SOUNDTRACK: PHISH-“The Chinese Water Torture” (MGM Grand Garden Arena, Friday 10, 31, 2014).
In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews].
Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music. The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House. But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC. At the start of the set, the stage was cleared before a graveyard came to the foreground. Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies.
“The Chinese Water Torture” was scored with an upbeat groove that almost seemed like a mix of “Cars Trucks Buses” and “Axel F.” There was a familiarity to all the progessions Phish debuted in the Haunted House, but this was Phish drawing on their influences and own music to create something completely new and original. “The Chinese Water Torture” also contained a potent jam filled with bombastic leads from Trey.
There’s a cool key board melody while Trey is doing so solo bends. And then he starts taking off on his solos. There’s a wailing solo by the end with some great drums from Fish. I like that the drop from the record is sampled throughout.
And I guess we’ll just leave out that this is all pretty racist.
[READ: October 16, 2017] “Opening the Door”
Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.
This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween. It is lovingly described thusly:
A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.
There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.” I am taking that as a suggested order.
I’m intrigued that older stories seemed to want a kind of narrative device to tell stories like this. Whether it was the radio station in “The Night Wire” or the way “The Clock” was told in response to another person’s story, there’s seems to be a need to frame these stories. (more…)

