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Archive for the ‘Digression’ Category

SOUNDTRACKWRXP, 101.9, New York City

Since I’ve been talking about Sirius radio, I also wanted to mention this excellent station that was just added to our local lineup. WXRP 101.9 used to be smooth jazz. Then when they realized that people like rock, they went to this new format. It is something of a mix of classic rock and alternative (not heavy alternative, but 80s and 90s style alternative music). It is the only place (aside from my CD changer) where you could hear The Stone Roses, Live, and Pink Floyd back to back. I had the radio on the other day while I was working in the garage, and I couldn’t get over how much I enjoyed this station. It was actually a better collection of music than anything on Sirius (whose stations are actually too narrow to do this mix).

Of course, there were commercials…a lot of commercials. We’ve been living commercial free basically since we got TiVo and we listen to NPR radio stations (even 88.5 WXPN Philadelphia, a fantastic radio station in its own right is commercial free). So, it’s always a shock to hear radio commercials (they are just so terrible). What was especially weird about WRXP’s commercials is that there weren’t for the radio staples: cars and beer. All of the commercials seemed to be about debt consolidation, online dating, and free laptops:services rather than products. How weird. So, in a nutshell: great great great radio station guys. I guess I’ll put up with the commercials. (more…)

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SOUNDTRACK: RUSH-Snakes and Arrows Live (2008).

Rush puts out a lot of live CDs. They started out back in the 70s by doing a live record after every four studio records. Then at some point they broke the pattern and just went nuts with the releases. The pro and con of a Rush live CD is that it sounds pretty much exactly the way the studio record does (because they are perfectionists, they duplicate the studio solos exactly). So, why get a live record? because it’s fun to hear them duplicate these sounds live! If that means nothing to you, then you’re probably not a musician. Anyway, their recent live shows have been a lot of fun because they have been really experimenting with their set list, playing some of their more obscure tracks that they haven’t played live in years.

This CD is no exception, and in fact, it may be my favorite live Rush release for three reasons: 1) They play “Entre Nous,” a wonderful song that I’ve never heard live. 2) They play “Natural Science” and “Witch Hunt” back to back…two of my favorite Rush songs ever. 3) They do NOT play “Working Man” or the first album medley that they have been playing for far too long to end their sets. Some other highlights: Neil changed his drum solo! I always thought that the whole point of the “solo,” aside from showing off how much you kick ass at your instrument, was to improvise something fun. Well, Neil Peart has been doing the same drum solo for something like five years. It was a song unto itself at this point. It was the only place I could think of where you’d see people air drumming to a solo, and actually doing it right. So, thankfully, that piece of percussive mayhem has been updated.

Two observations thought: 1) I feel that the sound of the album isn’t very good. It seems rather muddy to me. I’m not sure why exactly, but I expect better production from them. 2) And this is the most shocking observation: the songs are SLOWER than on the record, or on any other live instance. Some songs aren’t that noticeable, but there are several where the tempo is clearly not as speedy. I suppose this makes sense since the fellows aren’t young any more, and I suppose it also allows Geddy to keep his voice from having to reach the super high notes of years ago (his voice sounds great by the way), but for a band that never changes anything, it’s quite a shock!

Incidentally, I also just listened to the Pearl Jam Live at the Gorge CD right after the Rush one and it is amazing how different two bands could be live. There’s not a missed note or a flub or, really, anything unscripted on the Rush set. I don’t think there are any overdubs, but it’s pretty much perfect. Whereas on the Pearl Jam set, they are so casual, so mellow, and clearly having so much fun (not that Rush isn’t having fun, it’s just a different kind of fun). And, of course, there are major screw ups on the Pearl Jam set. The third song is completely flubbed. On “Betterman,” a song they must have played hundreds if not thousands of times, someone, I assume Eddie Vedder hits a terribly wrong note at the end of the soft introduction. And then he mocks himself for not practicing. Very funny, very good natured.

Of the two, I don’t really have a preference, but it’s nice to have the two styles to choose from.

[READ: May 22, 2008] Free Food for Millionaires.

I found out about this book when a patron asked me to put it on hold. It was totally a case of judging a book by its title. And I didn’t know if it was fiction or non-fiction, but I wanted to see what it was about. So, I read the blurb, and it is a novel which follows the life of a young Korean woman as she struggles to make her way in New York City. (more…)

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SOUNDTRACK: TANAKH-Tanakh (2004) & Ardent Fevers (2006).

