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Archive for the ‘Film & TV’ Category

SOUNDTRACK: FOREVER THE SICKEST KIDS-“What Do You Want from Me?” (2010).

I wanted to a pick a song from this soundtrack to add here.  Evidently there isn’t really a soundtrack so much as a score (who is buying the score from this film?).  Well, I’ll bet it was fun to write a piece called “Zoo Wee Mama.”

Anyhow, this song is apparently in the movie (over the end credits).  According to Amazon, you can order the MP3 that is somehow affiliated with the soundtrack.

So this is a poppy emo song.  It’s got loud guitars and a chanting chorus and it’s pretty darn catchy.  It sounds like so many other bands that I’d never have guessed it wasn’t by any of  dozen bands that are kinda punk but not really with high-pitched singers who are kind of bratty.  This is not to say that I didn’t enjoy it–in small doses I like emo a lot.  I dislike that this had a lot of “Hey Ho” chanting which is just way too easy to make it catchy.  But aside from that, I would leave this song on at a party.

The actual Amazon MP3 is a “Diary of a Wimpy Kid Mix”.  I have no idea what they have changed about it, though as I only listened to the original.

[READ: April 25, 2012] The Wimpy Kid Movie Diary

I have enjoyed every one of the Wimpy Kid books (and now my son is enjoying them too, although he’s still too young to “get” them).  But I never bothered checking out this book because it seemed, well, unfunny.  Then I saw the book at Five Below for a couple bucks so I grabbed it.

This is a movie tie-in book.  But what’s nice about this book as opposed to many other tie-ins is that Jeff Kinney actually wrote it (I think–his name’s on it, after all).  There are also new drawings that tie in to what he’s writing about and lots and lots of pictures from the movie.

If you’re a fan of the books, this book won’t do a lot for you.  Although there are a few insights into how Kinney got started making his series–including some original drawings.  But if you’re a fan of the movie, you’ll learn a lot.  Kinney talks about how they chose the actors they hired (which was quiet interesting), where the movie was filmed (Vancouver) and what kind of homework he made the two leads do (they had to write an essay from the point of view of who they were playing to make sure they understood the character). (more…)

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SOUNDTRACK: THE NEW PORNOGRAPHERS-“Don’t Destroy This Night from Score! 20 Years of Merge Records: The Covers (2009).

 This is one of my favorite tracks on this compilation.  The New Pornographers grab this song and don’t let go.  It’s loud and catchy and wonderful.  I didn’t know the original of this song either (evidently I don’t know any bands on Merge Records except for Superchunk).

The original is by the Rock*A*Teens, whom I don’t know at all.  I listened  to the original and while the chorus is very similar, the verses are much slower (which is funny given their name).  The Rock*A*Teens version is even kind of moody.  The New Pornographers don’t really increase the pace at all, but there’s something about it that make it seem brighter, poppier.

Once again, I like both versions, but the New Pornographers edge out a bit.

[READ: April 6, 2012] “Dream Machine”

After reading all of those Harper’s pieces by Rivka Galchen, I decided to see if she’d written anything else that I could get my hands on.  Turns out that she has written this essay for the New Yorker (and a short story that I hadn’t seen as well as a few other short pieces).

This essay is about quantum computing.  I had recently read something about the potential of quantum computers, so I was intrigued to read this more lengthy and detailed piece.   As she states: “With one millionth of the hardware of an ordinary laptop, a quantum computer could store as many bits of information as there are particles in the universe.”  Not bad, eh?

It could also do what other computers only dream of (heck, it could probably even dream).  The key is that quantum computers are not binary.  Regular computers do either 1 or 0.  That’s all.  Quantum computers can do 1 and 0 and both–all at the same time.  Exactly what that means is a bit harder to grasp, and although the article helped, my summary is about as good as I can do.

For the article, Galchen talked with David Deutsch, the “founding father” of quantum computing (as well as a few other physicists). Deutsch believes that if quantum computers work, it validates the Many Worlds Interpretation (which is just what it sounds like).  But many physicists who believe in the potential for quantum computing either do not care about or simply avoid talking about Many Worlds. (more…)

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SOUNDTRACK: GARFUNKEL & OATES-“Fuck You” (2009).

My coworker sent me a link to this Garfunkel & Oates song.  Garfunkel and Oates is a comedy folk team comprised of Kate Micucci and Riki Lindhome.  This song was featured on Scrubs (seriously) because Micucci played “Gooch,” creepy Ted’s girlfriend on the show.

The song is kind of sweet and funny, but also rather dirty (just like Scrubs).

This version is under two minutes, but there’s a new version (complete with kazoo solo) on their website.  The new version plays up the confusion of the kiss you/fuck you chorus a little more with some very funny lines.  You can also see a bunch of their other funny, catch, dirty songs like: “Gay Boyfriend,” “Sex with Ducks” and “This Party Took a Turn for the Douche.”

So cute!

[READ: April 20, 2012] “Miss Lora”

Junot Díaz is back with another short story–I smell a collection coming out soon.

