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Archive for the ‘Fairy Tales’ Category

silentSOUNDTRACK: HOSPITAL SHIPS-Tiny Desk Concert #177 (November 23, 2011).

hospital shipsHospital Ships is a band created by Jordan Geiger, who was in the band Shearwater, among others. In 2011 he released his second album as Hospital Ships.  The blurb describes the album as “packed with poppy folk songs and brash rockers enhanced with instrumental flourishes and bursts of guitar feedback,” but for this recording, they strip everything down to the basics: a guitar, banjo, ukulele and a drum with a towel over it to muffle the sound.

Geiger has a rather high-pitched, delicate, almost talking-singing voice and his songs are rather pretty.  The band plays 3 songs in just over ten minutes.  The first one, “Phantom Limb,” (once my lover, now my friend, you are my phantom limb) has a recurring motif of them saying/singing “ha ha” which is rather catchy.

“Carry On,” features a four-letter word (technically a seven letter word), which might be one of the first times on a Tiny Desk Concert that such a word is uttered.  It’s especially funny given how sweet the band sounds.  The sentiment of the song is nice though: “To all the women I’ve loved, When I was with you I would say I was better off….  And when I’m gone, carry on, carry on.”  There were harmonies in the first song, but they are more prominent in this one (three part) and are quite nice.  The banjo player also does a whistling solo.

“Let Me In” made me laugh because he uses the word baby a lot (which Ben Folds said in his Tiny Desk that he has never said in real life, so why would he put in it a song?).  But this song is very gentle and sweet–just Geiger on his guitar singing “baby, let me in.”

Geiger’s voice reminds me of a few different people–Ben Gibbard from Death Cab for Cutie especially on the final track; perhaps the Mountain Goats or the Weakerthans.  And his songwriting is very good.

[READ: December 26, 2015] Silent But Deadly

I really enjoyed the first Liō collection, and was pretty excited that I could find the second collection so quickly (my library doesn’t have any more collections for some reason, so I’ll have to track the rest down elsewhere).  This book collects the strips from February 25, 2007 – December 2, 2007.

Not much has changed from that book to this one, but I think Tatulli’s comic chops have gotten even better.

The strip won me over immediately with the first one in the book. Lio draws a monster and it comes to life.  He looks at the marker and it says “magic marker” and he gets a big grin and goes back to work.  So simple yet so funny.

It is that big grin–wide open-mouthed just unfettered mischievous delight that occurs in nearly every strip. (more…)

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lio1 SOUNDTRACK: JOE HENRY-Tiny Desk Concert #176 (November 21, 2011).

joe henryI had never heard of Joe Henry, so imagine my surprise to find out that he was releasing his 12th album in 2011.  For this Tiny Desk, it’s just him at a stool playing his guitar.  He has a very easy vibe, telling stories between songs and playing them with very little fuss.

He opens the show by saying this is, “not exactly like Woody Guthrie playing for the union members but you are working people.”

He plays four songs, “Sticks and Stones,” After the War,” “Odetta” and “Piano Furnace.”

Between the first two songs, he says he first became aware of Tiny Desk Concerts when his friend Vic Chesnutt was on the show (amusingly, he was the second person on the show).  He says he has a song on his new record about Chesnutt (Chesnutt had recently died).  He doesn’t play it though.  At first it seems like he might not be allowed to play it, but then it seems like maybe he just doesn’t get to it.

Rather he plays “After the War” where his guitar sounds like it has an incredible echo on it.  That echo is also present on the third song.  After which Bob asks him about his guitar.

Joe says he’s had the guitar for 6 years.  But the guitar dates back to 1932.  He says that he heard things differently with this guitar.  It’s got a smaller body and was actually sold as a budget guitar by Gibson (for $19 in 1932).  He also jokes that it’s black and looks a bit like a World Wrestling Federation belt.

Then someone asks him about Sam Phillips.  Joe says he sold her husband a guitar about 20 years ago.  She and her husband have split and Sam got the guitar and has been playing only that guitar for the last 20 years.  He says that he loves that she doesn’t plug in her guitar.  She plays into a microphone where you can hear the whole guitar and which makes the other players lean in to hear her.

