SOUNDTRACK: RHEOSTATICS-The Beverley Tavern (October 28, 1983).
This is one of the first recordings of the Rheostatics live. As the blurb says, the band was only a trio at the time (Martin Tielli had not joined yet).
It is amazing that a show this old sounds so good – not great but considering it is from 1983 not too bad. It is also weird as hell. I’m not sure if it was the 27, 28 or 29 of October 1983 but since the 27th is my birthday I’ll go with that date. [They later say it’s Friday night, which was the 28th]. I think this is a Triostatics show with just Tim, Dave B and Dave C.
Some of these songs don’t appear anywhere else. Like the first one “Get Rich, Get Bored” which really shows off how new wave they were in the beginning. It’s got a funky bass line with jagged new wave guitar from Dave and I assume Tim singing.
The band was really goofy back then too (not that they aren’t now, but a sort of wild goofiness pervades this evening. Like Clark saying “I don’t know what the hell’s sitting behind the drum kit” and Tim letting everyone know that “anything’s possible on Halloween.” Until someone helpfully yells “It’s not Halloween yet.”
“Chemical World” is one of those early new wave songs that they played a lot but which never made it onto Greatest Hits.
There’s some peculiar banter that is hard to hear but it sure sounds like they thought it was funny.
“we’re gonna change our name to R and then to H and then K? What’s up next on the bill Mr Vesely? It’s in the key of C. You’re cheap, like your clothing. Woman in audience: “but he’s not easy.”
Dave Clark says “Straight to Hell” is about Dave B’s father. Tim sings in a weird style, over new wave guitar chords and a seemingly random bass. The middle has a spoken word part with a drum and bass breakdown: “Now Richard, what seems to be the problem… doesn’t know what to do–he’s going straight to hell.”
Dave B asks, “Satellite Dancing” Someone: “No!” “Satellite dancing” “No!”
So instead they play “National Pride” another song that they played a lot but which didn’t make it onto the debut (which in fairness came out four years later. Dave B says they released this song a long time ago and nobody bought it so they’re going to play it tonight and hope someone buys it. Midway through Dave says “specials effects, Julia Child” and then sings in a crazy falsetto. Then Dave says “What was Reagan doing on TV the other night? Explaining why he had invaded a country the size of East Toronto.” The song ends with a mangled opening of The Star Spangled Banner.
Dave says someone complained they weren’t going to come to the show, “aw you guys play funk. I don’ want to see you play funk.” So they play a funky “Thank You (Falettinme Be Mice Elf Agin).” They thank Rick the amazing man with the echo machine. Tim says, before you take anymore pictures let me put my hair on. As the song ends, Dave says, “who said the 70s are dead? Not us I tell ya.” “It was you! In a drunken haze you said the 70s are dead.”
Clark: lets do all 70s songs about the word Monday.
Up next is “No Religion,” the b side of our National Pride single that nobody bought. It’s a bouncy song with la la las, although I can’t really make out words.
Clark: The b side of Tim’s underwear.
Tim: “The dirty side. Oh my gosh I don’t say things like that.
Someone shouts, “chicken rap.” Then they say “Do ‘Walk the Line.’ It’s Friday night! Tim plays a minute long bass riff “okay, that was our cover of “I Walk the Line.”
Clark: “we play both kinds, country and western.”
It’s crowd participation night we want the guy who was dressed like an albino up here. (dressed like an albino?).
He left.
They play “Louie Louie” and ask for volunteers. Someone comes up” “Ladies and gentlemen the Prince of Toronto.” The guy sings a made up verse. It comes to a wild crashing rumbling ending. You can almost imagine them smashing things.
Clark: “Okay that means we have to do an encore.”
It’s a song by Chic called “Good Times.” Tim plays the bass line more or less the right way but the song sounds different the way they play it. Then comes “the highlight of the evening” Dave Bidini singing “Fly Robin Fly” in falsetto!
