[ATTENDED: November 29, 2023] Mary Jane Dunphe
I didn’t know there was an opening act for this show until a few hours before the show. I looked up Mary Jane Dunphe, listened to a song and didn’t much like it.
So, according to The Creative Independent
Mary Jane Dunphe is a poet and musician who tells stories—not through direct narrative but through embodied presence and performance, through cinematic and fragmented memory, the wild transmission of feeling. Her versatile songwriting has garnered critical acclaim in past projects such as the visceral punk of Vexx and Gen Pop, the minimal dream pop of CCFX and CC Dust, and the lonesome country-rock of The County Liners—and now Dunphe’s debut solo album, Stage of Love (out now on Pop Wig), is the start of a captivating new chapter.
Mary Jane came out on stage wearing a Sinead O’Connor T-shirt with FIGHT THE REAL ENEMY on the back. A very promising start. Then she told us it was her birthday. When someone started singing happy birthday to her, she held up a finger and said “No. I’m the singer,” and then laughed.
Then she hit a key on a device behind her, strapped on a guitar and sang a very mediocre song. The music was okay and the lyrics were hard to decipher. I see now that she is a poet, so I suspect that means the words are more important than the music. When the song ended, she played chords on her guitar for a few more measures, eventually sliding up the neck to make a wall of noise. When that stopped, she put down the guitar, tapped the device again and walked to the mic.
The music–even more spare without the guitar–filled the room. Mary Jane swayed and spun and danced and hopped and occasionally sang. It occurred to me that the singing wasn’t really in tune or on time.
And her performing wasn’t particularly interesting either. A lot of spinning, some stomping, occasionally touching herself. There was even a somersault at one point. It just felt a lot like what a little kid thinks performance is. And since you couldn’t really hear the words, it wasn’t very impactful.
I honestly wondered if she was like the local promoter’s daughter who was getting her first shot at being on stage. And then I discovered that she has been in bands for years.
I am a very forgiving viewer, but I had a really hard time with this one. I also assumed she’s be done after 20 minutes (12 was enough), but she was allowed to stay up there for 30. Oof.
She received decent applause after each song, but I don’t know if people were entirely genuine about it. Both Touché Amoré and Deafheaven sang her praises during their set, with Touché Amoré really hyping her. But I didn’t get it.
I have also seen that Ringo Deathstarr opened for them on a few shows. I would have 200% preferred to see them.




