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Archive for the ‘Rosy Higgins’ Category

SOUNDTRACK: SiR-Tiny Desk Concert #941 (February 3, 2020).

I had never heard of SiR, the R&B singer from Inglewood, CA.  That’s not surprising since I don’t listen to R&B.

But as I often say I’m always surprised to read that someone is very successful and yet I have never heard of them.

Since signing to hip-hop juggernaut Top Dawg Entertainment in 2017, Sir Darryl Farris has been the most consistent, most reliable player on the roster outside of its original four.  His output has further solidified the label’s stake in spaces outside of just rap music.

He sings four songs, all ballads.  His voice is somewhere between speaking and singing with an interesting raspy quality.

The songs come from his latest LP, Chasing Summer.

Themes of regret loom throughout the album and he’s never shied away from writing about personal flaws. His depiction of misdirected desires and heartbreak on “John Redcorn” and “The Recipe” reveal a cruel honesty that couples grapple with at times.

“The Recipe” has some really nice backing vocals from Davion Farris, Jacquelyn Farris and Zyah Belle.

“New Sky” has a pretty piano melody from Ledaris “L.J.” Jones with some nice fat bass from Samuel Davis.   I quite like like the vocals on the chorus.

When he introduces the band he reveals that Davion Farris is his older brother and Jacquelyn Farris is his mom.

The set was also a family affair with his mother and older brother offering support as two of the three background vocalists. We get a glimpse of his upbringing in the gospel choir once those harmonies open up.

The set proves to be unexpectedly emotional

About halfway through the performance, SiR revealed that he’d lost his infant godson a few days prior and dedicated the performance to him. “We’re doing this for him. I didn’t want to come… It took a lot for me to be here today …but we’re gonna get through this.”

He plays the spare “Wires in the Way.”  It’s just his voice with some quiet jazzy guitar from Terrall Whitehead.  Midway through some lovely jazzy piano is added.  Throughout, you can see how emotional SiR is while singing the song and then he needs a moment at the end before they start the last song.

Woah.

He is able to bring the happiness back for the last song.  He says “It’s my favorite song off the album.  Hope you like this last one.”

“John Redcorn” feels like a culmination of the other songs, with everyone playing or singing to make this song very full.  I especially like the way Roger “Jooseondrums” Benford makes the cymbals sound like they are filling up the room.

Many Tiny Desk Concerts are emotional and you;d have to be stone cold not to be moved by this one.

[READ: February 20, 2020] Princeless: Raven Book 3

Book Two ended with a cliffhanger–would Raven be able to save Ximena?  She needs to take Ximena for medical care, but she knows that she can’t go anywhere on the island, since her brothers rule everything there.

Katie looks at the maps that Ximena has been making and sees that there’s an island not too far off.  It’s a spa for people who are really injured.  They set sail immediately and Katie is put in charge while Raven stays with Ximena.  Raven reveals that she is in love with Ximena (which most of the crew guessed anyway).

Raven is told that Ximena needs to hear her voice if she is to recover and so Raven tells the story of how her mother and father met.  It’s a pretty wonderful story and is beautifully drawn by Sorah Suhng.

All this time, Sunshine has been listening at the door.  It turns out she’s quite jealous of Ximena because she has a major thing for Raven.  So when Raven asks Sunshine to tell Ximena a story, Sunshine is really torn.  But she knows how important it is so she tells the story of how her parents met–that a human and an elf could conceive.  It’s a pretty great story drawn in a very different style by Jason Strutz. (more…)

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SOUNDTRACK: RISING APPALACHIA-Tiny Desk Concert #940 (January 31, 2020).

I feel like I have heard of Rising Appalachia, but I’m not sure that I have.  If I had, I certainly didn’t know anything by them.  But I think I had a pretty safe guess.

Rising Appalachia’s Tiny Desk Concert is charged with the roots music that sisters Leah Song and Chloe Smith learned in fiddle camps as kids. Growing up in urban Atlanta and beyond, they also heard rhythms from a wider world, and their music grew to reflect new sounds and their activism. When they came to NPR, their van was packed with a bodhrán (Irish drum), an ngoni (West African harp) a huge gourd, a cello, a baritone guitar and more, including the other musicians who make up this wandering, Atlanta-based band: David Brown, Biko Casini, Arouna Diarra and Duncan Wickel.