Definitely an unusual show, but I love Darrin’s name “Triostatics.” I’m glad they didn’t stay a new wave band.
[READ: March 10, 2021] “The Specks in the Sky”
I had put off reading this story because it was so long (19 pages!). But I regretted putting it off as soon as I started it because this story was weird and wonderful. Until the end.
Set on a farm in the middle of nowhere, “two-hundred and twenty-five days after my father left home” the young narrator Ryder, along wither her older sister, Aileen, and her mother are outside when they see specks in the sky.
They don’t know what they are until the get closer and it becomes clear that these are men parachuting to the ground. The parachutes are pink, the men are all in red jumpsuits.
The first man lands mostly gracefully and clears his parachute away. He introduces himself as Commander Kyle Cheshire. Slowly, thirteen more men fall out of the sky. One of them is immediately taken with Aileen “a real beauty with long hair and breasts and everything.” But before anyone can say anything the commander takes roll call.
That’s when they realize that Chip Gainsborough didn’t make it. His parachute must not have opened. The men are very upset, none more so than Bud who bemoans his oldest friend–they used to go crabbing in Maine together when they were little.
Finally the mom asks them who the hell they are–army navy, what? The commander regrets that everything is classified, he can’t say anything, The only thing he can relate is that their plane had trouble 20,000 feet in the air and they all had to jump out. But they will be acting lawfully under the terms and conditions outlined in Section 15 of the Parachuting Handbook, Landing Upon Civilian Property Clause No 33B where it sates explicitly that we are to assist the said civilians in any way we can during our stay on the civilian premises.
The mom is confused, they are goin to stay? Yes, until they find Chip.
But they promise to make themselves useful. In fact, they clean the house, repair broken boards and the ceiling and even fix the old jeep. One of them is a vet who looks after their animals (they have camels because of Ryder’s father’ stupid plan that he ran out on). One of the men is also a master chef so two men hike into town and bring back tons of groceries.
They are super polite to everyone and are more than a little feminist in their attitudes. Work should not be divided unto gender lines;, asking if she has tools, knowing that stereotypically it’s a man’s thing to have tools but there’s no reason she can’t have them; even detailing the works of writer Eric Menjabin, whose writing is poor but whose ideas taking potshots at “gender self-consciousness and hypocrisy in a post feminist world” sound awesome.
The food is delicious and soon enough the commander and Ryder’s mother seem to be hitting it off.
But Ryder is suspicious. She goes to check on something that one of them said. He said he was from Stewartsville, OK, but her atlas says there’s no such place. Ryder tries to tell the others, but Aileen and her mom tell her to stop being silly these men are very nice.
Then half of them men assemble to go find Chip’s body while the rest remain back to dig a grave and to create a floral arrangement. The women wind up digging the grave (it’s womanly work after all) and the men make a beautiful floral arrangement spelling out Chip’s name.
The men return with Chip’s body and have a huge funeral celebration, complete with fireworks and dancing. It’s magical.
And then something goes wrong.
And that’s when the story shifted directions and turned into what I would almost call a high-school story. Without giving too much away, all of the men turn on each other with guns out.
It’s not exactly right to say “and then everyone dies,” but it’s pretty close. And while the “punchline” of the story works, it was so disappointing to go from this fascinating setup to the “I give up” ending. It was so unsettling especially since the story does not answer most of the prominent questions.
I just found out from Goodreads that this was published as a 57 page book. I have to wonder of this was an excerpt? I’d still be bummed by the “ending” here even if it wasn’t the ending of the book, but I am curious to see if there’s more.
I’d like to see what else Ben Rice has written because his style was so good. I would just hate to have another story end like that. But according to everything I can find. Ben Rice wrote one novella (Pobby and Dingan) and this story, about twenty years ago, and that’s it. Pobby and Dingan gets quite favorable reviews, I may have to check it out.
Leave a Reply