Feeds:
Posts
Comments

Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: May 12, 2024] Chicano Batman 

I saw Chicano Batman three years ago and really enjoyed the show and the vibe of the crowd.

I would definitely had gone to the show except for three reasons.

  1. Avatar, Oxymorrons, Conquer Divide were the same night and I would have gone to that show in a heartbeat
  2. Neil Young & Crazy Horse, a show my wife and I were over the moon to see.
  3. It was Mother’s Day.  If the other two shows hadn’t existed, I was still going to be home for Mother’s Day.

Lido Pimienta had a song that was on WXPN a few years ago that I really liked.

She is a Colombian Canadian musician, singer, and songwriter whose 2016 album, La Papessa, won the 2017 Polaris Music Prize.  She plays traditional indigenous and Afro-Colombian musical styles such as Cumbia and Bullerengue and merges it with contemporary synthpop and electronic music.

She’s quite delightful.

This would have been a really fun set.

Read Full Post »

[DID NOT ATTEND: May 11, 2024] Cheekface / Yungatita

I saw Cheekface a year ago and absolutely loved their set.  I was really looking forward to seeing them again, but they chose to play at The Church, which I don’t go to.  For those keeping score, The Church holds 200 more people than the Ukie Club, so good for them.  Next time they come maybe they’ll be bummed up to Union Transfer.

Yungatita is a band I hadn’t heard of (although they have a song on Spotify “7 Weeks & 3 Days” that has over 77 million plays!

The band is the brainchild of East LA’s Valentina Zapata, Yungatita — who previously released a 2020 solo EP with a groovy, low-fi, retro sound titled Over You — returns with a full band in preparation for their slacker-pop debut LP, Shoelace & a Knot.  That “7 Weeks” song is bedroomy and synthy, but their newer stuff rocks.

Album of the year says that Shoelace 

is the perfect blend between fun, sunny amateur indie rock and ambitious, angry and screamy intentions behind said cutesy indie rock, all in a very digest 35 minutes that never leaves you bored. … infectious melodies and hunger in all of the instrumentals from the surfer-rocky guitar riffs to the hella dynamic and catchy drumming to the harmonies yungatita does with herself that serve as a melodious instrument themselves. The one word I’d use to describe this project is “catchy” – every single bit of instrumentation is an instant hit.

This sounds like it would have been a really fun show (and I would have been the oldest person there by 20 years).

Read Full Post »

[DID NOT ATTEND: May 11, 2024] Psychedelic Porn Crumpets

Of all the shows I was sure I wouldn’t miss, it was this one.  I love Psychedelic Porn Crumpets and when I saw them two years ago the show blew me away.  I genuinely couldn’t wait to see them again.

So what happened?  Well, we had a house emergency and I spent most of the evening repairing a toilet.  And I had zero interest in doing anything after that.  I was also having terrible leg pain and couldn’t imagine standing for three hours–or getting in an inevitable mosh pit.

Plus, we were heading to the dreaded Freedom Mortgage Pavilion for Neil Young and Crazy Horse the next night and I didn’t want to be wiped out from this show for that one.

Sigh.  I need that crazy stamina back!

Spoon Benders are a progressive psych-rock powerhouse that has been relentlessly crisscrossing the United States, leaving a trail of newly acquired fans in their wake. Spoon Benders have become synonymous with an electrifying stage presence that can only be described as loud, controlled chaos.

When I first listened to some of their songs I wasn’t that excited, but I feel like I must not have been paying attention because their sound is very cool with lots of echoing guitars and a much-needed female voice on lead and backing vocals.

This really would have been a great show to see.  I hope PPC comes back soon.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2024 2022
2024 Tally-Ho ¿
2024 Lava Lamp Pisco
2024 Bill’s Mandolin &
2024 Mundungus ¿
2024 Found God in a Tomato
2024 November
2024 Mr. Prism ¿
2024 Hymn for a Droid &
2024 Acid Dent
2024 Marmalade March
2024 Cubensis Lenses
2024 encore
2024 Cornflake


♠ Night Gnomes (2022)
¿ SHYGA! The Sunlight Mound (2021)
& And Now for the Whatchamacallit (2019)
¶¶ High Visceral (Part 2) (2017)
¶ High Visceral (Part 1) (2016)

Read Full Post »

[DID NOT ATTEND: May 10, 2024] Sweet Pill / Equipment / Broke Body / Have a Good Season

Sweet Pill opened for Pool Kids last year.  But I arrived too late and missed them.

