Feeds:
Posts
Comments

Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: February 17, 2025] Lauren Mayberry

I was a fan of Chvrches when their first album came out.  Then I kind of lost track of them.  But in that time my wife became a fan.  We missed their last tour in Philly (back in 2021 (!)).  When Lauren Mayberry released a solo album, we both loved the single “Something in the Air” and  thought it would be neat to see her live.

The show didn’t sell very well, which was surprising I thought, since Chvrches has sold out Franklin Music Hall, a much bigger venue.  But it meant that we had a really intimate show, which was awesome.

Overall I liked most of the album Vicious Creature, although there were a few songs that I wasn’t that excited by.  But wow, these songs were fantastic live!  

She had two band members on stage and, I think, a guy on the side with a bank of Apple laptops (I joked that it looked like an Apple store–there were about five!).  The two members on stage were Marian Li-Pino on drums and Heather Nation doing guitar or bass depending on the song.  Later in the set, Heather played piano and Marian played guitar for a song, too.

Heather Nation was ferocious on guitar–generating great sounds.  And Marian Li-Pino was a beast on the drums.  They had a cool cymbal that was bent and made a great metallic, non-cymbal sound.  And Lauren Mayberry was an excellent front woman–she knows how to perform a show.   And what a voice!  I mean, it was amazing.

She played the entire album.  The bangers were amazing–bigger and louder than I expected.  The quieter songs were pretty, a little too mellow for my enjoyment, but hey, you need to vary the mood.  (more…)

Read Full Post »

[ATTENDED: February 17, 2025] Cult of Venus

It was a cold windy night when we headed out to this show.  Luckily, we managed to get really close parking (Monday night shows are good for that).  Which meant we were plenty early to see the opening act, Cult of Venus.

Cult of Venus has had a lot of mystery surrounding her.  I’m sure her identity is known (I didn’t look too hard to find it), but the two main articles I saw gave this info:

Forgoing any photos to remain completely anonymous and undefined, Cult of Venus have given themself the perfect platform from which to build and long and exciting career. ][They make] music that illustrates and illuminates the dystopian world today, challenging the patriarchy and resonating with the “divine feminine.” Her on-the-ground activist work includes support for incarcerated women and environmental protest movements. Her mysterious presentation is often shrouded in darkness, with her identity and face in the shadows. Her secretive appearance aligns her poetic soundscape in a way that not only drives more curiosity to her audience but is calming in a world so focused on desperate self-promotion.  With shows in all-female prisons and detention centres in the books already, as well as a show as part of New York City’s Women’s March, Cult of Venus have a big year planned while being rooted in reform.

They opened the show with a prerecorded message about strength in the face of oppression.  And then she came out, picked up her guitar and stood in front of the keyboard.  

The only problem to me was the fairly lengthy (I mean, it was probably less than a minute, but it was SO QUIET) pause before the first song started.  I feel like she could have timed that a little more smoothly.  But whatever.

She generated some beats and some synths and proved to have a fantastic voice.  When she played guitar, she clearly had it patched into an effects box because it didn’t sound like a guitar–it was very cool. (more…)

Read Full Post »

[DID NOT ATTEND: February 14, 2025] Emo Nite featuring MC Lars

I have wanted to see MC Lars for a few years now.  But this wasn’t the way for me to see him.

I didn’t know what Emo Nite was.  I assumed it was just a night of emo music.  Which it is, but apparently, Emo Nite is a THING, an entity that tours.  As their blurb says

We are not a band. We are not DJ’s. We throw parties for the music we love.

Their website goes into detail about how they started and what they play.  Basically they love emo and play a night of emo with guest artists.  If I were younger and liked going out, this is the kind of thing I’d enjoy.  But I don’t want to go to a room to listen to records.

Read Full Post »

[ATTENDED: February 12, 2025] J. Mascis

When this show was first announced it turned out to be on the same night as the Babymetal show that my son and I were going to.  But then it was postponed and I grabbed a ticket for the new date.

I couldn’t really imagine J. Mascis in a small club or playing quietly.  Well, this is the same place I saw Thurston Moore a number of years ago.  Amazingly neither legend sold out for a solo show (Thurston wasn’t solo, but it was his solo music).  J was by himself, but I needn’t have worried about being quiet, as he had a massive amp setup on stage.

I don’t know why it took him so long to get on stage (he showed up at 10:10 even though no work had to be done on stage).  His roadie also put like 5 different drinks on his stool, and I don’t think he had any of it.

He came out with a beat up acoustic guitar and proceeded to jam through almost 20 songs.

Before he started, some meathead started the E-A-G-L-E-S chant and J. smiled and then said, I’m impressed you guys can spell.

And then he got to business. (more…)

Read Full Post »

[DID NOT ATTEND: February 12, 2025] Molchat Doma / Sextile

I’m so very intrigued by Molchat Doma.  I first heard about them a couple of years ago, and their bio shows them to be right up my street:

Founded in 2017 in Minsk, Belarus, and now residing in Los Angeles, MOLCHAT DOMA stands at the intersection of post punk, new wave and synth pop.

I love the idea of a band from Belarus singing in Belarusian becoming successful in the States.  Indeed, when they played Philly llast year I believe they sold out Union Transfer.  At least according to this blurb from 2022

Fans who missed their sold-out tour earlier this year will have a chance at redemption as the trio play larger venues, fitting for their growth.

