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Archive for June, 2023

[ATTENDED: June 24, 2023] Heatmap

Heatmap is from Philly and should not be confused with Heatmaps.  They weren’t originally on this bill and I’m not sure when they got added.  But wow, what a great find.

The band is a trio and they have two EPs out.

I stood right in front of their bassist who played a 1974 Gibson (I only know this because someone asked him and I overheard the answer).  It had such a great sound and it worked perfectly with the way he plays.  The bass is almost a lead instrument.  Not like Primus (they sound absolutely nothing like Primus), but sort of like Primus in that the bass plays the main riff/melody line and the guitar mostly throws sounds and textures over the top of them.

Couple that with their drummer’s complex and amazing drum patterns (now two songs have the same beat and pretty much none of them are just bass/snare) and Heatmap proved to be the most exciting band to watch.

On record, the bass prominence is less notable–it’s still there, but the guitars are more prevalent.  But live, sometimes the singer/guitarist wasn’t playing anything as the bass played the cool post-punk lines and the drums thumped away with lots of floor toms. (more…)

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[ATTENDED: June 24, 2023] LaMacchia

LaMacchia is John LaMacchia.  John LaMacchia is the guitarist for Candiria, a metal band I don’t know who plays a kind of mathcore/prog something or other.

LaMacchia is his first solo album, and it’s a very different feel.  He and Sabrina Ellie are the main singers and the album has a much more mellow vibe.

For this show, he had a band and I really enjoyed their set a lot.  There was no female vocalist, but there were outstanding harmonies from his bassist (who had an excellent sound and was really fluid in the basslines) and his guitarist/keyboardist who seemed to be doing all kinds of things over there.

Their drummer was a guest drummer for the night and he was really good, too.

Overall, I was really impressed with how the band could maintain an overall heavy sound but still have excellent (at times) three part harmony.  There was also some diversity in sound up on stage too, with a couple of the songs being almost atmospheric.

“Disconnect” even had a sample from Casablanca (who samples Casablanca?). (more…)

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[DID NOT ATTEND: June 23, 2023] Mondo Cozmo / The Cobbs

WXPN has played a number of Mondo Cozmo songs over the year that I’ve really liked.  They’re kind of a psychedelic folk rock band.  I felt bad that I was going to be going to shows in a row and asked my wife wanted to come along.  When she said yes, I toyed with us going to see this show in Ardmore rather than in Underground Arts.  That would have meant blowing off Spotlights, who I really wanted to see (and I’m so glad I did).

So instead, I got her a ticket for the Saturday night show.  And I’m so glad I did.  For two main reasons.

  1. Mondo Cozmo played a song called “Your Motherfucker” which was hilarious and outstanding.  He didn’t play it in Ardmore because his mother was there.  So I’m glad we go to hear it.
  2. He told us that after about four songs in Ardmore, the fire alarm went off and everyone had to leave.  They didn’t go home, but I’m sure some people did.  Then the resumed, but that would have been really annoying.

I don’t know what else he played in Ardmore, but whatever it was, he played exactly what I wanted to hear in Underground Arts, so I ‘ll just be happy with the great show we had.

The Cobbs are another Philly band that I hadn’t heard of.  They have a more mellow folk road sound–lovely vocals, acoustic guitars and keys.

Part of deciding which night to go was deciding which opening band I liked more.  I came down on the side of Illinois (which is lucky since that’s the show I was going to).  But i can see The Cobbs having an even bigger fan base.

It also turns out that Archie from Illinois played drums for The Cobbs on this night for whatever reason.  Crazy.

 

 

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SOUNDTRACK: hiatus.

[READ: June 2023] Dancing on the Volcano

I feel like I haven’t really enjoyed that many books from Oni Press lately.  Although this one was pretty great–welcome back!

In 2004. Floor de Groete started a site doyouknowflo.nl where he published a daily comic.  he wrote about himself and his boyfriend Bas.  He loved doing it but he wanted to talk about more than just his daily life. So in 2012 he wrote this full graphic novel.  And now it is getting translated into English by Laura Watkinson.

The first chapter shows Floor (I love that he makes himself so very tiny) with a very large man, Sander.  They are working together to write an article about a volcano.  Floor is supposed to take pictures, but he is also greatly missing Bas.  It’s the first time they’ve been apart.  Sander, loves this trip and doesn’t care about Floor’s feelings at all.  Floor is easily aggravated and not afraid to let Sander know it.  Flo keeps thinking about how there’s only a few days left of the trip but he keeps missing out on all of the amazing things that Sander is enjoying (which makes him even more angry). (more…)

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[ATTENDED: June 20, 2023] Idles

I didn’t known that Idles was going to play near me at all this year.  Turns out that Idles will be doing lots of Festivals this summer in the States, and they decided to throw in two headline shows in the middle.  And Philly was one of them.

I’ve seen them twice before–each time the venue getting larger (good for them).

This was at Franklin Music Hall and I don’t think it sold out, but it was close.  The crowd was crazy (although, I feel not quite as crazy as at previous shows).  The band has a newish album out which I haven’t listened to as much–it changes their formula somewhat.

But they still opened with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.  The lights flashed from red to white as the song built and when it hit the loud part–boom!

The Re:SET concerts have seen them playing roughly an hour, so I wasn’t sure how long they would play for us.  They did a solid hour and forty-five minutes, playing songs from all of their albums, and leaving out at least one classic.  I was genuinely surprised they didn’t play “I’m Scum” since they are still selling the T-shirt

Jon Beavis is a maniac on the drums–how did these drum head survive the pummeling?  Again, I could barely see him back there, but he was easily felt.