The other bands raved about them so I was interested in checking them out.  I was really surprised that they had a headline spot at Union Transfer.  And they sold it out!  Very impressive.

I decided I didn’t care enough to go to a four-band show if I didn’t even know the headliners.

Philadelphia’s Sweet Pill writes eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene—through a handful of notable side projects (twentythreenineteen / Goings / Harm Assist / typopro) and the show-promoting Philly staple 4333 Collective—the quintet’s sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive.

I personally hear a huge amount of Pool Kids in their music, without the wild guitar pyro that Pool Kids use. (more…)

Read Full Post »

[ATTENDED: May 8, 2024] The Decemberists     

This was our fourth time seeing The Decemberists (which is frankly too low a number for how much we love them).  But this show was on my birthday!  Imagine that.

I have actually never been to a show on my birthday before, mostly because I like to spend my birthday with my family.  But this was a band that my wife wanted to see as well, so we invited the kids along too, for a fun birthday night.

Sadly, my daughter was on crutches so she chose to stay home, but my son came even though he didn’t think he knew The Decemberists very well.

It turns out he knows them from osmosis and recognized a lot of songs from having heard his parents play them.  He was also pleasantly surprised by how much they rocked (my wife likes the folkier side and she plays them more).

And the show opened with a folky vibe.

There were light fixtures out front and Colin Meloy wandered out with his acoustic guitar and played “Red Right Ankle.”  He sounded great and the ambient lighting was perfect.  He described it as singing in a grotto.  Then Jenny Conlee came out with her accordion and the rest of the band came out soon after.  Nate Query with is upright bass, Chris Funk at his guitar and Lizzy Ellison singing as they played a lovely June Hymn.

They stayed acoustic for the new song All I Want is You complete with Victor Nash on horns and keys.  John Moen came out, the cool lights were removed and the “grotto” was taken away.  They spread out and used the full stage which was delicately designed with floral patterns and curtains.

With the full band out they played Don’t Carry it All with Chris Funk playing lap steel guitar.  Then they played the new song Burial Ground, after which Colin apologized for rhyming the word malaria in the song in case anyone in the audience was currently suffering from it.

The Decemberists could play pretty much anything in their catalog and I’d be happy.  And now that they have so many albums out there are fewer and fewer older songs that they can squeeze in.  So if they can only fit one part of The Crane Wife, I’ll take it.

After a rousing and fun The Sporting Life, with a little coda from The Smiths, Ellison got to show off her vocal chops with a fantastic The Queen’s Rebuke/The Crossing.  The Hazards of Love remains my favorite album of theirs and I love any song they play from it (this was the only one tonight).  But the heavy jamming during The Crossing was great–with some serious metal chords blasting out between the Hammond organ chords. (more…)

Read Full Post »

[ATTENDED: May 8, 2024] Ratboys

I saw Ratboys headline a show in November and it was great.  They have been together since 2010, formed by singer/guitarist Julia Steiner and guitar wizard David Sagan.

When I saw them, Steiner told us how pleased she was to have so many different guitars on tour with her, because they were all tuned differently–it made things so easy!  She had a flying V, which was in standard tuning.

That’s the only guitar she used for this set, so I’m guessing all six of the songs they played were in standard tuning.

The set opened the same with, with the blistering rocker “Making Noise for the Ones You Love.”  It’s like a statement of purpose that totally rocks for like 90 seconds before there’s even vocals.

Morning Zoo slows things down and lets you know the diversity of the band’s sound. (more…)

Read Full Post »

[DID NOT ATTEND: May 5, 2024] Chastity Belt / Charlotte Cornfield

I saw Chasity Belt back in 2017 and really liked them.  I’ve wanted to see them again, but the schedule never seems to match up.

And this time they were playing The Church, which I don’t go to.

I haven’t listened to them much in the last few years and I think they’ve gotten more mellow on their last few albums.

Which might explain why their opening act is Charlotte Cornfield a singer-songwriter from Toronto.

It’s been less than two years since Highs in the Minuses became Charlotte Cornfield’s breakout—a magnetic mission-statement for the Toronto songwriter described by Rolling Stone as “Canada’s best-kept secret.”

This would have been a pretty mellow almost folksy night.