Tanakh are part of the whole Montreal subculture that I really like. Even though Jesse Poe, the founder lives and records in Virginia, somehow he got involved with the Quebeckers. They release CDs on the venerable Constellation and Alien8Records labels. They also released two CDs in relatively quick succession. The reason I didn’t give any prelude about the band as a whole is because these two discs are so different that it wouldn’t be worth it.

Tanakh. This is a two disc set. It contains 2 songs. One is about 58 minutes the other is about 28 minutes. Each song is a long (obviously) improvisational piece. There’s about ten people involved in the recording, and while there are some clear traditional instruments involved: guitar, bass, drums) there are also scores and scores of ambient noises, non ambient noises (at one point I’m pretty sure you can hear duct tape being pulled off the roll). And on and on. Whether or not this type of thing is your cup of tea will determine your tolerance for it.

The 58 minute piece starts with a two note motif that fades away and returns. It reminds me in some ways of the early 70’s Pink Floyd side-long pieces which start off as songs and then have freak outs in the middle and then return to the motif. The big difference of course is that Tanakh’s freak outs are more noise than music. The 28 minute song had less of that wild improv in the middle, and I think is the more satisfying of the two. Of course, it’s pretty hard for me to listen to a 58 minute song straight through, as my commute is only 30 minutes, so some of the momentum gets lost.

In the past, Tanakh records were a little less willful, and, as it turns out, so they are in the future.

Ardent Fevers. This record is a stunningly beautiful collection of songs. It is so radically different from the self titled album that it’s hard to believe the same people were responsible. The liner notes for this album are from a fan who says he listened to this album and this album alone for several weeks on a long trip, and I can totally see that. I had listened to it a number of times and really enjoyed it. When I re-listened to it the other day I couldn’t believe how good it all sounded. It was as if it had aged well while put away. The melodies seemed stronger, the pieces more catchy, everything about it is great.

But what does it sound like, you ask. Despite the darker nature of the songs, they exude a calming effect somehow. They contain, usually, a nice strong riff, sometimes accompanied by horns, often with a repeated and hard to ignore motif. The songs build and build, yet never reach a fury or even a major crescendo. And despite this, the songs never feel like they are unfinished. They just build in strength until they stop.

Jesse Poe’s voice is a soft, low, almost-speak. Comparisons are not too useful–although he sounds so much like one singer who I just cannot place–but perhaps, like a sweeter Tom Waits, or a less depressed Tindersticks. The overall feeling of the album is kind of dark, yet there are all of these uplifting moments (like the horns or a great surge of acoustic guitars) that lift you out of the gloom. I hate to sound so fawning about this record, and yet I think it’s a really great piece. (more…)

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I noticed that as of right now my number of views is 7,344…and that’s Numberwang!

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born.jpgSOUNDTRACK: LOUDON WAINWRIGHT III-Career Moves (1993).

I first discovered Loudon Wainwright III through the great short-lived TV series Undeclared. Wainwright was the main character’s dad, an unlikable lout who, over the course of the show, became a really funny, interesting character.

Wainwright has become something of a staple in the Judd Apatow world, and he did the soundtrack for Apatow and Seth Rogen’s film, Knocked Up. And, as synchronicty happens, I thought I’d check out his music as well. I’ve gotten some records from various points in his career. This live collection, Career Moves, is a definite highlight. Wainwright writes poignant songs that are often, inexplicably, funny. He’s not a “funny” songwriter or a “novelty” singer (although his first big hit “Dead Skunk” is pretty close) but he writes in a wry tone that often brings a really funny couplet into a moving song.

(more…)

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I love coincidences. They freak me out a little bit and make me go woah! Now, I’m not the kind of guy to read into coincidences, I don’t think they are portents, or omens or harbingers of things good or evil. I just think they are cool. Now, I’m not talking about seeing some actress whom you haven’t thought of for ages suddenly appearing on two different magazine covers, because that’s just saturation marketing (and when you see the article, you realize that they have a new movie out). Nor am I thinking–I just bought the new Band of Horses CD months after it came out and I’ve been listening to it a lot and then I hear a song from it on an episode of Chuck–because they’re both new and it’s just a semi-popular song on a semi-popular show. Mild coincidence at best. I’m talking about the fact that in the circle of friends that my wife and I have developed since the birth of our son, two of their kids are named Ryan (admittedly a fairly popular name) and three of the five husbands are named Rob. And even weirder, they each go by a different variant: Rob, Robb and Robert.