After the first song Joe left the stage for a minute and Mark Bowen said hiya Philly.  When Joe came back out he said, “is that your crowd talking dress you’re wearing?”  He said that Bowen has never addressed an audience before.  He amended that to, “and been understood.” (more…)

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[ATTENDED: June 20, 2023] Idles

I was pretty excited to see Idles, but I was even more excited when it was announced that Mannequin Pussy would be opening.

I wanted to get their plenty early.  This was a weird night because I-95 had collapsed and there was a detour in place.  I didn’t know how long it would take to get there.

I’m guessing most people stayed away from 95 altogether, and it was a Tuesday night, because the ride in was so smooth.  The detour that I took was only a few blocks and I was right back on the road with hardly any other traffic,  It was great.

I arrived in plenty of time, although it was already pretty crowded.

Then, at 8PM, Mannequin Pussy came out on stage.

I’ve seen them four times, although it had been almost two years since the last time.  Three of those four times, they were opening, so it’s not like I chose to see them. But I do love seeing them live.  And this show was no exception. (more…)

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[LISTENED TO: June 2023] All the Beautiful Lies

I loved Swanson’s Eight Perfect Murders.  I hated the characters in The Kind Worth Killing (but I loved the twists).  So I had this third book as a kind of final litmus test for if I would listen to anymore books by him.

And the answer is no.

Once again, Swanson’s twist and surprises (and the ending) are really good.  But if possible, he made main characters who are even more horrible and unlikable.  How was that possible?

There’s a few spoilers in this review, although none that reveal the twists or who the murderer(s) is/are.

I’m just going to get this over with, so yes, there’s a spoiler here.  One of the main characters is a pedophile.

It’s bad enough when, at some point in the middle of the book, we learn that he is happily going to essentially make a new life with the daughter of his second wife (step-daughter, so not incest, but Jesus Fucking Christ).  And then we find out that this guy was introduced to sex when he was a teenager by a bored housewife.  So he is basically “paying it forward.”

How did Swanson even write these words?   How did his moral compass allow these words to pass his fingers onto the page?

I mean, the blurb on Goodreads starts with this:

Harry Ackerson has always considered his stepmother Alice to be sexy and beautiful, in an “otherworldly” way. She has always been kind and attentive, if a little aloof in the last few years.

I mean, who reads that blurb and wants to read more (I go into my books totally blind, so I had no idea this was coming). (more…)

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[DID NOT ATTEND: June 18, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

The first night sold out crazily fast and they added a second night with Philly band Golden Apples opening.

Golden Apples are another gentle pop band with feelings of jangle pop, grunge, and dream pop.  I listened to one of their songs “Under the Sun” and it sounded instantly familiar, but I had never heard them before.

Maybe these mellow opening acts signal their intention to move away from their more slam-dancing sound.

The song “High School” is a bit dirtier sounding and comes from the first album when Golden Apples are a full band.  I enjoyed it just as much if not more.

I’m immediately hooked and will definitely be listening to them more.

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[DID NOT ATTEND: June 17, 2023] Strand of Oaks / Friendship

I really like Strand of Oaks, both musically and because I have a real soft spot for Tim Showalter who is such a nice guy.

I have seen them five times, primarily because he started doing an annual Christmas show at Boot & Saddle, which I really liked going to.  He did one this past year at Johnny Brenda’s and it sold out before I had even heard about it.

This would have been a fun opportunity to see him at the 37th annual Concert Under the Stars in King of Prussia, PA.  I do love an outdoor show, after all.

However, the show was a little further than I wanted to go and we had just celebrated my son’s graduation.  So it seemed like a good nice to stay in.  I’m sure Tim and his band will be back again, and maybe this time I’ll even get to the Christmas show.

Although a DJ on WXPN said that this Strand of Oaks show was the best show he’d seen all year.  So maybe I should have dragged ass down there.  Although I aslso see they only played ten songs, so maybe not….

Friendship is from Philly.  They were suppose to open for Indigo de Souza for all of her cancelled shows and theyn they were replaced by someone else when the show finally went on.

According to their bandcamp page

Onstage, bassist Jon Samuels is the only Friendship member who stands up. He is usually swaying back and forth as the songs bear down, pulling together and apart. Friendship’s new record, Dreamin’ is an exorable wave of motion, endlessly rocking between intimacy and loneliness.

I listened to two of their songs and absolutely hated each of the vocalists (I think they were different, if not then I hated both styles of singing that the one vocalist had).

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[DID NOT ATTEND: June 17, 2023] Protomartyr / Ian Sweet

I saw Protomartyr back in 2018.  I loved their album Under Color of Official Right but I haven’t enjoyed their other albums nearly as much.  I’m not sure what it is, but the newer records don’t do the same for me.

In particular, the music has gotten softer and smoother, whereas on Right it was more abrasive.  Singer/talker Joe Casey doesn’t seem as strangely out of place on these latter songs–a deep-voiced, spoken word seems quite apt for these jazzy melodies.

So I really had no interest in seeing this show.  Although I am curious if they have the same fan base as they did in 2018 when the mosh pit was ceaseless and I had to move away from the front to stop getting elbowed.  Songs like “Make Way” just don’t lend themselves to slam dancing.

But whoever their fanbase is, they are legion because this show sold out immediately and they had to add another show the next night.

Ian Sweet is the band/stage name of Jilian Medford from Los Angeles.

I can’t quite imagine a band that is further away from Protomartyr’s sound than Ian Sweet.  The music is predominantly synth and dancey–bright and shiny (words that have never been used to describe Protomartyr).  Some of the songs do get loud, but in a very synth way.

Given that when I saw Protomartyr, the fans couldn’t wait for a mosh pit to break out, this seems like an odd choice of opening band.  And yet, I think it makes a really nice counterpoint.

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