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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: January 17, 2023] Wednesday / Hotline TNT / Echotracer

Back in June, Wednesday headlined Union Transfer.  I wrote:

Wednesday were supposed to open for Beach Bunny at The Fillmore last year.  They bailed on the show and I was a little bummed because I had heard good things about them.  When they announced this headlining tour (at Union Transfer?  They’re big enough for there already?) I was intrigued.  I’d heard a song or two that I liked, but there was something that held me back.

I really like the fuzzy guitars and largely grunge sound, but there’s a kind of alt-country vibe that underpins their sound that I just can’t get past.  They have a lap steel guitar (which I either love or hate depending on how it’s used) and are often described as merging shoegaze and country.  So I didn’t feel compelled to go to this show after all.  And it was nice to have a Saturday night at home.

They have only gotten more popular in the last six months and I was interested in going this time.  However, it was on the night of a very special date for me–so I had other plans.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.

Echotracer is a couple of DJs or something.  They are members of a couple of Philly bands who make a kind of noisy dance collage.  I listened to a few minutes and didn’t like them.

 

 

 

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[DID NOT ATTEND: January 13, 2024] The Teeth / Lindsey Noel

I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?

The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis

After abruptly breaking up 15 years ago The Teeth are reuniting for a pair of special shows at Johnny Brenda’s in Philadelphia. Twin brothers Peter MoDavis (Bass) and Aaron MoDavis (guitar) will reassemble with Jonas Oesterle (drums) and Brian Ashby (guitar) on their favorite stage in the City of Brotherly Love.

Opening for this show was magician Lindsey Noel.  I watched a clip of her performing in front of Penn and Teller and it was quite good.  But what a weird opening act!

Here’s some more about The Teeth: (more…)

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[DID NOT ATTEND: January 12, 2024] The Teeth / Brad Howe

I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?

The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis

After abruptly breaking up 15 years ago The Teeth are reuniting for a pair of special shows at Johnny Brenda’s in Philadelphia. Twin brothers Peter MoDavis (Bass) and Aaron MoDavis (guitar) will reassemble with Jonas Oesterle (drums) and Brian Ashby (guitar) on their favorite stage in the City of Brotherly Love.

Opening for this show was comedian Brad Howe.  I watched a clip of his stuff from 2017 and rather liked him.

Here’s some more about The Teeth: (more…)

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[ATTENDED: October 8, 2024] Kishi Bashi

This was our SIXTH (!) time seeing Kishi Bashi and it was so different from the last time!

The previous show was an anniversary show of his debut album.  This one was supporting his new album.

The previous show was at the tiny Foundry and this one was at the (relatively) huge Brooklyn Bowl.  And, K. came out with a fantastic outfit (stunning jacket and pants) and a kick ass keytar!

Tall Tall Trees was on banjo and keys, but his backing band was the guys from Sweet Loretta!  And they suited him perfectly.

K. busted out a violin of course, and stayed with some of the newer dancier songs for a while.

There was a couple in front of us who were pretty grossly all over each other (their elaborate dance routines took up way too much space).  But they were also huge fans and knew all the songs, so I couldn’t be too annoyed.

Although the first songs were new, he didn’t leave out the old stuff, jumping right into It All Began with a Burst (and he still builds the songs with a looping pedal).

I loved the way he mixed up the albums he played from, with a dancey and lovely Can’t Let Go Juno, followed by a beautiful (fantastic harmonies from Sweet Loretta) Marigolds.

After playing Colorful State from the new album, he did a fun beat boxing improv which he said he hoped someone recorded and might send it to him so he could develop it later (I did, but he didn’t acknowledge it).

The rest of the band stayed away as he did a fantastic solo rendition of I am the Antichrist to You.  K. has always had a great voice but it has gotten even better over the years.  Then he busted out an acoustic guitar for the lovely, gentle Summer of ’42.

The band returned for the appropriately large Violin Tsunami and then played the Talking Heads cover.

