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Rou Bao Bu Chi Rou (肉包不吃肉) [Meatbun Doesn’t Eat Meat]–Remnants of Filth / Yuwu (余污) [Pollution] Book 2 (2019) [translation 2023]

Posted in China, Danmei, Drinking, 肉包不吃肉, Humiliation, LGBTQ, Magic, Magical Realism, Meatbun Doesn't Eat Meat, Military, Romance, Rou Bao Bu Chi Rou, Rui, Sex, Translation, Violence, Yu on May 14, 2024| Leave a Comment »

SOUNDTRACK: hiatus.

[READ: May 13, 2023] Remnants of Filth Book 2

I didn’t expect to read any more books in this series, but then book 2 came to my desk and I had to see what happened next.  Now I’m half way into the series and I’m very curious how it will play out.  But I’m quite certain I’ll never see Part 3.  Incidentally, our library had books 2-4 of Rou Bao Bu Chi Rou’s more noteworthy series The Husky and the White Cat Shizun (why don’t we have book one?)

So, it’s been a while, what did I say last time?

The author of this book is Rou Bao Bu Chi Rou (or Roubaobuchirou).  In Chinese that is 肉包不吃肉 which literally translates into Meatbun Doesn’t Eat Meat.  This last phrase is what she is commonly known as in the United States.

This book is danmei.  According to The Guardian:

Danmei is romantic fiction about men or male beings – ghosts, foxes, even a mushroom – falling in love, written almost exclusively by and for straight women and is the most popular genre of fiction in China.

This series is about two soldiers.  Mo Xi and Gu Mang.

The two were friends and then lovers when they were younger.  They fought together and they loved each other.  This was largely forbidden and no one knew of their relationship.

And then (and we don’t know why in this book), Gu Mang switched sides.  He joined forces with the enemy.  And on the battlefield when Mo Xi and Gu Mang faced each other, Gu Mang stabbed his friend and lover in the heart.  There’s magic in these books, and Mo Xi survived.

In book one, Mo Xi brought Gu Mang out of the slavery he was stuck in.  Mo Xi has to do some twisting of reality for people to believe that he is holding on to Gu Mang for reasonably reasons but Mo Xi is so virtuous, no one questions his motives. (more…)

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Rou Bao Bu Chi Rou (肉包不吃肉) [Meatbun Doesn’t Eat Meat]–Remnants of Filth / Yuwu (余污) [Pollution] Book 1 (2019) [translation 2023]

Posted in China, Danmei, Drinking, 肉包不吃肉, Humiliation, LGBTQ, Magic, Magical Realism, Meatbun Doesn't Eat Meat, Military, Romance, Rou Bao Bu Chi Rou, Rui, Sex, Translation, Violence, Yu on August 22, 2023| Leave a Comment »

SOUNDTRACK: hiatus.

[READ: August 21, 2023] Remnants of Filth

First.  Unpack the name.

The author of this book is Rou Bao Bu Chi Rou (or Roubaobuchirou).  In Chinese that is 肉包不吃肉 which literally translates into Meatbun Doesn’t Eat Meat.  This last phrase is what she is commonly known as in the United States.

In Chinese the book was called Yuwu (余污) which translates into Pollution.  And the English title is Remnants of Filth.

Second.  What is this?

This book is danmei.  According to The Guardian:

Danmei is romantic fiction about men or male beings – ghosts, foxes, even a mushroom – falling in love, written almost exclusively by and for straight women and is the most popular genre of fiction in China.

Meatbun Doesn’t Eat Meat is a very popular danmei writer and her first book series The Husky and His White Cat Shizun is a bestseller.

This series is about two soldiers.  Mo Xi and Gu Mang.  (more…)

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Valérie Mangin–Yuanyuan’s Bubbles [by Cixin Liu] (Graphic novel #4 2021) [originally written 2004; translated 2021]

Posted in Barack Obama, Bubbles, China, Cixin Liu, Death, End of the World, Graphic Novel, Nicholas Blackburn Smith, Steven Dupré, Supernatural, Talos Press, Translation, Valérie Mangin. on June 23, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: June 23, 2022] Yuanyuan’s Bubbles

This is the fourth of sixteen graphic novels based on Cixin’s Liu’s stories.  This story, originally called 圆圆的肥皂泡, is the most straightforward one yet.

