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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: November 2, 2025] Agriculture

I had never heard of Agriculture, but I knew that Boris’ opening bands could be pretty intense.  And that was the case here.  They call their music ecstatic black metal and that description, while slightly vague, is really spot on.  There is screaming and growling, speed and heaviness but also a lot of brightness and beauty.

They came out with an absolute blast of noise–screaming  guitars slamming drums and after a minute, guttural growls.  It was intense and a bit overwhelming.

And then imagine when two minutes in, the song shifted to a simply strummed and quietly sung section (that still had super fast drumming).  The quiet music remained but the growling guttural vocals continued.  And then back to the melodic part again.

I was standing in front of singer Dan Meyer who had a big beard and did a full body stomp each time the song was about to kick in. (more…)

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[DID NOT ATTEND: November 2, 2025] Little Simz/ La Reezy

I really like Little Simz’ delivery and attitude and I thought she’d be a lot of fun to see live.  Apparently a lot of other people did too, because in 2022 her show that was originally scheduled for The Foundry got moved to TLA.  However, she cancelled the tour saying it wasn’t financially viable for her.

Now, three years later, she was back again, this time at the Fillmore!  I would have liked to see her.  Although now that I’ve been to a few more underground rap shows I’m not sure how much I would have enjoyed this one, really.  Although maybe she steps up her production.

But I had tickets to see Boris and I hate to miss them when they come to town.

I’ve not heard of La Reezy, who is from New Orleans.  I watched a video and he looks like he’s about 12, (he’s 21) but I really like his flow.  Largely because you can hear all the words.  He’s got energy and an intensity that I really like.  I’ll bet he has fun live.

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[ATTENDED: December 6, 2025] The Beta Band

When The Beta Band’s 3 EPs came out, I was totally on board.  It was weird–electronic but folky, tape manipulation and craziness but also catchy melodies. And then it got a huge boost on the movie High Fidelity and I felt strangely vindicated.  I bought their second album too.

And then I pretty much forgot about them.  They put out another album in 2004 but I didn’t get it and then they broke up.

When this tour was announced–20 years(ish) since they broke up and 23 years since they played Philadelphia, I immediately grabbed a ticket, assuming it would sell out in a second.

When the date rolled around, I wasn’t entirely sure I still wanted to go.  I mean, how much did I really like that album?  But since there was no opening act and it promised to be a fun show, I went.  And I’m really glad I did.

When I arrived there was a hooded and face-covered DJ playing songs.  I don’t know who he was–maybe he was in the band?  And around 15 or 20 minutes later, the show opened with a short film they made (presumably a long time ago or maybe it was a recent film using old footage) and it was hilarious.  Very Terry Gilliam in its cheap-lookingness and absurdity but a really fun look at the guys doing silly things twenty some years ago.

And then the band came out.  The four original Betas were present and were wearing color coded jumpsuits: Robin Jones (yellow; drums), John Maclean (pink; keys), Richard Greentree (green I think; bass), Steve Mason (gray, I think; vocals and guitar).  Of course, unexpectedly to me, they switched instruments a bunch.  There was even a secondary drumset for Steve to play which said Jack’s Away on the drum head.  They were immediately fun and kind of silly but very serious about the music.  And they immediately did not play The Three EPs in order. (more…)

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[ATTENDED: October 27, 2025] Belly

I really liked Belly when they first came out.  Their debut album is great and the follow up King is probably just as good.  When this tour was announced I wasn’t sure if I had listened to King all that much but when I put it on again I realized I knew it quite well.  Then I looked at other setlists to see of they were playing any of the songs from Star, and the were.  So I decided to see them.

I’ve always liked Tanya Donnelly–she’s been on the periphery of massive success pretty often.  She founded Throwing Muses with Kristen Hersh (her step sister). But I feel like Tanya left just before they became more commercially successful.

Then she formed The Breeders with Kim Deal.  But she left before they released Last Splash.  And then she formed Belly.  She had a pretty big hit with Feed the Tree.  But King wasn’t as successful and Belly broke up.  Tanya went solo.

Belly reformed in 2016 with almost all four original members.  The original bassist was replaced by Gail Greenwood right after Feed the Tree and is with them as they reunited.  Belly put out an album in 2018 which I missed entirely.

They toured in 2016 playing a set of mostly Star and King, then toured in 2018 playing mostly the new album, Dove.  And now they were back for King.