And  then things got crazy.  The band returned dressed in costumes including one of the crew dressed in golden wings like Icarus for Escape from Knossos/Icarus with some seriously heavy rocking from the Sweet Loretta guys (some killer guitar soloing) and some wicked use of the keytar.  The chaos settled into a big dancealong of Hahaha Pt. 2 a very unexpected (but welcomed) song choice!

Lilliputian Chop continued the dancey/funky vein and then we were joined by Mr Steak (how much I love how silly Kishi Bashi shows can get).  Mr. Steak danced to his song and we all danced along.

Kishi Bashi has not gotten to the point where he’s not going to play some of my favorite songs because he has so many songs.  But he didn’t leave out the fantastic Philosophize in It! Chemicalize with It! (complete with beatboxing and looping).

The set ended with a fun clapalong of Honeybody.  And yes everybody was in the best mood after that.

For the encore, K and  the band all moved to the center of the floor (we hung back away from the throngs.  They gathered round and stood on a chair and sang the sweetest Penny Rabbit and Summer Bear.  It was like a campfire in the dimly lit room.   It was followed by a more soaring Manchester.

Then they ended with a fun cover of Rod Stewart’s Ooh La La with the chorus I wish that I knew what I know nowwhen I was younger.  They continued to sing the song from the middle of the floor to backstage.

What a fun-filled night.  I’m only surprised more people don’t know about him.  We look forward to show number 7!

 

2024 Brooklyn Bowl 2022 The Foundry 2019 Union Transfer
Violin Akai € Intro / Pathos, Pathos ∇ Marigolds Ø
Chiba Funk € Manchester F Delano Ø
Late Night Comic € Bright Whites Hey Big Star $
It All Began With a Burst It All Began With a Burst Say Yeah $
Can’t Let Go, Juno $ Wonder Woman, Wonder Me ∇ Carry on Phenomenon
Marigolds Ø Atticus, in the Desert Honeybody $
Colorful State € I Am the Antichrist to You Honeybody Remix $
solo improv Beat the Bright Out of Me ∇ Can’t Let Go, Juno $
I Am the Antichrist to You (solo) This Must Be the Place (Naive Melody) (Talking Heads cover) Theme From Jerome (Forgotten Words) Ø
Summer of ’42 (solo) Ø Q&A I Am the Antichrist to You (solo)
Violin Tsunami Ø Penny Rabbit and Summer Bear Ø This Must Be the Place (Naive Melody) (Talking Heads cover) (solo)
This Must Be the Place (Naive Melody) (Talking Heads cover) (solo) Marigolds Ø Violin/Banjo improv
Escape from Knossos € I’d Do Anything for Love (But I Won’t Do That) (Meat Loaf cover) Bright Whites
Icarus IV € The Ballad of Mr. Steak Q&A
Hahaha Pt. 2 ∠ Honeybody (began with studio arrangement which bled into performing in the style of the Mattsoro remix) $ Penny Rabbit and Summer Bear Ø
Lilliputian Chop € encore Angeline Ø
The Ballad of Mr. Steak Violin Tsunami Ø Violin Tsunami Ø
Philosophize in It! Chemicalize with It! Philosophize in It! Chemicalize with It! Ode to My Next Life $
Honeybody $ Philosophize in It! Chemicalize with It!
encore Atticus, in the Desert
Penny Rabbit and Summer Bear (acoustic, in crowd) Ø (I’ve Had) The Time of My Life (Bill Medley & Jennifer Warnes cover)
Manchester (acoustic, in crowd) The Ballad of Mr. Steak
Ooh La La (Rod Stewart cover) (acoustic, in crowd) It All Began With a Burst
encore
Annie, Heart Thief of the Sea (acoustic, in crowd) Ø
Manchester (acoustic, in crowd)
Summer of ’42 (acoustic, in crowd) Ø

 

 

 

