SOUNDTRACK: DANÚ: An Nollaig in Éirinn: Christmas in Ireland Live in Concert (2010).
We saw Danú perform a Christmas show last year. The show was wonderful, so we bought the CD.
The CD is a live show much like the one we saw, so not only is it a Christmas album, but it’s a nice memento of the show. Muireann Nic Amhlaoibh’s voice is beautiful–a soaring, angelic sound and the performance of the band is amazing.
The disc is a mix of beautiful ballads (Irish specific and those familiar to all) and rollicking instrumentals. The ballads, most sung by Muireann include “The Wexford Carol” (a traditional song); “Angels We Have Heard on High” (gorgeous–with audience participation); “Le Coinnle na nAingeal” a lovely, slow ballad about putting candles in the window
n Irish and English) and “Le Coinnle na nAingeal.” She even got the audience to sing along to some of the Irish words in “The Boys of Barr na Sráide” and, of course, we all chimed in on “Angels We Have Heard on High.”
The rollicking numbers include “The Slide Set” (Scartaglen Slide and two reels: “The Hunters Purse” and “The Reconciliation”); “Round the House Set” (some fun dance numbers); and “The Polkas.” “Apples in Winter/The Frost is All Over” is a charming instrumental, the second half of which is all about the button accordion (amazing playing!).
Some other songs include “A Christmas Childhood” is a spoken poem by Patrick Kavanagh set to a piano melody. “The Boys of Barr na Sráide” is an anthem from Kerry in which boys hunt for a wren on the feast of St Stephen. It is a slow song and the was much audience participation when we saw them. “Miss Fogarty’s Christmas Cake” is a very funny tale about a deadly Christmas Cake–a fun sing along with silly lyrics.
The show and disc end with “Oíche Chiúin/Silent Night” a lovely rendition that segues into an amazing bodrhan solo (Martin O’Neill is fantastic–the sounds he gets out of this one drum are staggering). It ends with a whooping song called “Contradiction.” The encore is a beautiful duet called “The Parting Glass” and, since no Irish set should end in a mellow way, “The Christmas Eve Reel” ends with a wonderful stomping song.
The show was fantastic and the CD is great too. There’s no between-song banter, which is a shame, but which also keeps the set a reasonable length. It’s a wonderful way to celebrate Christmas, even if there’s not many familiar Christmas songs.
[READ: December 10, 2014] A Christmas Carol
Obviously, I know A Christmas Carol. Scrooge, Tiny Tim, Jacob Marley, the Ghosts of Christmas past, present and future etc. I have seen the play, I have listened to Patrick Stewart’s reading and I’ve seen nearly every movie and TV version. But I have never actually read it.
I found the story to be really enjoyable. And for Dickens, the story is pretty compact. There are few moments where he throws in a lot of extra bits and pieces, but the action moves pretty swiftly.
I think one thing that I was surprised by was that Scrooge is moved by the very first spirit that comes along. In my memory he isn’t that impressed by the first one, but in the story he is ready to give in after his trip to his childhood. I was also surprised to see that Scrooge’s nephew plays a pretty big role at the end. In my memory (or maybe in condensed versions—or the Grinch, anyhow), Scrooge eats with the Cratchits. But no, he sends them the goose with no word given (and we never see their reaction) and then has dinner with the nephew who invited him early in the story (Dickens is nothing if not tidy in cleaning up loose ends).
I don’t know too much about the history of ghost stories, but I was surprised by how sophisticated the ghost parts were (walking through walls out into the city). Are many of the ghost stories that we have no based on what Dickens wrote over 150 years ago?
I was delighted by what a powerful and affecting story it is. And, sure I felt silly with tears forming in my eyes while reading this story, but the ending is really, really good.
Merry Christmas to all.

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