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Archive for the ‘Matt Pinfield’ Category

harpersmarch3SOUNDTRACK: THAT METAL SHOW (VH1 Classics) (2008-2009).

metalTiVo taped 120 Minutes on VH1 Classics as a suggested title (thanks TiVo), and while we were watching it, there was an ad for That Metal Show.  So, I made sure to record that as well.

The premise of the show is that three metalheads (Eddie Trunk, whose name sounded familiar–and it turns out he’s been a DJ for years in the New York area–and two comedians I’d never heard of: Jim Florentine and Don Jamieson) host a half hour talk show about heavy metal.  There were 7 shows last season and the new season has just started.

They had a brief marathon so I was able to watch a few of the last season’s episodes and the new one.  And my opinion is mixed.

I enjoyed the interview with Geddy and Alex from Rush, and I even enjoyed the Twisted Sister episode.  And yet, like with everything on VH1 there’s more fluff than substance there.  Eddie Trunk is a good host, and although he is also from New Jersey, he’s no Matt Pinfield when it comes to interviewing.  And the comedians are kind of funny in a meathead sort of way.  Because yes, even though there are ladies in the audience, the show is a guys show.

The set up is fairly straightforward–discussion of metal “news” which is often way out of date, the guests interview, “Stump the Trunk” in which 3-4 studio audience members (almost all decked in black leather) ask Eddie Trunk a question.  If he gets it right, nothing.  If he gets it wrong, they get a prize.  The last episode I watched I got two of the three questions right and was surprised that he missed one of the ones I knew).  Then there’s the Throwdown, in which a topic is discussed for two minutes: two that I remember were “Old vs New Metallica” and “Tawny Kitaen vs The chick from the Warrant’s Cherry Pie video” (See, it’s a guy show).

And so really what you get is a bunch of affable meatheads talking about music (just like high school–how serendipitous that Yngwie Malmsteen was a guest…bummed that I missed that one!)

I quickly tired of the comedians, and if the interviewees aren’t very interesting, the show is pretty much a wash.  I do enjoy the prize section (although their segment on “picking the hot chick to hold the Trunk of Junk or whatever it’s called was just foolish).  But TiVo will keep recording it and I’ll keeping skimming through.

It’s no Henry Rollins Show, let me tell you.

[READ: March 11, 2009] “Seven Stories”

This was indeed a collection of seven very short stories.  Most are a couple of paragraphs long.  I would consider this flash fiction except, well, I don’t think they really work as flash fiction.  In my experience, flash fiction is a complete cohesive story in a few paragraphs.  These were actually fairly convoluted and never really led anywhere.

In fact I would have not finished this work, except the whole thing was only two pages long.  The stories seem to tie together (there are a couple of stories where the names are the same), but I’m unclear how.  Characters are mentioned as if we know them, but they are never explained further.  I’m actually surprised it was published at all.

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ny32SOUNDTRACK: SUPERGRASS-Diamond Hoo Ha (2008).

diamondI’ve enjoyed Supergrass since they were young whipper-snappers on their first album I Should Coco.  It was a mix of fast catchy pop about being young and foolish.   I was even more impressed with the expanded sounds on their follow-up In It for the Money.

Their last few albums haven’t excited me as much, (hard to believe they’ve only released six) but I heard an interview with them and Matt Pinfield, and it convinced me that this one was going to be great.

I was a little disappointed at first.  The disc wasn’t quite as all over the place as Money was, in fact the first five songs were pretty straight ahead rockers (and much more rocking than their past songs would indicate).  But after listening a few times, I’ve really started to get into it.

The disc is split in half.  The first five songs are such simple, basic rockers that I was initially bored by them.  They weren’t bad per se, they just seemed too simple.  After several listens however, I’ve found them to be delightfully catchy, heavy pop rock gems.  And that the simplicity is deceptive.  They sound like long lost 70s riff rock highlights.  The title track with its oddball break of “Bite Me” was once played on Chuck (the latest TV show which is the arbiter of cool music).