And so, with this band you get traditional-sounding folk music but with world music instruments and influences.  It melds beautiful.  And their lyrics are great, too.

“Resilient” starts the set with just the two of them.  Chloe Smith is on banjo while Leah Song is on bodhrán.  Their voices are great together as they sing a fantastic protest song. There’s so many great lyrics to choose from, but I’ll pick just this one

My voice feels tiny I’m sure so does yours / put em all together make a mighty roar.

There’s also a really catchy “who ho ho” in the chorus, which is a fun treat.

After the song, Leah says they are reviving the voice of the people.  Then, introducing the next song, “Medicine”  she says this is for all of our ancestors and all the medicine keepers.

Chloe switches to acoustic guitar.  The song begins with a a bowed, then plucked cello from Duncan Wickel.  Biko Casini plays a high hat with a big circular gourd for a bass and percussive sound.

There’s a very nice bowed cello solo.  Leah sings lead and Chloe adds some terrific harmonies.  Midway through the song you can really hear Arouna Diarra on the ngoni, playing some high notes, but it’s his solo at the end of the song that is so cool.  I’m fascinated by this instrument.

Before the final song, they joke that they wanted Leah to jump on the desk and that they might crowd surf.

Leah says she was going to shave I Love Bob Boilen into her hair.  Or maybe NPR, but if you mess that up it could just go wrong.

They end the set with a song Leah and Chloe “learned from our mama, an old boot-stompin’ Appalachian folk tune” called “Cuckoo.”  They aim to bring old music into a new format.

“Cuckoo” is a song I know from Kristin Hersh and, coincidentally, she played it when I saw her recently.

For this song, Leah plays the banjo and Chloe plays the violin (as does Duncan Wickel).   Their take is rather different from Kristin’s–not in the melody or lyrics but the way they sing the words.  Kristin has a very different vocal style.

The end features a njongi solo along with the baritone guitar solo from David Brown followed by a fiddle solo

And after a minute or so of soloing there’s split second pause before everyone rocks out a bit.  You can really hear the baritone guitar and its bass notes here.

I really enjoyed this set and I’m very curious about this band.

[READ: February 20, 2020] Princeless: Raven Book 2

Book One of this series was pretty intense.  And book two doesn’t really let up.

Well, the first chapter lets up some as we meet the crew and the women get used to the ship.  There are some rope climbing contests, everyone also wants to take a turn steering.  And Ximena and Raven are arguing already.

It’s a cool way to meet some of the new cast.  Dezzy would rather sunbathe than work.  Helena is very strong, Cid is deaf–which we find out because Jayla is yelling at her (to no avail obviously) and is getting frustrated and petulant–she’s a terrible character.  And powerful Sunshine is incredibly seasick.

Then they get into some sword practice. Raven addresses her crew calling them bilge rats. But Katie interrupts, “The insulting thing, is that something we have to do?”

Raven says she never thought of it.  That’s just how pirates speak. But Raven decides the ship will be a democracy (except in battle when her word is law).  She asks who finds insults to be a motivator?  No one raises her hand.  Raven hereby abolishes “name-calling, back-biting, under-cutting, insulting and sarcastic undermining” from her ship. (more…)

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SOUNDTRACK: KIKAGAKU MOYO-“Gypsy Davey”/”Mushi No Uta” (2020).

Japanese psych rock band Kikagaku Moyo (who are amazing live) were picked for the new Sub Pop 7″ singles cub release.  I’m not part of that club, but the tracks are available to stream.  Here’s what the band says:

This is a limited release as a part of the Sub Pop Singles Club Vol. 4, and physical copies will only be available to subscribers of the series. As such, it won’t be available at our shows or in stores…but you can listen now on streaming sites.

The first song, “Gypsy Davey,” is a reworking of the traditional British folk song by the same name. We referenced Sandy Denny’s arrangement from the 1971 album Fotheringay for our performance.  We recorded the track in London with guest vocalist Kandice Holmes, aka Bells @be__lls.

The second song, “Mushi No Uta,” was written by Tomo and Go and recorded last summer in their living room.

