SOUNDTRACK: MARLON WILLIAMS-Tiny Desk Concert #705 (February 12, 2018).
Bob Boilen has such nice things to say about Marlon Williams, that I’m leaving most of the blurb. I found his voice to be lovely but didn’t enjoy his music quite as much as Bob did.
Marlon Williams, the 27-year old, New Zealand-born, Melbourne-based singer is in love with a good, traditional blues or country tune and that’s just how he opens this Tiny Desk Concert, with a song called “When I Was A Young Girl” (also known traditionally as “One Morning In May” or “The Bad Girl’s Lament”). … Williams’ rendition is more stunning than any version I’ve heard with its long, deep-throated incantations. The purity of Marlon Williams’ voice is rare and entrancing.
He reminded me a lot of Antony on this song–deep and resonating and slow. The song is quite earthy (drinking in ale houses) for such a soaring delivery.
After that first tune, performed solo with just his acoustic guitar, he strapped on his electric guitar, brought out his band, snapped his fingers to set the beat and sang about being stoned and running around Los Angeles dressed as a vampire. At the time of our taping, back in October of last year, “Vampire Again” was the newest song since Marlon Williams’ 2016, self-titled release.
Marlon adds some weird and noisy guitar solos throughout the piece. But I am mostly taken aback by these lyrics:
I am happy to reveal
I can smell you from 100 yards (SNIFF) fresh white linen
Felt like only yesterday I was as weak as Woody Allen
Now I stand proud and tall as the home that you were born
The end of the song is a crazy cacophony of vibratos and buzzy synths, like a wild surf rock party.
He launched into a tune we’d not heard before. He calls “What’s Chasing You” a song about horror films, but it sounds like a 1950s tune about unrequited love.
This was a fun, simply fifties sounding tune with nice harmonies.
I can’t help but hear Steve Coogan in the way he introduces the next song.
The brilliant session ends as the band gathered around a single microphone for another new tune called “Make Way For Love.” We now know it’s the title track to Marlon Williams’ forthcoming album and it reveals an intimacy at the heart of what makes him such a magnetic artist.
This also sounds like it would fit n perfectly in a 1950s romantic movie–especially when the other guys (David Khan (electric guitar); Benjamin Woolley (bass); Angus Agars (drums)) sing gentle backing vocals.
[READ: June 26, 2017] “Irman”
I enjoyed a story from Schweblin a few months ago, but I did not like this one. This one was also translated from the Spanish by one of my favorite translators Megan McDowell.
This is one of those stories that frustrates me with unreality in a real setting.
As the story begins, the narrator is very thirsty but her husband(?) Oliver is driving so they can’t stop (!). They finally get to a truck stop but it is empty. The restaurant was big and I “desperately needed to drink something.” [So just go to the bathroom and get water, then].
A short man in an apron appeared and although he seemed to be the water he looked suspicious. Oliver ordered drinks but the man didn’t say anything. When Oliver asked if they could have something fresh and quick the man said yes as if “something fresh and quick were an option on the menu.” I liked that line. (more…)
SOUNDTRACK: PEARL JAM-Binaural (2000).
Binaural bursts forth with the rampaging “Breakerfall” and “God’s Dice.” The latter pauses only briefly for a chorus break. They are followed by “Evacuation,” a song that sounds a bit off kilter in this studio version but which blasts off on the live version. It’s got a great shouty chorus too.
I Just Read About That... 