Feeds:
Posts
Comments

Archive for the ‘Princeton, NJ’ Category

[ATTENDED: April 18, 2018] Jeff Tweedy

I knew I was overbooking myself this particular week (this was my third concert in three days), but how could I pass up Jeff Tweedy playing in Princeton?  He’d never played here before.  Who knew when he’d do it again.  And I could get seats by walking right up the box office.

After seeing Wilco live I knew I’d want to see them again.  And while Wilco is much more than Jeff Tweedy, Jeff Tweedy by himself is pretty great.  Especially if you’re in Row E.

I came to Wilco pretty late in their existence.  I didn’t want to know about any alt-country bands back then.  Who needed to add -country to alt- music?  Well, then I heard “Via Chicago” live and I was hooked.  I have retroactively enjoyed all of their releases.

So how awesome was it that he opened with “Via Chicago” just for me? (more…)

Read Full Post »

[ATTENDED: April 18, 2018] OHMME

I was slightly disappointed to find that Jeff Tweedy had an opening band as I was hoping for “an evening with” the Wilco frontman. When I looked up OHMME, really the only thing I learned from them was that they were once called HOMME.  But I’m not sure why they changes the name.

So I didn’t really know what to expect when two women came out on stage.  They each had a guitar and a microphone.

And then proceeded to play the most interesting duo rock that I’ve heard in a long time.

Macie Stewart and Sima Cunningham (I’m not even sure who was who) played a vast array of styles and sounds (often within the same song) using just two guitars (and a violin) and their voices.  It was fantastic. (more…)

Read Full Post »

[ATTENDED: May 21, 2016] An Evening with Todd Rundgren

2016-05-21 22.05.52I was astonished to learn that I’ve gone most of my life not knowing that Todd Rundgren wrote “Hello, It’s Me” and “Bang the Drum All Day.”

How did I not know this?

Indeed it turns out I didn’t know much about Rundgren.  I knew he was in the band Utopia and that they played weird prog rock.  And I also thought he was kind of a control freak.  But I didn’t realize he had those huge hits (which might explain how he makes so many weird albums–and he has a lot of weird albums).

I don’t even know what made me get a ticket of this show.  I had recently been hearing a bit about him. I had looked him up on line or some reason (that’s how I knew he wrote those songs) and I recognized the photo to the right, an iconic photo from Something/Anything (which was used as the backdrop for the show).  When I saw that he was playing at McCarter, I decided it was time to check him out.  Now, I was going to see a show the night before and normally I don’t like to do two nights in a row, but since this show was so close by (and I knew I’d be home by eleven) I decided to go.  And I had a great time.

The blurb for this show started: “The classic rocker Todd Rundgren may be 67, but he shows no signs of slowing down.”  And that’s very true.

I managed to score a seat in Row J, which was so close to the man I could see him sweat (ew).  The only problem was the very tall man sitting in front of me (I should have asked him to switch seats with his tiny wife).

While I was waiting for the show to start, a woman sat down next to me with her husband and some friends.  She was super friendly (and a bit drunk) and we started talking.  She asked how big a fan I was of Todd.  And I had to admit that this was my first show.  She told me that she first saw Todd when she was 16 (or 19 who can remember) and has seen him every tour since then (she’s in her 50s).  She said he tours constantly and she will see him twice a year sometimes.

Normally I’m not much of a talker during a show, but I enjoyed having her next to me to occasionally guide me through what I was hearing.  Unlike the louts at the end of the row who were talking really loudly and making jokes throughout the show (and getting up to go to the bar every couple of songs).  They were big fans I could tell (they knew every song), but such disrespect I’ve never seen.

The lady (whose name I never got) told me that Todd makes a new playlist for each show and decides what he’s going to play an hour before he goes on.  That was pretty cool.  She told me a few other things that were interesting about him (he has a house that he built in Hawaii but he never goes there because he is always touring).  And that, amazingly, she’d never actually met him after all these years.

And then the lights dimmed and the band came out.  Followed by Todd.  And the crowd went berserk!  It was especially amusing because it was practically like a  Tom Jones show, with women throwing themselves at him (my seatmate remained remarkably composed).  These women (mostly) stood and applauded after each song, waved their arms and were so utterly into it, I was amazed. (more…)

Read Full Post »

[ATTENDED: March 13, 2016] Avi Avital

aviA few months ago I wrote about Avi Avtal’s Tiny Desk concert.  I had never heard of him, but his mandolin playing was amazing.  And then about three days later I saw that he was going to be playing in Princeton.  Well, I immediately got tickets.

And today we saw him and he was even more amazing in person.

In the Tiny Desk show, he played solo.  But in this show (and tour) he played with two people accompanying him: Ksenija Sidorova on accordion and Itamar Doari on percussion.

