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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: November 28, 2016] Mike Gordon

When Mike Gordon announced a short March tour and one of the stops was Union Transfer, I immediately grabbed a ticket.  I have very warm memories of the last time I saw him.  I assumed it was like six years ago so I was really surprised to discover it was actually TEN.  I was also surprised to see that he had played UT in 2018 and I wondered why I didn’t go (I had tickets to Nada Surf that night).  But it has been 8 years since Mike has been here.

The 2016 lineup was guitarist Scott Murawski, percussionist Craig Myers, drummer John Kimock and keyboardist Robert Walter.

This years lineup was similar but different: guitarist Bob Wagner, guitarist Xavier Lynn, drummer John Kimock and keyboardist Robert Walter.

Like last time, Mike and friends played for almost 3 hours (a brief intermission in the middle).  And like last time, Mike didn’t do a lot of soloing–he’s not a show offy bassist, although he does play some great stuff–he always has a great groove and I enjoy when he messes with his pedal effects to create a variety of sounds.

There was a line to get in, but it moved quickly and when I got in the merch line was really short.  My wife had bought me a poster tube since I like posters so much and I actually brought it with me this time.  But while I stood there (and I could see into the hall) nothing was happening.  Then I saw that the card reader wasn’t working and these two guys were trying to fix it.  With a few minutes before the showtime, I quit the line and went in.  I had a great spot right in front of Mike.  Although the people around me were pretty odd.

One guy had a stuffed doll with him and he kept holding it up trying to take a picture of it with the band (which I get but holy cow he did it like 30 times).  After he moved away, the spot was constantly being filled by other people who really had no regard for personal space (which might just be a Phish thing). (more…)

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[DID NOT ATTEND: March 13 & 14, 2026] Rainbow Kitten Surprise / Common People

With a name like Rainbow Kitten Surprise,  I thought this band would be a lot weirder.  I liked some of the songs I’d heard back in 2023 but they cancelled that tour.  Fever Pitch was a cool song with interesting components–lots of fun things going on in under 3 minutes.

The rest of their songs are similarly unexpected, and yet they aren’t quite as compelling.  I have heard  that their live show is unforgettable, but I had a lot going on and my son had just come home from school, so I blew off this show.

Common People are a newly formed band (2025) and they have a oxymoronically named classic indie sound.  They have five songs on Tidal and I like all of them.  Catchy, garagey, a good sound.  Fuzzy guitar solos, I’ll keep an eye on them because I’m definitely interested.

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[DID NOT ATTEND: March 8, 2026] Mia Asano / Billy Wilkins / Malphas

In what is either serendipity or calculated planning, I heard about Mia Asano about three weeks before she announced this tour.  I was pretty sure I wanted to go because she looked like such a fun entertainer.  She plays a “flying V” electric violin that is more or less attached to her shoulder so she can move around while the violin stays put.

She plays mor or less heavy metal and her violin is super fast soloing.  But the more I thought about it the less I actually wanted to go.  It seemed more like a novelty than anything else.  And while I love novelty, I didn’t need to go to this one.  I think I’d rather see her as an opening act.

Billy Wilkins in from New Jersey.  He sings like a metal singer but his music feels much lighter than that.  I sort of like it but mostly don’t.  Although I suspect he’s enjoyable live.

I saw Malphas open for Arkona a few weeks ago.  I enjoyed their set but I came away thinking they were a bit amateurish, which is just an odd thing to think about a band (I blame Dingbatz more than the band I think).  Their music was pretty good and I would have enjoyed seeing them again in their home city.

 

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[ATTENDED: March 6, 2026] Baroness

I have seen Baroness twice before this show.  The first was an acoustic record release show at a Record Store.  The second was at a sold out Kung Fu Necktie in which I couldn’t see anything because of where I was.  So I felt I hadn’t really seen them.

I really wanted to see their Red and Blue tour (where they played both of those albums), but it sold out before I got a ticket.  So this was my chance.  It turned out that they were playing the following night at Starland Ballroom, but they were OPENING for Acid Bath, who I’d never heard of. Crazy.

But here they were headlining.  It feels like the band is really John Baizley (they only person who has been with the band from the start) and new(ish) lead guitarist and amazing shredder Gina Gleeson.  I had thought that the bassist and drummer were kind of new to the band, but Nick Jost has been bassist and Sebastian Thomson has been drummer since 2013–so, they’re long time fixtures for sure. (more…)

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[ATTENDED: March 6, 2026] Commitment

I listened to Commitment just before the show and was blown away by the band’s old school hardcore punk sound.  And that the singer was a woman (not all that common in hardcore).  The woman is Tati Salazar who can scream with an unparalleled fury.   I noticed that the guitarist from Soul Glo was standing in the back of the stage, and that made even more sense when I found out that the drummer is Soul Glo vocalist Pierce Jordan.  And he is a beast on the drums!  Holy cow he is fast and loud.

