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Archive for 2012

SOUNDTRACK: THE NOT-ITS!-“Puppy Dog” (2011).

This song was paired with the Billy Kelly song in OWTKs March podcast.  And it, too, is very funny.  It is almost aggressively catchy and in your face.  I found it a we bit off-putting, but it quickly won me over.

It has a kind of Ralph’s World feel (although they don’t really sound like Ralph’s World or anything).  I like the way the chorus actually slows the song down.  The “third part” of the song has quite an unexpected sound twist–so there’s more than a simple pop song here.

The lyrics are really quite funny (if a little dark).  And the talking dog at the front of the song is awesome.

[READ: 2011] Symphony City

Amy Martin wrote and illustrated this beautiful children’s book.  In it, a young girl with nothing to do, hopes to go to the free Symphony in the city today.  She gets lost from her parents and experiences the vibrant colors of the music of the city.

While it should be frightening and is a little bit (it gets resolved in a very quick and rather confusing way, but that clearly isn’t the point), the strength of the book is the vibrant colors on every page–bright yellows and reds, dark and moody blues, with different sounds evoking different colors.  It actually has a bit of a synesthetic effect, which is all very cool. (more…)

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SOUNDTRACK: BILLY KELLY-“People Really Like Milk” (2009).

I enjoyed Billy Kelly’s song with Davy Jones so much that I investigated him a little further and found this wonderful song.

It’s a poppy folk song about a very important topic: milk, and how much everyone loves it.  Kelly has a great delivery (especially the rhymes with milk) and the song itself is funny and bouncy   It will stay in your head for hours (in a good way).

I really can’t get enough of Billy Kelly.  And if you Google the song you’ll see him performing the it at a kid’s backyard party.  But here’s the official video (which Kelly animated).

[READ: 2011] Here Comes the Cat

Of all of the McSweeney’s McMullens books, this one has been our favorite.  It is a very simple story (told in Russian and English) with only four (English) and three (Russian) words repeated over and over.  And the colophon explains the history: “Here Comes the Cat!, the first ever Soviet/American picture-book collaboration  was originally published by Scholastic in 1989.”

СЮДА ИДЕТ КОТ! is pronounced syu-DAH ee-DYOT KOT! and it along with the translation Here comes the cat! is on every page in both languages (along with some other bilingual phrases–Hello, Mice at Work etc). And on every page, a mouse runs through the mouse village announcing Here Comes the Cat!  The villagers all look surprised as they run across the city with the news.  But what will happen when the shadow of the cat appears in the village?

This is a wonderful story, simple, yet full of humor and cleverness.  It tells a story that not everything is what it seems.  And the ending is quite funny. (more…)

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SOUNDTRACK: BILLY KELLY with DAVY JONES-“Me and My Brand New Haircut” (2010).

This is a fun and silly song in which the beat is kept by scissors.  It’s a very light song (as befits a song about a haircut).  Indeed it’s amazing how much you can sing about a haircut.

The lines that Davy speaks (there’s some call and response) reminds me a lot of Flight of the Conchords.  This is the kind of silly kids song that I really like.

I see that Billy Kelly has a few albums out.  He may be worth investigating further.

[READ: sometime in 2011] We Need a Horse

Like with Arthur Bradford, this book is Sheila Heti’s first children’s book.  I haven’t enjoyed Heti’s adult work all that much, but it’s hard to disagree with the message of this book.  The message is simple enough–you are what you are and what you are is valuable.  But I have to admit that the first few pages are a little unexpected (a horse talking to light, a sheep with a tennis racket, etc).  Nevertheless, it has a happy ending. (more…)

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SOUNDTRACK: MO PHILLIPS-“Big Red Truck” (2012).

This track was number two on the OWTK March 2012 playlist.  This song has a kind of late X, or maybe The Knitters kind of feel–male and female vocals with a heavy bassline and a slightly ominous feel–although it is just about a big red truck.  I like t he song a lot, but I’m not sure if my kids would.

