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Archive for the ‘Late Show with David Letterman’ Category

[ATTENDED: May 21, 2016] An Evening with Todd Rundgren

2016-05-21 22.05.52I was astonished to learn that I’ve gone most of my life not knowing that Todd Rundgren wrote “Hello, It’s Me” and “Bang the Drum All Day.”

How did I not know this?

Indeed it turns out I didn’t know much about Rundgren.  I knew he was in the band Utopia and that they played weird prog rock.  And I also thought he was kind of a control freak.  But I didn’t realize he had those huge hits (which might explain how he makes so many weird albums–and he has a lot of weird albums).

I don’t even know what made me get a ticket of this show.  I had recently been hearing a bit about him. I had looked him up on line or some reason (that’s how I knew he wrote those songs) and I recognized the photo to the right, an iconic photo from Something/Anything (which was used as the backdrop for the show).  When I saw that he was playing at McCarter, I decided it was time to check him out.  Now, I was going to see a show the night before and normally I don’t like to do two nights in a row, but since this show was so close by (and I knew I’d be home by eleven) I decided to go.  And I had a great time.

The blurb for this show started: “The classic rocker Todd Rundgren may be 67, but he shows no signs of slowing down.”  And that’s very true.

I managed to score a seat in Row J, which was so close to the man I could see him sweat (ew).  The only problem was the very tall man sitting in front of me (I should have asked him to switch seats with his tiny wife).

While I was waiting for the show to start, a woman sat down next to me with her husband and some friends.  She was super friendly (and a bit drunk) and we started talking.  She asked how big a fan I was of Todd.  And I had to admit that this was my first show.  She told me that she first saw Todd when she was 16 (or 19 who can remember) and has seen him every tour since then (she’s in her 50s).  She said he tours constantly and she will see him twice a year sometimes.

Normally I’m not much of a talker during a show, but I enjoyed having her next to me to occasionally guide me through what I was hearing.  Unlike the louts at the end of the row who were talking really loudly and making jokes throughout the show (and getting up to go to the bar every couple of songs).  They were big fans I could tell (they knew every song), but such disrespect I’ve never seen.

The lady (whose name I never got) told me that Todd makes a new playlist for each show and decides what he’s going to play an hour before he goes on.  That was pretty cool.  She told me a few other things that were interesting about him (he has a house that he built in Hawaii but he never goes there because he is always touring).  And that, amazingly, she’d never actually met him after all these years.

And then the lights dimmed and the band came out.  Followed by Todd.  And the crowd went berserk!  It was especially amusing because it was practically like a  Tom Jones show, with women throwing themselves at him (my seatmate remained remarkably composed).  These women (mostly) stood and applauded after each song, waved their arms and were so utterly into it, I was amazed. (more…)

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jun9SOUNDTRACK: JOHN GRANT-“GMF” (live on The Late Show with David Letterman) (2014).

grantI was introduced to John Grant with this song.  And since the G stands for Greatest and the MF stands for what you think it does, I was really surprised to hear that he played this live on Letterman (Grant’s network TV debut, no less).

He sounds great live (his voice is rather gentle for such a song title).  He has a full band but the song is primarily acoustic guitar with swells of keys.  The backing vocals on the later verses really flesh out the song.  And it is immensely catchy.  I’ve been singing it to myself for days.

But the best part of course are the lyrics.

In the first chorus of this version he dares to sing the dreaded MF words, which get silenced (sophisticated recording keeps the music playing though).  The rest of the choruses he changes it to “I am the greatest living creature” which I find funny and possibly even better.  I also love the way the percentage of laughing you could be doing decreasing as the song ends.

They edited down the song (the original over 5 minutes), removing a middle section that adds dimension to the song, but is not missed in this version.

Even Letterman enjoyed it, saying those same bleeped words at the end of the song.  It’s a great live performance

[READ: September 17, 2014] “You Can Find Love Now”

This year’s Summer Fiction issue of the New Yorker was subtitled Love Stories.  In addition to all of the shorter pieces that were included in this issue, there were also four fiction contributions.

Interestingly, this one was very short as well (possibly shorter than some of the essays).

This story actually reads like a Shouts & Murmurs piece.  It is a funny conceit dragged to its logical ends.  In this case, the story pokes fun at online dating.

The story opens with a pitch from the dating company saying that after creating a profile, within 24 hours “you’ll be on your way to eternal happiness.”  The first joke comes when the profile creator writes, “Find me at cyclops15.  Cyclops 1-14 were taken.”  Then in his second typed section we learn that, indeed, he is really a cyclops: “I am eight feel tall and I have one giant eye.” (more…)

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