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Archive for June, 2026

[ATTENDED: June 10, 2026] Palinoia

This show was announced rather unexpectedly.  Holy Wars and Oxymorrons are playing the Warped Tour in Washington D.C.  But they had a few days off, so they decided to play some small clubs in NY and Philly.   I didn’t know Holy Wars, but I love Oxymorrons. A few days beforethe show, I received an email: IMPORTANT – Your upcoming event at Nikki Lopez Philly has changed.

Which was worrying.  But they just wanted to let us know that there was an opening act–Palinoia.  Here’s their deal

Palinoia is a post-hardcore/metalcore band from eastern PA and NJ, formed by lead vocalist Via Weiss, bassist Adam Tomcho, drummer Thomson Estabrook, and guitarist Kenan Salazar.  Palinoia [are] influenced by 2000s alternative metal, contemporary post-hardcore, and modern metalcore. Their sound is marked by heavy melodic riffs and searing vocal hooks.

And that’s pretty accurate.  They are a solid four piece.  Estabrook broke his snare drum after five songs (he had a replacement).  I was in front of Tomcho and I was happy to see that on a number of songs, he was playing some really cool bass lines.  He used a four string for most songs, but for one of them he switched to a five string and added a lot of cool riffs to the song.

Their first song was Harridan, their single. I was really impressed by Salazar’s guitar playing.  He had serious shredding chops, but he didn’t show off with them.  Some songs didn’t have solos, but the ones that did were really tasty.  Like in Lilith.  Lilith has some what I think of as chunky chords–heavy notes one or two at at time, which works well to transition parts of the song.  I also liked that this one had a cool bent note during the chunky part.

They played a cover song which I didn’t know (but she was sure everyone would).  I didn’t know it was a cover, but I assumed it was because it didn’t sound anything like their own stuff.  I don’t know Thrice at all, but it was catchy.

I actually thought the staccato chords and soaring chorus of Lay This to Rest were catchier than Harridan, but what do I know.

They slowed things down with Falling, a quieter song that allowed Weiss’ voice to be heard more clearly.  Since for the other songs everybody was really loud, I couldn’t tell how good her voice was.  Last December was similarly melodic with some more quiet moments–and the five string bass with some great bass lines.  Salazar switched to a seven string guitar for this song, too.

When they said they had only one more song, someone shouted, No Two!  And Via told us that they didn’t know any more.  They played their entire EP (but not in order) and one cover.  Scarlet Letter is a moodier piece that stretched out to nearly 6 minutes.  The middle section has some cool heavy riffs and guitar tricks that I rally liked.

It was fun seeing a brand new band.  I have no idea how many shows they’ve played out, but they sounded great.  And maybe this show will give them some more exposure.

June 2026, Nikki Lopez
Harridan
Lilith
Falling (Back to You)
The Artist in the Ambulance (Thrice cover)
Lay This to Rest
Last December
Scarlet Letter

∞ Palinoia EP (2026)

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[SAW 2 SONGS: June 5, 2026] KulfiGirls / Eraser / Farewell Days / Máty Rodriguez

I found out about KulfiGirls a few weeks ago and I was really interested in them.  Then I saw that they were playing W.O.W. right around the corner.  But it turned out to be the same night as the Mekons show.  I figured that the Mekons show might end early enough that I could get over to W.O.W. and see their set.  Although someone on IG said that KulfiGirls would be going on at around 10.  So I left Mekons a little early (which I never do, but I wasn;t really feeling it).

When I got to W.O.W. I asked who had gone on and he said that Farewell Days was going on.  Which at first made me happy that I hadn’t missed Kulfi Girls.  But then I realized that I Eraser had not been on yet.

Farewell Days was still setting up when I walked in.. My leg was feeling really sore and it was actually hard to stand (no idea what I did to myself).  I took a seat over by the merch, but I just wasn;t feeling it at all.  When Farewell Days finally got going, I liked their sound, but just couldn’t get into it.

Formed in 2024, Farewell Days are a new band out of Philadelphia blending layers of distorted guitars with haunting atmosphere, modern sensibilities and a strong melodic framework.  Fronted by charismatic singer/guitarist C.J. Davis, whose ethereal vocals float over the walls of shimmering guitars and driving beats, each Farewell Days performance is a mesmerizing installment.  Drawing inspiration from the dreamy vibes of Shoegaze and the raw energy of Grunge, Farewell Days are poised to become a force in the indie scene for the foreseeable future.

On record they sound like the best of the Deftones’ shoegaze style.  Live, they were a lot louder.  The shoegaze vibe was replaced by a really heavy sound that I just wasn’t in the mood for, I guess.   So I did a crazy thing and walked out.

I heard two songs but have no idea what they were.  And I don’t blame the band at all.  In fact, the more I listen to their records, the more I like them.  So maybe I’ll see them open for someone else one of these days.