Several months ago I had a string of coincidences that were so freaky I had to write them down. Which I did. And then they stopped. Well, now I’ve had two cool ones in two days, so I’m going to star jotting them down as well. Admittedly, the previous ones were much cooler, and if I can find where I wrote them I’ll include them too. But for now, I’ll start with these two neat ones.

We were watching The Rick Mercer Report (March 15, 2008 episode) where he goes on a tour bus and interviews Anne Murray, Canada’s songbird. Not that weird since they are both Canadian and it is a Canadian show. It was a little odd that they were in Florida, but whatever. Then the following night we were watching That 70s Show on DVD. We were watching the 5th season (from 2002), and Eric talks about having to sell his records for cash. But they didn’t buy his Anne Murray record, and she is Canada’s Songbird. Woah, weird. Especially as, despite the Songbird’s popularity, she’s not exactly a common punchline!

But even weirder was that moments after the show ended, and before turning off the lights I was flipping through the brand new April 2008 issue of Radar. There’s a piece about preteen bands. One of them is called Tiny Masters of Today. Which is weird and all, but as it happens, that was the name of the band in the book that I just started today Rock Star Superstar (from 2004). So, clearly, they read the book and named themselves after that band. But how weird that I would happen upon them both in the same day??

Harbinger? Not at all. But still pretty cool.

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gum.jpgSOUNDTRACK: TOM PETTY AND THE HEARTBREAKERS-Anthology: Through the Years (2000).

petty.jpgTo me, Tom Petty suffers more than anyone else from egregious overexposure. I’m not sure if it’s just me who feels that way, but in my experience, “Free Fallin'” was utterly inescapable for what seemed like an eternity. And, geez, his mug was all over MTV when that album came out. It got so bad that I simply decided I was done with him.

Well, as it turns out, Sarah is a fan, so I decided to get her a greatest hits for her birthday. We’ve listened to it a few times, and it made me remember that, hey! I used to like this guy. In fact, disc one of this set is pretty darn great. There are about three songs that I didn’t recognize immediately, but otherwise I was singing along to all of his old classics.

There’s a great memory from Fast Times at Ridgemont High with “American Girl,” And there’s some songs that I forgot about like “Breakdown” and “Refugee.” However, I feel that the Tom Petty/Stevie Nicks duet “Stop Dragging My Heart Around” was the original overexposure video on MTV. I can’t decide how many times I saw that video when I was a young’un watching MTV in its nascent years. It was so ubiquitous that even Weird Al made a parody of it on his first album called “Stop Dragging My Car Around” (which was not terribly inspired, really).

Through much of the post-Dylan years people were described as the “next Dylan.” What really struck me, re-listening to Tom Petty is that, he seems to have misunderstood that they were speaking about his lyrics, not his voice. It’s bizarre how Dylanesque he sounds, especially on “Breakdown,” If not Dylanesque necessarily, he is at least very idiosyncratic in a way that Dylan made commercial.

Even the second disc (the overexposed era) holds up pretty well, and now, seventeen (!) years later, I can sing along to “Free Fallin'” without cringing. See that, Tom, all I needed was a decade away and now we can hang out again.

[READ: December 10, 2007] The Gum Thief.

An unusual title, The Gum Thief.

I’ve enjoyed Coupland’s work for many years now (see the JPod review), and I’m always excited to see a new book come out. I opted for the autographed box set from amazon.ca which actually turned out be pretty cheap at the time I ordered it. The box set contains Roger Thorpe’s book Glove Pond, (which will make sense in a few paragraphs) which I will be reviewing shortly.

[DIGRESSION]: Incidentally, amazon.ca is THE source for imported items from England. Most of the time, the imports on amazon.com are really expensive. But the retail price on amazon.ca for British imports is usually quite good. (This was even more true before the looney reached parity with our dollar…the exchange rate for awhile was practically half off list price!)

Back to The Gum Thief.

This is what’s called an epistolary novel, meaning it is written as a series of letters. This book varies the premise somewhat by having the letters written to each other in a diary. But it is not a series of diary entries; rather, Bethany discovers Roger’s diary and begins writing responses to his entries in it. It’s a very interesting conceit, and it plays very nicely with these characters, both of whom are completely antisocial. But I’m getting ahead of myself.

Roger is an alcoholic, divorced father whose life has been generally going downhill; he more or less bottomed out with a job at a Vancouver Staples. Bethany is a post-high school goth whose life is stalling while she works at the same Vancouver Staples. Roger begins the book with some diary exercises in which he tries to get into the mind of Bethany. Bethany discovers the entries and is appalled and flattered at the same time. She writes back to Roger, telling him what he got right, but also emphatically insisting that they never acknowledge each other outside of the diary.