Guitarist Jake Smith (of Eye Flys, who I do not know) was on the far side of the stage and bassist Zach Bailey, was in front of me.  Bailey was fascinating to watch because his bass work was excellent, but he did not fit the part–he looked a little like Peter Parker in the early Spiderman movies.  He also wore a black latex glove on his left hand–how did it not get ripped on the strings that he was sliding all over?  The last time I saw someone wearing those gloves on stage was also at UA when Damien from Fucked Up said that he had cut his hand and the glove was for protection.  If Bailey cut his hand, it didn’t impact his playing at all.

The band came out and exploded all over the stage.  It was no-frills hardcore punk with almost no song reaching the two-minute mark (except for one longer song).  Now, I couldn’t understand a lot of what Tati was singing, but her energy and intensity made it pretty clear what the songs were generally about. (more…)

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[DID NOT ATTEND: March 7, 2026] Aterciopelados / Laura Lizcano

Back in the 90s I was a fan of Aterciopelados.  They never really made it onto my radar in the 2000s but I was really pleased to see that they were still together and touring.  I would have liked to go to this show but we had tickets to see DakhaBrakha already and I really wanted to see them.  Their sound has changed over the years but they retain Colombian styles as they shoft from more rocking sounds to their more recent poppy sounds.

Laura Lizcano is a Colombian singer who lives in New York now.   She combines Latin American musical traditions and indie alternative music. Her songs shine in both English and Spanish with deeply personal and confessional storytelling enhanced by a telenovela-like drama.  She has a lovely voice 

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[ATTENDED: March 6, 2026] Blood Vulture

I had not heard of Blood Vulture before this show was announced.  I listened to their record and was kind of surprised at just how much they sounded like Alice in Chains.  Singer Jordan Olds sounded quite a lot like Layne Staley, almost shockingly so.  It’s possible that it was a combination of his voice and the backing vocalist(s) who really made this comparison, but it was unavoidable.  They are a bit heavier and groovier on record.  And live, the Alice in Chains delivery is pretty much gone.  But the energy remained.

I didn’t know anything about Blood Vulture or Jordan Olds who is also known as Gwarsenio Hall from his popular YouTube series, ‘Two Minutes to Late Night.”  During the Baroness set, John Baizley said that they had been on Jordan’s show a number of times.

I was initially turned off by Jordan because he did that thing where opening bands demand that people dance (and circle pit) to their music.  I’m not convinced that anyone can insist on a pit–they should form organically.  Anyhow, I didn’t love his attitude, but I quickly learned that he’s pretty funny and whatever these songs are about, he told us that each song was “about sucking blood!”

Their drummer was fantastic, and indeed, everyone in the band was great.  I loved the sound of the bass.  The lead guitarist played some great solos and they keyboardist sang great backing vocals too.  Although the recording was all done by Jordan, so there was no introduction of the band members. (more…)

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[DID NOT ATTEND: March 4, 2026] Jesse Welles / S.G. Goodman

I started following Jesse Welles online because he made videos of himself singing songs in a field that were political and timely.  Something stupid would happen and he would have a decent song about it within a day.

I had no idea that he was  the same guy they were playing on WXPN. I really liked the song Horses and now they play Wheel all the time (possibly too much).

I’m not really sure what his set would be like–I assume it’s just him.  He seems like he’d be a really good performer–personable and easily improvised.  But this show was sold out pretty quickly, so I didn’t bother investigating more.

During the pandemic, S.G. Goodman was supposed to open for Nada Surf.  So back in 2021 I wrote

S.G. Goodman is a singer-songwriter from Western Kentucky known for her rootsy sound and raw, honest lyricism. Her debut album came out in March.  I’ve listened to “The Way I Talk” and wow, what a cool song.  A simple repetitive beat with Goodman’s raw voice.  She doesn’t sing like a country singer (so that’s good), she tells a song story that ends with some amazing guitar feedback.  I’d love to see her live.

Since then she has gotten a ton of airplay on WXPN/  I like most of her songs although she is a bit overplayed now too.

This was probably a fun, upbeat folkie night.

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[ATTENDED: March 1, 2026] Ed Gamble

I have made a list of all of the contestants from Taskmaster who I want to see do stand up.  And while I don’t wish to rank them or anything, Ed Gamble was near the top of my list.  I have enjoyed him immensely on his TM podcast, and really I think he’s funny in just about anything.  I didn’t know anything about his standup, but I assumed it would be very funny.