This one is about Yunior and his brother who died of cancer (as most of his stories are).  But in this one, his brother is more of a presence than an actual character.

For this story is all about Yunior and his lengthy affair with Miss Lora.  Miss Lora was a neighborhood older woman–not too old, but certainly older than the kids.  She was super skinny–totally flat in front and back–but she was very muscular.  She liked showing off her gymnasts’ body in a bikini.  The women (like Yunior’s mom) didn’t think much of her in town, but she didn’t seem to care.

And, although she wasn’t all that much to look at, Yunior developed a bit of a crush on her.  And then one day he realized it was mutual.  (more…)

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SOUNDTRACK: TEGAN AND SARA-“Alligator” on CDC Kids’ Mamma Yamma (2010).

Tegan and Sara take a slightly different approach than the other artists on Mamma Yamma.  Rather than creating a new song, they took their hit “Alligator” and made new words for it (much like many artists have done on Sesame Street).

The melody is exactly the same (which is good, as it’s a really catchy song). But rather than being about a failed relationship, it’s about alligators.

Old lyrics: Run around on me, I’d sooner die without

New lyrics: Run around a tree, skip and jump about

It’s a cute version and the band sounds very good.

I really enjoy these introductions to interesting musicians on kids shows.  I wonder if kids actually like seeing grown up musicians like this.

You can watch it here:

[READ: April 20, 2012] Vespers Rising

I finished The 39 Clues series last year. Or so I thought!  After completing books 1-10, I found out that they were planning a whole new series.  And they began with this transitional book, which they called #11 and which was co-written by four of the prominent authors.

Vespers Rising is actually four short stories that trace the history of the Cahill family and their feud with the Vesper family.  The Vespers were not a part of the first series at all.  In the first series, the 39 Clues were a kind of Amazing Race for Cahill family members.  (I’ll get to some details about the family in a moment).  It was a kind of private race for the prize–which was a life-enhancing serum.  But this book introduces a new villain to the story and explains that the villain has been there all along, just lurking.

Rick Riordan wrote the first story in this book takes us back to the beginning.  In 1507, off the coast of Ireland, Gideon Cahill invented this serum.  He was and alchemist, seeking an antidote for the Black Death which was ravaging Europe.  He was working for Lord Damien Vesper, a man bent on power.  Vesper wasn’t interested in helping people with the Black Death–he had no real value for life–however, he was interested in the results that Gideon might discover. (more…)

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SOUNDTRACK: KATHLEEN EDWARDS-“Eat the Alphabet” on CBC Kids’ Mamma Yamma (2012).

I love Kathleen Edwards.  I think she has a wonderful voice (there’s something just slightly off that I think is really great).  I love all of her songs, because lyrically she’s clever and at times a little dark.

This is the only children’s song that she has sung that I know of. I don’t think it’s based on any of her proper songs.  It’s a simple strummed electric guitar ditty with a catchy chorus (as befits a children’s song).  Lyrically the song is all about different kinds of foods that start with the different letters of the alphabet.

Of course, she gets off to a strange start because after doing A (apples and apricots) and B (broccoli and banana) she gets to C which is “for Cat and mine’s called Mr T”).  She gets back on track (feta cheese!).  Although she skips J&K (which aren’t that hard, frankly).  She also skips Q and then  T, U, and V (in a way that seems like it’s improvised, although surely it isn’t).

It’s fun that she ends with Y as Mamma Yamma, our favorite talking potato.  It’s not the greatest kids song, but it is certainly fun.

You can see it here:

[READ: January-February, 2012] The Secrets of Droon: Books 17-21 & SE#2

I established with my previous Droon post that I would write posts for the books in between the Special Editions.  The arcs may not be completed, but the Special Editions seem like a natural recapping point.

I’ve been reading this series to my son and he is totally hooked.  And I have to say by the next sequence of books I was really blown away by the twist that Abbott put into the series.  At this stage, each book is getting more intense, although they are all kind of formulaic.  By the end of Book 21, though, things start to change, and the series has just gotten better and better.

Book 17 is called Dream Thief.  It has the kids waking up with dreams of Jabbo.  And Eric wakes up with a silver stone in his hand–a stone that he brought from the dream world!  The action of this book is set in the Bangeldorn Forest, where the monkeys live.  They befriend Tweet and Woot and go to the Dark Lands. (more…)

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Greetings faithful readers.

This weekend I went on a Cub Scout Overnight with my son.  Between the camping and the preposterous lack of sleep, I didn’t have time to complete my usual Monday morning spiel.  So until I finish it up, enjoy this:

Hmm, Thomas PynCHON?

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[WATCHED: March 15, 2012] The Wolf Knife

Ever since the advent of Wholphin, McSweeney’s short film DVD series, The Believer’s annual Film Issue has included films that do not belong on Wholphin–typically longer films, which is a cool way to see things you normally wouldn’t.   This year’s issue includes a feature-length film by Laurel Nakadate, The Wolf Knife.

Readers of this blog know that I love the McSweeney’s empire.  I read McSweeeney’s and The Believer, Grantland and Lucky Peach.  They’ve gotten me to enjoy things I never thought I would.  I also really love Wholphin–the films are weird and cool and unexpected.