Read Full Post »

[ATTENDED: May 2, 2024] TWRP

My son and I saw TWRP last year.  We had actually gone mostly for the opening band Magic Sword.  But I figured TWRP were going to be a lot of fun.

TWRP were once known as Tupper Ware Remix Party (TWRP is much better).  They are from outer space (and Canada).  They are also from the 1980s (and the future).

They are a foursome. In order of the below photo they are guitarist Lord Phobos, bassist Commander Meouch, keyboardist and vocalist Doctor Sung and drummer Havve Hogan.

Last year’s show was so much fun that I was really excited to see this year’s show.  I got a ticket for my son but he had a final exam at 8:30 the next morning so he (wisely) stayed home.

Last time, Doctor Sung told us all about their high tech new stage manager, Grobb.  Grobb appeared on the side of the stage in a circle which previously said IBS (in the IBM logo style).  Grobb looked like a psychopathic Teletubby as he smiled and talked to us.

Grobb was back again for this tour which was all about crypto currency. (more…)

Read Full Post »

[ATTENDED: May 2, 2024] Trey Magnifique

Just as I hadn’t heard of nelward, I hadn’t heard of Trey Magnifique.

He came on stage, a silver fox, in a while suit (with no shirt on).  He proceeded to fill the room with smooth jazz sex.

He won me over immediately by saying “If someone asks if you want to hear smooth jazz,” the appropriate response is “Hell Yea.”  So when we all shouted “Hell Yea!” he said, no our energy was too high.  Try whispering it.  So we whispered ‘Hell yea” and he said no that was too much, just think it.

He then proceeded to make obscene mouth gestures on his straight saxophone.   It was really funny.

And then finally, after about six minutes, he actually played a song.  It was cheesy smooth jazz, but he was great–his sax playing is really solid.

So who is this guy?

Trey Magnifique is the smooth jazz alter ego of musician, comedian, and theoretical physicist Brian Wecht. Best known for his comedy bands Ninja Sex Party and Starbomb, where he performs as the keyboard-playing “Ninja Brian”, as well as his kids’ band Go Banana Go, Brian is one of the most popular comedy musicians in the world. Mature Situations is Brian’s first album as Trey Magnifique, as well as his first solo project.

Brian grew up in Pompton Lakes, NJ, and, after studying math and music (with a focus on jazz composition, arranging, and performance) at Williams College, went on to get a doctorate in theoretical physics from the University of California, San Diego. Wecht held postdoctoral research positions at MIT, Harvard, the Institute for Advanced Study in Princeton, and the University of Michigan, and was a faculty member in the Centre for Research in String Theory at Queen Mary University of London. Wecht has authored over 30 papers in theoretical physics, focusing on supsersymmetric quantum field theories and string theory.

While pursuing his academic interests, Wecht began doing improv comedy with San Diego TheatreSports, and went on to become the Musical Director of the Improv Asylum in Boston, MA. After moving to New York, he met Dan Avidan through a mutual comedy friend, and the two created Ninja Sex Party in 2009. In 2015, Wecht left his faculty position at Queen Mary in order to focus on his YouTube career full time. In addition to NSP and Starbomb, Wecht’s projects include children’s comedy band Go Banana Go! (along with NSP producer Jim Roach), and the podcast Leighton Night with Brian Wecht (along with Leighton Grey). Outside of YouTube, Wecht maintains an active career as a public speaker and science communicator, and is one of the organizers of the annual Northeast Conference on Science and Skepticism (NECSS).

Incredible.  This guy is literally a genius AND he is funny as hell. (more…)

Read Full Post »

[ATTENDED: May 2, 2024] nelward

I hadn’t heard of Nelward, but holy cow a few people in the audience sure did.

Nick “nelward” Elward is an electronic composer based in Atlanta. His music takes cues from video game soundtracks, jazz fusion, old school hip hop, and classic pop.

Nelward’s songs are (mostly) short and (mostly) silly.   He came out snazzily dressed and began singing DVD (30 seconds long, although longer live, with the entirety of the lyrics: Have you seen the DVD of me? repeated).

Ghost was a bit more of a real song–catchy and rather fun.  He did some wild dances and clearly loved the reactions of his silly behavior.

More representative of his stuff seems to be “I Hope My Pants Don’t Fall Down.” A minute of silliness. (more…)

Read Full Post »

« Newer Posts - Older Posts »