The only complaint I had about the show was that there was no progamme, so I had to look up everything online to know what we had just seen.  Fortunately I was able to find a setlist, because I never would have remembered what he told us.

Anyhow, in this show, titled Between Worlds Avital and company explore the borders between folk and classical music.  What that means is that they play music from classical composers, but also some very traditional folks songs from around the world.

Mandolin doesn’t seem like the instrument of choice for classical music, but Avital, who has been playing since he was little is amazing at the instrument–playing incredibly fast and clear and managing all of those Bach notes like nobody’s business. (more…)

Read Full Post »

[ATTENDED: February 9, 2016] Richard Thompson at the McCarter Theatre

2016-02-09 19.19.51This was my fourth time seeing Richard Thompson at McCarter Theatre (he says it was his 492nd time playing there).  And this time, I got my tickets early and scored ROW G!  Right in the center!

2016-02-09 19.24.13So there was the man just six rows away.  And I got to watch every amazing solos and chord changes and capo placements and tuning (that’s why I can’t play his songs) and everything else he could do with that one guitar.

For indeed, that’s what it was, just him and his acoustic guitar.  Standing in front of us for 2 hours and blowing us away.  When I bought the tickets, he was touring with a trio (last summer), so I assumed that this show would be the trio show.  But nope, it was just him.

And, more amazingly, he played with no opening act!  The night before he was at the Sellersville Theater (which sold out before I found out and although they called me about the waiting list, it was about 2 hours before show time, so there’s no way I could have gone) and had an opening act.  And the next show after this one he had a different opening act.  But we got just Richard (and we were home by 10, which is pretty awesome for us old people). (more…)

Read Full Post »

[ATTENDED: December 10, 2015] A Christmas Carol

xmasLast night we attended McCarter’s production of A Christmas Carol for the second time (first time was two years ago).  We went specifically because it is the last time that they are doing this particular performance of the show (it has been the same for 16 years).  Next year they will be doing something entirely new.

We were pretty staggered by the pricing (last time we got super cheap seats but they were pretty far into the corner which ruined some of the magic).  But there was a Black Friday special and we had awesome seats (the woman next to me was mad that we paid literally half her price, muhahaha, Scrooge alert!).  But wow, what seats!

The show felt more magical and more moving than last time (I was a blubbery mess by the end).  It was awesome to see that the entire set was crooked (a great, disconcerting effect).  And to really see the sets come forward and the spirit of Christmas future as soon as he came out, those were very cool moments.  T. asked if we can sit in the front row next year.

2015-12-10 20.47.46It was also interesting to see who was different in the cast this year.  I recognized a few returning members–James Ludwig is awesome as Fred, Scrooge (Graeme Malcolm) was the same (and was awesome–I loved the way he did little things, like kick a rug into place, which were “accidents” but were totally in character).  And there were clearly some new faces and new actors.   You can see the whole cast at the McCarter site.

And I just read (in New Jersey Stage) that apparently many in the cast are quite well known:

Boasting a gigantic list of Broadway, regional and international credits, the cast of A Christmas Carol includes Leah Anderson, Allison Buck, Billy Finn, Kathy Fitzgerald, Nike Kadri, David Kenner, January LaVoy, James Ludwig, Bradley Mott, Anne O’Sullivan, Sari Alexander, Gabriel Bernal, Andrew Clark, Jean G. Floradin, Heather Gault, Michael John Hughes, Sophie Lee Morris, Gregory Omar Osborne, Patrick Roberts, Daniella Tamasi, and Arielle Taylor.

I just re-read what I had written two years ago and found that I felt exactly the same.  So for the rest of the post I am going to keep everything the same (with a few updates).

It’s like a Christmas tradition. (more…)

Read Full Post »

[ATTENDED: November 19, 2015] Zoyka’s Apartment

zoykaI was offered free tickets to this show.  I read a brief review, saw the word “farce” and decided it would be fun to go to it.

This play was written by Mikhail Bulgakov, an author I’ve heard of but know little about.  Turns out that all of his plays were banned by the Soviet government.  Including this one, even though it was not an anti-Soviet play.  After the banishment, he wrote to Stalin requesting permission to emigrate, but was denied.

As this play opens, there is a lectern at which an announcer reads a 1990 review of the play by Frank Rich in the New York Times (which you can read here).  Perhaps the most fascinating thing that I heard from the review was this:

Boris A. Morozov’s production of Mikhail Bulgakov’s ”Zoya’s Apartment” at the Circle in the Square. Mr. Morozov is resident director of the Maly Theater in Moscow. His New York cast is headed by such actors as Bronson Pinchot.