KulfiGirls are a Philadelphia-based rock band fronted by lead vocalist Abi Natesh who, through her use of the South Indian Saraswati veena, presents a novel “carnatic rock” sound inspired by diverse genres of pop and rock. I listened to their album and really liked it.  I was really excited to be able to see them, but I couldn’t believe how bad I felt and how much I didn’t want to stay there.  I’m sure they’ll be playing in the area again, but it would have been cool to see them on their album release night.

I saw Eraser open for Remember Sports a little while ago.  They were weird but good.  But I didn;t feel like I needed to see them again.

Máty Rodriguez is from New Brunswick New Jersey and now lives in Philadelphia.  She moved to Philadelphia about four years ago with the encouragement of her longtime producer, Justin Calaycay with Mt. Moon Recording Studio.  She’s a young, new musician with an EP, Standup Show.  And I guess she now goes just by Máty.  Decisions like not returning to college, getting sober, and her first major heartbreak are revived and recounted, some expressed as somber realizations (I’m Tired, Unilover) and others as cathartic releases (Ghost, T-Town).

I didn’t know anything about her and would have missed her regardless, the EP has a nice vibe, although I prefer her early single Ghost to the more mellow EP.  Her voice (which is great) sounds like a lot of other peoples–the mellow Billie Eilish comes to mind.  And it’s weird that on I’m Tired she sings in that mushmouth way that is very popular these days.  But the EP ends with QUE PEDO which sounds like Mannequin Pussy.

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[DID NOT ATTEND: June 3, 2026] Built to Spill

Built to Spill is a fascinating band.  I’ve seen them seven times.  They change their setlist nightly which is awesome, and even some of the bigger “hits” don’t get played every show.  They didn’t play Carry the Zero the last time I saw them and there’s no song that they’ve played at every show (I Would Hut a Fly is pretty close).

So they are an indie rock band who tour a lot but who don’t put out a ton of new music.  And yet their fan base is devoted (and pretty obnoxious).  The age range is pretty broad, but there are a mix of twenty-somethings scattered in there who are awful–drunken bros and chatty girls.  The girls next to me couldn’t stop talking and taking pictures of each other and the bros at the bar were audible during the quiter moments–one of them even said something about the bass player which was borderline salacious.

This is the third time I’ve seen the band with this lineup: Melanie Radford on bass and Teresa Esguerra on drums.  It’s the most times I’ve seen them with the same players.  And they have really been gelling.  Onec of the most fun parts of the shows is when Dug does a lengthy improvised solo and Melanie steps back and looks over at Teresa and they smile and get into a tight groove.  It’s great!

Teresa plays in Prism Bitch who opened for BtS back in 2019 and Melanie Radford plays in Blood Lemon who opened for BTS in 2022.  As a trio, they are fantastic.  A friend of mine says he misses the larger band, and yea, it is cool when there are two guitars playing off each other, but this format give Dug a lot of space to play around.

Every setlist is different, even from show to show.  I’m intrigued, though, that they never play songs from Ancient Melodies of the Future (I’ve only seen them play one song from that record).  But as for the other albums, he mixes it up.  And tonight’s show started with Some Other Song and Spiderweb.  The crowd was really loud after his solos–I’m fascinated that there’s so many people who enjoy jammy guitar solos.

I was psyched to hear The Plan, a personal favorite.  It was followed by The Wait which I haven’t seen them play since 2019.

By this time I was getting really annoyed by the girls near me.  They were talking so much.  And I wanted to let it not bother me but they were so annoying.  But they were also apparently really into the show.  They were excited by Center of the Universe, but I have to wonder what songs they really like.

They started Tomorrow, a song I had not heard them play before and a guy at the far left of the crowd shouted They’re Playing My Song!  And he bounced his way to the middle right in front of me, obnoxiously singing and facing everyone until he pushed his way to the barrier ans shouted along. Security came a few moments later and the loud girls next to me started shouting No No, He didn’t…  whatever.  At that point I had to leave the area because I hated everyone.  I was glad my wife hadn’t come because the crowd was awful. (more…)

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[DID NOT ATTEND: June 3, 2026] Guerilla Toss

Back in December, Built to Spill and Guerilla Toss played a show at Union Transfer.  I was really excited to go, but it was right after my surgery so I couldn’t make it.  I was especially bummed because I have wanted to see Guerilla Toss for a while.

So it’s awesome that they continued the tour together this summer.

I had heard a lot about Guerilla Toss’ live show and how wild it was.  Reviews I’ve read suggest that back in 2014, Guerilla Toss was a wild band with nudity and short sets.  They have now become far more traditional, but they are still plenty weird.  It’ sjut that now there are catchy, danceable moments within the noise.

So, this show wasn’t particularly wild, but the songs were great and weird and singer Kassie Carlson is a wonderful presence onstage (with great vocal dynamics).  She has a diverse delivery style, sounding at times like the B52s, but also making some fascinating squeaky sounds.

Their bassist Zach Lewelleyn has some fantastic bass lines in the songs.  He’s also either really tall or playing a fairly small bass guitar.  Guitarist Arian Shafiee (who founded the band) plays equally weird riffs and chords.

I couldn’t really see Peter Negroponte (another co-founder) on drums, but he did sing backing vocals a lot. (more…)

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