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Archive for the ‘Betsy Bonner’ Category

SOUNDTRACK: THE DISTRICTS-You Know I’m Not Going Anywhere (2020).

You Know I’m Not Going Anywhere is a pretty radical departure from their last album and a huge leap from their debut.  There are a lot of moody pieces that play with atmospheric sounds rather than outright melody.  Which is not to say that there isn’t a nice catchiness to the album, just that it comes from a different place.

It opens with the haunting, spooky “My Only Ghost” which would seem very out of place on any other release but really sets the tone for the experimentalism on this album.  It’s a quiet piece with vocals sung in falsetto harmony.  It’s an appropriately spooky opening with backwards guitars and atmospheric sounds.  It’s not even obviously The Districts.  Although the next song, “Hey Jo” certainly is.

“Hey jo” mixes acoustic guitars with that uniquely Districts-sounding guitar tone and a storytelling vibe.  The song feels very restrained with a quietly spoken section at the end and a nearly whispered coda tacked on.

It’s with the third song “Cheap Regrets” that The Districts show what they are really taking chances.  They called this track “nihilistic disco,” and that’s pretty apt.  This song is a great mix of disco sounds and a stellar bass line, with an unexpected amount of keyboard (for them).  It also contains a fantastic lead guitar line after the verses.  It’s one of my favorite songs of the year.

“Velour and Velcro” sounds more like old school Districts but updated and with new polish.  The song is catchy and bouncy with some cool guitar sounds.  “Changing” introduces the slower moodier section of the album with gentle acoustic guitar and somewhat warped sounding electric guitar.  There’s a rollicking chorus, but the song retains a moody element that continues into “Descend.”  The song has a pretty acoustic guitar with an almost sing-along melody.  It ends with a trippy series of keyboard washes as the song drifts away.  It segues, appropriately into “Clouds,” another gentle song.

“Dancer” is a similarly moody number with swirly synths. But that fantastic bass line keeps the song grounded and very interesting.

Things rock out again with “Sidecar.”  The old looseness is back with plenty of doo doo, doo doos and screamed vocals from Grote, but the song never feels like its going to get away from them.

“And the Horses All Go Swimming” starts the end of the disc with some swirling sounds.  It builds slightly before moving on to the delicate “4th of July” with the pretty acoustic guitar and super catchy (if somehow off-sounding) whistle.

It’s great to see The Districts exploring new sides to their music, I just hope they never lose that loose, rocking side.

[READ: October 1, 2020] “Reborn to Run”

This is an excerpt from Bonner’s The Book of Atlantis Black.  The intro comment calls this a memoir, so I’ll assume it is.

This excerpt is 7 numbered short sections.

First we see that the narrator’s older sister Nancy decided to run away by hopping a train (when she was 12).  She was gone for several hours but when she returned she only replied “Wouldn’t you like to know?” when the narrator asked if she had done it.

When she was 13, Nancy climbed out her window in the middle of the night and walked the nine miles to school only to arrive on time for first period.

Section four is written in an interesting way. (more…)

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