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Archive for January, 2024

[ATTENDED: January 23, 2024] Elliot Lee

Elliot Lee looks like they are about 12 years old. In fact, they are 26 and are simultaneously adorable and, for someone who commands a stage, really nervous-seeming.

I didn’t know anything about Elliot Lee before this show.  I listened to a couple of their songs and wanted to get there early enough to see their set.  I’m glad I did, even if it was only 20 minutes.

They played five songs and when the lights first dimmed a guy in a full on bunny costume (with really long ears) came out and either did nothing or triggered the sounds of the first song “Sicko.”

Elliot came out shortly after wearing a bonnet with small ears.  The whole outfit was wild–striped shirt, colorful bra on the outside and pink ski pants.  And they proceeded to bounce around the stage with abandon.

Her songs are catchy and poppy but with a dark edge.  On record, the production is really sharp with lots going on.  But live, the music was stripped down, letting Elliot’s voice shine.

“Fun” is pretty much a disco song with a dark edge (come to think of it, just like ABBA).

Elliot was pretty clear about what the songs were about, but here’s an article from Outwrite (more…)

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[ATTENDED: January 21, 2024] Fortune Feimster

My wife asked for tickets to see Fortune for Christmas.  I was pretty delighted to see her too.  I don’t know her career that well, but she was a favorite character (Dougie) on the short lived Life in Pieces.

I didn’t really know what to expect from her stand up, but I assumed it would be brash and funny.

What was really impressive is that she basically told four stories over the course of 75 minutes and each story was funnier than the next.

There’s weren’t jokes per se, there’s no real one liners, they’re just very funny stories.

The first was about her and her wife going on a honeymoon to the Maldives and her discovering mid-flight that in the Maldives being gay is a crime.  Her (over)reactions to everything that people did on the island was great.  (more…)

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[ATTENDED: January 21, 2024] Caitlin Peluffo

Being an opening band has got to be tough.  being a warm up comedian might be tougher (or maybe not, if the crowd is already pumped).

Anyhow, we didn’t know if there was a warm up act, and then as the show was announced we were told that Caitlin Peluffo would be warming us up.

I hadn’t heard of her.

She came out in jeans and work boots and joked  that she wasn’t gay, it was just a clothing choice.  She then announced that she had a boyfriend.  Peluffo has a very loud, aggressive style, which worked really well for some of the jokes, but here it almost felt defiant–that she was straight opening for a gay comedian.  Or something.

She had some good jokes about being a physically strong woman and how she liked to date smaller guys.  I enjoyed the gentle male bashing that she did, but somehow her jokes fell a little flat for me–smiles but not a lot of laughs. (more…)

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[DID NOT ATTEND: January 20, 2024] The Salt Collective / Sneakers

I had not heard of The Salt Collective, but I felt like White Eagle Hall really promoted this show.  So when I clicked on  the link, I read that The Salt Collective is a

Supergroup featuring Matthew Caws (Nada Surf), Mitch Easter (Let’s Active), Chris Stamey & Gene Holder (The dB’s), Lynn Blakey (Tres Chicas), & Rob Ladd (The Connells)

Now, in fairness, Nada Surf is the only band of these that I really know.  The rest I am aware of.  But I love Matthew Caws and believe he puts a good spin on everything.  So I did seriously consider going (especially after listening to the record).

But that was the day we dropped off my son at college, and it just seemed like a good night to stay home.

Sneakers was the band that came before all of these bands:

Before The dB’s and Let’s Active, there was Sneakers! Chris Stamey, an icon of indie pop, and friend Mitch Easter began to explore recording techniques in Winston-Salem, NC, during their youth. In 1976, Chris and his band, Sneakers (including drummer Will Rigby, with appearances from Easter), released a single on Stamey’s own Carnivorous Records. The sessions were engineered by Don Dixon, who would eventually produce bands like R.E.M. (with Easter) and The Smithereens.

They apparently put out a single and then in 2015, an expanded reissue of 9 songs came out.  Sounds like a fun night for jangle pop.

 

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[LISTENED TO: January 2024] The Cartographers

This book came on a recommended list and WOW did it sound great.

In fact, after the first few chapters, I was telling my wife about the great premise.  But I was already warning her about the irritating characters.  And, as the story went on, the premise got even better, but the characters got even more and more annoying.

