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Archive for the ‘Concert’ Category

SOUNDTRACK: PHISH-Live Bait Vol 6 (2011).

Yesterday was my coworker Jay’s last day here, so I’m writing about this Phish bootleg set in his honor.

So these Live Bootleg Series are fun in that they’re a free sample of live songs–warts and all–from various shows in the band’s touring history.  These shows are primarily 1993-1996, with a 1988 song and two from 2003 thrown in for good measure.  The opening of “The Curtain” into “Tweezer” is from Red Rocks.  In fact, the first 8 songs are from Red Rocks at different times in their career (I like that they meld the shows together like this).  From 1996, “The Curtain” sounds amazing, so it’s really surprising how badly Trey messes up the opening guitar riff of “Tweezer.”  It’s so bad I would have thought he might have considered starting over!  But after an ugly beginning the band settles in for a 17 minute version.  “Split Open and Melt” also comes 1994.  The band sounds great on this song.  This is one of my favorite jam sections–it goes in a really weird direction.  And, there’s great bass and a guitar solo.  “It’s Ice” and “The Wedge” are from 1993 (touring their 4th official release!).  They sound really on for these songs.

Next comes a trio of songs from 1995 that always go together: “Mike’s Song” (everybody’s favorite), “I am Hydrogen” and “Weekapaug Groove.”  The middle of the “Mike’s Song” jam gets a little weird (some of their slow sections can sound very strange especially if people overhear them out of context), but they bring it back very nicely.

“The MOMA Dance’ and “Limb by Limb” are from 2003.  And they are fantastic.  “McGrupp and the Watchful Hosemasters” actually comes from the Colorado ’88 CD, but it’s a fun addition within this set.  It certainly sounds older than the others, but not radically out of place.  It’s followed by “Ghost” from 1997.   “David Bowie” has a lot of fun in the intro–the begin playing several different songs, including “Mike’s Song” and several other intros before finally settling into “DB.”  The jam also gets pretty dark, but I love at the end when the conventional shredding solo keeps getting interrupted by a strange minor key riff.  Similarly, “Wilson” takes a really long time to get going, including a nice little nod to “The Simpsons” in the intro.  And then there’s a really long pause before the “blap boom” part comes in.  It’s a fun version of the song.  The disc ends with a wild version of “Run Like an Antelope” from 1993.

It’s a pretty great set, and not bad for free.  You can download it here.

[READ: May 25, 2012] “The Bank Robbery”

I’ve never read Richard Ford.  I have a copy of Independence Day but I never read it. I hear it’s great.

So, here’s this excerpt from Ford’ new novel called Canada.  As has been said before, you can’t really write a review of  an excerpt.  However, a excerpt can get you excited about a book.

And that’s what this did.  It doesn’t make me want to pre-order Canada or anything, indeed, I’m not even sure how this excerpt can relate to the rest of the story as it’s pretty self-contained, but I loved the way it was written and the tone and pacing that Ford employs.

This excerpt opens with the narrator recollecting what he knows about the bank robbery.  The one that his parents committed.  His parents are pretty normal people, except for one thing—they actually thought they could pull of a bank robbery.  I love this section:

Conceivably many of us think of robbing a bank the same way we lie in bed at night and delicately plot to murder our lifelong enemy….  [details excised].  After which we conclude that though it’s satisfying to think we could murder our enemy in ambush…only a deranged person would carry out such a plan.  That is because the world is set against such acts…At which point we forget about our plan and go to sleep….  But for my parents this kind of thinking didn’t occur. (more…)

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[ATTENDED: February 17, 2012] Richard Thompson at the McCarter Theater

I have seen Richard Thompson live many times.  By my last count I think it must be five or six.  I’ve seen him solo and with others, I’ve seen him at Festivals and small venues.  And he never disappoints. RT makes an annual (or nearly annual) pilgrimage to Princeton’s McCarter Theater and the crowd is devout.  The last time Sarah and I saw him was on his 1,000 Years of Popular Music tour (a wonderful extravaganza) with olde instruments and two backing players.  But every show is different and you never know which incarnation  you never know which RT you’re going to get.

This tour was just RT and his guitar and our show proved to be a (mostly) request show.  Whether it was meant to be a request show is unclear (he just did three all request nights in NYC).  For tonight’s show, he definitely had songs in mind but the crowd politely asked for other songs and he accommodated (he doesn’t always).

Sarah and I laughed at the demographic of the audience (a lot of gray-haired ponytails here, Sarah noted–and that was just the men).  And yet next to us were a group of young rocker kids, so we were neither oldest, younger, coolest or squarest.  But none of that mattered because RT bridges all groups.  It was just he and his acoustic guitar, and he played slow ballads, serious rockers, funny songs and a few classics.

I didn’t know the first couple of songs (which surprised me) but it’s possible they were brand new, because why would he start what proved to be a greatest hits set with a bunch of obscure songs?  Well, he’s a conundrum.  Maybe anyone who was there can fill me in on the setlist.

After the first song the requests came.  RT explained that he had hoped to do some songs that he wanted to play and he hoped that those songs would be ones that we wanted to hear.  So obliging!  When the crowd convinced him to play Britney Spears’ “Oops I did it Again” (a song he played in his 1000 Years retrospective) we knew it was going to be a great show.

And it was.  (more…)

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