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Archive for the ‘Katherine Mansfield’ Category

woolfSOUNDTRACK: SHAMIR-Tiny Desk Concert #458 (July 31, 2015).

shamirShamir has an amazing voice–a high countertenor that is unsettling and pretty at the same time. He usually creates dance music, but in this Tiny Desk it’s just him and his guitar (on a stool).

The notes say that they asked the interns and staff to sit around him like at a campfire since he looked so alone up there by himself (and after the first song he says he is quite nervous).

He sings three songs. I don’t know the originals (I only know the one dance song from his record “On the Regular” which he doesn’t play here). But these versions are so different from that one that it’s quite shocking.

“In for the Kill” has a lot of intensity in his delivery and the chord structure (even if he plays he guitar rather softly).

The story of his writing “Demons” is very funny.  He was at work at Ross’ and he ran to the changing room when this melody came to him to write it down.  So he was hiding tin the dressing room plinking out notes and humming to himself while trying to get it down before he forgot.  I really like the twist in a song about demons: “If I’m a demon, you’re the beast that made me.”

I’m not sure I’d ever get his record, but I enjoyed hearing this acoustic version of such a dancey singer.

[READ: June 4, 2015] Virginia Woolf

This book comes from a series called Life Portraits.

This is a very brief (128 pages, but mostly one sentence per page) biography of Virginia Woolf.  But the real “selling” point of the book are the beautiful illustrations/paintings by Nina Cosford.  They are lovely watercolors that do a great job illustrating whatever detail is listed on the page.

Although the biography is short it is still quite comprehensive–skimming over many details in her life to get to the heart of the matter.

We get basic birth details–born Virginia Stephen on 25th January 1882.  We learn about her parents (ferociously intellectual father and philanthropic mother).  There’s even an illustrated family tree.

Then we learn that death followed her everywhere.  Her mother died when Virginia was young.  And that a few years later her half-sister and her father also died.  She remained with her sister Vanessa and her brother Thoby as companions. (more…)

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5dials32SOUNDTRACK: DEATH CAB FOR CUTIE-Tiny Desk Concert #430 (April 6, 2015).

dcfcIt’s hard for me to believe that Death Cab for Cutie had not been on a Tiny Desk Concert before.  But they are here at last.  Well, three of them anyhow.  It’s simply Ben Gibbard (of course) on vocals, Nick Harmer on bass, and Zac Rae on piano (now that Chris Walla has left).  And what makes this concert so special is that all 4 songs are played on piano–there’s no guitar at all.  It gives all of these songs (familiar and new) a much starker feel.  Not better, but very different.

There are two new song from Kintsugi, “Black Sun,” and “No Room In Frame” which sound so much like Death Cab for Cutie (probably because of Gibbard’s voice), that they fit in perfectly with the other two songs. “Your Heart Is An Empty Room” from Plans and “Passenger Seat” from Transatlanticism.

It’s a little uncomfortable watching Gibbard sing close ups with his eyes closed, but he sounds right on.  He says some nice words about NPR (a station they actually listen to for news) and he gets a nice round of applause when they say they’ll do a fourth song.  And Gibbard can even hit those high notes in this quiet setting.  This is a must hear for any fan of the band.

[READ: April 2, 2015] Five Dials 32

Issue Number 32 is a thematic one–based around the Australia & New Zealand Festival of Literature & Arts.  And so many of the writers and artists are from New Zealand.  There are dozens of paintings by Francis Upritchard: colorful watercolors of monkeys, monocolor paintings of people and colorful masks.  They all look incredibly simple–like first drafts–yet are quite effective in their displays.

A Letter from the Editor:  On New Zealand Issues
Craig Taylor didn’t have a letter last issue.  This time he talks about the issue and about issues in New Zealand. He talks a bit sadly about how the New Zealand writer most often find a home in London even if the writers mostly think about national (New Zealand) issues. (more…)

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