I love the chords he plays in the final song, “Piano Furnace,” even if I don’t know what the song is about.  Henry’s voice is familiar.  I think he sounds a bit like a number of different singers.  And overall, nothing really stands out in his performance, except that everything sounds great and hiss songwriting is really solid.  That’s not a bad thing.

[READ: December 20, 2015] Happiness is a Squishy Cephalopod

Mark Tatulli is the author of the Desmond books.  I liked the stories, but I didn’t love the drawing style so much.  Imagine my surprise to find out that Tatulli has been drawing comics featuring this little boy Liō since 2006 (going forward, I’m leaving off that line over the o, because it’s a real pain).

And even more surprising is that I like the drawing style in the comic quite a bit–it is slightly refined over the Desmond books and is all the better for it.

I am also really surprised to find out that this strip appeared in newspapers across the country.  I’ve certainly never heard of it (but then I don’t read newspapers anymore, either).

So Lio is strip about a boy named Lio.  Lio is a dark, dark kid.  He has a pet squid, he loves monsters and he’s delighted by chaos. (more…)

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flunkedSOUNDTRACK: BUILT TO SPILL-Ancient Melodies of the Future (2001).

ancientAfter their live album, Built to Spill returned with Ancient Melodies of the Future.  For many fans, this album concluded their first trilogy of great records.  The album is similar in style to Keep It Like a Secret, but there are some new elements added.  Sam Coombs, who supplied keyboards on one song on the previous album is back on this one with prominent keyboards on three tracks (which adds a rather different vibe to the Built to Spill sound).

“Strange” is yet another stellar leadoff track.  It’s got an interesting riff with some great lyrics and what evolves into a stupendously catchy chorus.  It features Sam Coombs on Rocksichord, which has a rather unique sound.

“The Host” has strings, which is quite a departure.  The song is mellow with a simply great vocal line for the verse. “In Your Mind” has an interesting acoustic guitar line with some wild backwards guitar effects over the top. I really like the way the vocal line gets loud and high when he gets to the “in your mind” part.

“Alarmed” slows things down with bigger, louder strings. There’s a lengthy crazy keyboard solo from Sam Coombs

“Trimmed and Burning” gets a little heavier sounding   “Happiness” has a slide guitar—a very unusual sound for BTS. The song picks up pretty quickly and rumbles along.  “Dont Try” comes in with a much louder fuller guitar sound (Brett Netson contributes guitars to this and 3 other songs).

“You Are” is probably my least favorite BtS song, it doesn’t really do anything.  But it’s followed by the up beat and wonderful “Fly Around My Pretty Little Miss” which has really fun guitar solo and is just so catchy.

The disc ends with the acoustic guitar ballad “The Weather.”  It builds to a slightly bigger sound by the end of the song, with interesting effects on the guitars.

I tend to overlook this disc somewhat when I think back to my favorite BtS music, but there are some real gems here.  It might be a little more mellow and introspective than some of the other discs, but it’s still great.

[READ:June 1, 2015] Flunked

I brought this book home because I thought Sarah would like it.  She never got around to reading it, but I decided it might be fun so I read it pretty quickly.  Calonita has written a number of YA books but this is her first series for younger readers (so says the blurb at the back, under her strangely unflattering author photo.  This is a new series (unclear how many books, but the next one is due out next year).

It’s another book that twists around the ideas of fairy tales (which I like).  The premise behind this series is that Cinderella’s stepmother Flora is really, really sorry for what she did to Cinderella (now Princess Ella).  And in order to make it up to the land of Enchantasia (nice) she decided to convert her old castle into Fairy Tale Reform School.  The school is designed to teach bad kids, villains and delinquents the ways of righteousness.  Some teachers include the Big Bad Wolf (Xavier Wolfington), the Sea Witch (Madame Cleo) and the Evil Queen (Professor Harlow).  More than five hundred gnomes, trolls, dwarfs, elves, mer-folks and other fairly tale students have been admitted in the past five years and there is much praise for the school. (more…)

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