The second half comes in with “The Return of Inspiration…” (which may not be the best song title to put halfway through your record, especially when the second half sounds so much different than the first).  This half is much more in keeping with Supergrass’ sillier side.

We get some funk charged stuff (“Rough Knuckles”) and some overt pop ala Mott the Hoople (“Ghost of a Friend”).  Outright silliness even rears its head (the opening of “Whiskey and Green Tea” is a march/chant complete with crazy horns), which morphs into a solid rocker).

Because their first two albums are so great, I’m not sure I can really compare this to them, but Diamond Hoo Ha has many great, fun moments; it is definitely a high point of their catalog.

[READ: March4, 2009] “Brother on Sunday”

I have read a number of works by A.M. Homes, and I really enjoyed her.  I haven’t seen anything by her in quite some time for whatever reason, so it was good to see her back.  Because of The End of Alice (concerning a pedophile) I think of her as being something of  a grisly/controversial writer (she is also tied somewhat to David Foster Wallace since The End of Alice and Infinite Jest were two very talked about books in 1996).  But after reading this piece and realizing that it was similar in tone/theme to her book  Music for Torching, I realized that she is more an observer of bad behavior, not just grisly behavior. (more…)

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SOUNDTRACK: WRXP, 101.9 FM, New York City (45 days later).

The past two weeks I have been listening to this station more because I have been doing work in the garage (building a chicken coop).  Without going into my neurotic music listening, I’ll just say that I listen to the radio rather than CDs when I do noisy work.  And so, WRXP.

I haven’t listened that much since my last post, but the most dramatic difference to me is that they seem to have real commercials now.  Wal-Mart seemed to be advertised a lot, and there were one or two other name brand items (with effective ads obviously).  They still have all of those weird ads for services rather than products (in fact if you need full term life insurance, just listen in for 20 minutes and you’ll hear that one).  But I guess they must be doing well if the real companies are showing up.

They still play way too many commercials.  But heck, that’s commercial radio for you.

They also seem to rely a lot on a few bands that surprise me: Dave Matthews in particular.  I’m not a big fan of his, so I’m surprised to hear him so much; however, overall I think their selection is quite good.  They seem to be off Pink Floyd and on to Zeppelin now, which, frankly would be a neat idea for this station: pick a classic rock artist that you will overplay for a week, and then move on.   What a cool thing: you could do all kinds of back catalog stuff, and less popular songs and then, just as people got sick of them, switch to someone else, and repeat.  Genius!

Anyhow, the other thing I wanted to mention is that the only person with any credibility to ever be on MTV, Matt Pinfield, is a morning DJ on the station.  He and his co-jock do a bit too much DJ banter for my liking, but mostly he’s just a dude who loves music and will tell you more or less fascinating stories about whoever he’s going to play, and then play good stuff.  I heard a fun interview with Supergrass the other morning, which was good.  Pinfield also knows his music enough to ask good questions and still be fun.

Hilariously, he also committed the hilarious gaffe that I used to commit in high school: pronouncing the Police album: “Outlandos DE Amoor” rather than the more accurate Outlandos Damoor (surely he must know that by NOW).  (Like pronouncing the Plasmatics album COOP DE AY-TAT, rather then Coo DAY TAH (I’m guilty of that too).  And, I found out that he grew up in East Brunswick, NJ, merely a few miles from where I now work.  So, Matt, if you ever used the North Brunswick Library, well, you should come back and see how nice we look now.

[READ: August 13, 2008] “The Real Work”

This piece was recommended by two people who commented on my post about Alex Stone in Harper‘s Magazine. They both said that this was a far better, far more appreciative article about magic.  And they were right.  I won’t really compare it to Stone’s except to say that Stone’s piece (whatever his credibility may be) was designed as a suspenseful tale following the events and the winner of “The Magic Olympics.” He also gave away some secrets to some of the tricks he did and saw there.

Gopnik’s piece is more of a loving appreciation for magicians and their work. (more…)

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