Feeds:
Posts
Comments

Dav Pilkey–Captain Underpants and the Preposterous Plight of the Purple Potty People (2006)

March 9, 2013 by Paul Debraski

potty

SOUNDTRACK: “WEIRD AL” YANKOVIC-Dare to Be Stupid (1985).

dareAfter In 3-D, Al came out with Dare to Be Stupid the following year.  It wasn’t quite as big a hit as In 3-D, even though it had the Madonna parody as well as a couple of really great originals–“One More Minute” and “This is the Life” (as seen sometimes in Johnny Dangerously–not on the VHS version for legal reasons, although it is on the DVD).

“Like a Surgeon” wonderfully skewers Madonna–Al doesn’t often do women’s songs, but this one fits his range very well.  “Dare to Be Stupid” is a Devo parody (well, more tribute as this is no weirder than any Devo song).  It’s a frenetic and wild song telling yo to do all the things that you were told don’t do.  Okay I can hear you now.

“I Want a New Duck” is a really lame lame parody.  It’s weird and while he fills out the nonsense pretty well, it sounds like he came up with the idea because nothing else sounded like Drug (the original is pretty stupid too, so there ya go).

But then there’s the sublime “One More Minute” a hilarious doo wop “love song” in which the backing band really shows off what they can do.  “I’m stranded all alone in the gas station of love and I have to use the self station pumps” is absolutely hilarious and a completely under appreciated line.  “Yoda” is a good parody, one that has not only held up but has been resurrected with the new Star Wars franchise.

I never understood why they did a cover of George of the Jungle, but I never watched the show so it doesn’t have any meaning for me.  “Slime Creatures from Outer Space” is a goof of a sci-fi song which doesn’t quite match the absurd heights of “Nature Trail to Hell.”  Al says that “Girls Just Want to Have Lunch” is his least favorite parody (the label asked him to do Cyndi Lauper) and it’s really not very good–again, the song was too goofy to mess around with that much, but even in his recording it’s not very convincing (and he returned to the hand farts) the way that he and the backing vocalists are singing even sounds like they are disdainful of the song.

“This is the Life” was commissioned for Johnny Dangerously and he really ups his game for it–lots of genre jokes and a really good quality of recording.  “Cable TV” is a pretty uninspired song about TV (which is surprising given how many songs he has written about TV) which has an awful sax solo–joke or not it’s bad.  “Hooked on Polkas” is the second of his mashups of songs.  The banjo version of “Sharp Dressed Man” is cool as is the use of the sounds from Yes’ “Owner of a Lonely Heart” there’s also some pop metal Twisted Sister and Quiet Riot–and where else would you hear Quiet Riot next to Frankie Goes to Hollywood?

All in all some hits and misses.  And yes, maybe this stuff was funnier  in the 80s?

[READ: February 22, 2013] Captain Underpants and the Preposterous Plight of the Purple Potty People 

I can’t believe how much I enjoyed this story   The first few Underpants books were silly and a funny way to make a story about a guy in his underwear.  But as the series has progressed it has gotten far more complex with fascinating twists and recurring characters (and how does he keep a storyline fresh in his head three years later?).

So Booger Boy Part 2 actually ended in the middle of a cliffhanger (but this one is not a Part 3 because the Booger Boy is no longer relevant).  Rather, when we left George and Harold they were in the purple potty time machine with Sulu the hamster and Crackers the pterodactyl and they were hurtling…. somewhere.

When they exit the potty, they are in the library, but the library is full of books!  The exact opposite of their own school library (and the librarian is even holding a copy of Mommy has Two Heathers.  In fact everything is the opposite–the school is encouraging creativity  the teachers are nice and Principal Krupp is happy to see everyone   It’s really weird.  Especially when the boys see themselves across the school.   And they turn out to be…evil!  Yes Evil George and Evil Harold look like normal George and Harold do, but they do things that are evil (they change sign letters to read anarchy rules…yipes). Continue Reading »

Posted in "Weird Al" Yankovic, Adventure, Boredom, Children's Books, Dav Pilkey, Devo, Funny (ha ha), Mad Scientists, Quiet Riot, Yuck! | Leave a Comment »

Truus Matti–Mister Orange (2011) [translated 2012]

March 8, 2013 by Paul Debraski

mister orangeSOUNDTRACK: MUSE-The 2nd Law (2012).

2ndlawMuse are over the top.  No question about it.  And that’s why I like them so much.

