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Archive for April, 2024

[ATTENDED: April 23, 2024] Juana Molina / Madison Cunningham

I have wanted to see Juana Molina for a few years (I was supposed to see her in 2020 but her show was cancelled due to COVID).  I’d rather have seen her as a headliner, but this collaborative night sounded like a lot of fun.

And holy cow was it ever.

Madison Cunningham (who is 27) is labelled an Americana singer, but that’s a limiting description.  Primarily because, as she told us, she listened to Juana Molina before she listened to The Beatles (and Juana is cooler than all four of them).  I didn’t know her music that well, but I love her song “Hospital,” which I think is just fantastic.

Juana Molina’s music is not exactly outrageous, but it is often unexpected.  And that has clearly impacted Madison Cunningham’s songwriting, because her songs are anything but verse-chorus-verse folk songs.

The two singers came out on stage and played a 20 minute improv.  Juana played a basic intro on the guitar which she then looped.  She added drums and keyboard sounds.  All the while, Madison was playing guitar solos–nothing fancy and showoffy, just notes here and there, some pretty, some noisy.

They jammed and jammed and just when you thought it was winding down, Juana would shift gears and take it in a different direction.  It wound up pretty noisy and harsh.

Enough so that when Madison left the stage for Juana to play her solo songs, Juana felt the need to calm everyone down saying that normally their improvs are more mellow and they lead into the next song very well.

Juana’s first song is from her second album (recently reissued on vinyl), The song is a soft guitar ballad that progresses in different ways–with some quiet synths and then after a brief spoken interlude: “If you see someone else winning, leave them alone” the song built into a mild rocker.  It segued into the final song off of Molina’s Wed 21.  It’s a quiet song that loops on itself and turned into a trippy psychedelic song by the end with all of the fun synthy sounds Juana threw into it.

Her third song was from the only album I know (Halo).  “Estalacticas” is a cool song with a deep guitar riff and then a wild synth melody (thrown over the top).  She looped more and more sounds onto it until it filled the room.

Then Madison came out and Juana left.  I was blown away by Madison’s guitar playing.  She pulled out a small acoustic guitar and played “Broken Harvest,” a song with a massively detailed and complicated guitar melody, with interesting chords and main melody lines.  Her voice was also really pretty and impressive.

She was also really funny.  When she commented on how quiet the crowd was, someone replied, “we’re in awe.”  And Madison was super quick with “My mom say the nicest things.” (more…)

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[DID NOT ATTEND: April 20, 2024] KT Tunstall / Shawn Colvin

All through the pandemic, I enjoyed watching as the various KT Tunstall shows were cancelled and then rescheduled and then cancelled again.  I was sad that they were cancelled, but I loved how doggedly she persisted in getting those shows on the calendar.

I have yet to see her live, but when I saw her Tiny Desk around the same time, I was really impressed.

So this show, in the very close by McCarter Theater seemed like a great opportunity to check her out.

I also kind of like (or at least liked) Shawn Colvin.  I haven’t given her any thought this century, though, and I was pleased to see that she’s still performing.

But I didn’t want to see the two of  them together on stage.  It worked amazingly for Juana Molina and Madison Cunningham and it probably worked really well for this show too, but it’s not what I wanted to see.

Plus, I was going to go see a crazy noise show with Metz that night anyway.

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[DID NOT ATTEND: April 20, 2024] Restorations / Signals Midwest / Town Liar

I saw Restorations back in 2016 when they opened for Band of Horses.  I loved them and thought they were a perfect opener for them.  Since then I’ve wanted to see them again.  But I’m never going to the First Unitarian Church, so I had to bail on this one.  I’m kind of surprised that they played such a small venue, but maybe they liked the intimacy of it.

Signals Midwest describe themselves as a “loud, smiley punk rock band from Cleveland, OH. Been at it since 2008. Will play in your kitchen or anywhere really.”

I find them to be a really enjoyable band on the softer side of punk but with big guitars and soft/quiet melodies.  A really fun band.