The chorus of “bringing all my loving taking all my loving home to you” seems like an odd one for a kids song.

[READ: September 30, 2012] Benny’s Brigade

Yes, this is the same Arthur Bradford whom I have written about and read all of his works–McSweeney’s McMullens has been publishing children’s stories from unexpected adult authors!  This is Bradford’s first foray into children’s books, and I think it’s quite successful.  Benny’s Brigade came with the Ionesco book, but my kids enjoyed it much more.

I was a little concerned exactly how this would turn out (the combination of McSweeney’s and Bradford could have gone dark), but I needn’t have worried.  It is a kids book after all. (more…)

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SOUNDTRACKTHE HAPPY RACERS–“Lovabye Dragon” (2012).

This song was the first track on the inaugural playlist of Out With the Kids back in March 2012. This is a sweet song about dragons and monsters and no more nightmares.  For a children’s song, this is quite intricate.  The opening riff is enticing, and the occasional falsetto was unexpected.

But the bridge is a delicate lead in to the chorus which is not as catchy as one might expect for a children’s song.  It’s a very sweet song.  And indeed, a lot of the elements are things that I would normally love in a song (it actually reminds me a bit of Airborne Toxic Event, but more poppy).  And yet I’m not all that compelled by it.  Although a few listens has really warmed me up to it.

[READ: September 30, 2012] Stories 1 2 3 4

Last year, McSweeney’s started a new imprint–McSweeney’s McMullens–which would publish children’s books.  As with everything McSweeney’s does, the books are beautiful!  Lovingly created with amazing illustrations.  And in each book, the cover unfolds into a giant poster (usually of the pictures contained inside).

And, like other McSweeny’s books, the stories are all a little odd.  I usually try to read the books once through before reading them to my kids to find out just how odd they turn out.  I didn’t read this one first because it was quite large, and boy, were we surprised by it.

Eugène Ionesco writing a children’s book?   One of the foremost playwrights in the Theater of the Absurd?  Indeed, that Ionesco. (more…)

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SOUNDTRACK: OUT WITH THIS KIDS MUSIC MONTHLY PODCAST (2012).

I am bummed to have literally just discovered this cool podcast.  Each month Out with the Kids plays some ten songs that are kid-friendly.  They’re not all “kids songs” but they are kid friendly.  And it’s a fun way to learn about new music that kids may like.

The blog was started by Jeff Bogle, and he does proper DJ intros and outros (fortunately no “Morning Zoo zaniness”).  The songs are often connected thematically, and he plays a diverse collection of music (for his October podcast, I’d heard of none of the artists before, which is great if all of your kids music awareness comes via Dan Zanes and They Might Be Giants (nothing nothing nothing wrong with them, I love them both) or, heaven forbid Kidz Bop.

So, check him out, and subscribe via iTunes.  What have you got to lose?

[READ: August 2012] Beast Quest 7-12

I wasn’t all that excited to continue this series.  I liked some of the things in the first books, but I was on the fence about whether to continue.  But Clark enjoyed the series, so I figured I’d continue (but hopefully not do all 72 books).  Well, I was pleasantly surprised by this next series.  Although the formula is still in place, Adam Blade played around with the ideas a little bit and made them much more interesting.  Rather than having to rescue beasts who were turned evil, this time, Tom, the 12 (!) year old hero, must go in search of pieces of the golden armor.

But a step back first.  After competing the first 6 quests, Wizard Aduro shows Tom and Elenna the beautiful golden armor that resides in a special room in King Hugo’s castle.  But when they get there they discovered  that the armor has been stolen (in the prologue we see how the  armor was stolen and we know it was Malvel’s doing).  As Book 7 takes off we learn of Tom’s new quest–to find all of the stolen pieces of the armor which are now being guarded by beasts that Malvel has created.  It was kind of fun wondering what the six pieces of armor would be.  They turn out to be a helmet, chain mail, a breast plate, leg armor, boots and gloves and each one gives Tom a special power. (more…)

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SOUNDTRACK: JOHN DOE AND EXENE CERVENKA at KEXP December 31, 2010 (2010).