So when the new album opens with crunchy guitars that give way to keyboards that sounds not unlike a Bond movie, it’s not really surprising.  The first verse is fairly mellow, building until Matt Bellamy hits some crazy high notes and the heavy bass guitar kicks in.  But unlike some previous albums, this one is not all heavy heavy guitar rock.  There’s some electronic elements as well.  Especially on the single “Madness” (which was debated about on the alt rock station I listen to, wondering if it was too dance-oriented).  The song uses a dub format for repeating the Muhmuhmuhmuhmuh madness, but the verses are so catchy it’s hard to resist.  It also has a major Queen feel (a common complaint about them, although it’s not like Queen are still making music).  For Muse, this song is kind of understated until the big verse at the end when Bellamy can really soar.  “Panic Station  has a big thumping bass and drum along with some screams that sound out of an 80s metal band but there are horns that give it a dancey feel–always a contradictory outfit, Muse.

“Prelude” sounds indeed like a prelude to what proves to be “Survival” it is big and anthemic (as Muse tends to be).  It is uplifting and, as one may recall, it was the official song of the 2012 London Olympic Games (which is fitting it’s all about winning).

“Follow Me” slows things down a bit in the beginning, but it of course comes back with lots of bombast (this is Muse after all) but there’s also elements of electronica (is that  dubstep sound?) and backing vocals that remind me a lot of U2.  “Animals” has a kind of slinky bass line that wends its way through the song’s guitar solos.  By the end of the song it has grown much heavier with shouting crowds and a furious double bass drums.

“Explorers” is a ballad that grows and retracts.  “Big Freeze” has another big chorus. It’s followed by “Save Me,” a gentle ballad with harmonies.  Then “Liquid Freeze” picks up the pace a bit.  This is all leading to “The 2nd Law: Unsustainable” which is my favorite weirdo song in ages.  It is so crazy over the top and audacious that I love it.  It opens with crazy strings and a fast talking jittery computer voice.  And when she reaches the word “unsustainable,” the song goes absolutely bonkers, with crazy sound effects–I would assume most people hate this track, but I think it is very cool.  The final track “The 2nd Law: Isolated System” is a kind of denouement for the whole album–a piano ballad of 5 minutes that has a bit of a dance feel to it.

I can’t get over how much I enjoy this record.  It’s definitely not as heavy as past muse records, but it has some great experimentation and Bellamy absolutely knows a great melody.

[READ: March 8, 2013] Mister Orange

I was walking past the New shelves in the library and this book caught my eye (who says placement isn’t important?).  Something about the title and the cover design was really appealing.  I looked at the blurb–it’s about an American kid during WWII.  I wasn’t really sure I wanted to read that, but then there was a line about an artist and comic books.  I immediately thought about The Adventures of Kavalier and Clay which is also about comics in the 1940s (although this book is NOTHING like that one at all), and I decided to grab it.  Besides it was only 150 pages.

Well, I never would have guessed that the book is a historical fiction novel about Piet Mondrian, one of my favorite artists of all time.

So the story is about a boy, Linus, and his family living in New York City in 1943.  His oldest brother, Albie has volunteered for the war.  His mother is disappointed in him as she believes that all war is wrong and that nothing good every comes from war.  She is so disappointed, in fact, that she does not hang the blue star that all families with soldiers are given to hang in their windows.  Linus wonders if she is not proud of her son for fighting for what he believes in, but his mother says “Flags are for celebrating, and there is nothing to celebrate about war.”  She doesn’t even let him go to the parade for the departing soldiers.

When Albie leaves, the rest of the family is stuck waiting for word from him.  But life goes on at home and with Albie gone, that means that everyone moves up in responsibility (and shoes get handed down).  Simon (now the oldest at home and a sullen teenager) takes on Albie’s work at the newspaper, Linus picks up Simon’s grocery delivery route (their family owns a grocer’s shop) as well as Simon’s shoes, which are way too big, and Max takes over looking after the youngest children: Sis and Willy.  For the most part we follow Linus as he learns the new route and learns a bit more about the city. Continue Reading »

Posted in Art, Children's Books, Foreign Books, Historical Fiction, Laura Watkinson, Marriage (Happy), Michael Chabon, Muse, Piet Mondrian, Queen, Short Books, Translation, Truus Maffi, U2 | Leave a Comment »

400,000 views

March 7, 2013 by Paul Debraski

Sometime today I hit 400,000 views.  The real landmark is of course 500,000.  Given the rate of views per day and the amount of time it took to go from 250,000 to 400,000 I’m anticipating hitting 500,000 on December 10, 2013.  Let’s see if I’m right.