So after Stuart left the stage, Ed came out and made immediate jokes about the lateness of the set.  He said he wanted to play Philadelphia and when the tour manager said Friday or Saturday?  Ed said no Sunday–as late as possible.  Tell them I’ll go on at 8:15 but I won’t go on until 9:20.  He explained the the previous comic went over time, but he watched it and enjoyed, noting that the audience was very different (the previous comedian was black and the entre audience was as well).

Ed made some quick audience banter.  He noted how British comedy clubs don’t have food “ah yes, it’s 9:30 o a Sunday night, let’s get food!”  And then he joked with someone up front who had a lot of food in front of them.  They said that their toddler had eaten all of their food and then said something which made Ed crack up and say that he is tired after this tour and he asked for an audience that would supply half of the jokes for him.

He also noted that the far side of the room was not as vocal as our side.  So he guessed that they were a church group who had come out to the comedy club.  He played up that joke all night and it worked every time.

He told us that every time he makes fun of something in his act, within three years he is doing that.  He used to make fun of vaping, now he vapes (who starts vaping in their late 30s if they don’t smoke?).  He used to make fun of tattoos and now he’s got a bunch.  He promised not to make any jokes about pedophiles.

Every non-American comedian I’ve seen seems to be amazed by our bathrooms.  Ed explained that he was amazed when the automatic toilet went off when he moved–and whisked everything away too fast to even look at it.  While in England, the bowl, is like a lazy carousel, swirling everything around so you can see how it went.  He also said that there is a brush in each stall designed for you to clean up and maybe help the stragglers down.  He imagined just how much human DNA is on it.  Gross.

He made some jokes about the posh school that he went to.  So posh that Marcus Mumford was in the year below him.  Then he joked that someone told him Mumford was on Saturday Night Live last night which made him hilariously furious.  They put on plays and he was often cast in the role of the woman.  Which led to a segue about drag queens.  He told us that when he was on a show that filmed in the States, he met some drag queens (for the show) and they made him up.  He said it gave him the utmost respect for drag and loved seeing it on stage even now.

The drag show was the only thing about his honeymoon that he liked.  He said that he and his wife wanted to prove that they weren’t a boring old married couple, so they honeymooned in Las Vegas.  And hated everything about it. They hated the heat, they hated the drugs, they hated the gambling (and how many time people heard his last name and assumed that’s why he was in Vegas.

His description of their Thai massage was hilarious (and Makes me never want to have one.

Ed was pretty explicit and he joked that the Christian side was muttering, enough with the shit and boob jokes.  He also joked about muttering himself.  That when he gets to be like 70, he’s looking forward to becoming a bigot–because that’s what you do when you get old: you make holidays uncomfortable and then you die.  But he joked that as a posh person he can make that harrumph sound, and you can put any kind of slur in there.

He imagines that when he is a grandpa he will have no tolerance for humanoid cyborgs, and when his child brings one home to date, he will have some choice words for it.  Somehow saying the kind of racist things old people say but saying it about a cyborg was really funny.

So yes, he made me laugh a lot.  It was a lot of fun.  And he told us that he loved American audiences because we think, I paid money to laugh so I’m going to laugh.  Whereas British people say, “let’s see if this guy can make us laugh.”  We are giving him an inflated ego.

There was no mention of Taskmaster, which doesn’t entirely surprise me, but I thought there might be a nod to it.  It’s also interesting that his partner in the Off Menu podcast, James Acaster, played a much larger venue.  I guess Ed is not quite as well known here–and indeed, this was his first stand up tour in the U.S.  I think it went rather well for him.

 

 

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[DID NOT ATTEND: March 1, 2026] Peaches / Model/Actriz

I was really surprised when I saw that Peaches announced a show at Union Transfer.  Although I see she did play there in 2022.

I don’t know very much about Peaches.  I know enough to know that she is sex positive and very very explicit.  I did think that this would be a fun show to experience once (like Gwar, but with very different fluids) but I already had tickets to see comedian Ed Gamble who I was really excited to see live.

Maybe if Peaches comes back in four more years I’ll try to see her.  I’ve seen some clips from the show online and it looks pretty wild.

I saw Model/Actriz four years ago and really want to see them again.  In fact, I found out about this show first because they were announced as the opening act.  I think they were pretty much brand new when I saw them and I’m glad that they’ve been getting more popular.  I do hope to see them again and it looks like they tour a lot more often than Peaches, so I’ll assume they’ll be back soon.

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