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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: September 16, 2025] Starcrawler

I wanted to see Starcrawler for a few years before I finally got to.  And the buildup was more than the band could live up to.

I saw them last year open for Boris (a strange fit) when they played for an hour and I found them more or less unpleasant.  They really make me like the and hate them at the same time.

Last time I quoted someone else as saying “they strike me as rich kids cosplaying as punk rockers,” which seems fairly apt.  Also that

singer Arrow DeWilde tried to irk the crowd by referring to San Francisco repeatedly as “Frisco” after commenting, “Last night in Fresno was better than this shithole.” I have a friend who had seen them in Fresno the night before who said that Arrow said something similar onstage then.

This was one of the things that I found so irritating about them in the past, they are strangely confrontational.  It may be part of the schtick, but it’s weird–especially for an opening band.

Arrow was less confrontational than in the past, although she did yell at the audience for not bouncing their heads along to their song (weirdly, that was to the slowest song they played–we certainly bounced for the faster songs). (more…)

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[ATTENDED: September 15, 2025] Wet Leg

I saw Wet Leg three and a half years ago when they were something of a novelty buzz band because of their song Chaise Lounge.  I saw them at Underground Arts (capacity 650).  It was packed and I could barely see them, but it was still a fun show.

After the show, I thought “I’m not sure if the band will do anything more after this.  But they certainly felt like more than a joke band with one hit.  It will be interesting to see if they comeback to Philly and can fit into a larger venue.”

Now, three years later, the band has released their second album, have an entirely new look and have a bunch of songs that are bona fide–not novelty–hits.  So it’s no surprise that they are playing a bigger venue (FMH is 2500 people).

FMH is one of my least favorite venues to go to.  It’s always overcrowded and full of really tall people.  Most shows annoy me and I should probably stop going there all together, but it is the last small venue before bands move on to much bigger stages, so there are certain bands that can only fit in a venue that size.  I dislike the parking (it’s even worse now that all of the nearby lots have been attached to parking meters (and Jesus, there were NO spots on the street–on a Monday night??)  So we drove around a bit and arrived a little later than I wanted to, so we were just behind the ring of tall people who always seem to build a wall around the short people up front. (more…)

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[ATTENDED: September 15, 2025] Mary in the Junkyard

Mary in the Junkyard is a trio from London. The band consists of vocalist and guitarist Clari Freeman-Taylor, viola and bass player Saya Barbaglia and drummer David Addison.

I had never heard of them and they have an EP and some singles out, so they are pretty new.

I listened to the singles today and rather liked them.  But they really didn’t come across very well at Franklin Music Hall.  It felt like everything was wrong to me.  The drums were really loud.  The guitars were sometimes loud, but Clari’s vocals were always quiet–very hard to hear.

I had pretty high hopes for their set because the songs had really interesting components–guitar lines or when Saya switched from bass to viola and added some really weird sounds to the songs.  But None of the songs had any hooks.  Which is weird because they’re there on the album.

I suspect that seeing them in a smaller venue (FMH is quite cavernous) would suit their sound much better.  I’d be interested in seeing them again, but in a small club.

At least the crowd reacted positively to them–and there was a lot to like–they just never won me over (and I love finding great opening bands).

I’m assuming this is the setlist.  It’s what they’d played at most of their shows

  1. Drains §
  2. Blood
  3. Midori
  4. Goop
  5. New Muscles
  6. Web
  7. Tuesday  ¾
  8. This is my California ¼

§ single (2025)
¼ single (2024)
¾ single (2023)
∠ This Old House ()

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[ATTENDED: September 12, 2025] Car Seat Headrest

My son and I saw Car Seat Headrest three years ago (I can’t believe it was that long ago).  The show was terrific–singer Will Toledo was in a gasmask the whole night and the whole production was wild and intense.

Since that time, Will has suffered from long COVID.  Whether or not this impacted the delay in the new album (when he was other so crazily productive) it’s unclear.

But his new album was a big deal.  It was a concept album (the booklet apparently adds much depth to the album) and songs were over ten minutes long (Planet Desperation runs to almost 20!).  Before the show, I had checked and it turned out that this tour was going to be almost entirely the Scholars album.  And that proved to be the case.

The band came out, the crowd went nuts.  Before starting Will set some ground rules–be nice to each other; if someone does something you  don’t like and they ask you to stop, do it somewhere else, etc).  Incidentally before the show started there was a lengthy promo for hydrating.  A male voice who said he was with Car Seat Headrest, then went on to say he was Bradley Cooper, Tyler the Creator and Charlie XCX–all giving fact and stats about hydration.  It was pretty entertaining.

