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Archive for the ‘Donald Antrim’ Category

SOUNDTRACK: SUPERCHUNK-Late Century Dream (2001).

A Superchunk song that opens with keyboards, “Late-Century Dream” is one of the most mellow singles that they’ve recorded (even more mellow than some of the acoustic songs they’ve done).

It’s followed by “The Length of Las Ramblas” an even more mellow track.  This one is also full of keyboards (sort of tinny, high pitched keyboards) and acoustic guitars.

Rocking guitars return on “Becoming a Speck” which reminds me of “1,000 Pounds.”  It’s a fast-paced, punchy song with a guitar solo that sounds like it might collapse on itself any minute.

“Florida’s on Fire” is an acoustic rendition of the song from Here’s to Shutting Up. Initially, when Superchunk was a punky bratty band, these acoustic numbers were kind of a novelty.  Now they showcase the extent of musicianship that the band possesses, and this one is no exception.

It’s a good EP, and the last one that I bought prior to their return this year.  They have a couple other ones that I’m going to try to track down.  But in the meantime, it’s all Majesty Shredding.

[READ: October 10, 2010] “An Actor Prepares”

Donald Antrim is the next writer in the 1999 New Yorker 20 Under 40 issue.

This story is a funny look at college theater.  The subject is not terribly new, and yet there are so many wonderful details and the theater teacher is so over the top that this story was completely enjoyable.

The narrator is Reginald Barry, Dean of Student Life and Wm. T. Barry Professor of Speech and Drama at Barry College (ha!) and this semester his students will be performing A Midsummer Night’s Dream.   I had to look up some of the quotes in the story to make sure they were actually from the play (I didn’t know the line “Use me but as your spaniel, spurn me, strike me” was in Shakespeare), but they are, and Antrim takes lines like this and runs with them.

Barry has wonderful plans for this production which he envisions outside on the grounds of the campus, with a culminating orgy occurring just as the fireflies come out. (more…)

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While I was looking around for Jonathan Franzen pieces in the New Yorker, I stumbled upon the first 20 Under 40 collection from 1999.  Since I had received so much enjoyment from the 2010 version, I decided to read all of the 1999 stories as well.  It was interesting to see how many of the authors I knew (and knew well), how many I had heard of but hadn’t read, and how many were completely off my radar.

I initially thought that they had published all 20 authors in this one issue, but there are five stories (including Franzen’s) that were just excerpted rather than published in full.  And I will track down and read those five in their entirety.  But otherwise, that’s a lot of fiction in one magazine (a few of the stories were quite short).  And it features a cover by Chris Ware!

So here’s the list from 1999.

**George Saunders-“I Can Speak™”
**David Foster Wallace-“Asset”
*Sherman Alexie-“The Toughest Indian in the World”
*Rick Moody-
“Hawaiian Night”
*A.M. Homes-
“Raft in Water, Floating”
Allegra Goodman-
“The Local Production of Cinderella”
*William T. Vollmann-
“The Saviors”
Antonya Nelson
-“Party of One”
Chang-rae Lee-
“The Volunteers”
*Michael Chabon-
“The Hofzinser Club” [excerpt]
Ethan Canin-
“Vins Fins” [excerpt]
*Donald Antrim-
“An Actor Prepares”
Tony Earley-
“The Wide Sea”
*Jeffrey Eugenides-
“The Oracular Vulva”
*Junot Diaz-
“Otra Vida, Otra Vez”
*Jonathan Franzen-
“The Failure” [excerpt]
***Edwidge Danticat-
“The Book of the Dead”
*Jhumpa Lahiri-
“The Third and Final Continent”
*Nathan Englander-
“Peep Show” [excerpt]
Matthew Klam-
“Issues I Dealt with in Therapy” [excerpt] (more…)

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TNY 12.22&29.08 cvr.inddSOUNDTRACK: SUFJAN STEVENS–Hark! Songs for Christmas Vol. II (2006).

harkIf we imagine that Sufjan had fun with vol. 1 one, then he must have had twice as much fun with vol. 2.  It’s nearly twice as long and full of a lot of short ditties.  “Angels We Have Heard on High” and “Hark the Herald Angels Sing” are short (less than a minute) instrumental versions (on keyboards which almost sound like a music box) of those songs (something that will become prominent throughout the series).  I love his version of “I Saw Three Ships,” the instrumentation is exotic and wonderful.

“Put the Lights on the Tree” is an original that sounds the most like Sufjan’s Illinois record.  It has those Michael Nymanesque fugue-like keyboard/orchestra bits and lots of backing vocals.  It’s only a shame it’s so short.  “Come Thou Font of Every Blessing” is a another mellow banjo folkie song that dates from the 18th century.  And “Only at Christmas Time” is another original, delicate and mellow.  I love that he can do such mellow songs even though he is known for his full orchestration.

“Once in Royal David’s City” (with lead banjo) and “We Three Kings” are sung by a guest vocalist: Vito Aiuto.  His voice is quite similar to Sufjans’s but is a bit more powerful.  “What Child is This Anyway” is a 6 minute keyboard-infused epic of the traditional song.  It’s very cool, with some interesting fuzztones on the keybaords.  And finally, “Bring a Torch, Jeanette, Isabella”  is a subdued ending to the disc, sounding like it was recorded on an old phonograph.

It’s a nice progression from the first EP.

[READ: January 5, 2009] “Another Manhattan”

Some stories move along at a very brisk pace.  This is one of those stories.  Admittedly, in the beginning it was a little tough keeping the characters straight, but after a few paragraphs, it all falls into place.

The story is about two couples: Jim and Kate and and Elliot and Susan.  Jim & Kate are married, and Elliot & Susan are married.  (more…)

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