame, “Pachelbel’s Canon.”

I’ve never seen a harpsichord that looked like this before.  It sounded great.  I love that there are muted passages in the Pachebel piece–I’ve nevee heard a muted harpsichord before.  This was another great Tiny Desk.

[READ: May 3, 2020] “What to Watch During the Lockdown: Month 38”

I used to really look forward to Nick Hornby’s (mostly) monthly columns in The Believer. I’m not really sure what he’s been up to since, but it’s great to see a new column from him.

This one features his delightfully obscure references to entertainment and football.

My wife and I are apparently the only people who will come out of this quarantine with even more shows to watch than we started with.  We have so much to do during the day–house fixing, yard prepping, reading–that we barely watch an hour of TV a night.  And there’s about 35 shows that I would like to binge.

So, I appreciate this essay intellectually, but not on a practical level (even if it is hilariously absurd). (more…)

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SOUNDTRACK: DAVE-Tiny Desk Concert #908 (November 8, 2020).

Usually if you go by a mononym, your name is unique.  This British rapper goes by “Dave,” which seems rather bold since it’s hardly unique.  It also seems like it would be very hard to find in a search engine.

Perhaps the understated name applies to his understated delivery.  He has a lot of great things to say, but he’s not grandiose about how he says them.

He also seems very nervous (you don’t mind if I steal one of these waters, do you?).

 Dave made a special trip all the way from the UK just for his Tiny Desk performance. If that isn’t proof that it was a big deal, his nervousness before the show confirmed it. But he powered through in a performance that puts his gift for making the personal political on full display.

“Location” is first.  Tashera Robertson sings the introduction. There’s quiet but somewhat complex guitar work from Markelle Abraham.  Daves’ rapping is very understated almost quietly rhymes.  His delivery is almost mumbly because it is so quiet, but her remains clear.

He shares the inspiration behind the aptly-titled song “Black” from his opus of a debut. “It’s just about the black British experience,” he says. “Everyone’s experience of being black is a little bit different, but this is my take on it. I wanted to deliver it to the world and here it is for you guys.”

“Black” starts with a spooky piano melody Aaron Harvell and a very simple drum beat Darryl Howell based around rim shots.  The bass from Thomas Adam Johnson punctuates the melody.  There’s cool scratching sounds from Abraham on the guitar which add a spooky texture.  Robertson sings backing oohs and ahhs.

But the lyrics are fantastic

Look, black is beautiful, black is excellent
Black is pain, black is joy, black is evident
It’s workin’ twice as hard as the people you know you’re better than
‘Cause you need to do double what they do so you can level them

With family trees, ’cause they teach you ’bout famine and greed
And show you pictures of our fam on their knees
Tell us we used to be barbaric, we had actual queens
Black is watchin’ child soldiers gettin’ killed by other children
Feelin’ sick, like, “Oh shit, this could have happened to me”

Black is growin’ up around your family and makin’ it
Then being forced to leave the place you love because there’s hate in it

Her hair’s straight and thick but mine’s got waves in it
Black is not divisive, they been lyin’ and I hate the shit
Black has never been a competition, we don’t make this shit

Black is my Ghanaian brother readin’ into scriptures
Doin’ research on his lineage, findin’ out that he’s Egyptian
Black is people namin’ your countries on what they trade most
Coast of Ivory, Gold Coast, and the Grain Coast
But most importantly to show how deep all this pain goes
West Africa, Benin, they called it slave coast

Black is like the sweetest fuckin’ flavour, here’s a taste of it
But black is all I know, there ain’t a thing that I would change in it

The song builds slow and dramatically with more guitar work as Dave’s delivery gets more powerful.  It’s really intense.

But the climax here comes near the end, when Dave takes a seat at the piano to accompany himself while rapping his 2018 hit, “Hangman.” In the moment before he plays the opening keys, he pauses to take a breath before channeling the weight of the world through his fingers.

“Hangman” is more of the intense personal political storytelling.  His delivery is so perfect for this power of his lyrics.  This song has a few extra musical elements–some cool bass lines and guitar fills.  It also has an instrumental interlude at the end which allows Robinson to sing wordlessly.

I’m not sure if he has earned his mononym, but it’s a great show.

[READ: April 30, 2020] Bitter Root

I was drawn to this book by the outstanding cover art.  A 1920s era family dressed to the nines standing around a robot-like creature.  It’s sort of steampunk, but with a Harlem Renaissance twist,

In the essays in the back, the style of this book is described with a bunch of awesome phrases: cyberfunk (black cyberpunk), steamfunk (black steampunk) and dieselfunk (black dieselpunk).  There’s also EthnoGothic and ConjurePunk.