And the repetitions in the book were endless.  She kept repeating herself.  She was saying the same thing over and over again.  Perhaps in a slightly different way.  But then she would circle back and confirm the repetitions.  So by the end of a chapter you had read the same thing two or three times.  And then she might repeat it once more.

The book grew so annoying that I almost didn’t bother finishing it (as many people on Goodreads said).  But I hate not finishing things, so I did something that I never do.  I sped up my audio book.

I’m not sure if I found the characters especially dull because of their actions or because of Emily Woo Zeller the audiobook narrator.  But holy cow, this book dragged on.  By the end of the book I had moved the audio speed up to 1.8x and for Emily Woo Zeller, it did not make it hard to follow (some of the other narrators were too sped up at that speed).  

The other narrators were Ron ButlerNancy WuJason CulpBrittany PressleyKaren Chilton and Neil Hellegers.  It was a little hard to tell when a new narrator came in, because they mostly seemed to be telling the story from different points of view.  But sometimes the main narrator narrated their parts as well. 

So the premise of the story (and I hope this isn’t a spoiler) is that if a map is made with an error (intentional or not), whatever is on that map actually exists–but only if you have that map.  I mean, this is an amazing premise.  And it is based on a real event. (more…)

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[DID NOT ATTEND: January 13, 2024] The Teeth / Alejandro Morales

I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?

The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis

After abruptly breaking up 15 years ago The Teeth are reuniting for a pair of special shows at Johnny Brenda’s in Philadelphia. Twin brothers Peter MoDavis (Bass) and Aaron MoDavis (guitar) will reassemble with Jonas Oesterle (drums) and Brian Ashby (guitar) on their favorite stage in the City of Brotherly Love.

Opening for this show was comedian Alejandro Morales I watched a clip of his standup and found it okay.  I wanted to like him more than I did.  The vibe was good but the jokes didn’t seem to land very well.

Here’s some more about The Teeth: (more…)

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[DID NOT ATTEND: January 19, 2024] The Charlatans (UK) & Ride

I was rather looking forward to this show.

I was never a huge fan of either band, but it seemed like the perfect way to check off an old itch of bands that I enjoyed back in the day.

I have the first three Charlatans records (but actually didn’t even realize they had been making music since then).

Like with The Charlatans, I really enjoyed the first couple of Ride albums.  Unlike The Charlatans, Ride broke up for a long time and then reunited about a decade ago.

This was also going to be my first show of the new year (and then two other shows crept in front).

As it turned out, there was a snowstorm on this day.  I don’t think the snow was all that bad, but there was a lot of hand wringing and street clearing and it seemed like it just wasn’t a good idea to drive down to Philly and try to find parking.

It was also the night before my son was going back to college, so it was nice to be home for that.

I suspect that if I had really wanted to go to the show, the snow wouldn’t have kept me away, so overall it’s not a huge loss.  I’m a little bummed though that Ride didn’t play their Free at Noon earlier in the day, because at least I would have gotten a chance to hear some of the show.

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[ATTENDED: January 18, 2024] Black Pumas 

My wife and I really liked the first Black Pumas album a lot.  I’m not sure why we didn’t go see them when they played Philly in 2019 (at the Foundry–he was probably in the audience the whole time!).

When this tour was announced, I was shocked at the price of tickets.  I later found out that this was one of the first times Ticketmaster listed the price WITH FEES, so the outrageous price was what you’d pay after the sticker shock, but with the sticker shock up front.  I resisted getting tickets even though we both wanted to go.  And then Live Nation sent a code for $20 off tickets and boom, we were in.

And then the weather discouraged us from going.  It was COLD, and icy and about to snow, and neither of us really felt like going out.  But we did.  And boy was it worth it.

Neither of us knows the new album all that well, but since they only have two albums out there was no reason they wouldn’t play most of the debut as well.  Which they did (7 from the debut and 9 from the new).

And the show was stellar right from the start.  From the cool backdrop (which not only featured the pumas on that poster (right), but it also featured the twinkling teeth and eyes.  And the lights were incredible.

The band came out with singer Eric Burton out front and guitarist Adrian Quesada to the right.  The rest of the band surrounded them–bass, drums, keys and tow backing singers.

They opened with a song from their debut and then more or less went back and forth between a new song and an old one.

The new album has a few more mellow songs, and they were placed properly to give the band and the audience some breathing room in between dancing.

