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Archive for the ‘South X Lullaby’ Category

SOUNDTRACKJEALOUS OF THE BIRDS-“Goji Berry Sunset” NPR’S SOUTH X LULLABY (March 14, 2017).

Jealous of the Birds is, I believe, just the two women in this video.  This song is a beautiful, short, sweet song.  Naomi Hamilton, a singer from Northern Ireland sings (and whistles) and plays the guitar while backing singer Hannah McConnell sings the deadpan-ish lines in the response two the lead vocals.  But when the chorus comes in their harmonies elevate the song just a little higher.

This video was filmed under a soft, glowing light installation. The Amsterdam-based audiovisual design studio Circus Family conceived TRIPH as an immersive experience — as people enter the room, the lights change color, and as people leave, it falls to sleep.

So, while the song is lovely, it’s really satisfying to watch this video as the colors change and the camera moves all around.  And the sound is great, too.

[READ: February 8, 2016] Cleopatra in Space Book Two

I really enjoyed book one of this series a lot.  So I was delighted to see that Book Two had come out.  I brought it home and C. enjoyed it and so did I.  T. enjoyed it too.  So much so, that I brought home book one for her to read so she could get all caught up.

This book follows the day after the previous book ends.

The only problem I had with the book is one that I tend to have with action  stories.  The first chapter was almost entirely action/fighting.  Typically I find this sort of plot development hard to follow and unsatisfying. Fortunately, Maihack has an excellent artistic style and very clean lines and coloring, so there was nothing confusing about the action at all.  But I had enjoyed the dialogue in the first book so much that I wished there was more in this one. (more…)

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jan2017SOUNDTRACK: DECLAN McKENNA-Tiny Desk Concert #589 (January 3, 2017).

declanI only know Declan McKenna from NPR’s coverage of SXSW last year.  He played a SOUTH X Lullaby of the third song in this set.

And although he looks a little different, his singing style hasn’t changed.  He has an interesting delivery–with notes that sound like they crack as he sings.  But he is in total control.

The blurb notes:

It’d be easy to look and listen to this young English singer and think he’s just another sensitive songwriter with a guitar, singing about his troubles. But Declan McKenna writes about a much bigger world than you or I might expect from a singer who only recently turned 18. He came to NPR this past summer, a bit nervous but passionate. He stripped down three of his songs to their musical essence, and the power of their words eclipsed the hooks for which they’re equally known. “Bethlehem” tackles religion:

Because I’m in Bethlehem
I’ve got a seat in heaven
And though I’m heaven sent
I can do as I want and you don’t have the right to choose

McKenna’s most famous tune, “Brazil,” is a song about football, money and poverty that also touches on religion.

But even without the blurb, his music pretty well speaks for itself.  “Bethlehem” begins slowly, with him singing in a deeper voice but when he gets to the chorus his voice starts to break in his trademark way.  And as the song moves on he shows off a strong falsetto as well.  He opens “Brazil” with a little guitar flub which makes him laugh before he starts again.  The song sounds very much like other versions I’ve heard—his vocal style is all deliberate.  The chorus is so catchy (whatever it’s about):

I heard he lives down a river somewhere
With 6 cars and a grizzly bear
He got eyes, but he can’t see
Well, he talks like an angel
but he looks like me.

And I love how after all of this catchy stuff, he throws in a third section that is even catchier than the rest:

I wanna play the beautiful game while I’m in Brazil
Cause everybody plays the beautiful game while in Brazil
It’s all you’ve ever wanted, and it’s all that you want still
Don’t you wanna play the beautiful game out in Brazil?.

It’s practically a different song.  But so good.

This is the first I’ve heard “Isombard” (which I looked up afterward and is much more synthy).  He says he’s never done this acoustic before. He describes the song as being “somewhere between baroque pop and riff rock so it doesn’t translate easily.”  It’s got a very pretty melody and his slower singing style.  The song is also catchy and I’m surprised he hasn’t caught on a bit more yet.

[READ: January 17, 2017] “A Window to the World”

The narrator tells us that there were two writes at the Yiddish Writers’ Club in Warsaw.  Each of these men had talent and earned a reputation but then seem to have been silenced forever.

