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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: June 24, 2023] LaMacchia

LaMacchia is John LaMacchia.  John LaMacchia is the guitarist for Candiria, a metal band I don’t know who plays a kind of mathcore/prog something or other.

LaMacchia is his first solo album, and it’s a very different feel.  He and Sabrina Ellie are the main singers and the album has a much more mellow vibe.

For this show, he had a band and I really enjoyed their set a lot.  There was no female vocalist, but there were outstanding harmonies from his bassist (who had an excellent sound and was really fluid in the basslines) and his guitarist/keyboardist who seemed to be doing all kinds of things over there.

Their drummer was a guest drummer for the night and he was really good, too.

Overall, I was really impressed with how the band could maintain an overall heavy sound but still have excellent (at times) three part harmony.  There was also some diversity in sound up on stage too, with a couple of the songs being almost atmospheric.

“Disconnect” even had a sample from Casablanca (who samples Casablanca?). (more…)

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[ATTENDED: June 20, 2023] Idles

I didn’t known that Idles was going to play near me at all this year.  Turns out that Idles will be doing lots of Festivals this summer in the States, and they decided to throw in two headline shows in the middle.  And Philly was one of them.

I’ve seen them twice before–each time the venue getting larger (good for them).

This was at Franklin Music Hall and I don’t think it sold out, but it was close.  The crowd was crazy (although, I feel not quite as crazy as at previous shows).  The band has a newish album out which I haven’t listened to as much–it changes their formula somewhat.

But they still opened with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.  The lights flashed from red to white as the song built and when it hit the loud part–boom!

The Re:SET concerts have seen them playing roughly an hour, so I wasn’t sure how long they would play for us.  They did a solid hour and forty-five minutes, playing songs from all of their albums, and leaving out at least one classic.  I was genuinely surprised they didn’t play “I’m Scum” since they are still selling the T-shirt

Jon Beavis is a maniac on the drums–how did these drum head survive the pummeling?  Again, I could barely see him back there, but he was easily felt.

After the first song Joe left the stage for a minute and Mark Bowen said hiya Philly.  When Joe came back out he said, “is that your crowd talking dress you’re wearing?”  He said that Bowen has never addressed an audience before.  He amended that to, “and been understood.” (more…)

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[ATTENDED: June 20, 2023] Idles

I was pretty excited to see Idles, but I was even more excited when it was announced that Mannequin Pussy would be opening.

I wanted to get their plenty early.  This was a weird night because I-95 had collapsed and there was a detour in place.  I didn’t know how long it would take to get there.

I’m guessing most people stayed away from 95 altogether, and it was a Tuesday night, because the ride in was so smooth.  The detour that I took was only a few blocks and I was right back on the road with hardly any other traffic,  It was great.

I arrived in plenty of time, although it was already pretty crowded.

Then, at 8PM, Mannequin Pussy came out on stage.

I’ve seen them four times, although it had been almost two years since the last time.  Three of those four times, they were opening, so it’s not like I chose to see them. But I do love seeing them live.  And this show was no exception. (more…)

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[DID NOT ATTEND: June 18, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

The first night sold out crazily fast and they added a second night with Philly band Golden Apples opening.

Golden Apples are another gentle pop band with feelings of jangle pop, grunge, and dream pop.  I listened to one of their songs “Under the Sun” and it sounded instantly familiar, but I had never heard them before.

Maybe these mellow opening acts signal their intention to move away from their more slam-dancing sound.

The song “High School” is a bit dirtier sounding and comes from the first album when Golden Apples are a full band.  I enjoyed it just as much if not more.

I’m immediately hooked and will definitely be listening to them more.

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[DID NOT ATTEND: June 17, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

But whoever their fanbase is, they are legion because this show sold out immediately and they had to add another show the next night.

Ian Sweet is the band/stage name of Jilian Medford from Los Angeles.

I can’t quite imagine a band that is further away from Protomartyr’s sound than Ian Sweet.  The music is predominantly synth and dancey–bright and shiny (words that have never been used to describe Protomartyr).  Some of the songs do get loud, but in a very synth way.

Given that when I saw Protomartyr, the fans couldn’t wait for a mosh pit to break out, this seems like an odd choice of opening band.  And yet, I think it makes a really nice counterpoint.

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[DID NOT ATTEND: June 17, 2023] Wednesday / All Dogs / Tenci

Wednesday were supposed to open for Beach Bunny at The Fillmore last year.  They bailed on the show and I was a little bummed because I had heard good things about them.  When they announced this headlining tour (at Union Transfer?  They’re big enough for there already?) I was intrigued.  I’d heard a song or two that I liked, but there was something that held me back.

I really like the fuzzy guitars and largely grunge sound, but there’s a kind of alt-country vibe that underpins their sound that I just can’t get past.  They have a lap steel guitar (which I either love or hate depending on how it’s used) and are often described as merging shoegaze and country.  So I didn’t feel compelled to go to this show after all.  And it was nice to have a Saturday night at home.