Posted in Paul Debraski | Leave a Comment »

Dav Pilkey–Ricky Ricotta’s Mighty Robot (originally published as Ricky Ricotta’s Giant Robot) (2000), Ricky Ricotta’s Mighty Robot vs the Mutant Mosquitoes from Mercury (2000), Ricky Ricotta’s Might Robot vs the Voodoo Vultures from Venus (2001)

March 7, 2013 by Paul Debraski

ricky1.2

SOUNDTRACK: THE FLAMING LIPS-“I Can Be a Frog” on Yo Gabba Gabba ( 2010).

gabbaThe Flaming Lips make songs about all kinds of things.  This track, from Embryonic, always had a feel of a kid’s song.  So much so that when they modified it for Yo Gabba Gabba, they merely changed the word “She” to the more inclusive “You.”

You can be a frog / You can be a bat / You can be a bear / Or you can be a cat

This version sounds very similar to the record, but it’s really fun to see the guys playing on the hugely cartoonish instruments.  I also like when they pull back to show DJ Lance and his pals  dancing along (they dance very well for creatures in large costumes).

I’ve always been a little sad that my kids didn’t like this show.

 

[READ: February 22, 2013] Ricky Ricotta Books 1-3

Ricky Ricotta is a book series that Dav Pilkey created (with Pictures by Martin Ontiveros) in the middle of the Captain Underpants series (the guy never rests!).  He has nine books planned for the series (one for each planet).  This series is aimed at a younger audience than the Captain and is less “naughty.”  Ricky is a mouse who wishes he had a friend.  He is also picked on by bullies at school.  His parents tell him that one day something big will happen to him.  And indeed, one day something big does happen to him.

The evil mad scientist Dr Stinky has created a robot and wants it to destroy the earth.  But the robot doesn’t want to.  So the evil scientist blasts it with a laser ray.  Ricky sees the whole thing and he kicks a kickball at the scientist, making him drop and smash the ray gun.  Ricky and the Mighty Robot become friends.  Indeed the robot becomes Ricky’s best friend.  The robot immediately gets the bullies to stop picking on Ricky (without harming anyone).  And Ricky is happy for the first time.

But soon Dr Stinky is back for revenge.  He blasts the classroom iguana turning it into a huge, vicious monster which goes on a rampage.  Mighty Robot and the iguana fight (in Flip-O-Rama!).  By the end of the book the bad guy is punished and the iguana is restored to its normal self.  There is no indication of a continuation of the story (like in Captain Underpants), although we know from the back of the book that he has a while series planned. Continue Reading »

Posted in Adventure, Boredom, Children's Books, Dav Pilkey, Funny (ha ha), Mad Scientists, Martin Ontiveros, Robots, Short Books, The Flaming Lips, Yo Gabba Gabba | Leave a Comment »

Alexander Maksik–“Deeper Winter” (Harper’s, March 2013)

March 6, 2013 by Paul Debraski

Harpersmaerch13

SOUNDTRACK: DEFTONES-“My Own Summer (Shove It)” single CD 1 (1998).

shoveitThis is a four track single (it’s out of chronological sequence, but it does follow the B-Sides release, so lighten up!).

Obviously, “My Own Summer” is awesome.

The other three tracks are live from Amsterdam.  The sound quality is not as great as I would like–Chino’s voice is mixed strangely and he seems to be “above” the music–almost like he is rapping to prerecorded music. It’s especially notable on “Lotion” which I don’t especially like here–it doesn’t really sound like the song so much as a guy talking over background.  It’s better on “Fireal-Swords,” but what’s most notable about the song is that in the middle of it, while the band are still playing, he talks to the crowd and asks them to be a little gentle to some guys (I can’t imagine the context) at least for the rest of this song, okay?

In the final song, “Bored” the band sounds great–and Chino’s vocals distortions are incredible (and incredible in how consistent they are–does he have pedals or something).  But in this case, in the middle of a verse, the band completely stops when Chino sees a kid on the ground.  He asks if the guy’s okay and you can hear the relief in his voice when you find out he’s just looking for his shoe.  So they bring the kid on stage and tease him a bit and then let him stage dive off as they pick up at the next chorus–from zero to ten –like nothing happened.  Cool.

It was very impressive to hear genuine concern from such a loud and screamy band.