I had not heard of Town Liar, but that makes sense as they appear to be brand new.  Jason Shevchuk of Kid Dynamite and None More Black has formed a new band called Town Liar. The band also includes Heath Saraceno, Nick Remondelli, and Benny Horowitz. The band has released an EP called Lies: One Through Seven

I thought I had heard of these other bands, but maybe not.  People seem divided on his work, mostly based on his voice.  I listened to a track and found that I did not enjoy his voice.

 

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[DID NOT ATTEND: April 20, 2024] Ben Folds and a Piano

Two years ago, we saw Ben Folds for the fifth time.  This was at Parx Casino.  And As I wrote then,

things were kind of weird right from the start.  He was really late coming out.  I accept that a start time is fungible, but the lights went down and it took him a solid five minutes to come out.  During which time someone loudly made a I’ll bet he had to rush to the bathroom joke which really set the tone.

It’s hard to say is Ben was annoyed, but he seemed to be.  He didn’t like the camera set up (one was on the keyboard) and he just didn’t seem as fun as he has in the past.

Of course, he’s professional, so he sounded great and his playing was wonderful.

The crowd around us was weird.  It was a much older crowd than a typical show that we go to and I’m guessing a Saturday night show at a casino is going to lend itself to a lot of drunken people.  Because the bad behavior was in evidence.

For whatever reason, this show didn’t feel as great as the previous ones.  I blame the casino.  And the drunks.

And this show, at another casino, in an auditorium with dicey sound at the best of times, just didn’t seem worth the bother.  I was surprised that neither of us wanted to go, but we both felt the same way.

And this doesn’t matter, really, but his setlist was pretty short too.

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[DID NOT ATTEND: April 20, 2024] METZ / Gouge Away / Rid of Me

I saw METZ open for Modest Mouse four years ago and my ears might still be ringing.  I knew of Metz from their noise filled chaotic but amazing albums.

Their live show was less about the abrasiveness and more about their intense stage presence.  I knew I wanted to see them headline a show.

I was really looking forward to going to this show and then the night of, I was just too exhausted to head out.  A lame excuse, but there it is.

They seem to be regularly playing though so I’m hopeful that I’ll get to see them next year.

The two bands that opened for them sound like a Pixies cover band and a PJ Harvey cover band.  I hadn’t looked them up before hand to see if either band sounded like the band they referenced.

Gouge Away is from Florida and are a perfect fit for METZ.  They are loud and abrasive with a female vocalist who can do quiet and screaming with equal fury.  I really like them and I’m even more bummed that I didn’t go now.

Rid of Me is from Philly and are described as “heavy melodic noise punk” which seems impossible.  They are definitely heavy.  Kind of slow heavy with lots of screamed vocals (lead and backing).  Lots of guitar riffs and a special Philly edge.

This would have been a great show.  Stupid lameness.

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[ATTENDED: April 18, 2024] Sir Chloe 

My daughter was really excited to see Sir Chloe.  I wound up buying resale tickets to this show (which thankfully weren’t crazy overpriced).

We arrived a little early (last time we went to a show that she wanted to go to I was very surprised to see how early everyone else had gotten there).   I had assumed we’d get really close (I always seem to get pretty close at The Foundry, which just proves that her bands are more popular than mine).  The close up area was already full, so we got some merch and then we found a spot.  My daughter doesn’t like to be touched by other so we hung back.  The Foundry is small enough that we could see fine (but man pictures there are really tough to get).

We were in a weird (for me) spot–on the right side close to the wall, where the secret entrance to backstage is.  Which meant that kegs were going by from time to time.  Had I realized where we wound up I would have suggested the other side, near the entrance where people tend to not congregate, but whatever.

Before this show I really only knew  the one or two Sir Chloe songs that she had played me.  So, to get ready I listened to the new album a bunch and some of the more popular songs on Spotify.  I found I really liked her quite a lot–she’s a little slow for my tastes, but I enjoyed the tone and style of the music.  And the lyrics were pretty great too.

