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Archive for the ‘Ben Greenman’ Category

back coverSOUNDTRACK: HÜSKER DÜ-Metal Circus EP (1983).

HuskerDuMetalCircusAfter the insane hardcore mess of Land Speed Record, this EP is a bit of a change.  It’s still pretty hardcore, but now you can tell that the noisiness of the guitar is deliberate.  Bob Mould is playing around with multiple layers of feedback and distortion to create a wall of noise that sometimes hides, sometime accentuates the overall sound.

What strikes me as odd in retrospect is that I think of Bob Mould as one of alternative rock’s poppier songwriters.  And yet when you listen to this disc the two poppiest (which is a relative term to be sure) tracks are by Grant Hart.

The first two tracks are fast and furious.  But what separates them from 4 x 4 hardcore is, mostly Greg Norton’s bass.  He’s all over the place.  There’s also some diversity within the songs themselves (a little guitar squeal in “Deadly Skies”).

“It’s Not Funny Anymore” (Hart’s song) is surprisingly upbeat (with guitar harmonics) and is not quite as noisy (although it’s still pretty noisy, and is not going on the radio anytime soon).

The next two track are more of Mould’s screamy hardcore.

The longest song (4 and a half minutes) is also by Hart. “Diane” is a creepy song about abduction and murder (yet with something of a  singalong chorus).  I actually know the Therapy? version better because I had listened to that disc a lot when it came out.  But the Hüsker’s version is even creepier.  Wikipedia says it is about a real incident (which makes it less creepy than if Hart has made it up, I suppose).

It ends with Mould’s least hardcore song, although the guitar solo is pretty insane.

And then it’s over.  7 songs in twenty minutes.  That’s nearly half as many as on Land Speed Record.  You can see the songs changing already.  Just wait till the next disc!

[READ: June 29, 2009] McSweeney’s #5

McSweeney’s #5 plays with cover ideas again.  On this one, frontthe cover idea is actual different covers and slipcovers.  The book is hardcover, with three different cover designs.  It also has 4 different slipcover designs. The colophon explains that if one wanted one could have requested for free) each of the cover designs because they did not intend to make people buy multiple issues.  Click on the covers to see them enlarged on flickr (all images are copyright McSweeney’s).

This is the Koppel front cover.

I will quote from the McSweeney’s site their description of the covers:

As many of you know, the new issue of our print version is out, and by now is in most stores. This issue is a hardcover book, and features four different dust jackets. One dust jacket has on it a man who seems to be suffering from terrible skin lesions. The second cover looks very much like the cover of Issue No. 1, with the addition of a medical drawing of a severed arm. The third cover is blank, with all of its images hiding on the back. Hiding from the bad people. The last cover is just red. Or, if you will, simply red.

In addition, under each dust jacket is a different cover. One features pictures of Ted Koppel. One features new work by Susan Minot. And a third features a variation on the second cover, described above, though this version is legible only with aid of mirror. This inner cover also is featured under the red dust jacket.

I was quite surprised when I took the slipcover off mine, (more…)

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SOUNDTRACK: TANAKH-Tanakh (2004) [UPDATE]

I re-listened to this CD and actually changed my mind about my preference.  I prefer the 58 minute song to the 28 minute one.  And, even though I appreciate the duct-tape-as-musical-instrument aspect of “28,” it lacks a cohesion and a song structure.  “58” even though it is rambling and could have easily been 20 minutes shorter at least has the feeling of a song.  “28” feels just like a bunch of people improvising on whatever is at hand.  And while organized improv is great, sometimes noisy improv can just be noisy.

Incidentally, I notice don this listen that at the 54 minute mark of “58” the bassist hits a wrong note.  How much would that suck if the had to redo the whole song after 54 minutes!  I was amused by this quite a bit.  I guess that proves there were no overdubs.

[READ: May 29, 2008] Superworse

After finishing Superbad, I learned that there was a book called Superworse. It is a “remix” of Superbad. The premise is that for the softcover edition, Laurence Onge, the editor of the first book (and completely fictitious I am now certain), decided to reorganize Superbad and to include a Foreward, an Afterward and a Midward.

For the most part the rest of the book is the same. (more…)

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SOUNDTRACK: BEAUTIFUL SOUTH-Superbi (2007).

I reviewed all of the Beautiful South records a few posts back. This one had not been released in the US at the time, and as far as I can tell has yet to be. But I ordered the import and here it is. Reviewing this is somewhat irrelevant as the Beautiful South have officially disbanded. It’s quite a pity as this album shows no sign of creative drop off. In fact, this album is one of their best.

The variety of styles in songs is really impressive. And each song contains the trademarks of The Beautiful South: incredibly poppy/happy sounding songs with good verses and catchy choruses combined with acerbic lyrics about relationships breaking up, and, interestingly, inanimate objects.

Some songs: “Manchester” is such a wonderfully winning song, with the great line, “if rain made England great it made Manchester yet greater.” All along, with such a great catchy chorus…. Even a bleak song like “When Romance is Dead” comes out beautifully in a striking duet. And speaking of duets, there’s a new female voice added to TBS on this record. Alison Wheeler is number three. I guess the bitterness of Heaton’s lyrics are hard to take sometimes. Wheeler does a great job. She has a strong voice and maintains a continuation of style to the previous women:

Paul Heaton, the singer and de facto leader, released a solo album a few years back under the name Biscuit Boy, and it was much the same, if slightly more dancey. Story is that he’s got a new solo album coming out in July, and I’ll bet its pretty great too.

[READ: April 2008] Superbad.

I ordered this book from McSweeney’s and, as you’ve heard before, I didn’t know much about it. I did know it was not related to the movie of the same name, however. In fact, here’s a pretty funny letter from Greenman to Seth Rogen about the name Superbad. (more…)

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