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Archive for the ‘Twin Peaks’ Category

TV I have killed

Posted in Aliens in America, Arrested Development, Chuck, Freaks & Geeks, Futurama, How I Met Your Mother, Reaper, TV 2007, TV 2008, TV 2009, TV 2010, Twin Peaks, Undeclared, Veronica Mars on March 21, 2010| 2 Comments »

I have concluded that I have personally killed or mortally wounded every TV show that I adore. Sports fans have their rituals that ensure their team will win, and I have a ritual that ensures a show will stay on the air: don’t watch it.

Here is a list of TV shows that I have single-handedly (with some help from my wife) sent to an early grave:

Reaper
Pushing Daisies
Aliens in America
Arrested Development
Wonderfalls
Clerks the series
Greg the Bunny
Firefly
Dead Like Me
Police Squad (although really, how many more episodes could they have made of this nonsense?)

[Notice that there’s a real pattern here of Fox picking up great, weird cutting edge shows and then canceling them after one or two seasons.  It makes me love and hate Fox at the same time].

Freaks and Geeks*
Undeclared*
Futurama*

[although I don’t know how to classify the weird reprieve they’ve gotten in releasing DVDs and a new season]

*Okay, technically I caught these shows on DVD after they were cancelled, and yet, the point remains that I would have loved them if I knew about them. (more…)

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Roberto Bolaño–2666 [Week 6] The Part About Fate (2 of 2) (2004)

Posted in Adventure, Big Books, Blue Öyster Cult, bolanobolano.com, Books about writers, Boxing, David Lynch, Drinking, Foreign Books, Infinite Zombies, James Joyce, Natasha Wimmer, Roberto Bolaño, Threats, Translation, Travel, Twin Peaks, Violence on March 1, 2010| Leave a Comment »

SOUNDTRACK: BLUE ÖYSTER CULT-Tyranny and Mvtation (1973).

The album cover is similar to the first disc (a simple black and white), but this one adds a touch of red. Similarly, the music adds a touch of something that makes this disc leap beyond the foundation of their first.

The songs are heavier, the lyrics are weirder and yet the whole proceeding is catchier and groovier at the same time.

The first half of the disc is called The Black (going with the first song “The Red & The Black”).  It contains 4 great tracks.  The highlight is the improbably named “7 Screaming Diz-Busters” a 7 minute song that starts off with great heavy guitars, segues into a spooky/wild moog organ fueled freakout and ends with a denouement that is mellow and creepy.

But the other three songs rock hard too.  “The Red & the Black” is a super fast boogie which repeats some of the lyrics from the first disc: “Canadian mounted baby.  Police force at work.  Red and black. Its their color scheme.”  The tempo slows somewhat with “OD’d on Life Itself,” but it quickly comes back with “Hot Rails to Hell.”

Side two, The Red, opens with “Baby Ice Dog” with lyrics by Patti Smith (!).   The side is less heavy, with Allan Lanier’s piano coming to the front on this track (although there’s a delightfully cheesy wolf howl at the end). “Wings Wetted Down” foreshadows more familiar BOC with great choruses and harmonies, coupled with cool riffs.  And the final song “Mistress of the Salmon Salt (Quicklime Girl)” is yet another wonderfully oddly titled (and lyrically peculiar) song.

Even though the first disc is quite good, BOC totally hit their stride on this disc, showcasing their weirdness and their virtuosity in equal strength.  The recently remastered edition contains 4 live tracks that show just how much the band rocked in a live setting too.

[READ: Week of February 22, 2010] 2666 [pg 291-349]

During last week’s reading, I had replied to a post on Infinite Zombies in which I stated that I am a very credulous reader.  If I believe that the author is doing something worthwhile, I’m totally willing to suspend my disbelief about whatever the writer tells me.  Sometimes, when I’m done, or if I’m asked to be critical, I’ll look for flaws, but generally I like to go with the flow.  So, I’d been reading along uncritically primarily because I don’t exactly know what Bolaño is up to, (even 300 pages in) so I’m just going to enjoy the ride.  More on this in a moment.

