SOUNDTRACK: PRIMUS-Sailing the Seas of Cheese (1991).
Here they come, here comes the bastards again. Sailing the Seas of Cheese was the band’s major label debut, and they were given a lot of freedom to do whatever they wanted. Which they did.
The first two songs sort of ease you into the chaos that is “Sgt Baker” a noisy stomp that mocks the military. It’s followed by “American life” a relatively quiet song that is rather sad. Although I like Ler’s solo at the end (which is rather conventional for him).
But the album really takes of with “Jerry Was a Racecar Driver”, Primus’ first real hit. Which is amazing in and of itself given how weird a song it is and how noisy (and moshy) the middle section is. Fun drumming opens “Eleven,” a rocking song done in 11/4 time–count it, its crazy! I just love the lunacy of “Is It Luck?”–the bass is fast and so bizarre while Ler’s guitars are playing one simple dissonant note for much of the song. “You wanna get lucky little boy?”
“Grandad’s Little Ditty” is basically Les singing in the shower (and one of the few songs I know of which use the word “flatus”). It leads into the new recording of “Tommy the Cat.” This time the role of Tommy is played by Tom Waits, which make a slot of sense. The Primus book has a funny story about Waits singing this (he sent them a version without having heard the song and he sang it through a megaphone). The bass in the middle of the song is just incredible.
“Sathington Waltz” continues the adventure of Sathington Willoughby, although this is a scattered instrumental with banjos and loud drums (and lots of guests). “Those Damn Blue Collar Tweekers” is a stomping song with a great riff. I never knew exactly what it was about (not that its hard to figure out), but the book explains exactly who Les was talking about.
“Fish On” is a 7 minute song (most of the songs on this record are shorter than on Frizzle Fry) with a lengthy intro and outro. The disc ends with “Los Bastardos” a reprise of the opening bastard music with some samples from The Young Ones and all kinds of friends playing along. It’s a really fun record with some absolutely classic songs on it.
Shut up you bastards!
[READ: January 5, 2015] “Picasso”
The ever prolific César Aira had a new short story in The New Yorker (he usually writes novella length pieces, but this appears to be an actual short story (3 pages)) which is a little different.
In the story, the narrator says he was in the Picasso museum enjoying the artwork when a genie came out of his bottle of Miracle Milk and offered him a choice: Would he rather have a Picasso or be Picasso. I enjoyed this twist on the typical three-wishes genie (he even mention how most people are prepared to ask for more wishes), and that this was totally unexpected.
To me, the answer was obvious from the start, Picasso was a pretty unhappy guy, why would I want to be him? Of court, as the narrator goes through the options, he says that if you were Picasso you would automatically have all the Picassos. Plus, he says that he himself has a pretty unhappy life, so Picasso would be a step up.
The narrator reviews Picasso’s life and output, but ultimately he decides that owning a Picasso would give him the financial security to allow himself to write his novels.
As soon as he thinks that, a painting appears on the table in front of him. It is clearly a Picasso. He spends the next few paragraphs describing the painting and then comes upon a “meaning” for it. It’s an interesting look at a Spanish fable or joke. The fable involves a queen who is lame and her servants who want to tell her without actually telling her. The punchline of the joke comes down to “Su Majestad, escoja” which translates as “Your Majesty, choose” or if the last word is broken up (into es coja) “Your Majesty is lame.” It’s a pretty elaborate painting or what amounts to a joke (and I have no idea if this is a real painting or not).
As the story comes to an end, the final paragraph introduces a whole new aspect of the story which was hilarious and unepxetced. It was a great twist. I do have to wonder if this is part of a bigger story because although it feels complete, I could easily see him following this character further.
This was translated by Chris Andrews.
For ease of searching I include: Cesar Aira

[…] I had read this story in the New Yorker about five years ago. This story asks the question: would you rather be Picasso or own a Picasso. His first thought is […]