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George O’Connor–Olympians 1-6 [Zeus, Athena, Hera, Hades, Poseidon, Aphrodite] (2010-2014)

November 25, 2015 by Paul Debraski

olymmp SOUNDTRACK: TORRES-Tiny Desk Concert #461 (August 10, 2015).

torresI’ve really enjoyed a lot about Torres’ music this year.  Mackenzie Scott has an interesting delivery which reminds me of certain aspects of PJ Harvey, and her songs are angry but measured.

Her songs seem to have a lot of low-end in them (without being bass heavy exactly–in fact in this Tiny Desk, there is no bassist).  And her singing voice is often rather low (and sometimes growly).  There’s a moment in the first song “New Skin” in which the music drops out and then Mackenzie Scott starts playing her guitar anew and it’s a sound unlike any in the song before (even though she has been playing all along).

Guitarist Cameron Kapoor adds cool sounds to what I think is her best song, “A Proper Polish Welcome.”  Erin Manning provides wonderful harmony vocals along with keyboards on this song which is as powerful as it is understated.  The song gives me chills.

“The Harshest Light” is a slow song that has glimpses of light as she sings slightly higher notes in the chorus.  And when her voice breaks near the end, you can hear the intensity in her singing.

It’s a great three song set that only leaves you wanting more.

I had resisted getting this album, but realizing just how good these songs are might tip the tables to a purchase.

[READ: Summer 2015] Olympians 1-6

While I imagined that I might read all of the First Second books this year, I paused about mid way through (more for me next year).  But one of the last things I read from First Second was this series of outstanding mythologies about the Greek Olympians.  It also turned out that a few years back I got these books for C., not realizing they were under the First Second imprint.  I was intrigued by them then, but I’m really glad that I read them now.

George O’Connor is a massive geek and Greek scholar.  He has done lots of research for these books, including going to Greece and visiting sites and antiquities as well as comparing all manner of ancient stories to compile the most interesting pieces. He explains that since these stories were orally passed down, they were modified over the years.  He doesn’t change the myths, he merely picks the story lines that are most interesting to him.  And then he adds a lot of humorous modern touches (and dialogue) which keep it from being at all stuffy.

O Connor’s drawing style is also inspired by superhero comics, so his stories are presented in a way that seems much more like a super hero than a classical hero, which is also kind of fun.

Each book ends with an author’s note which is hugely informative and gives plenty of context.  It also has a bibliography, but more importantly, it has a list of notes about certain panels.  Do not skip these notes!  In addition to providing a lot of insight into the myths of the characters themselves, there are a lot of funny comments like “Greeks raced in the nude (point and laugh)” which really bring new depths to the stories. Continue Reading »

Posted in Adventure, Aphrodite, Athena, C., Children's Books, Cyclops, Death, End of the World, Fears, Feminism, First Second :01, George O'Connor, Graphic Novel, Hades, Hera, Heracles, Homer, Minotaur, Myths, PJ Harvey, Poseidon, Religion, Series, Supernatural, Threats, Tiny Desk Concert, Torres, Violence, Zeus | Leave a Comment »

H.G. Watt–The Importance of Manners (2015)

November 24, 2015 by Paul Debraski

mannersSOUNDTRACK: MARTIN TIELLI-Hugh’s Room Toronto, ON (September 27, 2009).

hughsThis is the final solo show from Martin Tielli on the Rheostaticslive site.  And it’s a great final show.  The sound quality is excellent and the crowd is also really into it.

Martin says that it is the fourth show ever with this band which includes Martin Tielli – vocals, guitar
Selina Martin – acoustic guitar, vocals, bowed saw
Monica Guenter – piano, synth, viola, vocals
Greg Smith – bass, vocals
Ryan Granville-Martin – drums, vocals, glockenspiel

(That’s a lot of Martins).

They open with a Rheostatics song, “Dead is the Drunkest You Can get,” a mellow song that works really well and has outstanding backing vocals from Selina and Monica.  Then they play two Nick Buzz songs, “That’s What You Get for Having Fun” and “Love Streams.”