All Dogs is kind of a mini supergroup with Maryn Jones, from Saintseneca, drummer Jesse Wither, from the punk band Delay,bassist Amanda Bartley  from Swearin’, and guitarist Nick Harris, from Slaughter Beach, Dog.  That may explain why their first EP had som many reviews.  With details like

“pierced with a strong sense of yearning” [Pitchfork] “containing more perfect anxiousness and earnestness than some bands can get out in a whole album” [Stereogum] and it’s “awfully charming for something that’s eating itself alive from the inside.”[Consequence of Sound].

I listened to a couple of songs and rather liked them.  They had a good indie rock sound with fuzzy guitars and a pop bedrock.  Although they haven’t released any new music since 2015.

Tenci features Jess Shoman on vocals and guitar and are a indie folk band.  They have a bedroom quality and I don’t quite like their sound. They are a little too slow and yodelly for me.

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[ATTENDED: June 9, 2023] Pixies

I saw Pixies in 1989 and assumed I’d never see them again.  Then they reunited and started making new music.  So I saw them in 2017 and they were great.  Then I saw them the following year when they opened for Weezer (!).

That second show was shorter but they played a couple of songs that I hadn’t heard them play before and that was awesome.  I assumed I’d never need to see them again.

And now, five years later (holy cow), they were doing a headlining tour for a new album that I hadn’t listened to.  I wasn’t going to go until I saw that the two opening acts were bands I really wanted to see.

Bully is a great young band with a massive 90’s alt rock sound and Franz Ferdinand are a great 2000’s band who has been touring a lot lately but whom I missed when they were in town last time.  So I mean, Pixies are great and that’s cool, but that’s not who I was actually there to see.

In the six years since I last saw them headline, not a lot has changed.  They play a ton of songs, they don’t talk between songs and they sound fantastic.  The one difference was that they really seemed to be having fun up there.  Not that they didn’t before, but they had a few moments of levity on stage this time. Like when they messed up a song and were all smiles about it. (more…)

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[ATTENDED: June 9, 2023] Franz Ferdinand

Franz Ferdinand played a Greatest Hits show in August of 2022.  I wanted to go but it was the same night as Elvis Costello’s show–and I promised myself I’d see him no matter what (shame his show was so disappointing).

So when Franz Ferdinand was announced as an opening act for Pixies I grabbed a ticket right away.  I wouldn’t have gotten one if I didn’t like the headliners or anything, but hey, Pixies are great, so it was a double win.

It turns out that for this show they played an hour.  And for the greatest hits show they played for an hour and twenty minutes, so I really did get a double win.

For some reason I forgot that Franz Ferdinand were Scottish.  So that was a fun surprise.  As was Alex Kapranos’ energy and fun bouncing around the stage.  He was constantly jumping and getting himself in photographable poses.   It was a blast. (more…)

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[ATTENDED: June 9, 2023] Bully

I was excited for both opening bands at this show.  I had wanted to see Bully back in 2021 at Underground Arts.

But I had a ticket to see Baroness that night and couldn’t make it.  That show looks like it was great.  She played around twenty songs from throughout her catalog.  I don’t know if she had a band or was solo.

For this show, my first time seeing her, she had a band.  And they sounded great.  Singer/guitarist/really everything that is Bully, Alicia Bognanno, was right in front of us.  Wesley Mitchell was on drums right behind her.  Nick Byrd was on bass on my right.  And a guitar player and backing vocalist was on my left.  I never caught her name but she was an essential component to the sound.

So they played eight songs, all from the new album.  I see that at other shows she threw in a couple of older songs.  But whatever.  I like her sound and her voice and while I didn’t know that many of the songs, they sounded great and Bognanno’s intensity is wonderful. (more…)

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[ATTENDED: June 8,  2023] Black Midi

So who the hell is Black Midi?  I’m not sure.  I wanted to see them because I’d heard their live show was great.  Although, I’m not sure where I heard that from.

I assumed NPR music, but they don’t really talk about Black Midi all that much.  So it must have been from elsewhere.

I watched a live video online and the show was insane–lots of slam dancing, lots of amazing musicianship.

The main trio is Geordie Greep – lead vocals, guitar; Cameron Picton – lead vocals, bass, guitar and Morgan Simpson – drums.  At our show there was a fourth member. and I’m not sure who he was.  He played bass the whole night and may have played piano for one song (although I couldn’t see him, but SOMEONE was playing).

Black Midi plays a kind of free jazz with a spoken lyric vocalist (Greep) who sounds like he’s an over-the-top crooner/stage actor from the 1950s.  Picton wore a button down shirt and tie and Greep was wearing business casual.

And they inspire some of the most intense mosh pits I’ve seen.

I don’t know how much (if any) of the music is improvised, but the scripted musical parts are intense and fast with incredible guitar playing that would fit right in with King Crimson.  Oh, and a very healthy splash of Primus.

The music is intense and so very specific, yet it is also quite a lot of fun.  The band apparently often plays ludicrous covers, but for this show it was all originals.  And that was fine. (more…)

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