It is full of hope and shows that play is just as important as other scholarly pursuits.

When Yuanyuan was born, the one thing that made her happy was bubbles.  Her mother was a scientist and rather serious.  While her father often chided her mother for being too straight-faced.  But her mother had serious work to do.

Their city–Silk Road City was having severe drought.  If nothing could be done about it, the whole city would have to be abandoned.  Yuanyuan’s mother’s idea was to drop ice bombs with plants in them from a plane.  The project worked–the water helped to keep the seedlings alive.

However, in a rather dramatic early moment, the plane went down and Yuanyuan’s mother was killed.  Yuanyuan’s father was affected by the death of his wife and insisted that Yuanyuan grow up to be just like her mother–serious and thoughtful.  But Yuanyuan had other ideas.  She was still obsessed with bubbles.

Even her teachers noticed her attitude.  But her grades were excellent. Indeed, one of her teachers explained to Yuanyuan’s father that “in this new era, being a  little more relaxed and carefree isn’t a weakness.”

Her father still wants her to take things more seriously, but in the meantime, Yuanyuan has discovered a formula for creating the largest bubble in the world–it’s breaks the world record!

Yuanyuan becomes very successful–her formulas for creating elasticity in bubbles is greatly in demand.  Ultimately, her father asks her for a loan to help keep part of their old city alive.  But she says she cannot.  She is using her funds for her next project–a bubble that can envelope a city.

That’s actually not what she intended, but the bubble does settle onto the city, forcing everyone to figure out how to survive with their oxygen being cut off.  Everyone is furious at Yuanyuan, but she only sees the possibilities–what is she made bubbles that could carry water from he sea to their desiccated city?

No one thinks she can do it.  People make fun of her.  Even her father is disappointed in her.  But she won’t give up.

As with most of these graphic novels, I feel like the story suffers a but from being truncated (I assume it was truncated a lot).  And yet the general tone and tenets of the story come through clearly.  And it’s very cool.  It was translated by Nicholas Blackburn Smith and then written for this book by Valérie Mangin.

The story was illustrated by Steven Dupré and he does a great job creating the images of the bubbles.

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Zhang Xiaoyu–The Village Teacher [by Cixin Liu] (Graphic novel #3 2021) [originally written 2001; translated 2021]

Posted in Barack Obama, Cancer as plot device, China, Cixin Liu, Death, End of the World, Graphic Novel, Outer Space, S. Qiouyi Lu, Set at School, Supernatural, Surreal, Talos Press, Translation, Violence, Zhang Xiaoyu on February 21, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: February 2022] The Village Teacher

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This book is also called The Rural Teacher in translated form.

After the complex intensity that was The Wandering Earth, this story is much more simple.  But it is not less intense.

There are two storylines.  I’m not sure if in the written work it’s less clear that the story lines are at the same time.  It felt like for a powerful effect, they would not be obviously simultaneous, but I’m not sure how he could have done that.

The story starts on a school in a rural village.  The teacher is teaching the kids about outer space. (more…)

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Christophe Bec, Stefano Raffaele–The Wandering Earth [by Cixin Liu] (Graphic novel #2 2021) [originally written 2000; translated 2021]

Posted in Babies, Barack Obama, China, Cixin Liu, Death, End of the World, Graphic Novel, Jok, Magnus, Olympics, Outer Space, Rodolfo Santullo, S. Qiouyi Lu, Supernatural, Surreal, Talos Press, Translation, Violence on February 17, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: February 2022] The Wandering Earth

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This second one is also a dark story about the destruction of the earth (actually, all three are).

The story is also more complicated with a lengthy timespan and a few surprises thrown in.