The two men were Menahem Roshbom (who had written three novels before he was 30) and the other was Zimel Hesheles (who had written one long poem at the ages of 23).  Since then, nothing–Roshbom was now in his 50s and Hesheles in his late 40s.  The two played chess and although Roshbom was a better player, he would always lose patience near the end which would cost him the match.

Roshbom had taken to journalism.  He was a chain-smoker and he carried on with women, mostly from the Yiddish theater.  He had divorced three times and was currently with another man’s wife.  By contrast Hesheles was small, reserved and silent.  He was poor but came to the club every day at noon and left at 2 when others came for lunch. (more…)

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augSOUNDTRACK: DECLAN McKENNA-“Brazil” NPR’S SOUTH X LULLABY (March 22, 2016).

mckennaDeclan McKenna is 17 and recently won the Glastonbury Contest with this song.  I’ve never heard the original, although it is described as more rocking than this version.

This is just McKenna and his acoustic guitar.  The melody is great and his guitar playing is good too.  His singing voice reminds me a lot of the guy from the Arctic Monkeys.  Although there’s moments in this version where he really seems to be straining/affecting his voice, which would probably work in a rocking song but which sound kind of rough in this little lullaby version—especially since his normal singing voice is really nice.

I was really surprised when the song switched to the third part (the Brazil part).  It switches the tone of the song quite a bit and he does some nice falsettos too.  “Playing the beautiful game in Brazil” is quite different from “The guy who lives down the river with six cars and a grizzly bear.”

Okay I just listened to the proper song–it’s much poppier with all kinds of harmonies.  The song is much hookier this way.  His vocals  work better, although I’m not sure I’m sold on them entirely.  In fact, when I was watching the video of the song, one of the comments (NEVER READ THE COMMENTS!) says, “Settle down McLovin” and, yes, that’s it, he sounds like Christopher Mintz-Plasse straining, and I don’t think I’ll ever be able to unthink that.  And now, neither will you.

[READ: February 10, 2016] “On Being a Stepparent”

The August 2015 Harper’s had a “forum” called How to Be a Parent.  Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic.  There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea.  Since I have read pieces from most of these authors I’ll write about each person’s contribution.

I don’t know Ellen Rosenbush’s work (she is an editor of Harper’s so I don’t know how much else she has “written.”  Rosenbush talks about the pros and cons of being a stepparent. (more…)

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augSOUNDTRACK: TIMMY THOMAS-“Dizzy Dizzy World” NPR’S SOUTH X LULLABY (March 21, 2016).

timmyTimmy Thomas wrote many many hits in the 1970s and 1980s.  His name is on credits that just about everyone has sung at some point.

Of course, I’d never heard of him.  Thomas is 71 and was playing at SXSW, so they grabbed him for a Lullaby.  And his voice sounds really fantastic–rich and full–you’d never guess he was over 70.

He sang a song from his 1973 album Why Can’t We Live Together called “Dizzy Dizzy World.”  What’s so interesting to me about this song is that it sounds like it came from the 1970s.  Not because of the instrumentation, which for this is just keyboards, acoustic guitar and upright bass.  And it’s not exactly the lyrics (although they are earnest and slightly dated–but also still appropriate).  There’s something about the feel of the song–it sounds like an anthem from the 70s for fighting against the craziness of the world.

It’s mellow and quite lovely.  They just don’t write songs like this anymore.  Well, maybe Thomas does, I don’t know.

[READ: February 10, 2016] “The Donor”

The August 2015 Harper’s had a “forum” called How to Be a Parent.  Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic.  There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea.  Since I have read pieces from most of these authors I’ll write about each person’s contribution.

I read Emma Donoghue’s first novel Stir Fry back in 1994.  She was an unknown author and I liked the book quite a bit.  Since then she has taken off with her book Room, which I have not read.

Donoghue’s essay is about how she tells her children that they were both conceived through a sperm donor.  She and her partner chose to go with a donor from a sperm bank rather than a known person.  They refused to pay extra for the “premium collection of men with PhDs” since she and her partner both have PhDs “so we know what a feeble guarantee of intelligence they are.” (more…)

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augSOUNDTRACK A-WA-“Ya Shaifin Al Malih” NPR’S SOUTH X LULLABY (March 20, 2016).

awaA-WA are three sisters from Yemen.  They sing in Yemeni Arabic.  And they have a dance single out (see the video shot in their neighborhood where three guys wears tracksuits and baseball hats with tassels).