[READ: March 5, 2013] “Deeper Winter”

This is a story about an illegal immigrant.  And what’s interesting about it is that there’s no “message” one way or the other about illegal immigrants.  Eduardo is just a guy looking for a job and a place to stay.

The story opens with Eduardo and his Uncle Luis at a Dodgers game.  Luis is telling him that he has to move out because he and his lady want to get married and have the place to themselves.  Eduardo understands, he knew the place was only temporary for him.  Luis feels bad, but he has already gotten in touch with a friend in Idaho who can get him a job and give him a place to stay.  He also gives Eduardo a down parka and a bus ticket.

Eduardo sets out on a quiet Sunday morning bus.  They stop briefly in Las Vegas and then they’re off to the north.  When the bus arrives, Miguel is there to pick him up.  Miguel’s mother is very excited to see Eduardo (Eduardo of the Angels she calls him).  She reveals that she and Luis were an item a long time ago and she thinks of Eduardo as family.  They give him his own room and tell him that he’ll be working with Miguel on a construction site–working for Johnny Danilo.

Eduardo is a quick study and learns the fine art of roofing so that when the job is finished (it’s a big job and takes awhile), Danilo lets him put on the finishing caps–something of a rite of passage.  There’s plenty of work upcoming, so Danilo invites Miguel and Eduardo to keep working for him.  Eduardo becomes friendly with Danilo and his son Leo.  Eduardo even shows Leo how to pitch like Fernando Valenzuela.  But one day when Eduardo returns home, Miguel and his mom have taken off–they left Eduardo’s things but cleared out everything else.  Eduardo has no one to turn to except Danilo. Continue Reading »

Posted in Alexander Maksik, Beer, Culture Shock, Deftones, Harper's, Short Story | Leave a Comment »

Colm Tóibín–“Summer of ’38” (New Yorker, March 4, 2013)

March 5, 2013 by Paul Debraski

CV1_TNY_03_04_13Chast.inddSOUNDTRACK: DEFTONES-B-Sides & Rarities (2005).

220px-Deftones_-_b-sides

Deftones released this B-sides collection after Deftones.  It contains mostly covers.  They also later released an album called Covers which has all of these covers and some new ones.  Covers was released on Record Store Day and is really hard to get now.  The covers that are extra to that CD are: “Drive” (originally by The Cars), “Caress” (originally by Drive Like Jehu), “Do You Believe” (originally by The Cardigans), “Ghosts” (originally by Japan) and “Sleep Walk” (originally by Santo & Johnny).   Despite those interesting songs, B-Sides and Rarities is no slouch.

“Savory” is a cover of a song by Jawbox.  Chino’s voice sounds so utterly different here, I completely don’t recognize him.  It’s not the most impressive start to the collection as even after a lot of listens the song still hasn’t really stuck for me, but it’s also one of the few songs I didn’t know beforehand.  (It turns out the cover was actually by the band Far (with the members of Deftones playing as well)).  But it was the Cocteau Twins cover that really blew me away.  The Cocteau Twins, an ethereal lighter than air band get a very respectful treatment here.  “Wax and Wane” has a pretty heavy bass line which Chi produces (with cool effects on it), and while Chino doesn’t try to ape Elizabeth’s Fraser’s voice, he does a great job in her register (how he figured out the words, I can’t imagine). Lynyrd Skynyrd’s  “Simple Kind of Man” gets the Deftones treatment with whispered/creepy vocals in the first verse and a big loud chorus.  The cover of Helmet’s “Sinatra” is very heavy (I don’t know the original but I know other Helmet songs) but it doesn’t sound quite like Helmet–a perfect Deftones take on the band, with very low tuned bass strings.  The second biggest surprise comes from their cover of Sade’s “No Ordinary Love.”  I don’t know the original, but I do know about Sade and this song keeps all of the funky bass and the slinky sexiness of a typical Sade song.  But it adds an interesting slightly sinister vibe that really makes the song stand out.

The band performs a great spooky gothy cover of The Cure’s “If Only Tonight We Could Sleep” (at what I gather is a live tribute show) complete with that weird Middle Eastern sounding guitar and the cool splash cymbal.  It’s followed by a great cover of The Smiths’ “Please Please Please Let Me Get What I Want” and he does a surprisingly good Morrissey.   Their cover of Duran Durans “The Chauffeur” was the first cover that I had heard by the band and it was the first time I thought about how cool a Duran Duran song could sound: win-win.