The set was great and I was delighted with how much fun bassist Gail was.  She was very chatty with the audience and when she said that the next sing would make you cry, a guy next to me said I’m crying already, and she went over and gave him a hug.  Gail also sang an amazing range of backing vocals, from really deep voices to very high pitched ones.  And her bass sounded great.

The stage set up was interesting, with Tanya and Gail right up front.  Lead guitarist Thomas Gorman was on the far side.  He was in the background a bit although he did take front stage for the few guitar solos he played.  His brother, drummer Chris Gorman was behind a pole and I didn’t see him for the whole show–but the drums sounded great.

But of course the focus is Tanya.  She exuded a coolness that I really enjoyed.  But she didn’t see aloof or above it all.  She seemed to be having a really good time.  Especially when Gail said, thanks for cheering us on even when we suck.  But they did not suck.  They sounded great and Tanya’s voice was really impressive.  She hit some high notes in the encores that really blew me away.  And the harmonies between her and Gail were fantastic.

I didn’t know every song from King.  It’s weird that I didn’t really know the first two songs all that well, but I knew the next few–who doesn’t remember the first song on an album?  And when they sang the jittery Red, I couldn’t wait to shout along with the chorus.  Silverfish sounded fantastic and Super-Connected was even better than I remembered.

After the album, they took a short break and came back with a second set of mostly songs from Star (which was great!).  I got to hear all of my favorite songs from the album, so that was super cool.  They played two songs from Dove which sounded very nice, if not a little slower.  And they ended the set with the Dive track Shiny One.  They merged that song into Jimi Hendrix’ Are You Experienced (which I see is on their B sides record, so I guess it has been a part of their set for a while) which merged back into Shiny as they headed off for the encore break.

It’s obvious that they were going to do an encore (it was on the setlist after all), but it’s always nice when a band seems to really appreciate that the people there are excited for them to come back.

I didn’t know the first song, Thief, which is a bonus song on their greatest hits album.  This was one of the songs where Tanya really showed that she could hit those high notes.  It was a quiet, almost acoustic song (she didn’t play acoustic guitar) for about half of it. And then the band kicked in to rock the rest.  The final song was Full Moon Empty Heart.  I aways assume bands are going to save the big hits for the encore–but no one seems to do that anymore. And that’s fine. But I found it odd that they picked this song to end the show.  Unless it was an opportunity for Tanya to save her voice for the end, where she–damn–really hit some impressive high notes.

I also really appreciated that this was an evening with Belly and the whole show was done by around 10:15.

I’m really glad I finally got to see them.

SETLIST
King album

  1. Puberty ♠
  2. Seal My Fate ♠
  3. Red ♠
  4. Silverfish ♠
  5. Super-Connected ♠
  6. The Bees ♠
  7. King ♠
  8. Now They’ll Sleep ♠
  9. Untitled and Unsung ♠
  10. L’il Ennio ♠
  11. Judas My Heart ♠
    Set 2
  12. Low Red Moon *
  13. Gepetto *
  14. Slow Dog *
  15. Human Child ◊
  16. Spaceman
  17. Dusted *
  18. Feed the Tree *
  19. Shiny One ◊   >
  20. Are You Experienced (Jimi Hendrix song)
    encore
  21. Thief
  22. Full Moon Empty Heart *

≅ Bees (2021)  [also appeared as new songs on their Greatest Hits album in 2002]
◊ Dove (2018)
♠ King (1995)
* Star (1993)

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[ATTENDED: October 26, 2025] Autechre

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

I arrived at the show knowing that this would be the case, but I loved seeing this in print on a flyer at the door:

autechre

will  perform in darkness.

For their set all lights in the venue will be off.

Please plan on being in one place for the performance and do not move unnecessarily until it has finished when the lights will come back on again.

Please do not shine any lights at the stage or ar0und the room during the performance unless you require assistance.

If you are uncomforatble with the idea of spending around 80 minutes in the dark while Autechre play, please see venue staff before the performance starts.

Autechre are an English electronic music duo consisting of Sean Booth and Rob Brown, formed in 1987.  After the two openers did their set, the lights dimmed, with only red lights on the stage.  Some ambient music played for, frankly, longer than was necessary.  It was so long, that the music stopped and they had to start it again. (more…)

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[ATTENDED: October 26, 2025] Mark Broom

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

The opening act for the tour was Mark Broom. We also ha William Fields.  Fields was on the left side of the stage with his laptop and when he was done (after 30 minutes), Mark Broom who was on the right side of the stage with a laptop, started immediately (I appreciated the lack of pause).