For this Tiny Desk, they are also in a hotel room.  Unlike with Mt. Wolf, this room is dark and then an electric guitar starts playing.

The lead singer begins singing this song (in Arabic).  It is a Yemeni folk song about a love that hurts.  “There’s an enjoyable love and there’s a love that gives you heartache.”  It is a sad aching song.

After a second verse the three sisters start singing in harmony

It’s in the next verse when the three-part harmony becomes really distinctive, and the song feels even more intense.

It’s a far cry from a dance song, but an interesting listen to voices you don’t hear much in song.

[READ: February 10, 2016] “The Grand Shattering”

The August 2015 Harper’s had a “forum” called How to Be a Parent.  Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic.  There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea.  Since I have read pieces from most of these authors I’ll write about each person’s contribution.

I have read only one thing by Michelle Tea.  But I really enjoyed her contribution to this forum.  She discusses giving birth by Cesarean and losing a lot of blood.  She was in the hospital for four days.  And although the room itself was ugly, the view (on a hill in San Francisco) was magnificent.

She and her wife spent those four days holding their baby and basically being a in a bubble.  Michelle would breastfeed and her wife would do most everything else.  People marveled at what a great team they made. (more…)

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augSOUNDTRACK MT. WOLF-“Hex” NPR’S SOUTH X LULLABY (March 19, 2016).

mtwolfMt Wolf breaks with the tradition of the Lullaby by playing their song in a hotel room!  This is the band’s single.

It’s a 6-minute beautiful song notable for singer Sebastian’s Fox’s soaring falsetto.  His voice is really quite amazing.

The second guitarist plays the quiet melody and then Fox plays a kind of solo over the top of it. After the initial falsetto of the first verse, the second verse shows the range of his voice, as he starts a little lower before soaring the heights once again.  The band has a female backing singer who actually sings high notes that are lower than his.

By four and a half minutes the songs starts to rocks out (and no doubt the room next door starts to wonder WTF)

The feel reminds me a bit of Sigur Rós, with that kind of soaring intensity.  This is definitely a love it or hate it song, but I think it’s quite beautiful.

[READ: February 10, 2016] “The Grand Shattering”

The August 2015 Harper’s had a “forum” called How to Be a Parent.  Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic.  There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea.  Since I have read pieces from most of these authors I’ll write about each person’s contribution.

Anyone who reads this blog knows I don’t know poets very well. A. Balkan is a poet whom I had never heard of.

Imagine my surprise to find out that his essay was the most dramatic and exciting and went in directions that I never would have guessed.

He says that when his twin daughters were born, he and his wife were exhausted from all the work.  So his family and friends invited them t0 a cabin where they could relax and have other take care of the kids for a couple of days.

Sounds ideal.  Except that on their second day there, a tornado came through and destroyed the cabin they were staying in (for real!)  Fortunately they were not in it. (more…)

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augSOUNDTRACK MAREN MORRIS-“I Wish I Was” NPR’S SOUTH X LULLABY (March 18, 2016).

marenMaren Morris was a buzz artist at SXSW.  I listened to about 45 seconds of her single “My Church” and determined it was way too country for me.  So I wasn’t really looking forward to this Lullaby.

However, Morris’s sound strips down nicely.  Although she still sings with a rich country twang, she also adds levels of soul to her singing (particularly after the guitar solo).  There’s two guitars (Morris in rhythm), and her two supporting dudes singing very nice harmonies.

And the setting for this video is quite lovely–the chirping insects would agree.

[READ: February 10, 2016] “Curling Parents and Little Emperors”

The August 2015 Harper’s had a “forum” called How to Be a Parent.  Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic.  There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea.  Since I have read pieces from most of these authors I’ll write about each person’s contribution.

Druckerman’s name sounded familiar.  It turns out she wrote the book Bringing Up Bébé in 2012.  The book compares the child-rearing practices of middle class parents in France with those of the United States.  She says that US parents tend to have a more anxious, labor-intensive child-centric style of parenting.  And that today, college educated American mothers spend nine more hours per week on child care than they did in the mid-1990s.  This style has taken hold in most countries.  Except France. (more…)

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