[ATTENDED: July 30, 2024] Queen Rat
I was worried that I’d be a little late for this show but I parked (illegally it turns out) and managed to get into Milkboy pretty easily.
Queen Rat came on just as I leaned I could sit on the comfy stool to the left side of the stage (I assume a bouncer sits there during heavier shows?). But it was perfect for my presently handicapped state.
Their bio says
Queen Rat is a rock trio born in Ohio, growing up in Philly. Drawing from rock heroes ranging from Hole to the Raincoats to the Yeah Yeah Yeahs, the band pairs pensive, observant lyricism with a versatile grunge-rock style. Following the release of their debut album, Until It’s Not, in 2022, they relocated to Philadelphia and released their latest single, Cut Me A Garden, in 2023. Talk to Queen Rat about books, jumping, or birds.
I found them to be much less aggressive than any of the bands listed above, playing an almost lo-fi vibe.
There were fuzzy guitars, for sure, but the pacing was slow and thoughtful with a few moments that rocked out–especially when drummer Kate Bertrand really kicked it in.
I particularly enjoyed the way Tile Floor ended with a lengthy outro of more or less the same lyrics repeated:
You got all that you came for but you needed more
Spinning in circles on the tile floor
Singer Eleanor Linafelt has a nice voice with a kind of slacker delivery.
I believe there were a lot of local fans there for the show–the band got a number of big responses especially for their new single “Cut Me A Garden.”
Bassist Robby Newcomb kept things simple and added backing vocals as needed–especially on the heavier-sounding “Off-Season.”
They said that they were going to be takinga break for a little while and this would be their last show for a bit, so it was cool to see them before they do whatever comes next.
Setlist:
- Henderson A
- Henderson C
- Tile Floor
- Perfect Again
- Sink Drain
- Cut Me a Garden
- Off-Season
Grocer
Grocer is a band from Philadelphia. Lead by three distinct vocalists, each with a unique voice both on and off their respective instruments, they flicker between moments of brash chromaticism, saccharine pop sensibility, and rhythmic acrobatics. Their compositions are both meticulous and volatile, while their live performances are lauded for explosive chemistry with cheeky curiosity.

Leave a comment