There are some reinterpretations of Deftones originals as well.  “Change (In the House of Flies)” works very well in the acoustic format–sounding somehow more dramatic.  “Teenager” has a trippy Twin Peaks vibe when it opens.  This is the “Idiot Version” with guys from Idiot Pilot joining the Deftones.  It doesn’t sound all that different from the version on White Pony and yet I really didn’t recognize it out of context.  “Crenshaw Punch/I’ll Throw Rocks at You” is the heaviest thing on the album, with loud abrasive guitars.  It was a B-Side from Around the Fur.  My least favorite track is “Black Moon” which is a sung by B-Real from Cypress Hill.  I liked Cypress Hill a lot back in the day, but there’s something unsatisfying about this pairing–or maybe it’s just that this songs really sticks out on the disc.  The acoustic “Digital Bath” is trippy and very cool–it’s amazing when they strip down their songs, which are usually so abrasive and heavy and they still manage to sound great.  “Be Quiet and Drive (Far Away)” is another acoustic piece with a remix by DJ Crook.

More than just a stop gap or a collection of misfit tracks, this is a really cohesive Deftones album and actually a great place to start for people trying to ease their way into the band.

[READ: March 3, 2013] “Summer of ’38”

This story is about Montse.  Montse is an old woman with three children.  Her husband died some time ago and she is by herself.  Her daughters come to visit her but she doesn’t like to be a bother to them.  On this occasion, her daughter Ana says that she met a man who is writing a book about the war and he would like to talk to Montse to see if she has any recollections of the time (she was a teenager in 1938).

Montse doesn’t want to talk to the man, she says she won’t remember anything and why doesn’t he write the book without her.  But the man arrives anyway.  When he asks her questions, she says she knows nothing about the war.  But he says that a retired general (for Franco) is coming to their town to show the writer war locations.  The general says he remembers Montse’s name and would like to meet with her.  His name is Rudolfo Ramirez.  She says she barely remembers him and that maybe she’s even thinking of someone else.

The writer says it’s not a big deal but is she would like to meet with him he will be at the cafe on Saturday for a casual lunch. She gives a reluctant maybe and the writer leaves. Continue Reading »

Posted in Babies, Cocteau Twins, Colm Tóibín, Deftones, Duran Duran, Helmet, Irish Writer, Morrissey, New Yorker, Sex, The Cardigans, The Cars, The Cure, The Smiths, War | Leave a Comment »

The Golden Dragon Acrobats present Cirque Ziva (RVCC Arts, Branchburg NJ, March 3, 2013)

March 4, 2013 by Paul Debraski

[ATTENDED: March 3, 2013] Cirque Ziva

zivaIt’s Chinese Acrobat time again!  One year ago we saw the Peking Acrobats at RVCC and this year it’s time for the Golden Dragon Acrobats!

The Golden Dragon Acrobats performed a series of exciting and amazing feats on stage.  It was not quite the spectacle of last year’s Peking Acrobats, although there were many similar elements.  The Peking Acrobats were completely over the top.  Cirque Ziva felt a little smaller but with more flash in costumery and sets.

ziva1It opened with a series of…wheels?  Round cage-like apparatus that you climb in and roll around–C. and I actually saw these in a Jackie Chan film recently–they seemed to be a part of Chinese military training (somehow).  But the Golden Dragon Acrobats did much more than Jackie did with them.  With different sizes and numbers of participants they used these wheels to wondrous effect–spinning and rolling and climbing on and off.  It was mesmerizing.

And then it was time for the women to show off.  The first item was called “Thousand Hands.”  Six identically dressed women (with super long golden nails) stood one behind the other and then their arms spread out in a wild and wonderful array.  They worked in beautiful synchronicity and it looked amazing.  For Peking we were upstairs in the balcony, and being able to see all six women from the top spoiled the effect somewhat, it was much more impressive here.  Then they moved onto more, amazing contortions (see the poster above which I don’t even understand even though I saw her do it).  They did both group formations and an individual performance (and we all agreed the woman was mind blowing and a little gross). Continue Reading »

Posted in Acrobats, Branchburg, NJ, C., Golden Dragon Acrobats, RVCC Arts, Set in New Jersey!, T. | 1 Comment »

Dav Pilkey–Captain Underpants and the Big Bad Battle of the Bionic Booger Boy Part 2: The Revenge of the Ridiculous Robo-Boogers (2003)

March 3, 2013 by Paul Debraski

booger1SOUNDTRACK: “WEIRD AL” YANKOVIC in 3-D (1984).