2016 Union Transfer 2015 TLA (opening for Guster) 2014 New Brunswick (opening for Rod y Gab)
Stranger Things Theme [recordong] violin improv violin improv
Statues in a Gallery $ Atticus, in the Desert ∇     It All Began With a Burst ∇
Hey Big Star $ Bright Whites Bittersweet Genesis for Him AND Her ∠
m’lover $ Bittersweet Genesis for Him AND Her Atticus, in the Desert ∇ 
Atticus, in the Desert (featuring extended banjo percussion solo) ∇     The Ballad of Mr. Steak ∠ Bright Whites ∇
Bright Whites (with improv interlude featuring flute solo) Q&A ∠ Philosophize in It! Chemicalize with It! ∠
Carry on Phenomenon ∠ Philosophize in It! Chemicalize with It! Manchester ∇
Who’d You Kill $ Manchester
Can’t Let Go, Juno $
Say Yeah $
Ode to My Next Life $
I Am the Antichrist to You (solo)
The Ballad of Mr. Steak (featuring Mr. Steak)
Philosophize in It! Chemicalize with It!
It All Began With a Burst (with “Don’t vote for Trump” vocal loop)
encore
Honeybody $
Q&A
Manchester
€ Kantos (2024)
Ø Omoiyari (2019)
$ Sonderlust (2016)
∠ Lighght (2014)
∇ 151a (2012)

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[CANCELLED: December 31, 2023] Speedy Ortiz / Foyer Red / Grocer [CANCELLED]

indexI saw Speedy Ortiz back in September and the show was fantastic.  I already had tickets to see Phish on New Year’s Eve, so it was unlikely that I’d be going to this show.

A few days before  the show, the band announced that they had to cancel because someone in the band had COVID (it’s a few days later and the message is gone, so I can’t quote it here).

So that sucks for them and for everyone who was planning on spending New Year’s Eve there, including the other two bands.

I could have seen both bands back in 2022 at different shows.  Here’s what I wrote then:

Foyer Red has crazy sounds, weirdo words and multiple singers.  And somehow despite all the weirdness (their 2021 album is called Zigzag Wombat), the songs are catchy

Post-Trash says

Foyer Red is a Brooklyn five-piece that makes sweetly sung, charmingly zany art rock. In 2022 they hit the ground running with several great singles — “Pollen City,” “Pickles,” and “Flipper.” In December, the band celebrated signing to Carpark Records by releasing the delightfully spontaneous single, “Etc.”

That first line is enough to make me want to see them. (more…)

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[DID NOT ATTEND: December 18, 2023] Wax Jaw / Trash Boy / Jim E. Brown

I was pretty excited to go to this show.  I had seen Wax Jaw a few months ago and they were outstanding.  This was to be their last show of the year and it was back on home turf.  It was also going to be my last show of the year and it seemed like a great one to go out on.

Then it rained.  And rained.  And rained.  Our area was flooded like crazy–schools closed, rivers overflowing, the works.  I probably could have still gone to the show.  It looked like Philly wasn’t as badly affected as my area was, but when I looked on the map, it did suggest that  there were flooding issues along the way and around the venue.  It just didn;t seem like it was worth going to the hassle.

So I stayed home.

Bummer.

I’ve seen a couple of videos and the show looks insane.  I hope someone has recorded the whole show. (more…)

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[ATTENDED: December 15, 2023] Karina Rykman 

I‘ve seen Karina Rykman play bass with Marco Benevento three times.   She exudes a joy that is infectious.  And her sound with Marco is outstanding–her fuzz bass is unparalleled.

So I’d wanted to see her solo for a while, even though her solo songs are a bit more discoey than I would have liked. She opened for Guster back in April and she and her band blew me away.  In fact, my wife liked her so much that she was totally on board with seeing her again.

Yes, her singing voice is rather discoey (she must use lots of effects on it to sound so echoey and outer-spacey, but man, when she jams, she gets down and dirty and often quite heavy.  But she also steps back and lets her impressive guitar player Adam November take over.  And her drummer Chris Corsico is pretty awesome too.

She sold out Milkboy (I was supposed to see her there in 2020 and I think it would have been a very different show) which she was pretty thrilled about.  And the crowd was 100% dancing to her groove.