And then the lights (and the fog, oh so much fog) obscured the stage as they broke into CCF.  The band sounded amazing,  And, unlike last time, my son and I managed to get reasonably close to the stage, so that was fun (even if photos and videos were pretty much useless with the lighting).

Will spoke in between songs sometimes, introducing Deveraux which segued into Lady Gay Approximately.  There are some hugely catchy moments on this album, but there are also jamming moments–which sounds great but are hard to dance to, so the crowd was reasonably subdued during the non-singing parts. (more…)

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[ATTENDED: September 12, 2025] The Lemon Twigs

I really liked the first album from The Lemon Twigs.  Their second album was weird by fun, and then the pandemic came and I lost touch with their new music.  But I really wanted to see them live because I had heard they were great.

When they played around the last few times, for one reason or another I didn’t go and as it turned out, I didn’t love their two newest albums as much as I liked the older ones.  So I had kind of given up on seeing them.  But I was really excited when they were listed as the opening band for Car Sear Headrest.  This would be a great opportunity to check them out.

And holy cow were they good.  Their newer albums have a kind of soft rock vibe that I really didn’t like.  But live, they totally rocked.  They leapt in the air, they soloed, they shouted–it was a total blast.

They didn’t play anything from Go Hollywood (sigh), but that’s okay because even though I didn’t really know any of the songs, they were catchy and fun.  Brian played a big old fashioned looking guitar and Michael played an old school Rickenbacker.  The two of them sang lead and harmonies, alternating (see the setlist for who sang what–on some songs).

But it was when bassist Danny Ayala (also on a classic Rickenbacker) and drummer Reza Matin sang along with them that the harmonies were out of this world. (more…)

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[ATTENDED: September 9, 2025] Pulp

Back I was a big fan of the Britpop scene.  I liked Blur, but I also liked a lot of the lesser bands.  Pulp’s Common People was a favorite song for me.  I also liked their This is Hardcore album.  And then I lost interest.  But it turns out they put out one more album and then hiatused.

Then this year they announced a new song and album.  Spike Island is the most infectious song they have released and I haven’t gotten tired of it at all.

So when this (rather short) tour was announced, I was intrigued, but wasn’t sure if I really wanted to go.  Tickets were fairly pricey and there weren’t any floor seats left.  But because of their “dynamic pricing” bullshit there were a few seats available near the front and I saw that the price was going down as it got closer.  When I felt the price was okay, I bought a ticket.

When I got to the venue, they asked me if I wanted to sit i the ADA section, which I hadn’t in this venue.  The guard there said it would be nicer to sit in the comfy chair than to stand the whole time.  And it was.  True, I couldn’t see the whole stage (I never saw the guy in the back on the left side.  And I couldn’t see all of the screen.  But most of the action was up front and I could see all of that fine.

The tickets were irritating because it was unclear if the show was going on at 7:30 or 8:30.  Did doors open at 6:30?  Who could tell.  I arrived at 7:30 and there was a massive line to get scanned.  I was escorted to the front of the line, which was nice, and I got into the venue quickly with no merch line (the merch wasn’t that exciting).  And then I sat and chatted with the people next to me.  They were from Maryland and had seen the show a few days ago in D.C. They had driven to Atlantic City and decided to see the show again on the way home.  He told me they bought tickets while waiting outside in their car (and paid less than I did!). He and his wife go to tons of shows and seem to often get comp tickets or really good prices last minute.

When the lights went down I moved to the other side of them to get a better angle (very comfy) and the massive band (eight piece, I think) started playing Sorted for E’s & Wizz.  I hadn’t listened to much Pulp before the show so I didn’t really recognize some of these bigger songs.

But I was so psyched that they played Disco 2000 and followed it with Spike Island.

Jarvis Cocker is a fantastic frontman (duh).  He engages the audience, he dances, he jumped on these platforms in the front of the stage and he told some amusing anecdotes.

The setlist has been mostly the same, but they did play two unique songs for us.  The new song Slow Jam is great and I’m glad we got to hear it.  Before Farmer’s Market, he asked if there was a farmer’s market in Philly (yes, and it is good, people said).  He asked if they sold grapes. And then proceeded to pull a handful of grapes from his suit jacket pocket and tossed them to audience members (don’t catch it in your mouth, you may choke).  He then threw some chocolates to the crowd (he’s not a great thrower, tbh).  But he did attempt to catch a grape in his own mouth (he missed).