in3dAfter Al’s debut he came roaring back the next year with In 3-D a disc which opens with his first Michael Jackson parody “Eat It.”  The song was leaps and bounds above anything on the debut (even if there are still hand farts in it).  The song actually sounds like the original (if a little less “full” and a little goofier and on the whoo hoos).  But the solo by Rick Derringer rocks and the whole song works very well.  The rest of the album is a solid mix of originals and parodies

I didn’t really understand that “Midnight Star” was meant to parody the Weekly World News and such (I didn’t really know those papers at the time) but I thought the headlines were funny.  And yes its a lot of fun to sing a long to.  It’s always funny when Al parodies a song that is already rather stupid (My Sharona, or in this case Safety Dance), and “The Brady Bunch” opens with a general overview of stupid TV shows and then morphs into the The Bunch’s theme song to the music of “Safety Dance.”  “Gonna Buy Me  A Condo” is a reggae song which I never really got the joke of as a kid.  I mean, I knew it was reggae but I didn’t know enough about reggae to know that this song is kinda funny, about selling out for the mainstream life.  It’s not genius or anything but it’s kinda funny–in fact I think it’s funnier now than I ever did as a kid.

“Jeopardy” works perfectly as a parody.  It retains all of the weird sounds and “drama” of the original and yet it works entirely unto itself.  It’s definitely an early highlight.  This disc also introduces what would be come a staple on all his later albums:  “Polkas on 45” where he mashes together a string of songs into a polka beat.  They are always fun and clever.  This one is a mix of new wave and classic rock bands Devo, Deep Purple,  Berlin, The Beatles,  The Doors,  Iron Butterfly, Jimi Hendrix, Talking Heads, Foreigner, The Police,  The Clash,  The Rolling Stones,  and The Who.

“Mr Popeil” is another one that I didn’t full get until later (why did i like Al if I didn’t get any of the jokes?).  Ron Popeil is the king of the As Seen on TV  product (as listed in the song).  The thing that I really didn’t get was that this is was a parody of the B-52s–one of the first parodies he’d done that’s a parody of band but not really a song.  This is not a parody of Rock Lobster exactly, but it sounds quite a lot like it–and that’s a neat trick.

“King of Suede” is a parody of The Police–I never really liked it even though it does work as a parody–perhaps the original isn’t a very string song.    “That Boy Could Dance” is instantly forgettable, so much so that I had forgotten all about it.  “Theme from Rocky XIII” is a pretty funny parody of “The Eye of the Tiger.”  But it doesn’t prepare you for the genius that is “Nature Trail to Hell.”  An epic song about horror movies with the great line “if you lie the 6 o clock news you’ll love Nature Trail to Hell (in 3D).”  It’s over the top and very silly–the music escalates  with screams and strings and several different sections (although the solo section is a little anemic).  I can’t imagine what he would do with it today if he rerecorded it.

So In 3-D was a big jump in quality for “Weird Al” and was actually a pretty big hit (charting at #17).

[READ: February 22, 2013] Captain Underpants and the Big Bad Battle of the Bionic Booger Boy Part 2

Since it is 2013 and not 2003, I don’t have to wait several months for Part 2.  Huzzah!

The opening comic in this book not only gives all of the Captain Underpants background that it usually does, it also includes what happened in Part 1.  At the end of the book, the robotic booger monsters (Carl, Trixie and Frankenbooger) were on the attack.  They destroyed the Combine-O-Tron 2000 so it would not reverse the effects of the machine on Captain and Melvin.  But Sulu the hamster rescued them by hurling the boogers into space (with his mouth, ew).

The boys want to get things back to normal.  But Professor Krupp (who is in Melvin’s body) is going about his business getting everyone in trouble.  Except that since he looks like Melvin people are getting angry at him rather than listening to him.  This book features a wonderful letter swap from “Check out our school’s big internet website at http://www.jhes.com” to “We shake our big butts when we swim in the toilet.”