The most impressive part of the show was, without a doubt, Eric Burton’s voice.  His voice is amazing on record, but it was even better live.  It soared and flew, whispered and screamed.  He hit high notes with ease and sounded enormous throughout the set.

Even crazier, during Know You Better, Burton leaped off the stage into the crowd–after parting the crowd, he jumped feet first off the stage, soaring through the air and landed on his feet.  He then sang the rest of the song from the audience with people crowding around him.

It was amazing hearing him sing “Black Moon Rising” and doing those soft but powerful “ow”s that come after each line.

“Ice Cream” sounded fantastic live and everyone was dancing by then.  “OCT 33” was really powerful and “Mrs. Postman” was more fun than the recorded version.

Quesada didn’t say anything, and he didn’t do a lot of soloing, but when he did, his guitar sounded fantastic.

Burton jumped down to the front of the crowd later in the set and sang with the front row folks.  He also handed someone the setlist before the show was even over.

We sang along, we danced, we raised our hands, we clapped.  It was a full experience.

And then they started “Colors” the big hit.  A woman behind me shouted “this is my song” and everyone around her no doubt thought, “no, everyone loves this song, duh.”  Despite her, the song sounded fantastic.  So big, so powerful.  Everyone’s voices rising along.

The only disappointment for the night was the two guys in front of us.  I knew they were trouble when Digable Planets came on and I suggested we should move from them, but a nice gentleman next to us sort of encouraged us to get in front of him and it was hard to say no.

Fortunately for me, their drunken idiocy was far enough from me that it didn’t really impact me.  But my poor wife was stuck in their wake (in fairness I did ask if she wanted to move on a few occasions and she said no).  For two guys who loved the band as much as they did, they were sure disrespectful–talking loudly, leaving for drinks every three songs and then even falling on the floor.  Ooph.

I had seen earlier that Black Pumas had been playing 16 songs, so I thought we might get two encores.  I couldn’t think of any other songs I wanted to hear and the came out and played Hello from the new album.

I always think that encores should be fan favorites–big rockers to get everyone singing along (like Colors).  But that seems to be changing of late.  Hello is a mellow song that is quite lovely.  They followed it with Rock and Roll, the final song on the new album.  The song is kind of simple, but boy they built on the repetition in the song until it sounded massive.

This was supposed to be my first show of the year until The Musical Box cropped up on my radar.  But since that show was a) a cover band and b) seated, I feel like this was really my first real show of the year.  And it was a doozy.  So glad we went!

  1. Fire ♠
  2. Gemini Sun ◊
  3. Know You Better ♠
  4. Black Moon Rising ♠
  5. Sauvignon ◊
  6. Ice Cream (Pay Phone) ◊
  7. Angel ◊
  8. More Than a Love Song ◊
  9. Confines ♠
  10. OCT 33 ♠
  11. Mrs. Postman ◊
  12. Stay Gold ♠
  13. Chronicles of a Diamond ◊
  14. Colors ♠
    encore
  15. Hello ◊
  16. Rock and Roll ◊

♠ Black Pumas (2019)
◊ Chronicles of a Diamond (2023)

no: ♠ Old Man, Touch the Sky, Sweet Conversations
no: ◊ Tomorrow

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[CANCELLED: January 19, 2024] Ride

I found out that Ride was doing a Free at Noon just recently.  I had tickets to see them that night at Union Transfer, so I didn’t feel the need to go to this show.

Then it snowed.  Not a ton, but enough to make Philly clear the streets for cleaning.  Which meant there was no parking around the WXPN facility.  I’m sure there was more to it than that, but for whatever reason, this show was cancelled.

I also wound up not going to the show that night because of the snow.  So, no Ride for me.

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[ATTENDED: January 18, 2024] Digable Planets 

I was really surprised to see that Digable Planets were opening for Black Pumas.  Largely because I had no idea they were still a thing.

So a brief history shows that they formed between 1987 and 1989 and put out their debut in 1992.  This featured “Rebirth of Slick (Cool Like Dat)” which was a pretty big hit.  I had no idea that their second album Blowout Comb (1994) was a stark departure from the previous album, being darker, less hook-oriented and more overtly political in its references to Black Panther and communist imagery.

And then they broke up. They reunited in the mid-2000s and then again in the late 2010s.  But they’ve never released new music (just live albums).

So if you’re a fan of their old stuff, well, that’s all there is. (more…)

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