X toured the Los Angeles album back in 2010–the 30th anniversary of the album.  John Doe and Exene Cervenka came to KEXP to do an acoustic set and to talk…a lot.  The DJ tells them of when he saw them at age 16.  He had his camera and wanted to be a rock photographer.  He was getting pushed around in the pit and Exene pulled him onstage (he got great photos which I’d love to see).  Surprisingly, Exene does not seem as moved as one might expect by that story.

This is a simple, acoustic set–John with his guitar and he and Exene singing.  They play a few songs from across their career: “Because I Do,” “In This House That I Call Home” (a personal favorite), “True Love” (another favorite) and “See How We Are.”  John still sounds great, although Exene’s voice sounds a little worn on “Because I Do” and is actually hard to listen to on “True Love.”

There’s some really long interviews–talking about drugs and The Germs and the heyday and how Exene can’t wait for 2011 to start.

[READ: August 27, 2012] The Emily Dickinson Reader

This book is “an English-to-English translation of Emily Dickinson’s Complete Poems.”  What?  Well, basically Paul Legualt has taken all of the “poetry” out of Dickinson’s poems and has left us with what the poems might mean to contemporary readers.  But he also reduced them to basically one line summaries as well–or as McSweeney’s says: “ingenious and madcap one-line renderings.”

So you get “translations” like: #314

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity, It asked a crumb – of me.

Which Legault translates as: “Hope is kind of like birds. In that I don’t have any.” (more…)

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SOUNDTRACK: DEERHOOF-Live at CMJ Gibson Showroom (2008).

I don’t know much about Deerhoof (I certainly didn’t know they’d been around over a decade).  I heard them on Pitchfork TV (they had two videos on it about two years ago which I rather liked).  This set was recorded live at CMJ by KEXP.

The DJ is very familiar with the band, and the repertoire is casual and funny (although the Gibson joke falls flat).  They play four songs and each one is virtually an instrumental.  The voice is mixed so low on “Blue Cash,” I didn’t even realize she was singing until the third time I listened, so I don’t know which songs have words.  “Tears of Music and Love” is a bit wilder (with some great crazy drumming in the middle).  “Fresh Born” has a bit more of a sinister edge what with the intense riff and the scratchy feedbacky bridge.  It’s my favorite song of the set.  “Basketball Get Your Groove Back” sounds a bit like “Roadrunner” so it’s less than thrilling end to the set.

I expected the band to be a lot weirder than this, I admit, but it’s still a good set.  You can listen here.

[READ: September 20, 2012] How to Be Black

Karen at A Just Recompense posted about this book a little while ago and after just a few lines, I had to stop reading her post so I could get the book.  I had no idea who Thurston was before I read the book, but it sounded so good.  And it was.  Although it wasn’t exactly what I was expecting.

This book is a combination autobiography of Thurston and “how to” book.  Thurston went to a Quaker School and a black militant program at the same time and also went to Harvard before becoming a stand up comedian; he’s co-creator of Jack & Jill Politics and director of digital at The Onion (that’s some serious cred for a geek like me).  As I said, in addition to being his autobiography, this is also something of a how-to manual for being black.  It’s funny, but not cheesy-over-the-top funny (stereotypes are played with but also deconstructed), it’s “serious” funny, and it’s very enjoyable.  And it covers topics that one might not expect, like talking about the Nigerians he has met who are offended at his name.  Baratunde is a twist on a Nigerian name, although his family is not Nigerian, his mother wanted him to have a traditional African name.  And he is quite annoyed at the Nigerians who assume he doesn’t know what his named means.  He does (and the example he gives is very funny). (more…)

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SOUNDTRACK: JAPANDROIDS-Live on KEXP, June 16, 2009 (2009).