The boys give up on trying to fix the Combine-O-Tron and decide to use the Purple Potty Time Machine that is in the library and go back in time.  There’s a great sequence in which the librarian has banned every book but one and I love the posters that are up encouraging the banning of books–it’s another awesome dig at those who censor.  And the librarian is named Miss Singerbrains. Continue Reading »

Posted in "Weird Al" Yankovic, Adventure, Berlin, Boredom, Children's Books, Dav Pilkey, Deep Purple, Devo, Foreigner, Funny (ha ha), Iron Butterfly, Jimi Hendrix, Mad Scientists, Talking Heads, The B-52's, The Beatles, The Clash, The Doors, The Police, The Rolling Stones, The Who, Yuck! | Leave a Comment »

Dav Pilkey–Captain Underpants and the Big Bad Battle of the Bionic Booger Boy Part 1: The Night of the Nasty Nostril Nuggets (2003)

March 2, 2013 by Paul Debraski

boogerpt1SOUNDTRACK: “WEIRD AL” YANKOVIC-“Weird Al Yankovic” (1983).

wayI have evidently always loved parody.  When “Weird Al” first came out I heard about “Another One Rides the Bus” (from where?  where could I have heard about this in like 1981 or 1982, I didn’t know about Dr. Demento), and really wanted to hear it.  I knew (and loved) “Another One Bites the Dust” but I had no information about the “Weird Al” song.  And there was really no way to learn about it in 1982 or 1983.  My only source of record buying was Pathmark.  And asking the clerks for “Another One Rides the Bus” inevitably brought me to the Queen album.  I’m somehow astonished that even at the tender age of 13, I was more hip and indie than “mainstream records stores” (or at least Pathmark).

I’d be lying if I were to say that “Another One Rides the Bus ” has stood the test of time (although really, hand farts never go out of style).  Indeed, no matter how much I love  “Weird Al” (and I have seen him on every tour  for the last several tours), that first album just doesn’t really do it for me anymore (although I know I loved it when I got it).  It may have something to do with the song parody choices or just the fact that I’ve heard them so many times.  But I think part of it is that Al has matured into a really consummate recording artist–his songs are as full and complex as the originals he parodies (and his originals are comparably full).  By contrast, this first album is very sparse–focusing on the accordion and sound effects more than trying to recreate the song.  And hey, I know he had no budget, it’s totally understandable.  It’s just that now all these years later, it sounds more like a demo than anything else.

I also have to wonder if I ever thought these songs were actually funny–at this point Ricky seems just as preposterous a song as Mickey (And, yes, Ricky is better).  “I Love Rocky Road” holds up better than “Ricky” (hand farts you see) and is actually better than the original too.  “Stop Dragging My Car Around” is a pretty funny parody in theory–I like the idea of deflating the original, although I’m not sure that the new lyrics actually work.  There’s some funny car jokes, but I’m not sure that the chorus is actually right.  I do love the way Al plays with his voice (and the backing hey hey heys are great).  Somehow “My Bologna” still holds up surprisingly well–certainly as good as the original.

Al’s originals are a mixed bag.  I’ve always loved “Gotta Boogie” even if I didn’t quite get the double meaning until a few years after hearing it.  “Buckingham Blues” is a weird topic choice, although I guess the Charles and Diane wedding was a big enough deal to mock it.  “Happy Birthday” is a pretty funny song and it could easily stand up to a re-recording.  (Lyrically the song is very dark and not really kid-friendly (birth and death and all that).  “The Check’s in the Mail” is another song I didn’t “get” until many years later–why would I know these business cliches?  Nevertheless, I knew the words quite well and think of it whenever I hear someone spouting a cliche.  “I’ll Be Mellow When I’m Dead” is a fun song that mocks the “self-help” scene.  This was probably funnier for older people who might actually know what he’s talking about (Like wow, man can you relate).  But even if you don’t get all the references, the chorus is sure fun to sing along.  The lyric, “I don’t want no part of that vegetarian scene” is a funny line since he is a vegetarian (although I don’t know when he became one).  Musically it’s interesting though because he throws different styles of music into the one song, something he would definitely play with later.  “Such a Groovy Guy”  tries a little too hard.  And the final song “Mr Frump  in The Iron Lung” is just bizarre (and something I didn’t get for many many years–did they even still use iron lungs in 1983?)

In retrospect this isn’t a great indication of what Weird Al would eventually achieve, but there’s a lot of fun stuff and songs that I still remember the lyrics to thirty years later–not a bad thing at all.

[READ: February 22, 2013] Captain Underpants and the Big Bad Battle of the Bionic Booger Boy Part 1

Every Captain Underpants book ends with “Here we Go Again” and an assumed next book.  But this is the first book in the series that ends with an actual stated next part (see title).  This is also the first book where events of the previous book impact this one.  Ms Ribble is still nice!  And she is still making cookies every day.