This week’s reading continues Fate’s saga down in Santa Teresa.  His story request about reporting on the murders in Santa Teresa has been turned down.  And he thinks back to all of his other stories that have been rejected by the newspaper.  Like the Mohammedan Brotherhood.  Fate met them at a Pro-Palestine demonstration. They were marching under a banner of Osama bin Laden (shortly after 9/11/01).  They were so over the top that Fate felt the need to interview them. (more…)

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Ross Campbell–Wet Moon 2: Unseen Feet (2006)

Posted in Arcade Fire, Austin City Limits, Boredom, Canadian Music, David Lynch, Demons, Drinking, Funny (strange), Goths, Graphic Novel, LGBTQ, Oddities, Ongoing, Oni Press, Ross Campbell, Set at School, Sex, South, The X Files, Twin Peaks, Universities on February 12, 2010| Leave a Comment »

SOUNDTRACK: ARCADE FIRE Austin City Limits (2007).

Recorded in support of Neon Bible, this concert blew me away.  I enjoyed Neon Bible quite a lot, but seeing the band in this concert setting was really amazing. The band was so exciting live.

From Win Butler’s intense performance (both on stage and in the audience) to his wife, Régine Chassagne’s multi-instrumental extravaganza (even if she does look like Susie Essman when she’s about to go off on a foul-mouthed tirade).  To the exhausting and exhaustive rest of the band.  They never stop.  Even when they’re not playing anything, the are happy to join in on a random drum or cymbal.

Plus, how many bands do you get to see play the hurdygurdy?

There’s just so much going on onstage with this band (and of course they throw in little video screens as well!).  And when Win grabs his mike stand and moves literally into the audience to finish one of the last songs, it was really invigorating (and would have been very exciting to have been in the front row there).

Even though it was televised, I felt like I was there.  Oh, and it wasn’t just the theatrics, the band sounded amazing too.  If I ever get the chance I hope to see them live, myself.

[READ: February 11, 2010] Wet Moon 2

I finally received Wet Moon 2 & 3 in the mail the other day.   I was quite excited to get to them.  And Volume 2 did not disappoint.

It is very apparent from Volume 2 that Campbell is in it for the long haul.  Which is one way of saying that not very much “happens” in this book.  Several plot threads from book 1 are teased out a bit, but nothing conclusive happens anywhere.

But that’s not to say that nothing happens at all.  We learn the identity of the long-haired person whom Cleo runs away from in book one (an ex). We learn a little back story (and about a curious upside-down contraption from the person with no hair (who is named Fern).  We learn that Wet Moon is full of more and more bizarre characters, and that there’s an FBI agent around town.  We also learn that another Cleo Eats It sign has been found, although we don’t know anything more about who did it.

(more…)

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Mark Binelli–Sacco & Vanzetti Must Die (2006)

Posted in Death, Funny (ha ha), Funny (strange), Gangsters, Great Northern, History, Mark Binelli, Meta, Nada Surf, Racism, The Anniversary, The Believer, Threats, Twin Peaks, Veruca Salt, Violence on September 11, 2009| Leave a Comment »

saccoSOUNDTRACK: GREAT NORTHERN-Trading Twilight for Daylight (2007).

grewatA patron donated this disc to our library.  I had never heard of Great Northern, but I gave it a listen, in part because I hoped that the band name came from Twin Peaks (no idea if it does). And wow, I was blown away by this disc.

This is like the great unheralded indie rocker band (although having looked them up apparently the are quite heralded).  Their songs sound like an inviting combination of The Anniversary (the GN song “The Middle” always puts me in mind of The Anniversary’s “The Siren Sings”), Veruca Salt, Nada Surf and any number of supremely catchy bands.  The vocals are split between a make and female voice which makes the diversity even more appealing.

There’s not a bad song on the disc, and I find myself playing it quite often. The music is first rate, with great textural setups and drop offs, and the choruses, oh the choruses.  It’s hard to even pick a favorite song.

I’m somewhat surprised I’d never heard of this band before (they have a new album out this year that I haven’t heard), but then they are on a label I’ve never heard of either (Eenie Meenie).  I will totally get their new disc, as well as their Sleepy Eepie EP.  I’m really that impressed.