Back in 2009,  one of the guys from Japandroids had surgery and they had to cancel some dates.  That’s only relevant to this because when this set is over, the guitarist is bleeding from his scar.

Japandroids are two guys and they make a lot of noise.  I can recall jamming on guitar with my friend on drums and even when we were totally in synch, we never sounded this good.  It really sounds like there are four or five people playing.  This set has three songs from their debut album and an amazing cover of Big Black’s “Racer X.”

The three  songs are very good and the guys pay hard and fast and, as I said, they sound amazing.  It’s a great set.  You can hear the whole thing here.  There’s also video of the performance.  It’s broken  into two parts.  This is part two, with the blistering cover of “Racer X.”

[READ: September 17, 2012] Bluebeard

I’ve mentioned this book a few times in the last couple of days as something that I’d been struggling with.  And, indeed, I found it to be a little slow going.  I was excited to start reading it because, as the subtitle says, this is an autobiography of Rabo Karabekian, an artist who appeared in Breakfast of Champions–I love that Vonnegut keeps working within his own universe.  But there was something about the early pages of the story that were just not that compelling.

Rabo is having a hard time getting his book going, and while that is a dramatic effect, I had a hard time getting into the book too.  It’s not that complicated of a story.  There are really only about a half dozen characters in the book:

Rabo–he is an American Abstract Expressionist painter (contemporary of Jackson Pollack, Jasper Johns, et al).
Circe Berman–she is an author who writes under the pseudonym Polly Madison (ha).  Madison’s books look at the real life of American young people and are staggeringly popular.
Paul Slazinger–Rabo’s next door neighbor who spends most of his time in Rabo’s house, although he and Rabo mostly ignore each other.  Slazinger is a writer with a decades long writer’s block.
Dan Gregory–a famous artist for whom Rabo apprenticed.  Gregory was such a good detailist that he once created a perfect forgery of a bill (on a dare).  Gregory was also a terrible racist and philanderer and treated Rabo with contempt at best.
Marilee Kemp–Gregory’s mistress and sometime muse.  She inadvertently sends Rabo an encouraging letter on behalf of Gregory and then she and Rabo begin a writing relationship which blossoms when they eventually meet. (more…)

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SOUNDTRACK: CYMBALS EAT GUITARS-Live on KEXP June 18, 2009 (2009).

Cymbals Eat Guitars are from Staten Island (with members from New Jersey).  They have released two albums, although this recording is from after the release of their first album.    They play four songs:  “And the Hazy Sea,” “Cold Spring,” “Tunguska,” and “Wind Phoenix.”   They are noisy songs (mostly) with squalls of guitars (squalls is a good word since two of the guys are from Manahawkin, New Jersey.

The band has true progenitors in the indie rock scene–there’s sounds of Pavement, The Replacements,  even more melodic Sonic Youth .  They play noisy guitars and the vocals veer from softly sung to loudly screamed (often within the same line).    “Cold Spring” starts like a kind of shoegazery song and then after almost three minutes it turns into a  blast of pummeling rock with a noisy guitar section, before moving into a third more melodic section.

There’s   a lengthy interview with the band, where they give a shout out to New Jersey and seem genuinely surprised by the success they’ve had.  It’s a good show, and you can hear it here

[READ: September 25, 2012] God Bless You, Dr. Kevorkian

Again, against my better judgment I brought this Vonnegut book home too because it was on the shelf (and it was very short).  I still haven’t finished Bluebeard yet, but I have been curious about this book for some time.  It references Vonnegut’s early novel God Bless You, Mr Rosewater, but it also name checks Dr Jack Kevorkian.  So just what is it?

Well, it is collection of radio spots that Vonnegut did for WNYC radio in New York back in 1998.  Vonnegut claimed that he went to Kevorkian’s facility, was strapped in and almost killed multiple times, but Kevorkian brought him back each time creating a near-death experience. And each time Vonnegut travelled through that “blue tunnel,” he would interview a dead person.

The people he interviews vary quite a lot in fame and stature: (more…)

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