“Something Wild” introduces a lot of vocoder–his vocals sound very different from on the Danny Gross record.  “Underbrush” is very slow and dramatic.

There’s something about this band that really brings out the best of these songs.  “Voices from the Wilderness” is lovely and “I’ll Never Tear You Apart” is also lovely, done in a slower tempo.  Although Martin keeps correcting himself when he messes up the words.

When they get to “Hymn to the Situation” (an old Nick Buzz song) he says it was an audience request and he thought it was funny.  He asks that the audience cheer wildly when he says the word “axe” (which is what happens on the record).  His description of the song is very funny, saying that it is about love.  Not sex, which is disgusting and which is all you hear in the media.  He concludes, “Never confuse the savory and the sweet.”  The song is played entirely on the piano.

“Saskatchewan” is great.  Big and loud.  Although Martin plays some amazingly bad chords at the end of the song–presumably intentionally.  The guitar solo is played on a violin, which is also pretty neat.

The set list says that the song “Our Keepers” was supposed to be next, but it is not included.  Indeed, the set ends with “Saskatchewan” making this show only 55 minutes.  Nevertheless, it’s a great recording and a wonderful spanning of Martin’s solo career.

[READ: October 10, 2015] The Importance of Manners

I found this book at work and was intrigued by the blurb: a Dali-esque fable, and that it was “in the vein of Evelyn Waugh and PG Wodehouse.”  I was committed to the book when I saw that the print was huge and that the chapters were really short.  Not the best recommendation for reading a book, but if you’re looking for quick read, those are some good markers.

The story is a travelogue farce that involves religion, sex, more religion, death and the end of the world.

There are several main characters, although I suppose the main protagonist is Burt Darwin.  Darwin is concerned for his afterlife and he cycles through a different religion multiple times during the day to make sure he has all of his bases covered.  He also keeps a journal in which he must tell the truth because this will lead to a successful afterlife (according to some healer or another).

We next meet Lady Chanel Malory.  Chanel was a hand model, is quite pretty and is looking for adventure (sexual if possible).  But she is married to Lord Percy, an old stuck up aristocrat who says all the things you’d expect someone like him to say.  He also believes that Lady Chanel is French and she is happy to play up the charade of being French for most of the story (it cracks briefly).  The final main character is Sister Mary.  She is an exiled nun, but she dresses like Mother Theresa, blesses everything and everyone and considers everything including flossing to be blasphemous.

They are all on a cruise ship traveling to Africa (you can probably see already the kinds of jokes and scenes that are going to appear).  They meet angry Kings (one who calls Lord Percy “Hitler”), they meet a talking (at least to us) snake who is mad to be stepped on, we encounter Vodun gods (and sellers of Authentic African knickknacks (most likely made in China) and a spell that makes Sister Mary forget that she is a nun and remember the past that brought her there.

There’s even a couple of authorial interruptions.

While most of the book is made of comic episodes (and some are indeed very funny) there are also some intriguing subplots.  Like Lady Chanel’s connection to pirates (which is sadly never explored fully), there’s even the exorcism of a demon.

Oh, and there’s someone who is about to set off a nuclear bomb destined to blow up the whole word.  Although none of our cast know that, somehow one of them saves the entire world.

H.G. Watt is also known as Hande Zapsu Watt.  She was born in Istanbul but now lives in Scotland.  According to some information, she has published four more novels and four children’s books which have all been translated into several languages, but I can’t find any of them.

So this book was a little broad, with some fairly easy targets, and yet I enjoyed it quite a bit.  There was a lot that made me laugh including  the acknowledgments in which she thanks her editor “who edited all the way to page 42 before writing in the margin: “umm, isn’t this a bit racist?”  [The book is, but it attacks everyone mercilessly, so no one need feel singled out].