So you can imagine how disappointed I was to be so disappointed by The Wolf Knife.  The introduction to the film in the magazine is by Deb Olin Unferth.  She made it sound amazing (even though she admits that people did walk out during the first fifteen minutes in some screenings).  And yet, after going through what some critics have said she concludes: “to some [seeing the film] might sound like the best possible use of ninety minutes of their lives.”

Oh how wrong this was. (more…)

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SOUNDTRACK: ARMY OF LOVERS-Massive Luxury Overdose (1991).

The only way that I, and I suspect any American, knows this band is because they were  mocked on Beavis and Butthead for their video “Crucified.”  In the video, which I have thoughtfully tacked on at the end here,  the three members of the  band are dressed up like extras from a  Duran Duran by way of Adam and the Ants music video (and maybe that’s not over the top enough).  This, by the way, seems to be their regular costumery (a French-seeming design despite their Swedish origins).

Beavis and Butthead cheer for the (impressive) cleavage and then gag at the lead singer’s  largely naked hairy body dancing in a bathtub.  It’s  pretty confusing.  But it’s also super catchy in a really over the top Europop way.

I have learned over the years that while I don’t really like pop music, I like Europpop a lot more than Ameripop.   It’s much crazier and outlandish, hence: Army of Lovers.

“Crucified” is a really fun, over the top bit of nonsense.  The chorus is incredibly catchy with a wonderful choral voice singing, and the verses are catchy too, they are spoken and in part French.   It’s good campy fun.

Having said that, the rest of the album is a mix of songs that aren’t quite as good as “Crucified” and songs that are just really bad.

The opening of “Candyman Messiah” is dreadful.  “Obsession” features a very mousey-voiced guy singing.  It’s a change and an interesting one, although like a lot of Europop, there’s not a lot of substance to it.

But it’s clear that the Army are not taking themselves seriously, “Dynasty of Planet Chromada” anyone.  The band has some really catchy choruses and I’ll bet it ‘s a hell of a lot of fun to dance to.  Especially if you have a pencil thin mustache.

Believe it or not, Army of Lovers were not just a one-hit wonder .  They released four albums.  And although their website seems to be updated often, I’m fairly certain the band broke up in 1995.  Well, why should that stop anyone?

[READ: Week of March 5, 2012] Gravity’s Rainbow Sections 1.19-2.3

I postulated that Section 1 (called Beyond the Zero) was a mostly expository set up (in one way or another).  And that seems to have been true.  Yes there was some plot development, but it was a lot of setting up new people.  New people are introduced in Section 2, but it is primarily about Slothrop (so far).  These first three sections don’t do a lot to advance the “plot” (I don’t really know what the plot is exactly but it must have something t o do with the war, right?)  Section 2 zooms in on Slothrop.  And while we do learn about the monitoring that goes on with him, for me, Section 2 is all about providing character depth and sympathy for Slothrop.

I found this week’s read to be the easiest so far, with only a few moments of stream of consciousness or reverie to get lost in.   And there were a lot of farcical moments–moments that were practically like a sitcom, which were fun to read and enjoyably insubstantial.

Towards the end of the reading, when Katje ultimately leaves Slothrop, she uses a metaphor comparing the rockets to sex.  And I wondered if maybe that’s why there is so much sex in the book–is it a physical manifestation of the theoretical idea?  Or does he just like using the word cock?

(more…)

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The TV Season scheduling continues to confuse me.  It’s February and two shows are done already.  And new shows are starting this week.  I actually appreciate this rolling schedule because it means new shows instead of repeats.

So hey, networks, why not go all the way and just let the shows run for twenty weeks and then end.  Stop showing reruns (or better yet, rerun them at like 2 in the morning so we can watch them if we miss them) and the introduce a new show for the next half a year.  We wouldn’t have this six weeks off nonsense of Community and Glee or three weeks of repeats of other shows.

I’m picking this week to write this simply because of the ending of the two shows.  We haven’t had a look at the new ones yet, so it’s a clean slate.

Somehow we don’t even have time to watch movies anymore, so the TV shows must be very good. (more…)

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[WATCHED: March 5, 2012] Midnight in Paris

I took a course on Woody Allen’s films in college and, as a result, I had seen everything he had done (and a lot of what had inspired him).  After college, I made a point of seeing everything he released.  Often on opening day.  (My double feature of Deconstructing Harry and Good Will Hunting on Christmas Day is still a highlight).

But after The Curse of the Jade Scorpion, which was okay, but just barely, I basically gave up on him.  I watched Match Point in three parts (no time at the time) and really enjoyed it, but I never really got back on track with Woody.  And then came Paris.

Despite its huge popularity, I knew nothing about this Woody Allen film.  I knew Owen Wilson was playing the Woody Allen character in this one and it was getting amazing reviews.  Now, it’s very true that critics don’t always get Woody Allen, but when they unanimously get his film it’s pretty safe that it’s a good one.

And boy was it ever. (more…)

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