SOUNDTRACK: KING’S X-Please Come Home Mr Bulbous (2000).
I’ve always loved the silly side of King’s X, especially when it comes to titles. And here we have yet another bizarro album title. And King’s X’s 8th disc actually lives up to the title. Well, sort of. But it is one of the band’s most unusual records musically. They experiment with many different sounds and textures. There’s a lot of really spare sections, where Doug’s bass is not the heavy, smooth sound we’ve become used to, but rather, single notes (or sometimes two notes at once) played staccato. There’s also a lot of different styles within one song–King’s X have always experimented with sounds, but it was usually one style per song. This one mixes things up tremendously.
“Fishbowl Man” has the rather unique distinction of being a chunky heavy guitar riff with vocals by Doug, a pretty, softish chorus sung by Ty and, even weirder, a spoken word center. “Julia” follows with several different parts: a rather mellow opening, with a harmony-filled chorus, a suddenly heavy heavy post-chorus, and a little psychedelia thrown in for good measure. “She’s Gone Away”‘s catchy chorus sounds an awful lot like one of King’s X catchy Ty ballads, but musically it’s quite different. There’s some two-notes-at-once bass playing, and–despite the soaring harmonies of the chorus–the guitar work is much heavier and darker for a Ty-sung song. The solo also has an unusual part in which the bass and drums are very sparse while Ty noodles away.
“Marsh Mellow Field” sounds like a typical King’s X song, but there’s new stuff added: Doug singing a call and response chorus to himself, Ty and Doug splitting vocals in the verse, but it all comes back to a catchy chorus. “When You’re Scared” has a really weird (for King’s X) recording sound that sounds like they’re in a huge, empty field. But it works really well with the gentle harmonious chorus.
Consistently the highlight for most listeners is “Charlie Sheen.” It is upbeat and pretty and what the hell it has to do with Charlie Sheen no one knows. There’s great vocal interplay on this, and it ranks pretty high on the Ty ballad list. And, somewhat unusually for this disc, there’s nothing unusual about it.
“Smudge” contains some of the darkest lyrics I can think of for King’s X. Doug even sings of breaking a rosary. Evidently the backlash from the Christian community was pretty strong. “Bitter Sweet” has a loping bass that plays nicely over this tender, short ballad. And the disc ends with 11 minutes of the sweet “Move Me (Parts 1 and 2)”. Despite the oddities at the beginning of the album, the bulk of the disc is pretty conventional King’s X. And they’ve still got it.
One other unusual thing: between some tracks on the CD there are tongue twisters in Dutch and Japanese. (I lifted this from Wikipedia, by the way)
* At the end of track 1: Acht-en-Tachtig-Prachtige-Grachten
This is Dutch for “88 (achtentachtig) beautiful (prachtige) canals (grachten).”
* At the end of track 3: Tonari no kyaku wa yoku kaki kuu kyaku da
This is a Japanese tongue twister (hayakuchi kotoba) meaning “The adjacent (tonari) customer (kyaku) eats (kuu) persimmons (kaki) often (yoku).”
* At the end of track 4: Zes-en-Zestig-Sinaas-Appel-Schillen
This is again Dutch and means “66 (zesenzestig) orange (sinaasappel) peels (schillen).”
* At the end of track 5: Hottentotten-Tenten-Tentoonstellingen
Dutch tongue twister meaning “(an) exhibition of tents made by the Hottentots.”
* At the end of track 6: Chikushō, nante hidee sandoicchi da
Japanese meaning “Damn (chikushō)! How awful (hidee) this sandwich (sandoicchi) is!”
* At the end of track 10: Acht-en-Tachtig-Prachtige-Grachten
See first tongue twister.
[READ: October 1, 2008] Vacation
I received this book in the mail as part of my McSweeney’s Book Club. I tend to put new books at the bottom of my pile, but I decided to break it up and read this one right away. It sounded really interesting, I liked Unferth’s flash fiction, and it was fairly short itself (216 pages). I would say that aside from Harry Potter, this may be my fastest turnaround on a book coming out and me reading it.
But enough about me. This book is about Myers and his wife, Gray and his daughter, Claire and the Untrainer, and Spoke and Sexy Woman in Bikini.
The set up of the book caught my attention right away. It begins with Claire’s story. She sees a man on her train. He looks familiar, but his head is oddly misshapen. She finds it very unsettling. The man walks off the train and out of her life. And then we follow the man. It reminded me of Slacker, where people’s lives intersect briefly and we follow the next person. (more…)
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