In 2022, they played Underground Arts, in 023 they played Union Transfer and this year they are playing Franklin Music Hall–steady growth indeed.

And here’s what Underground Arts said back in 2022 (more…)

Read Full Post »

[ATTENDED: February 12, 2025] Mike Polizze [rescheduled from November 21, 2024]

When this show was first announced I didn’t know if I wanted to go, plus it turned out to be on the same night as the Babymetal show that my son and I were going to.

Initially Pink Mountaintops were supposed to open for this show.  Then a few days ago I saw that it was going to be Purling Hiss.  I was really excited to see Pink Mountaintops (who I haven’t seen before).  There was no notice or explanation of their departure from these shows.  But they were replaced by, as many of the posters say Purling Hiss (Solo).

Purling Hiss is Mike Polizze.  He was the only person on the first few records and the latter records add a drummer and maybe someone else.  But it’s not wrong to say this is Purling Hiss solo.

Polizze had opened for Kurt Vile recently and I enjoyed listening to his set.  And it proved to be quiet similar to this set opening for J Masics.

Mike had an acoustic guitar and a bunch of pedals–mostly a looping pedal, a distortion pedal and a wah wah.

And wow, was he loud.  I anticipated J would be loud, but I think that Mike may have been louder–or his equipment wasn’t mic’d as nicely so it sounded harsher.

Mike looped his guitar chords and then played solos using varying degrees of distortion and volume.  I really enjoyed the amount of looping he did and I was close enough to watch him using the looping pedal–tapping the pedal to add a solo section to loop with the chords, etc. (more…)

Read Full Post »

[DID NOT ATTEND: February 8, 2025] Phantogram / meija 

For reasons I don’t really understand, I thought that Phantogram was My Brightest Diamond.  The bands’ names are not similar and they don’t sound much alike.  But I was sure that I had seen Phantogram open for someone.  And I had not.

As it turns out, I’ve been vaguely down on Phantogram for a while, and yet there’s been a song on the radio recently that I really like.  And when I listened to some more of their music I realized that I like them quite a lot–they remind me of Chvrches.  And so I thought I’d grab a ticket for this show.

And then I realized that we had a commitment that night, so all of my dithering was pointless.  But I’ll definitely be listening to more of them.

meija is LA based producer and songwriter Jamie Sierota.  He makes synth-drenched, indie pop adjacent rock.  It’s a little low-key and chill for me, but it seems like a decent pairing for Phantogram.

Read Full Post »

[DID NOT ATTEND: February 7, 2025] Wax Jaw / DJ PTFERRIS96

Yet again, Wax Jaw eludes me.

This show sounds amazing–a rocking show with an opportunity to watch the band make a video.  How cool would that be?

The blurb says

This will be a Wax Jaw banger to end all Wax Jaw bangers, and all attendees will get to:
⭐️ star in a wax jaw music video
💀 thrash to a fresh wax jaw set
🪩 dance all night with @ptferris96

~BLACK AND PINK ATTIRE STRONGLY ENCOURAGED~

And, yea, I don’t want to be in a Wax Jaw video.  And they don’t want me in a Wax Jaw video.

 

Read Full Post »

[DID NOT ATTEND: February 7, 2025] Dream Theater: 40th Anniversary

When Dream Theater came out forty years ago (really??) I loved their debut album.  But I have never really gotten into any of their follow ups.  I know that they are a band I should love–technically amazing, prog metal epics.  They are made for me.  And yet I just can’t get into them.  I do still love that debut album, but it’s the only one that real fans don’t like (I actually like the original singer better as well).

My friend Joe and I saw them live back in 2002 and I remember enjoying the show quite a lot–it is pretty fun to see these guys do these things up close.  But I’ve been up close on a lot of other amazing musicians and I don’t feel the need to go to this one.

Read Full Post »

[DID NOT ATTEND: February 7, 2025] Sharon Van Etten & the Attachment Theory

I saw Sharon Van Etten live back in 2019.  I really enjoyed her set more than I thought I would.  And yet since then I haven’t really been that interested in her music as much.

She’s had a few songs (like this year’s Afterlife) that I’ve really liked, but when she announced a show at Union Transfer in April I was pretty meh about it.

Then it was announced that she and her new band were doing a Free at Noon, and I though that that was the best way to check her out.  And I’m so glad I went because her band (and the whole set) was fantastic.

I’m not sure how long these musicians have been playing with her, but word is that she solidified them as a band with this album and they record the album as a band rather than as a SVE project with backing musicians.  The Attachment Theory is Teeny Lieberson on keys, Shanna Polley on guitar, Jorge Balbi on drums, and bassist Devra Hoff.   When I saw her last time I didn’t know any of her band except for singer Heather Woods Broderick whose voice is amazing.  But Teeny Lieberson’s backing vocals suited Sharon’s perfectly, creating that hauntingly beautiful sound that Sharon does so well.

I was right in front of Devra, whose bass work was great (there was a some cool stuff on a fretless as well as a fretted bass).  The bass was a little loud in the mix for me since I was right in front of the speaker, but the opening bassline of Trouble was fantastic and I loved watching Devra play it. (more…)

Read Full Post »

« Newer Posts - Older Posts »