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Archive for the ‘Lewis Carroll’ Category

SOUNDTRACK: LOS BITCHOS-“Bugs Bunny” (2018).

bugsThis is another single from Los Bitchos.

Of all of their releases, this one is the least interesting to me.  But I like their songs a lot so it’s not like I dislike this one.

I rather like the way the song shifts speed midway through though–it certainly adds some fun to the song.  And the whole ending is a wild ride of excitement.

I’m not really sure what the music has to do with Bugs Bunny, though.

[READ: July 14, 2020] “Single-Handed”

This issue of the New Yorker has a series of essays called Influences.  Since I have read most of these authors and since I like to hear the story behind the story, I figured I’d read these pieces as well.

These later pieces are all about one page long.

I feel like Barnes gives the most honest answer to the question of who your Influences are.

He says that when British writers go to Spain they are asked if they are always asked if they influenced by Tom Sharpe–a writer of jocose farce: “student embarrassed by  acquiring large quantities of condoms, inflates them with gas, stuffs them up his chimney, someone lights the fire, the chimney explodes.” Sounds hilarious, can’t believe I’ve never heard of him.  The trick when asked this question is to keep a polite face while pretending to ponder this question. (more…)

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SOUNDTRACK: BUGS EAT BOOKS-“Imipolex G” (2004).

I had a CD planned for this week, but when I searched for Imipolex G online to see if it was real or based on anything, I can across this song by a band I’ve never heard of.  How could I pass it up (at least it wasn’t a song about coprophagia).

I listened to the whole album (only once, so this isn’t a fair criticism) and it’s all in a similar vein–lo-fi sounding.  Like maybe it was recorded on a two-track. The vocals are slightly whiny–not bad whiny–90s indie rock whiny.

And I see that Joe Jack Talcum from the Dead Milkmen has a solo album on the same label, so that makes sense.  I probably would have lived this album back in college.  And I would have wondered what Imipolex G was and then I would have found out about Gravity’s Rainbow and tried to read it.  And given up.

So this song is just over three minutes and opens with feedback squalls, but that noise is undermined by the jangly guitar that takes over the song. It’s quite catchy (in a noisy indie rock kind of way that almost dares you to think it’s catchy.

I’ve tried to determine any lyrics I could “plans etched on the wall… target for my head…I’ve got to go away.”

I’ve embedded the song below, although clicking on the button will take you to their My Space page, rather than playing it directly.

Imipolex G

The album appears to still be available (original pressings came with a bug).

[READ: Week of March 12] Gravity’s Rainbow 2.4-2.8

This was a conveniently short read this week (I had a lot going on, so those 30 fewer pages were a nice breather).  Section 2 continued mostly with Slothrop, although it was also an extrapolation of the people who were impacted by him in the beginning of the section.

For those with weak stomachs, we saw what I have to assume is the most disgusting section of the book.  And there was also a reverie (and the use of the word reverie) that had me a little confused. (more…)

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SOUNDTRACK: HRSTA-Ghosts Will Come Down and Kiss Our Eyes [CST048] (2007).

Hrtsa has another record out from Constellation.  This band is the brainchild of Michael Moya.  Moya writes some really fantastic melodies with interesting and unusual instrumentation.  The first song contains a pump organ, I believe (the liner notes don’t go into any detail).  And throughout the album, whether the songs are long or short, either the guitar lines are great or the different instruments creates atmospheric swells that are really something.

My only problem with this record is the singing. There is occasional singing.  On my first listen, I thought the voice was a woman with a deep husky voice like Carla Bozulich or Marianne Faithfull.  On the second listen I realized the voice is probably that of Moya, making it a reedy tenor voice.  At times he sounds a bit like Gordan Gano from the Violent Femmes.  The problem is that his voice doesn’t really have the power to pull of the songs.  The voice often gets lost in the mix or just distracts from the instruments.  This disparity is heightened even more because there are a number of fantastic instrumentals on the disc.

I certainly enjoyed the disc, I just would have preferred no words or a more interesting singer.

[READ: October 2, 2008] “Mimsy Were the Borogoves”

Sarah and I watched The Last Mimzy a few weeks ago.  I didn’t know it was based on a short story.  I also had never heard of the author.  Well, it turns out that the author is a pseudonym of Henry Kuttner and C.L. Moore, two other authors I also hadn’t heard of.  This edition of the story comes in a book attributed to Henry Kuttner (originally published as The Best of Henry Kuttner, but released now as The Last Mimzy). Phew.

So, where was I?

Well, if I didn’t know that the story was the basis for the movie, I never would have guessed.  The only thing relating to the story is that two kids find a box full of inexplicable toys which behave in a manner that is unlike anything on earth. (more…)

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