As the story opens we learn that three hundred years ago scientists discovered that our sun was using up its hydrogen and converting it to helium–it was going to explode.  So the scientists began a plan.  Using rockets, they would stop the earth’s rotation and then using those same rockets, they would propel the earth into a habitable part of the galaxy.

Obviously, this would take many generations and would result in the destruction of the earth as we know it.

The book begins with a baby born on the day that the earth had stopped rotating.  We quickly jump to the boy in school learning about everything that happened (a great way of doing exposition).  These students are high-tech and scientifically very smart.  Art and philosophy and everything like it have basically been done with because it’s all hands on deck for saving the planet. (more…)

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Rodolfo Santullo, Jok–Sea of Dreams [by Cixin Liu] (Graphic novel #1 2021) [originally written 2002; translated 2021]

Posted in Artists, Barack Obama, China, Cixin Liu, End of the World, Graphic Novel, Jok, Magnus, Outer Space, Rodolfo Santullo, Supernatural, Surreal, Talos Press on February 16, 2022| 2 Comments »

SOUNDTRACK: hiatus

[READ: February 2022] Sea of Dreams

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This first one is a dark story about the destruction of the earth (actually, all three are).

The story opens on an Ice & Snow Arts Festival.  The artist Yan Dong is completely wrapped up in his sculpture which is abstract and wild unlike every other one.  While people are looking at the art, a giant ball comes out of the sky and hovers above the ground.  The creature calls itself a Low Temperature Artist.  It states that only art matters in the universe–everything else is trivial.

It scoffs at the realistic art pieces and says that only Dong’s is worth considering.

Then it says that it will create the greatest ice-based art.  And it slowly begins sucking up all of the water from the earth.  It freezes the water and begins preparations for its installation which will remain in space protected by a membrane that will prevent the ice from melting.

Pretty cool.  Except of course, that soon, the planet is completely dried out. (more…)

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Chen Xuanyou–“Ch’ien-niang” [China] (translated by Wayne Schlepp) [The 2021 Short Story Advent Calendar #20] (fl. 779/translation 1990)

Posted in Alberto Manguel, Canadian Content, Chen Xuanyou, China, Christmas, Fairy Tales, Hingston & Olsen, Romance, Short Story, Supernatural, The Short Story Advent Calendar, Wayne Schlepp on December 20, 2021| Leave a Comment »

SOUNDTRACK:  hiatus

[READ: December 20, 2021] “Ch’ien-niang”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check this link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar.

As with Homer and Hans Christian Andersen, I am fairly surprised that Manguel went back to the Tang Dynasty (even if it the Golden Age of Chinese literature) to find a story.  Especially since “’Ch’ien-niang’ is a Chinese version of Sleeping Beauty with a twist.”

Ch’ien-niang is a legend that the narrator had often heard of.

Ch’ien-niang was designed to marry Wang Chou.  But Chou was to be sent away instead. (more…)

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David Sedaris–“Easy, Tiger” (New Yorker, July 11 & 18, 2011)

Posted in Black Motion, China, Coronavirus, David Sedaris, Drinking, Drugs, Essays, Funny (ha ha), Germany, Homophobia, Japan, Language, New Yorker, Quarantine, South Africa, Tiny Desk (Home) Concerts, Tiny Desk Concert, Tokyo, Japan, Translation, Yuck! on July 16, 2021| Leave a Comment »

SOUNDTRACK: BLACK MOTION-Tiny Desk (Home) Concert #233 (July 8, 2021).

 Black Motion specializes in Afro-House and this set is infectious.

Afro-House has spread joy and healing across the country of South Africa, transcending local boundaries to become a thriving global dance phenomenon. In my experience, Its indigenous sounds and percussive rhythms drench the soul and heart with healing powers and cultivate communion with the infinite.

This Afro-House set is brought to life thanks to several featured vocalists and guest musicians.  Black Motion’s Tiny Desk (home) concert, recorded at the former residence of Nelson Mandela, feels like a spiritual sound bath. The South African production duo turntablist Bongani Mohosana of the Zulu tribe and percussionist Thabo Mabogwane of Sotho tribe — open their set with “Mayibuye iAfrica,” a cry for Africa to return to its culture and history.

