SOUNDTRACK: YES-Yesterdays (1975).
After Relayer, Yes decided to explore solo projects. And their label released this compilation. Oddly enough, it consists entirely of songs from Yes and Time and a Word (and is a great collection of those two middling albums). It also includes a B-side called “Dear Father” and, most unexpectedly, a 10 minute version of the Simon and Garfunkel song “America.” All the songs have the original lineup except “America” which features Howe and Wakeman and was recorded in 1972.
“Looking Around” and “Survival” from Yes and “Time and a Word,” “Sweet Dreams” “Astral Traveler” and “Then” from Time and a Word.
“Dear Father” is a sounds very much like a B-side from Time and a Word (meaning it has elements of Yes, but not enough to make the song especially interesting). The bass is thumping, but there’s also strings which add a less dramatic element than intended. The ending sounds very 1970s (almost like a TV special) especially in the way the strings swell, but it’s a cool sounding end to the disc.
The sound of “America” (which opens the disc) is pure early 70s’s Yes, with loud guitars and some good bass lines. They play around with the original quite a lot (and most of the time it is unrecognizable). I really enjoy that the guitar and bass throw in lines from the West Side Storys “America.” There’s moments where you know the S&G original (like the “I don’t know why” line and they play it totally wrong (but in very Yes fashion), but other parts like “counting the cars on the New Jersey turnpike” sounds different but also really good. This is the kind of cover I like, when a band completely make a song their own. I still prefer the original, but this is an interesting interpretation.
The cover of the album is the last one that Roger Dean would do for the band for a while. It’s pretty bizarre (even for a Dean cover) with a little boy peeing on the back.
[READ: March 27, 2015] “The Great Exception”
This story comes from The Strange Case of Rachel K. I assume it is a short story, as I can’t even imagine what it might have to do with Rachel K in general.
This piece opens with Part 1 in which there is a brief history of people’s beliefs in the flatness and/or roundness of the Earth. The Admiral goes to the queen to inform her that the Earth is actually shaped like a pear or violin and he requests gold for his expedition. But when he is in her presence, and a little drunk and a little bold, he informed her that the earth was really shaped like a woman’s breast. The orient was the protrusion. And the nipple–he locked eyes with the queen–was warm and tumultuous.
The Cardinal had given him excessive jewels to wear on his hand and they flash as he makes the shape of breasts in the air in front of the queen. She gave in to his request and he set sail with no instruments, using only his instincts.
En route he stopped at a land which he called Kuba–the word the natives used for it.
In part II we learn that the natives weren’t actually so friendly.
The queen, anxious for his return–both for the story and to continue the amorousness of his desires–receives a letter of his successes thus far. In the letter he speaks of eating parrots–which later became de rigueur despite the Food Taster describing it as “armpit acidic.”
The queen waited and waited for more word.
And that’s the end. I don’t know if that’s the whole story or what, but it’s well written and really evocative with great details. I’ve enjoyed stories from Kushner before and may have to investigate this book further.
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