I assumed that it would be more of the same because Autechre are also glitchy and noisy, but Broom had a different vibe.  His music was a bit more musical and a bit more dancey.  In the most basic way, it was more “enjoyable.”

I have no idea what he was doing up there (the lighting was very dim).  He had a laptop I know but he had some other gear too.  I could see him twisting knobs from time to time.  So I don’t know if he was making up the sounds on the fly or if they were existing songs that he was mixing around with.  As I said, it’s not my genre, but I found myself really getting into his stuff.

Broom has been DJing (and producing others) for a long time.  He is a veteran of the techno scene and evidently specializes in hardgroove with heavy percussion and tribal beats.

I assumed that he would get a 45 minute set, but he actually played for an hour.  Since I was planning to kick back and enjoy the night, I didn’t have a problem with him playing for an hour.  I felt like he mixed the tempos up and added interesting sounds and beats to make the hour pretty enjoyable.

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[DID NOT ATTEND: October 25, 2025] Cage the Elephant / Hey, Nothing

We saw Cage the Elephant open for Beck six years ago–I can’t believe it was that long ago.   They blew me away and I knew I wanted to see them again.

This show got lost amid a million things going on at the end of October, including Cirque du Soleil, and three other shows later that week.  Sometimes you have to give up shows that you want to see….

Hey, Nothing is a folkie duo who my daughter and I missed at All Things Go.  They seem cool and I’m sure I would have enjoyed them.

 

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[ATTENDED: October 26, 2025] William Fields

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

There was an opening act listed, but we had two opening acts.  William Fields is a Philadelphia based DJ whose bio says

William Fields is an artist and musician from the Phildelphia area whose work explores the intersection of generative processes, improvisation, and audio-visual correspondence.

What does that mean?  Beats me.  But here’s some reviews

“Some of the most mind-blowing algorithmically generated music I’d ever heard”  — Richard Devine

“William Fields is at the absolute front of algorithmic music and this tremendous 24 hour collection is some of the wildest stuff out there… TOP NOTCH” — Telefon Tel Aviv

That still doesn’t quite explain it but this kind of does (more…)

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[DID NOT ATTEND: October 26, 2025] Osees / DMBQ

Four years ago I saw Osees and really enjoyed the chaotic energy of the show.  Since then they have returned every year in mid October.  I get a ticket every year and then something comes up–usually involving a birthday party.

This year it happened during a lengthy run of shows that I was seeing and something had to give,

Even though this looked like an especially fun show (if Union Transfer was crazy I can’t imagine how insane they would be at Underground Arts).  A couple of days before the show my brother-in-law out in Denver said he saw the set and that it was awesome and he really liked DMBQ as well.

It made me even more bummed that I missed it.

DMBQ is from Tokyo.  The name stands for Dynamite Masters Blues Quartet.  I love a good rocking Japanese band and this was even more incentive to get to this show.  But I just couldn’t do it.

Watching a video of their live set and they are not quite as unhinged as some Japanese bands, but they are sure wild.  They’re  athree piece and they seem to defy conventional song structure.  Lots of solos, and a wild fuzzy insanity around the whole thing.  I can’t tell if the singer is singing in English, Japanese or just some made up sounds.  It’s amazing.  And the guitar player (the singer) is all over the guitar–clearly very proficient at the instrument.

I hope the come back next year.

 

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[DID NOT ATTEND: October 24, 2025] Laufey / Suki Waterhouse

I first heard Laufey on WXPN and liked the weird, unexpected song she had released, Silver Lining.  It was a fun breath of unusual jazzy standard style music.  I assumed it was kind of a fluke song like when Bjork released It’s Oh So Quiet (Laufey is also Icelandic).  But then I found out that that is the kind of music Laufey releases–jazz pop standards.  Nothing wrong with it, indeed, I like it in small doses, but I wouldn’t want to see a full concert of it.  And that’s how I know I’m completely out of step with the world because she played XFinity Mobile Arena, the largest venue in Philly.

I blew off seeing Suki Waterhouse earlier this year and regret it.  I would like to see her, but this would be a terrible way to see her, I suspect.

And on a purely personal level, we came to this venue the night before for Billie Eilish–I can’t imagine going to this huge place two nights in a row.

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