Both of these were recorded in brief windows during our touring in 2019. We are very happy with opportunity hope you enjoy the songs.

I love the way they have taken this old English folk song “Gypsy Davey” and added some great psychedelic elements.  First off it starts with drums and some very cool sitar work.  The guitars are slow and echoing.  Then after the first verse, the full band joins in with a slow 70’s sounding folk rock (with electric guitars) song.  By the third verses, the two guitars are doing different things and it all works together very nicely.

I had never heard of Kandic Holmes (aka Bells) but her voice is perfect, sounding old school and like she has heard this song a million times and can’t wait to sing it again.

The middle of the song has a wonderful, slow sitar solo.  I love that they have taken folk and made it international folk.

“Mushi No Uta” is a slow ballad. It does sound a bit like a home made recording (or else it is recorded deliberately close-sounding).  The vocals are whispered and the guitars intertwine nicely.  After a minute and a half, expansive, echoing guitar chords come rumbling through totally changing the atmosphere.  The second guitar plays some wild lines.  After about a minute, it all fades out and the original sound returns–gentle folk acoustic guitar and falsetto vocals.

It’s a nice single and shows a different side of the band.

[READ: February 20, 2020] Princeless: Raven Book 1

I really enjoyed Book 3 of the Princeless series in which Adrienne encountered Raven locked up in a castle.

I thought Raven was a pretty awesome character and I was really happy to see that Jeremy Whitley had created a series just for her.

This series is a lot less light-hearted than the Princeless series and definitely skews a bit older than Princeless.  It’s also not quite as funny (by design, I assume).  However, it features a wonderfully diverse crew of women and all of the great feminism that Princeless is known for.

As this book opens, we see Raven’s father showing her how to shoot an arrow–how she came to be known as Black Arrow and how fearsome she was even as a child.

The story of the excitement she had as a child on her father’s ship is contrasted to the drudgery of the present–fixing up the ship that she has commandeered from her brother’s mates.  She realizes that if she is going to get revenge on her brothers for locking her up, she needs a crew.  So she heads into town where she bumps into (literally) a woman who barely speaks English and is down on her luck.  She says she ate today, but has no money left.  Raven gives her some coins and the woman replies, “You give me to have these?”  She gives Raven a huge kiss and walks off.  That’s when Raven realizes the woman stole her purse.

The rest of the chapter shows some excellently drawn chase scenes from Rosy Higgins and Ted Brandt in which the thief (who we will learn is a half-Elf named Sunshine) is impressed by Raven’s tenacity and in which Raven is impressed by Sunshine’s physical abilities.  Sunshine runs into a bar and as Raven is about to tackle her, the bar owner points a crossbow at her. (more…)

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SOUNDTRACK: LOW-“War on War” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This is a slow, spacey, trippy cover with gently echoing synth, big echoing drums and a processed echoing voice.  I really like the original of this song and I find this cover to be a little too slow for my liking.

However, the overall sound of the song is very cool, especially the chaotic ending.

[READ: February 2, 2020] Princeless, Vol. 3

This book said Book 3 on the label but it seemed like it was starting form the very beginning.  It wasn’t until after I finished it that I read that this is in fact book 3 but it is a kind of spin off of sorts.  The main character of this story, Raven Xingtao, is actually not the main character of the series.  I did wonder why the two other characters on the cover, Adrienne and Bedelia, are not really introduced here–they are introduced in the first two books, obviously.

So this story starts with a story.  We learn of Ming Two-Tails the fiercest pirate to ride the sea. Her ship was called The Just Wind because she and her crew were so silent sailors thought it was just wind they heard.

The man who is telling the story ends with “And that’s what you’ll be like someday, my little Raven.”

Turns out Ming was Raven’s great-grandmother and Raven was so inspired that even as a little girl she was ready to fight.  She asked her dad to show her how to use a bow.  Her dad smiled and said she will not be a helpless princess.

Cut to the next scene and Raven is in a tower.  She had been there 90 days with no one looking for her.  Until a pink dragon flown by Adrienne Ashe and Bedelia Smith flies in.  They ask if Raven needs help. She does. So Adrienne lands and looks for a fight. (more…)

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