She opened with three songs from her album Joyride (which had not come out in April).  “Joyride” and “All That You Wanted” are softer songs that accentuate her way with melody and hooks–the choruses are dynamite. (more…)

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[DID NOT ATTEND: December 15 & 16, 2023] Strand of Oaks / Pat Finnerty

I had every intention of going to this Winter Classic.  I even had a ticket to night one.  Which I bought very specifically because I had a ticket to another show on Saturday night.  Then at about 3PM on Friday the 15th, I realized that my other show was actually tonight!

And my wife and I were going to that show together.

And the Saturday night show sold out a long time ago.  Sigh.

By my calculations, this should be Winter Classic XIII, but the poster says IX, so I’ll trust he’s right.  And I’ll make sure I’m there for Number 10.

~~~~~~~~

In 2015, Timothy Showalter played his first Strand of Oaks Winter Classic at Boot and Saddle.

Every year since then he has played two to four shows around Christmas time to a small but rabid fan base.  Obviously he didn’t pay one in 2020.  And now Boot & Saddle is closed

I have been to three of these fun winter events.

When he announced December shows at Johnny Brenda’s, it just didn’t occur to me that these would be Winter Classic shows.  I’m not sure why it would have made a difference, but had I realized, I would have gotten a ticket before they sold out.  Even S said, you love those, I can’t believe you didn’t go.

When I’m looking for it now I see that it was clearly stated that this was a Winter Classic, but I guess I was looking in the wrong places. (more…)

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[ATTENDED: December 15, 2023] Coyote Island

Coyote Island opened for Karina Rykman.  I hadn’t heard of them and when I listened to a song or two I thought they sounded kind of folkie and mellow.  Turns out

Coyote Island is the musical vision of producer/songwriter and multi-instrumentalist, Mike O’Hehir. For many years Mike travelled the country with guitar in hand. With roots in folk music, the sound quickly expanded into a new genre-bending realm of psychedelic indie. With good vibrations, dancey grooves, and tropical psychedelia, Coyote Island offers you a sonic vacation from the doldrums of existence.

Okay, so that’s promo blather but it’s not far off.

When the band started, they played an excellent instrumental jam.  It rocked and was really grooving.  Their second song was kind of lite-reggae.  I don’t like reggae, but I enjoyed this song because it deviated from the formula in little ways.

Their next song was, as the blurb says, kind of tropical psychedelia.  There’s definitely the tropical element in the drums from Ryan Benoit.  And five-string bassist Garrett Roy Jones played a great low-end.

It was lead guitarist Amir Rivera who really blew me away.  I loved the way he casually played some really amazing solos.  He was fast, but also very clean and tasteful.

I don’t have any song titles, although I do know that they played a super fun and hugely surprising cover of “Can’t Get You Out of My Head” by Kylie Minogue–sung by Amir.  Another really fun moment was when Mike broke a guitar string–a low E of all things–and had to get a new guitar.  He climbed off the stage to their gear which was stacked up in the crowd.  While he grabbed and tuned a guitar, Amir led the rest of the band in this rippling fun instrumental.  None of this is to dismiss Mike, whoc joined in about halfway through and added a ton of little details.

Indeed, Mike is a fun and engaging front man.  He’s got a smooth island-inflected singing voice [I was stunned when he said they were from Maine as they sound like the least Maine-sounding band I could imagine].  He had on a fun outfit and was generally smiling and happy.

When the set was over he walked through the crowd and happily talked to anyone.

Without question they would make an excellent opening band in nearly any situation.  I hope to see them again.

 

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[DID NOT ATTEND: December 14, 2023] Dogstar / Archer Oh

I toyed with the idea of going  to this show, probably for the same reason that a lot of other people did.

To see Keanu Reeves!

I can’t decide if I like Keanu ironically or not, but it’s still pretty wild to think that a celebrity of his star power could have been just a few feet from me.

I genuinely had no idea what Dogstar sounded like.   So here’s the blurb from Underground Arts (more…)

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