This story starts in 1924 indeed, during the Harlem Renaissance.

The story opens with music and dancing in full swing until something terrifying happens.

Next we see some police officers.  The black officer saying that “these people” give me the creeps.  A white police officer says “these people?” and the black officer says “The Sangeyre family ain’t my people. My people don’t mess with this mumbo jumbo.”

So then we meet the Sangeyre family.  Blink Sangeyre says she doesn’t like it that the police just bring them to their store. But Ma Etta Sangeyre says it’s better they bring them in before the kill someone.

We cut to the roof where Berg Sangeyre, a very large man with a wonderfully expansive vocabulary says “Cullen, might I offer you a bit of sagacious insight to your current predicament.  My assistance would hardly prove heuristic to your cause.”

Cullen Sangeyre is a skinnier, younger gentleman and he is fighting a bright red, horned demon known as the “Jinoo.” (more…)

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SOUNDTRACK: RODRIGO Y GABRIELA-Tiny Desk (Home) Concert #15 (April 28, 2020).

The only thing better than seeing Rodrigo y Gabriela live (which is amazing) is getting to see them up close just to be even more amazed by what they can do.

The Mexican duo known as Rodrigo y Gabriela travel the globe playing to crowds who are captivated by their almost telepathic acoustic guitar interplay. But they make their home in Mexico in a sunny Pacific beach town called Zihuatanejo (remember The Shawshank Redemption?). For this performance we get a peek at their home studio, where they surround themselves with guitars and dress down in sneakers and casual clothes. They run through tunes from throughout their recorded history, including a song they played at the Tiny Desk back in 2009. Rodrigo y Gabriela’s picking and strumming feel more relaxed than usual but maintains their intense focus.

“Tamacun” and “Diablo Rojo” come from their album Rodrigo y Gabriela (2006).  Rodrigo plays the amazing and catchy leads and it’s terrific to watch him.  But I think that Gabriela with her unconventional and at times mind-blowing rhythm section that is even better to watch.  I never quite know what she’s doing with her right hand.  Is she specifically hitting different strings with different fingers, or is it just an elaborate strum?

The percussive sound they both get on “Diablo Rojo” is fantastic.  That they can keep the song interesting while just hitting their guitars is so cool.

“Hanuman” is from the album 11:11.  Each song on that album is a tribute to an artist who has inspired them.  This is a tribute to Carlos Santana (whom they met after this song was released).

“Mettavolution” is the title track from their newest album.  I love that they are album to write so many instrumentals with just two acoustic guitars and have them all sound so different.  Near the end of this one Rodrigo says that normally they ask people to sing along (woah oh ohs), but since there’s no crowd, maybe you’ll sing along at home.

It’s hard not to.

[READ: April 25, 2020] “No. 13 Baby”

This is an excerpt from Barry’s novel Night Boat to Tangier.

I have mixed reactions to Barry’s stories.  I usually like the details, but sometimes the the overall story is too intense (I don’t especially like stories about drug dealers) .

Set in the Plaza de la Constitución in Spain, Maurice Hearne is waiting for someone. The man arrives and says Maurice needs to pay half of the money first before he can meet Karima.  Then the man tells him that he should have his head examined: Just forget these people, go back to Ireland and have some kiddies.

He called home to Cynthia to assure her that everything was going to be okay.  Then he went to meet Karima. (more…)

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SOUNDTRACK: LAURA MARLING-Tiny Desk (Home) Concert #10 (April 16, 2010).

I have become a huge fan of Laura Marling over the last few years.  I was so looking forward to her solo performance this past March. It was one of my bigger coronavirus disappointments that the intimate show is not going to be rescheduled.

Marling has been doing regular guitar lessons about her own songs (her tunings and playing style is unique and wonderful to see demonstrated).  You can see the past (and future) ones here.

(While many artists have postponed the release of their new music in the face of the COVID-19 pandemic, Laura Marling rushed to change the release date of her album from late summer to April.

As of right now her album is only available digitally. The physical release is slated for summer.

On this Tiny Desk (home) concert, we find her in her living room, with an intimate performance of songs from her just-released record Song For Our Daughter. The album is an homage to a future generation of women and to Maya Angelou’s Letter to My Daughter, a collection of essays addressed to a fictional daughter. The warm, home setting makes room for Laura Marling’s extraordinary voice to shine.

