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Archive for the ‘Gary Janetti’ Category

SOUNDTRACK: VOIVOD-The End of Domancy EP (2020).

Voivod has released a new EP for 2020.  The metal band were invited to play the 2019 Montreal Jazz Fest.

To do something special, guitarist Chewy created some orchestration for a song hey had not played live before.  This EP has the live version of the song as well as a newly recorded studio version.  There’s an extra live song from the Festival as well.

The newly recorded studio version of the song is now called The End Of Dormancy (Metal Section). It has  brass quintet comprising saxophone, trombone and trumpet.  It works quite well because of how cinematic their music (and especially their newest album The Wake) is.  I mean the military drum march in the middle of the song could come from any terrific sci-fi movie. The horns add a very interesting cinematic quality and do not detract from the heaviness of the original.  Even though the horns do a lot of the dramatic rising and falling parts there is still plenty of room for Chewy’s guitar soloing.  But that high note trumpet at the end is pretty spectacular.

The live version runs about a minute longer because even though Voivod is tight AF and very meticulous, they allow for an improvised saxophone solo.  The audience is pretty thrilled by it.  I love the way the band is quiet at the beginning of the solo and then builds in intensity to the end of the solo.  And that ending trumpet high note is even more impressive live.

The third song is a live version of The Unknown Knows, a fantastic song from Nothingface.  Voivod plays incredibly complicated an intricate music and the fact that they can pull it off live–and have it sound even better–is a testament to how great they are.  And also how great Chewy is as a replacement for Piggy.

[READ: September 10, 2020] Do You Mind If I Cancel?

I had no idea who Gary Janetti was before reading this book.  S. brought it home and thought I’d enjoy reading it.  With a title like that I thought it would be kind of funny.

Turns out that Gary Janetti is a TV writer for a few different comedies (although none that I watch).  And his writing is a lot like that of David Sedaris.  By that I mean he is lauded as being a hilarious writer.  But in fact, while some of his piece are funny, there is a lot of sadness and despair in some of these essays.  I mean, the last essay is about the many men who died of AIDS in the 80s.  To call this book “laugh-out-loud funny” is slightly off base.

I hate to lump Janetti in with Sedaris, because it’s not really fair.  They are both gay men, no longer young, with a great eye for details and a snarky attitude.  But the difference is in perspective.  Janetti is ten years younger (which isn’t that big of a deal, but given the time frame they are talking about, it was quite a change in gay culture).  More importantly, whereas Sedaris is from North Carolina, Janetti is from Long Island. So he has has much greater proximity to a big (gay) city.  His family also seems to be much less antagonistic with each other–so Janetti’s comedy doesn’t stem from familial wars.

Janetti lived much of his twenties in New York City as a single guy working in a fancy hotel where rich, fabulous people showed up regularly. He has many stories of Broadway, and disappointing encounters famous people and the like.   Amusingly he also has a lot of stories about how he watched a lot of TV–typically not the most exciting thing to write about–but his essays about this are quite funny.

There are eighteen essays in total. (more…)

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