For Something Changed, the original band members came to the front of the stage Jarvis Cocker played guitar and sang and he said that the four of them gathered together a few years ago to see if they wanted to play together again.  He said Candida Doyle sat at the old piano (she played keys); Nick Banks had a box drum then and tonight;  and Mark Webber sat on the settee and played guitar.

For the rest of the set the band was fleshed out by Andrew McKinney – bass (he also played on Something Changed); Emma Smith on fantastic violin, backing vocals and guitar; Adam Betts played a to of percussion and some guitar and keyboards and Richard Jones who I did not see the whole show until the end, played keys and viola.

The four (okay five, bassist) played this delightful mellow song and then shifted gears.  We sang along for many songs and then for O.U. (a very old song) he split the audience in half and one side sang O and our side sang U.  Which was quite a lot of fun.

(more…)

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[DID NOT ATTEND: May 5, 2025] Mondo Cozmo / The Cobbs

Two years ago my wife and I saw Mondo Cozmo and it was great.  A ton of fun and lots of singing along.  This year he was playing Johnny Brenda’s but I’d already had two possible shows lined up for this night.  So, he didn’t really stand a chance.

Interestingly, the night before we saw them, they played Ardmore Music Hall with the same lineup as this show.  Here’s what I wrote two years ago.

We got tickets for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had. (more…)

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[DID NOT ATTEND: September 7, 2025] James: Laid and Deep Cuts

Back in the day I rally liked James a lot.  I got into them through Laid and listened to most of their music over the years.  Although I stopped listening in 2001.  Turns out that broke up and reunited in 2008 and I totally missed it.  Haven’t heard anything on their reunion albums (there are 9, as many as they put out before they broke up).

A few days before the show a DJ on WXPN was listing all of the songs he hoped they’d play and I started to remember all the songs I liked by them. But it was too late to go by then.

Interestingly, James doesn’t come to the US very often.  They opened for Johnny Marr last year, and the previous tour was in 2016 (they played Kung Fu Necktie, which is so tiny it’s insane–they also played there in 2015).

Looking at the setlist, it was pretty good.  They played all of Laid, but not in order–they stretched it out through the whole show.  In addition to Laid, they played three songs from 7, 2 from Whiplash (which I really liked), 1 from Gold Mother and 1 from Pleased to Meet You.  The rest were new songs that I didn’t know.

So I’m not that bummed about missing it.

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[DID NOT ATTEND: September 6, 2025] Ethel Cain / 9million

My daughter has been a fan of Ethel Cain for a while.  We got to see her two years ago at All Things Go, but I didn’t know her at all, and I think my daughter was just getting into her.  The crowd was bananas for Ethel, and I feel like if we had tried harder, we could have gotten closer and been a real part of the show with her.

Once this tour was announced, I set out to get two tickets immediately.  And I was totally shut out.  It sold out in minutes.  I kept checking over the months to see if anything became available and there were 3 seats–each priced at over $400 so never mind.

Then I found out that a friend of ours had an extra ticket and she was trying to sell it.  So I told her I’d take it and gave my daughter a lovely surprise.

I was bummed to discover a day before the show that there were now two tickets available at a reasonable price, but I already had plans to go to the Bolero Block Party.

So, she went with them and told me that Ethel was amazing.

Even though they arrived early, they missed 9million entirely because they were on the merch line (for over 90 minutes!).  According to King’s Raleigh,

9Million is a Toronto shoegaze band helmed by the multi-instrumentalist, songwriter and producer Matthew Tomasi. Best known for his work with alt pop icons like Ethel Cain

So that explains the connection, because I find 9million to be way way heavier than Ethel (and far more my scene).  I would have been really bummed to have missed them if I was on the merch line, but what they didn’t know didn’t hurt them and they didn’t mind missing them.

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[DID NOTTTEND: September 4, 2025] Rilo Kiley / Natalie Bergman

The announcement of a Rilo Kiley tour was major news!  I was pretty excited about even though I didn’t really know the band.  But I knew and liked Jenny Lewis and assumed her old band would be similarly great.

But I listened to a few of their songs and didn’t really like them.  So, I saved some money and a night out (actually I went to Poppy instead).

Natalie Bergman is a singer from Chicago. She has an interesting, lovely voice but I didn’t really care for her music that much.  I mean, I wasn’t going to this show anyhow, but I do like to hear what the openers sound like.

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