When she came out, she had an oddly disaffected appearance.  She seemed quite aloof and almost like she didn’t want to be there. And yet, I assume it was all part of the act, because she sang great and didn’t seem like she not giving her all.

It was quite a change from the warm and friendly stage presence of Girl in Red the night before. (more…)

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[ATTENDED: April 18, 2024] Sir Chloe / Daffo

Daffo is a Philadelphia-ish musician (they are from the area but have also lived in NJ and other places, but they said this was a homecoming show).

Daffo’s voice is interesting for someone from the east coast as they have a bit of a twang–although not on every song.  But there’s some good bite in the lyrics: “I’m a shame collector, I’m a hoarder.”

They played two unreleased songs and then a few from the new(ish) EP Pest.

The songs are mostly mellow, at least a lot of them have slow introductions or first verses and then the band kicked in.  But I liked the way that “Collector” started slow, got a little bigger and then got huge for the chorus before settling down again.

“Runner’s High” rocked a bit harder to start with and then got quieter.

I really enjoyed the new song “Go Fetch” which seemed simple but had a lot going on it.

The lyrics to “Seed” were quite good too. (more…)

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[DID NOT ATTEND: April 2o, 2024] VIAL / Sunday Cruise

I received a free ticket to this show through the Do215 free ticket promotion.  But I was planning to go see METZ, so I didn’t think I’d be going to this, even though I like Vial a lot.

VIAL is a Minneapolis-based indie punk trio of best friends: Drummer Katie Fischer (she/they), bassist Taylor Kraemer (she/they), and guitarist KT Branscom (they/them). The trio joined forces via Tinder in mid-2019 and has been blazing a path for themselves since, curating a unique multi-genre amalgamation. Indie rock meets punk influence in soaring melodic hooks ready to sink teeth into all listeners alike, from lifelong punk rockers to budding indie darlings.

I heard about them when they signed to Get Better Records (who release great music) and I would have happily seen them.

They remind me a little of THICK, but with a bit more metal edge.  But the same spirit of feminist independence is strong with them.

Sunday Cruise has a great website with the following band info:

Zoe – 19 Pronouns: She/They Instrument: Guitar and vocals Started Sunday Cruise at 15yrs old in 2017.
Levi – 17 Pronouns: He/Him Instrument: Drums Joined the band as a fill in drummer in 2018 and has been with them since.
Cam – 19 Pronouns: He/They Instrument: Lead Guitar In 2019, Cam received a text from Levi asking if he wanted to join a band.
Cassidy – 19 Pronouns: She/Her Instrument: Bass Joined in 2019 after meeting Zoe at a show.

They play punk songs that are not quite as heavy, but are still abrasive.  Their age brings in a lot of great angsty lyrics too.  This would have been a terrific show and I love seeing all of these women rocking out.

 

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[DID NOT ATTEND: April 20, 2024] Cave In

I wasn’t aware that there was a coffee shop in Flemington, NJ.  But it doesn’t surprise me.  My wife sent me a link to an article about the new coffee shop that was being opened.  Well, it turns out that I’ve seen the new owner live.

Benjamin Weinman, founder, guitarist and songwriter of metalcore band Dillinger Escape Plan (who also plays with thrash band Suicidal Tendencies), and his fiancée Valentina Killough are opening Alkemy Coffee Co. at the former home of Factory Fuel Co. in Stangl Factory.

Amazing! (more…)

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[DID NOT ATTEND: October 14, 2023] AF2K

I recently met a guy through one of my daughter’s clubs.  He is a huge Rush fan, which is very cool.  He told me about this cover band AF2K (A Farewell to Kings) that was playing in Garwood.

I’ve said before that I don’t always care about cover bands all that much.  But it would have been fun to see this band with a new friend.

Musically they sound great.  I’m not 100% about the guy’s voice, but overall, they seem like quite the solid show.  They play primarily 70s/80s Rush songs, and that’s my favorite era.

As it turned out, I already had tickets to a show that night so I had to bail on this one.  But it sounds like they play around quite a lot.

 

 

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