“Mayibuye iAfrica” opens with a fun introduction.  There’s whooping, growling, cawing, (from DJ and producer Bongani Mohosana and keyboardist Almotie “Alie-keyz” Mtomben).  There’s some great percussion (producer and drummer Thabo Roy Mabogwane’s set has over ten different drums and a few cymbals).  Then, after a minute or so Siyabonga Hosana Magagula’s grooving bass and Lifa “Sir_Lifa” Mavuso’s slow but perfect-sounding guitar enter the picture.

Then the singers come in singing a beautiful chorus.  The three of them are: Lusindiso “Jojo” Zondani (tenor), Gugu Shezi (soprano) and Noxolo Radebe (alto), and there voices gel wonderfully.

Up next is “Rainbow” which shuffles along with the DJs sampling and a simple keyboard melody (that sounds a bit like The Way It Is).

South African singer Msaki makes her third appearance in our (home) concert series, after earlier credits with Black Coffee and our Coming 2 America special. She lends her vocals to “Marry Me,” a soulful jam from Black Motion’s 2020 album, The Healers: The Last Chapter.

Next up is “Marry Me.” Msaki sings lead vocals on this song which has a grooving echoing lead guitar. “Alie-keyz” plays a cool retro organ solo before “Sir_Lifa” jams out a guitar solo.

Interestingly, Msaki’s voice was relatively deep, but on the next song, “Joy Joy,” Brenden Praise’s voice is pretty high (in the choruses).  For the verses, he sings a bit deeper.  I like the way the backing vocalists sound like gospel singers here.

“Imali,” featuring Nokwazi, soothes the lingering remnants of pandemic fears,

The snare drum introduces the colorfully dress Nokwazi who sings “Imali.”  Her call and response singing is really great, as is her intense, growling style.

Tabia closes with the lilting “Prayer for Rain.”

Tabia comes out for “Prayer For Rain” and says “let’s pray” as she sings some wordless notes to warm up the song.  When she starts singing, I don’t know what language she’s singing, but the passion is palpable.  And the thunderclap that DJ Bongani Mohosana adds at the end is a welcome touch.

This is a powerful and moving (emotionally and physically) set of songs.

[READ: May 10, 2021]  “Easy, Tiger”

After reading David’s story about shopping in Tokyo, it was funny to go backwards and read about one of his first few trips abroad and how he started learning the local language(s).

He says that he had been using Pimsleur Japanese and felt fairly comfortable when in Japan.  But on this trip he was also going to Beijing and he had forgotten to study.

But this is not so much about China as it is about learning languages in general.

Since he doesn’t drive, phrases like “as for gas, is it expensive” don’t really help him out.  But he uses “fill her up please” when asking for a tea refill.  He also gets to say that he is a man with children since they do not have a phrase for “I am am middle aged homosexual…  with a niece I never see and a small godson.”

He recommends Pimsleur for pronunciations and memorization.  But he also likes Lonely Planet. (more…)

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Sabrina Orah Mark–“The Professor” [The 2020 Short Story Advent Calendar #14] (2019)

Posted in Canadian Content, Canadian Music, Chanukah Album, China, Christmas, Coronavirus, Dave Grohl, Death, Funny (strange), Geddy Lee, Greg Kurstin, Hingston & Olsen, Huh?, Old Age, Peaches, Quarantine, Sabrina Orah Mark, Sex, Shadows, Short Story, Surreal, The Hanukkah Sessions, The Short Story Advent Calendar, Trains, Work on December 14, 2020| Leave a Comment »

SOUNDTRACK: KURSTIN x GROHL-“Fuck the Pain Away” (The Hanukkah Sessions: Night Four” December 13, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The fourth night is very family un-friendly, because it’s a song by Peaches.