“Held Down” has a lot of backing vocals and arrangements on the record and this stripped down version sounds amazing without it all.

“Strange Girl” demonstrates her deeper singing style in a fast and bouncy song.

“Song For Our Daughter” is a slower song, beautiful and thoughtful.

I just cannot get over how beautiful her voice is.  These personal performances almost make up for not seeing her live.

[READ: April 20, 2020] Mac B. Kid Spy: The Impossible Crime

This is the second book in a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

It’s 1989 and Mac is at the mini golf course.  But he is there not for the mini golf but for the video games. He is playing Spy Master 2–the arcade update to the home game.  Mac was just about to beat the big boss–something no one else had ever done before.  People were cheering him on. Except for Derek Lafoy (who did not invite Mac to his birthday party in the previous book). Derek called him Mac Barn Head and chanted “Choke!”

But this book isn’t about video games, its about the Queen of England who called Mac at the golf course to tell him that she thought the Crown Jewels were going to be stolen again.  (In the previous book Mac helped rescue the Crown jewels for the Queen). (more…)

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SOUNDTRACK: KEVIN MORBY AND WAXAHATCHEE-Tiny Desk (Home) Concert #9 (April 14, 2020).

I had no idea that Katie Crutchfield and Kevin Morby were an item (or are at least close enough to quarantine together).

I really enjoyed Waxahatchee’s last two albums and was a little bummed to hear that this new one was more mellow (although good for her for getting sober!).

I really only know Kevin Morby from Tiny Desks.  I was pleased at how much I enjoyed his set and some of his other songs.

And so here they are together.

On the raw video Kevin Morby and Katie Crutchfield (aka Waxahatchee) sent to us, Kevin takes a deep breath, gives a sweet smile as he looks into his camera, clasps his hands, and says, “Hello everyone, we’re going stir crazy — this is take number 55.”

Recorded at Kevin’s tiny desk in Kansas City, they play two songs from Waxahatchee’s new album Saint Cloud, sing together on Kevin’s 2016 tune “Beautiful Strangers,” and find new meaning in the late Jason Molina’s song “Farewell Transmission.”

I also never noticed how much she and her sister Alison look alike as much as in this video–maybe it’s the (lack of) makeup?

“Fire” is the first song I’d heard from the Waxhatchee album.  I really didn’t like the high notes that start the song–they seemed just too much.  Although having heard it a few times (and now hearing her sing it live), I’ve grown to really appreciate it.  The rest of the song is really pretty too.

Kevin Morby wrote “Beautiful Strangers” in 2016 as a single with the proceeds going to Everytown for Gun Safety.  I don’t know the song, but I find it very pleasant (and Katie’s backing vocals are perfect here).

“Lilacs” is a great song from the new album which features Katie’s voice perfectly.  This is the song that made me want to hear more from the album.

The final song is a Songs: Ohia cover called “Farewell Transmission” I don’t know much about Songs: Ohia, but I know everyone loves Jason Molina, which makes me think I should listen to him more. This song runs over 7 minutes and doesn’t change all that much.  In fact,  it might just go five minutes before something different happens.  Without focusing on the lyrics, it’s a little dull, but it is nice to have both of them switching off lead vocals.

[READ: April 10, 2020] Mac B Kid Spy: Mac Undercover

I really like Mac Barnett.  I like his picture books, but I really like his chapter books.  His Brixton Brothers series is fantastic.  I love his style and his excellent sense of humor.

This is a new series illustrated by Mike Lowery.  It begins

My name is Mac Barnett.  I am an author.  But before I was an author, I was a kid.  And when I was a kid, I was a spy.  An author’s job is to make up stories.  But the story you are about to read is true.

This actually happened to me.

Mac shows his house and then gets right to it: The Queen of England called him to ask for a favor.  He says

Whenever somebody asks you for a favor, it is a good idea to ask them what the favor is before you say OK.

But I had never talked to a queen before.

So I said OK.

The queen tells him that last night somebody stole the Crown Jewels and she wants Mac to find them.

I have a question, I said.
“I hope it is a quick question,” said the Queen.
“Why me?”
The Queen of England sighed. “That is a stupid question.”
“My teacher says there is no such thing as stupid questions.”
The Queen of England frowned (I could tell she was frowning even over the phone).

Mac, said the Queen. “You are the smartest kid in your class.  You have straight As in every subject except handwriting.”

So Mac packed these things to take with him: his Game Boy, three books, a toothbrush, a hat, a shirt, a jacket, and his favorite blue jeans (perfectly faded). (more…)

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