Two things struck me in this book: the language that Pilkey uses is a little more difficult.  He’s using bigger words and some harder ideas and I wondered if the audience was getting older with Pilkey or if he just wanted to stretch his audience a bit.  Conversely, George and Harold’s spelling is getting worse.  It initially bothered me that their spelling was so bad (I don’t want kids to learn bad habits), but now Pilkey points out how bad their spelling is and it is so bad (they spell “once” wrong), that I guess it’s more funny than anything else.

This book also introduced me to squishies.  I don’t know of this prank ever took off in schools  but of all the things that this series had done that might get parents upset, squishies has to be the worst.  Basically you put packs of ketchup under the toilet seat so when someone sits on it–splat.  I could see that catching on and causing a lot of trouble.

The bad guy in this book proves to be uber-geek Melvin Sneedly.  Melvin has a appeared before.  He is a rule-follower and a tattle-tale.  He’s also really smart and makes cool inventions like the Combine-O-Tron 2000 (it cracks me up that every thing is still “2000” even though the books were written in 2003).  The Combine-O-Tron in this case combines a hamster and a robot to make a cyborg hamster.  But the kids in class are too interested in squishies to care about this cool cyborg.  Which really angers Melvin. Continue Reading »

Posted in "Weird Al" Yankovic, Adventure, Boredom, Children's Books, Dav Pilkey, Funny (ha ha), Mad Scientists, Yuck! | Leave a Comment »

Ian Fleming–Chitty-Chitty-Bang-Bang: The Magical Car (1964) [audiobook 2003–Andrew Sachs]

March 1, 2013 by Paul Debraski

[LISTENED TO: March 2013] Chitty-Chitty-Bang-Bang

chittyI knew of this movie (although I haven’t seen it in decades) but I didn’t know it was based on a book.  And I had no idea the book was by Ian Fleming!  The creator of James Bond!  Chitty-Chitty-Bang-Bang is his only children’s novel and it was released posthumous;y (he died a few months before it came out).  I’ve never read any James Bond and I don’t love the films all that much so I can’t really compare this to his more famous works.  But it seemed like it was written by a guy who knew from spies and scary villains (I actually guessed that he had written this before the Bond books and it was a kind of lead in).

So the story starts off simply enough.  We meet the Pott family: Caractacus, the father, a former Navy commander and now an inventory of slightly wacky things–known in town as Crack Pott (ha); Mimsie, the mom, sweet and good natured and up for adventure, and the eight year old twins: Jeremy and Jemima.  Most of Crack Pott’s inventions aren’t very good but he eventually makes up a candy that is also a whistle and sells them to Lord Skrumshus and his candy company for a tidy sum (and Fleming goes into the details of the money saying how it’s a small sum up front but since Lord Skrumshus sells billions of candies it’s  good deal–Fleming is full of grown up ideas like that in the book and is clearly trying to impart some wisdom to his audience).

Since they live near the motorway, they decide to buy a car.  But they don’t want one of those black beetles that you see everywhere.  He wrote this book in 1961 so I’m not entirely sure about what kind of car he was talking about there.  The family decides to buy a one of a kind old car from an old man in a garage.  The man raves about the car and wishes he could keep her, but he has to sell it for scrap.  Pott offers him a few quid (everyone loves the car and its license plate read GEN 11 (like Genii)) to have the car delivered to his garage.  He spends the next several months fixing her up.  And when she starts, the noises she makes gives her the name Chitty Chitty Bang Bang.  Their first test drive is a marvel and they get her up to 100 miles per hour!

WHAT??  100MPH?  In Rural England??  Wow.  And who knew they used miles and not kilometers (it’s pointed out much later in the book that they use kilometers on the continent) in the 60s?  (It became mandatory there in 1978).  The car is  marvel!  She even has all kinds of buttons that Pott hadn’t figured out what they do yet.  And on their next venture they decide to go to the seaside on a warm day.  But so do 20,000 other cars, so there is a massive traffic jam.  Chitty Chitty shows what she can do and takes over the controls–she grows wings and a propeller (which all come naturally from the car parts) and she flies over the traffic!

When they fly to the beach it is crowded so Chitty flies the to an island in the middle of the English Channel.  And they have a lovely picnic together and take a nap.  Until the tide starts to come in.  Chitty escapes and they take off.  But they head away from London and towards France!

And here’s where the story turns into a wild Bondian adventure rather than a cute family story about a magical car.
Continue Reading »

Posted in Adventure, Andrew Sachs, Audiobooks, Cars, Children's Books, Fawlty Towers, Ian Fleming, James Bond, Marriage (Happy), T., Threats | Leave a Comment »

« Newer Posts - Older Posts »