[READ: January 2007] Sacco & Vanzetti Must Die

I read this book over two years ago (I’m cleaning up the final books that I haven’t posted about), and I’m afraid I’m a little shaky on the details.  But I just remembered that I read about it in The Believer.

The premise of the book is that Sacco & Vanzetti are actually a comedy team, not anarchists.  Well, they are anarchic, but in the realm of comedy, not bombs.  They are a sort of Laurel & Hardy with Sacco as the fat troublemaker (and yes the name fits) and Vanzetti as the straight man, the ideologue.  As they progress from slapstick routines to film, their comedy gets more specific, and their schtick concerns “knife grinders/throwers.”  The knife angle is explained as a family trademark or maybe it’s a stolen gimmick.

Inevitably, their careers begin to wain, and their lives take a turn for the worst.  And when things get bad, they get really bad, leading them to trial, with possible execution. (more…)

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Min Jin Lee–Free Food for Millionaires (2007)

Posted in Big Books, Canadian Music, Consumerism, Digression, Foreign Books, Marriage Trouble, Min Jin Lee, Pearl Jam, Religion, Rush, Set in New Jersey!, Smarty Pants, Twin Peaks, Universities on May 28, 2008| 1 Comment »

SOUNDTRACK: RUSH-Snakes and Arrows Live (2008).

Rush puts out a lot of live CDs. They started out back in the 70s by doing a live record after every four studio records. Then at some point they broke the pattern and just went nuts with the releases. The pro and con of a Rush live CD is that it sounds pretty much exactly the way the studio record does (because they are perfectionists, they duplicate the studio solos exactly). So, why get a live record? because it’s fun to hear them duplicate these sounds live! If that means nothing to you, then you’re probably not a musician. Anyway, their recent live shows have been a lot of fun because they have been really experimenting with their set list, playing some of their more obscure tracks that they haven’t played live in years.

This CD is no exception, and in fact, it may be my favorite live Rush release for three reasons: 1) They play “Entre Nous,” a wonderful song that I’ve never heard live. 2) They play “Natural Science” and “Witch Hunt” back to back…two of my favorite Rush songs ever. 3) They do NOT play “Working Man” or the first album medley that they have been playing for far too long to end their sets. Some other highlights: Neil changed his drum solo! I always thought that the whole point of the “solo,” aside from showing off how much you kick ass at your instrument, was to improvise something fun. Well, Neil Peart has been doing the same drum solo for something like five years. It was a song unto itself at this point. It was the only place I could think of where you’d see people air drumming to a solo, and actually doing it right. So, thankfully, that piece of percussive mayhem has been updated.

Two observations thought: 1) I feel that the sound of the album isn’t very good. It seems rather muddy to me. I’m not sure why exactly, but I expect better production from them. 2) And this is the most shocking observation: the songs are SLOWER than on the record, or on any other live instance. Some songs aren’t that noticeable, but there are several where the tempo is clearly not as speedy. I suppose this makes sense since the fellows aren’t young any more, and I suppose it also allows Geddy to keep his voice from having to reach the super high notes of years ago (his voice sounds great by the way), but for a band that never changes anything, it’s quite a shock!

Incidentally, I also just listened to the Pearl Jam Live at the Gorge CD right after the Rush one and it is amazing how different two bands could be live. There’s not a missed note or a flub or, really, anything unscripted on the Rush set. I don’t think there are any overdubs, but it’s pretty much perfect. Whereas on the Pearl Jam set, they are so casual, so mellow, and clearly having so much fun (not that Rush isn’t having fun, it’s just a different kind of fun). And, of course, there are major screw ups on the Pearl Jam set. The third song is completely flubbed. On “Betterman,” a song they must have played hundreds if not thousands of times, someone, I assume Eddie Vedder hits a terribly wrong note at the end of the soft introduction. And then he mocks himself for not practicing. Very funny, very good natured.

Of the two, I don’t really have a preference, but it’s nice to have the two styles to choose from.

[READ: May 22, 2008] Free Food for Millionaires.

I found out about this book when a patron asked me to put it on hold. It was totally a case of judging a book by its title. And I didn’t know if it was fiction or non-fiction, but I wanted to see what it was about. So, I read the blurb, and it is a novel which follows the life of a young Korean woman as she struggles to make her way in New York City. (more…)

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