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Archive for the ‘Jonathan Goldstein’ Category

SOUNDTRACK : PHISH-Live Bait: Vol 2 (2010).

Phish has been releasing live concert downloads  for years now.  And now that they’ve started touring again, they have a whole bunch of new ones.  I’m not going to be downloading new shows, (I have a  bunch of old ones that I really never listen to).  But what I like is that they are giving away a few tracks from these shows.  And what I love is that they’re calling the freebies, Live Bait.

This set is a few tracks from shows recorded in August of 2010.  There’s nine tracks  ranging from 90 seconds (“NO2” ) to 17 minutes (“Twenty Years Later”).

Although this show is from 2010, this bait contains only two songs from their last album, Joy. The older songs are fan favorites (“Wilson, “Possum”) and weird interludes (“Kung”).  The band sounds fresh and really into what they’re doing and the old songs sound rejuvenated and fun.

Nevertheless, since most of the other live releases are older, it’s so nice to have the two new songs.  You can’t be choosy on a free sample, but I’d have loved to hear them do “Time Turns Elastic.”  If you’re new to Phish, this is a good place to get a free sample of their live shows.  Three volumes of bait have been released so far.

[READ: February 16, 2011] Ladies and Gentlemen, The Bible!

I discovered this book when I read the short story “Samson and Delilah in The Walrus.  I liked, but didn’t love, the short story, but I was intrigued enough to want to see how the other Bible stories would stack up.  And since we had the book on the shelf, I decided to check it out.

So this book is a retelling of several stories from the Old Testament.  What Goldstein does is create a backstory for these biblical characters who are really just sketches.  The stories are funny, serious, weird and often enjoyable.

The introduction is a very funny kvetch about at being a Jew and having dinner in the Grey Derby; waiting online for hours with so many other Jewish families, eating kosher food with your own family, fighting over the check, pointing fingers, calling each other names and, ultimately, leaving by 5:30 PM.  It made me laugh out loud in the best Woody Allen tradition.

With no real introduction, he moves right into his new versions of Bible stories.

The biblical stories that Goldstein updates include:

  • Adam and Eve
  • Cain and Abel
  • Noah and the Ark
  • The Tower of Babel
  • Jacob and Esau
  • The Golden Calf
  • Samson and Delilah
  • King David
  • part 1: Goliath
  • part 2: Bathsheba
  • part 3: Absalom
  • Jonah and the Big Fish
  • My Troubles (A Work in Progress, by Joseph of N–) (more…)

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SOUNDTRACKTRAGICALLY HIP-Phantom Power (1998).

The last couple of Hip albums were pretty intense, and it seems like the live album seems to cured them of their need for raucousness. And so Phantom Power follows with a much less intense collection of songs.

The first three songs are somewhat loud and rocking, but they lack any of the twists and turns that the previous records had.  Rather they are pretty straightforward rock tracks.  “Poets” is catchy and fun to sing along to, with a good guitar intro.  And “Something On” is similarly rocking.  But after that the disc changes.

There’s a lot more folk and acoustic guitars here.  It’s an unexpected direction, especially when you figure that their first albums were so raw sounding.  In some ways that makes the album disappointing.

But what they have removed in intensity they have made up in subtler ways.  Take the cool harmonies on “Membership.”  I’ve always found their backing harmonies to be slightly off, usually in an interesting way, but the harmonies are perfected on this song, where they are more of an echo of Downie’s vocals which add a new sound to the song.

There’s a really fun rocking song about hockey (among other things) in “Fireworks,” although for all of its speed, it’s a very poppy track–there’s very little bass evident on the track (or most of the disc).  And it speeds along just as catchy as can be.

I have to wonder if “Vapour Trails” had any influence on Rush’s decision to name their comeback album Vapor Trails.  Probably not, but it’s fun to think about (and it is probably the heaviest song on this disc).

But “Bobcaygeon” is the obvious highlight (although it’s even better live)–the bridge into the chorus is sublime.  It’s one of their more mellow tracks, but there are cool twists and turns throughout.  Second is “Escape is at Hand for the Travellin’ Man” an uptempo but by no means rocking number that propels itself along on a simple riff and engaging lyrics.

I tend to forget about this album because it is not so intense, but listening to it again, I’m reminded not to overlook this album, even if it’s not a hit-worthy as some of their others.

[READ: February 8, 2011] “Samson and Delilah”

This story is a retelling of the Samson and Delilah biblical story.  I knew the original story pretty well, but I didn’t know that Samson was blinded (which he was).

This retelling is more contemporary (in langauge) and it is somewhat funnier (although it’s obviously not a funny story in the end).  Goldstein has added aspects that make it funny: anachronisms and such.  But he also imbues Samson (and Samson’s father) with characteristics that aren’t in the original. (more…)

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