SOUNDTRACK: FANFARLO-Live at SXSW, March 19, 2010 (2010).
I only know of this band at all from Bob Boilen on NPR, who really liked one of their more recent songs. This set is from Gisbson’s Showroom in Austin during SXSW. They play six songs from their debut, Reservoir.
Fanfarlo use all kind of instrumentation to create a very full sound–horns, strings, male and female vocals and of course, bass and drums. This set makes them seem like they were ahead of the game on bands like Mumford and Sons–there’s a kind of orchestral/folkie pop feel (of course the trumpet is very different from the banjo). Indeed, they remind me a bit of Beirut.
I rather enjoy this set. I really like “The Walls are Coming Down” and “Harold T. Wilikins.” It’s a fun dose of folkie indie rock. Although I don’t see myself getting their album or anything. This may be just the dose of Fanfarlo that I need. You can get the set from NPR here.
[READ: October 19, 2012] “Means of Suppressing Demonstrations”
I’ve been putting this story off for a long time (it came out in June). The image that accompanied the story, three youths approaching a military barricade just didn’t appeal to me. But the story proved to be really interesting.
It is broken into four sections: Shock, Tear Gas, Rubber, Live Fire. Each of these is a progressively more dangerous means to suppress demonstration.
But here’s the strange thing–the three youths in the drawing are asking to be suppressed. They want to get in the paper, they want to be heroes. So these three Palestinians approach a barricade manned by the Israeli army. The barricade is at Route 799, which, for the soldiers is a low-traffic, fairly cushy assignment.
The main army guard is Lea, a woman who is soon to be done with her time. She is looking forward to the end of her time, although she has rather enjoyed the company of Tomer who calls her Lea during the day and Officer at night when they are in bed together. Route 799 is typically a very quite post until these three come up and politely say that they are demonstrators and wish to be suppressed.
Lea runs over with the suppression kit, excited at the opportunity to use it. She doesn’t want to hurt these young men,who are clearly no threat, so she starts with the smallest scale–shock. The next day they come back, sad that they weren’t even mentioned in the paper, so she moves up a notch. The third day they return asking for rubber bullets. She is reluctant because they can do real damage. But they plead and she agrees.
Finally when the live fire comes into play, Lea has a real dilemma. The end is a surprising comportment and the whole story proves to be a strange kind of plea for peace amid the madness of the Middle East. I found the whole story really rather moving.

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