Since Pinchot is my new favorite audio book reader, I immediately paid attention. (more…)

Read Full Post »

bask[ATTENDED: March 13, 2015] Baskerville

We saw ads for this show some time last year during a Princeton street festival.  The folks at the McCarter booth really talked up the show and said our kids would love it.  In recent days the play has been getting rave reviews.  Needless to say we were pretty excited to go.

Well, the play was awesome.  I’m not sure that the kids loved it. Clark said he liked parts of it but found the mystery a bit hard to follow. And Tabby was kind of scared by the dark scenes and loud noises.  But everyone seemed to have a good time–even if it did end at 10PM.

And the play it self was really fantastic.  Going in we knew literally nothing about the play except that it had something to do with Sherlock Holmes.  I assumed it was the Hound of the Baskervilles story but I wasn’t sure if there was a twist on it at all.

And I certainly didn’t know anything about the way the play was structured.  In the brief write up in the booklet it seemed like the story might have a meta- component. And it did, but not in the way I expected.  For the meta component was that they really played up the constraints of the theater and wound up making jokes about the stage and how actors often play multiple roles.  For example, they said things like “that rabbit” and then a stuffed and mounted rabbit would wheel across the stage.  Or that he needed his hat and a trap door would open and a hat would be thrown to him.  And the hilarious way the flowers arrived was outstanding–I’m still not exactly sure how they did it. (more…)

Read Full Post »

[ATTENDED: October 15, 2014] The Understudy

understudyI feel like we haven’t been attending as much live theater this year (this year was more about concerts), but I was happy that McCarter was showing this comedy (they just showed Antony & Cleopatra which I just was never quite in the mood for).  I got good seats and off we went.

I didn’t realize this was a preview performance (and what exactly that means I’m not sure–we saw a preview performance of Spamalot on Broadway and it was wonderful).  With our programs was a survey of things we liked/didn’t like or suggestions we might have about the show.  I though the show was wonderful and wouldn’t change anything.

The premise of the play is fantastic, especially if you like plays about the theater and acting.  The story is that one of the lead actors and his understudy are going to have a rehearsal of their upcoming play.  There are only three characters: the lead, the understudy and the stage manager.  Any behind the scenes type of story is bound to be funny, and so this was.  But what elevated this story to levels beyond a simple behind the scenes comedy was that the play the the actors are rehearsing for is a recently uncovered play written by Franz Kafka called The Man Who Disappeared.

The play is looking to be a huge success (Broadway loves Kafka!) especially since it stars two movie stars (there’s jokes about movie stars being on Broadway).  The main lead of the Kafka play is never seen, but we learn that he makes $20 million per picture.  The second lead is Jake–his recent film made $68 million in the first weekend and he is considered a major draw.  The understudy is Harry, a down on his luck artiste who is really happy to just get paid, even if he will likely never go on.  The third character is Roxanne.  She is the stage manager and she has a very compelling back story that is slowly revealed.

The fourth “character” is Laura. We never see Laura, but she is in charge of the lights and set during this rehearsal.  She is apparently high and is constantly causing trouble–missing light cues, bringing down incorrect sets.  For a nonexistent person, she is a highlight of the show. (more…)

Read Full Post »

[ATTENDED: May 2, 2014] The Figaro Plays: The Marriage of Figaro

marriageAfter last night’s unexpectedly hilarious Barber of Seville, my expectations were much higher for The Marriage of Figaro.

For a brief explanation of these plays, see yesterday’s post.

The Marriage of Figaro is set three years after The Barber of Seville.  [It must be said that the promotional material said they could be seen in any order, but a lot from Barber is referenced in Marriage and since it is set three years later, it really does behoove you to see Barber first].  The situation is interesting: Count Almaviva and Rosine are still married, although the Count is sleeping around and the Countess is despondent (so much for that rush of first love).  But the main plot concerns Figaro.

Figaro is living with them (as Almaviva’s right hand man) and is set to marry the Countess’ Lady in Waiting, Suzanne.  Figaro is gloriously happy, as is Suzanne.  And they cannot wait to get married.  So, unlike the previous play, there are no shenanigans trying to get them together behind the back of someone else.  The shenanigans are of a slightly different sort.

For Suzanne reveals to Figaro that the reason the Count has given them this glorious space in the chateau–which is but mere feet away from the Count’s private room–is that he plans to deflower Suzanne on the night of her wedding to Figaro.  This was, apparently, the Count’s privilege at the time.  Although Count Almaviva ended that policy when he married Rosine.  But he seems ready to reinstate it now.

Figaro doesn’t believe it at first, but is soon convinced.  The Count wants to meet Rosine in the garden on her wedding night.  And so she and Figaro (with the help of Rosine) decide to hatch a plot.  And that’s just one of many plots in this sequel which is much more complicated, has a much bigger cast and pushes three hours in length. (more…)

Read Full Post »

« Newer Posts - Older Posts »