SOUNDTRACK: THE EXTRA LENS-“Only Existing Footage” (2010).
I listened to this song on NPR’s All Songs Considered without knowing who the band was. And while I listened to this song I kept thinking it sounded like someone, but who? Who?
And it took me reading about them on allmusic to realize that this is a side project between The Mountain Goats and Nothing Painted Blue (who I don’t know). My friend Andrew gave me a bunch of Mountain Goats albums which I have enjoyed but which I haven’t written about yet. However, I can’t say how much this sounds like a Goat’s album (as I’m not an expert yet).
Nevertheless, like a Goats’ songs, it is simple (with one simple guitar accompanied by another simple guitar) and incredibly catchy. At 3 minutes it makes for a perfect delicate pop song. The chorus builds wonderfully (even if, really it’s not that much fuller than the verses).
Charming seems like a condescending word, and yet this song feels charming (even if lyrically it’s rather dark: “oblivion’s been calling since it found out where I live.”)
[READ: October 20, 2010] “Vins Fins”
Ethan Canin is the penultimate writer in the 1999 New Yorker 20 Under 40 collection, but his was the last story I read. I was really intrigued by the excerpt that was in the main issue, but I feel like the full length story disappointed somewhat.
At eleven pages, this was one of the longest stories in the collection and it felt to me like it was simply too long. There were a lot of things, not details, or even dead end plots, just aspects of the story that seemed extraneous.
I am fond of fiction set in the 1970s. In some ways it seems an easy decade for mockery, and yet really any decade, if limited to a bunch of stereotypes, is ripe for easy mockery. But there’s something about the 70s that lends itself to fun story concepts. And this promised something similar.
Under the shadow of Watergate, on the Western edge of Cape Cod, a young man grows up. The narrator’s father feels that Nixon will get through Watergate unharmed. His father is a chef and restaurateur who, despite his skills, seems to make most of his money by flipping restaurants (to use a recent term…it’s not used in the story). His specialty is French food, which is convenient since his wife is French, as in actually from France. We learn a bit about how they met and a lot about her (and I think perhaps this is where there is too much story as she turns out to be a fairly minor character in what I think of as the main plot).
The other aspect that is weird is the mailman. The mailman seems quite smitten with the narrator’s mom, and they start spending a lot of time together. Her husband seems suspicious but not overtly so (and this in itself is kind of weird). Then one day when the mailman asks her to go to the beach, the narrator’s dad asks the narrator to join them. It turns out to be a special kind of beach. The whole scene is weird and uncomfortable and, while it sets a tone, it doesn’t really do more than that, and the amount of detail seems extraneous.
Especially since the real plot seems to be about Nixon. Nixon is visiting the Cape for a promotional tour. And the narrator’s father hopes that Nixon will eat at his restaurant. It’s true that the mailman comes back in the end (in a very unexpected way, which I rather liked). It just felt like there was too much going on here and the story suffered for it. It’s possible that this was an excerpt from a novel, but the story seemed to resolve itself, so I wouldn’t think it was.
I think Canin’s writing is not for me.

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