What Roger’s diary also contains is the beginning of his novel: Glove Pond. The box set I bought contains Glove Pond as a separate item as well, and I’ll review that next. But for now, I can say that Glove Pond is basically Who’s Afraid of Virginia Woolf, in tone, mannerism and setup. [I rather hope this will get people to read the great Albee play]. It is about an older, long-married couple (he is a writer) who inadvertently invite a young, newly-married couple (he is a writer) over for dinner. The angry resentment between youth and age, success and failure and so many other things brews up into a heady mixture of Scotch and insults.

What makes the story even more meta- is that Kyle, the young writer in Glove Pond is writing his new novel, about an old, drunken man who works in an office superstore.

Surrounding the chapters of Glove Pond are the actual letters of the story. Primarily they are between Roger and Bethany, but they also include some correspondence with Bethany’s mom (whom Roger knew in high school), and, in a break from the “in Roger’s diary” aspect, some letters between other co-workers (who also discover Glove Pond, and do not share Bethany’s (genuine) enthusiasm for it).

Aside from all of the intricacies of the make-up of the story, what about the narrative? Well, the story is basically about a young girl–whose life had been full of close people dying–connecting to a frankly pathetic father-figure (but her own father is also out of the picture, so it’s understandable). It is at times very sad, especially as you watch these characters shut themselves down internally and externally.

Ultimately, Bethany tries to make a bold move outside of Staples, a risk that she didn’t think she was capable of. And Roger sets his sights on accomplishing at least one thing in his life, namely, finishing a book. You watch these characters slowly come alive until the last chapter, in which the meta- world comes crashing in on Roger and makes you rethink a lot of what you have just read.

As with most Coupland, the pop culture references, and corporate skewering, are fast and furious. And, as with most Coupland, just when you think the novel is going to be light and funny, weighty themes are opened and genuine sadness falls over these seemingly frozen people. What I think is particularly cool about this book is the way he is able to take a somewhat detached literary style like the epistolary novel and imbue some real passion into these shells of human beings. Obviously, diary entries tend to reveal impassioned thoughts by the writer, but in a series of letters written to two people who are not wooing each other, one wouldn’t expect high emotion. And yet it comes out, and it comes across very naturally.

And, as it turns out, stealing gum does play a pretty big role in both the novel and the novel within the novel, so the title does make sense.

Oh, and there’s also some cool videos available from Random House Canada. They are promotional shorts for The Gum Thief, and they’re available at Coupland’s My Space page as well as on You Tube, which is funny given the You Tube references in the book.

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I am probably the only person in America to see this book: elton1.jpg

and get excited because I thought it was about Ben Elton. bene.jpg It didn’t even cross my mind that it would be about Elton John (nevermind that it doesn’t LOOK like Ben Elton, I only saw the title…plus he has sunglasses on and everyone knows that once you put on sunglasses no one ever recognizes you!). Now, clearly this is my own bias, but OH, what a disappointment.

This reminds me of days long ago (the early 90s) when I saw books by Steve Martini martini.jpgand thought they were by Steve Martin. stevem.jpg Just as I began to convince myself that I would never see a book by Steve Martin, he started writing books… (even though they don’t look like Martini’s books).

Does anyone else recall hearing the opening riff to the Smiths “How Soon Is Now?” (more…)

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Welcome, Jawilla, Bienvenue, Willkommen, Selam, Ghini vinishi, Tau mai, Dobre doshle, Witajcie, Kalos orisate, Hoan ging di lai kao, Tere tulemast, Wilicom, Welkom, G’day, and Hallo.

I recently installed a Sitemeter account on this blog. One of the best features about it is that it tells you where people are logging in from when they browse the site. This has been endlessly fascinating for me. I have one on the site where my son and daughter’s pictures are, so it’s usually pretty apparent which one of my friends have visited, but for the blog, it is amazing to see the international visitors. I was checking just now and I’ve had visits from Peru, Canada, Austria, Israel, Greece, the UK, Australia, Macedonia, Taiwan, Spain, Norway, the Netherlands, Ireland, Belgium, Estonia and New Zealand. For a geek like myself, this is unfathomably exciting. (more…)

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Back online.

Must.  Start.  Reading.  Again. 

Okay, after some time off, I’ve been able to get a few short stories read.  So, I’ll be making up for lost time this week.  Lots of things to look forward to….

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