Drake’s not the only musical Jew from Canada…tonight we feature a Canadian rock G-Dess…who coincidentally grew up around the corner from a Canadian Jewish rock G-D (G-ddy Lee). Straight out the mikvah, here’s Peaches!

I don’t know Peaches all that well, but I do know this song.

Kurstin plays the minimalist synth line, including the hand claps.

Grohl plays drums and sings.  There’s not much in the way of drums in this song (nor much in the way of lyrics either, actually).  There’s an inherent smile as Grohl sings “sucking on my titties.”

For such a hedonistic song, the pro-school verse is pretty surprising: IUD SIS, stay in school cause it’s the best.

The surprise in this one comes half way through the song when Peaches herself makes a remote appearance.  She sings the chorus with Dave (although they don’t acknowledge each other).

[READ: December 14, 2020] “The Professor”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 14. Sabrina Orah Mark, author of Wild Milk, regrets that she will be unable to attend office hours this week. [Click the link to the H&O extras for the story].

This is the second story in a row that I found very confusing and not very enjoyable.  I really used to enjoy weird stories like this, but my tolerance for this style has thinned as I get older I guess.

It starts plainly enough.  A student, Penny, is waiting for her professor.  Although when the professor calls, “we step over five students I’ve never seen before.” (more…)

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Meng Jin–“Our Humans” [The 2020 Short Story Advent Calendar #13] (2018)

Posted in Canadian Content, Chanukah Album, China, Christmas, Coronavirus, Dave Grohl, Death, Funny (strange), Greg Kurstin, Hingston & Olsen, Huh?, Meng Jin, Mountain, Old Age, Quarantine, Shadows, Short Story, Surreal, The Hanukkah Sessions, The Short Story Advent Calendar, Trains, Work on December 13, 2020| Leave a Comment »

SOUNDTRACK: KURSTIN x GROHL-“Mississippi Queen” (The Hanukkah Sessions: Night Three” December 12, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The third night is a rocking version of a Mountain song.

Talk about making a mountain out of a mohel … named Leslie Weinstein at his bris, the singer of our next band built a wailing wall of guitar as Leslie West. Check out our take on a track from Leslie’s monolithic band, MOUNTAIN.

Unlike yesterday’s song, I know “Mississippi Queen” very well. I’ve been a fan of Mountain and even saw them live thirty or so years ago.

Kurstin plays synth and the opening guitar line sounds perfect–he gets a really good guitar sound in this session.

Grohl plays drums and sings.  He’s singing in more of his screaming style for this song which works pretty well.

The joke in this one is that he is using a cup as a cowbell.  The cup is duct taped all over the place and as the song opens, Grohl says “I’m fucking this cup up real bad.”  Kurstin says it’s worth it.  And I agree.  This song rocks.

They play with split screen on this one–during the solo, there’s four shots of Kurstin’s hands.

The only bad thing about this song is that it’s so short!

[READ: December 13, 2020] “Our Humans”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 13. Meng Jin, author of Little Gods, always keeps carbon copies in triplicate. [Click the link to the H&O extras for the story].

I found this story very confusing and not very enjoyable.

It is set in some kind of futuristic society, but hat doesn’t seem to matter all that much.  The narrator works at a job “in those day we still employed a number of humans.”

She was an unusual sight there–being (somewhat) young and (clearly) female.  Most people assumed she was a consultant.

Once she leaves work, the story changes entirely.

On the train she sees a little girl–unsupervised: “young people are rarely seen in the city these days.”

The train breaks down in the middle of nowhere.  The girl encourages the narrator to go with her.

Everyone in the story calls her jiejie (which means older sister).  She seems disconcerted by this.

As they walk through the dark, the little girl tells her that they have become their shadows.  They can’t walk through any unlit spaces, obviously.

She gets back to her apartment. It is pitch dark.  She feels she has lost herself but then she bumps into Duowen, a man from work.  Their mouths meet.

This story really lost me.  I was really interested in the futuristic society and the bots (and their gradual falling apart), but the whole thing with the shadows just didn’t seem very compelling.

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