Posted in End of the World, Etiquette, Evelyn Waugh, Fraud, Funny (ha ha), H.G. Watt, Hande Zapsu Watt, Humiliation, Marriage Trouble, Martin Tielli, Myths, Nick Buzz, P.G. Wodehouse, Religion, Rheostatics, Sex, Sexism, Short Books, Surreal, War, Yuck! | Tagged | 2 Comments »

Scott Feschuk–The Future and Why We Should Avoid It: Killer Robots, The Apocalypse and Other Topics of Mild Concern (2014)

November 23, 2015 by Paul Debraski

feschukSOUNDTRACK: THE ART OF TIME ENSEMBLE with MARTIN TIELLI–Korngold: Source & Inspiration (Enwave Theatre, Harbourfront Centre, Toronto, ON, January 30, 2009).

aotimeAfter seeing The Art of Time Ensemble yesterday, it was quite serendipitous that I would have a show from them (featuring Martin Tielli) to post about on the following day.

This concert is the third in the Art of Time’s “Source & Inspiration” series. Two years earlier the first concert focused on composer Franz Schubert.  The previous year’s concert focused on Robert Schumann. This time the spotlight was on the 20th century Jewish composer Erich Korngold–a composer of European pedigree who became well known for his wonderful Hollywood film scores.

This concert featured Korngold’s Suite for Two Violins, Cello and Piano as the ‘source’ as well as new songs inspired by this work from Martin Tielli, Danny Michel and John Southworth.

This recording is only 8 minutes long because there’s only two Martin Tielli songs. “Lied Two” (the German word for song is lied (pronounced leed) so Martin called his “Lied Two.” And “Moglich” which translates into “possible.”  Both pieces are played with by the orchestra.  Martins sings.

The more dramatic of the two would be “Moglich” with his loud whispered “Relaxxxxx at the end.”  For more information about the show, you can click on this link.

Full Program & Repertoire:
Suite Op. 23 for 2 Violins, Cello and Piano Left-hand
Erich Korngold
i.Praeludium und Fuge
ii.Walzer
iii.Groteske
iv.Lied
v.Rondo-Finale
INTERMISSION
Athabasca
Adventures of Erich Korngold
—John Southworth
The Sailor Song
Island
—Danny Michel
Lied 2
Moglich
—Martin Tielli

Performers
Andrew Burashko, piano
Danny Michel, singer
Erika Raum, violin
Stephen Sitarski, violin
John Southworth, singer
Martin Tielli, singer
Winona Zelenka, cello

[READ: November 22, 2015] The Future and Why We Should Avoid It

The title of this book made me laugh so I set it aside to read it.  Little did I know that it would be so very funny that I put aside other things so I could finish it.

I hadn’t heard of Feschuk before.  He has written two previous books (How Not to Completely Suck as a New Parent sounds pretty good) and writes mostly for MacLean’s magazine.

As you might guess from the title, this book looks at the future, and Feschuk’s predictions are uncanny.  For instance, I brought the book home and decided to look at it in the bathroom.  And the introduction states quite clearly:

By now, life should be awesome and leisurely and you should be wearing a spacesuit and high-fiving your wisecracking robot sidekick.  Except instead your dishwasher is broken, your god-damn iTunes won’t sync up and right now you’re reading this book on a toilet in your bathroom instead of where you should be reading it–on a toilet in your hover car.

Too right, too right. Continue Reading »

Posted in Aliens, Alternative Medicine, Barack Obama, Canadian Content, Canadian Music, Consumerism, Danny Michel, David Cross, Disease, Doctors, Drinking, Erich Korngold, Fears, Film & TV, Funny (ha ha), Hockey, Humiliation, John Southworth, Justin Trudeau, MacLean's, Martin Tielli, Natural Disasters, Political Humor, Propaganda, Ray Kurzweil, Sci-fi, Science, Scott Feschuk, Sex, Smarty Pants, Star Wars, Stephen Harper, Technology, The Art of Time Ensemble, The Future, Travel, TSA, Violence, Yuck! | Leave a Comment »

Art of Time Ensemble with Steven Page, Craig Northey, Andy Maize and Glen Phillips–Sgt. Pepper’s Lonely Hearts Club Band (RVCC Arts, Branchburg, NJ, November 22, 2015)

November 22, 2015 by Paul Debraski

[ATTENDED: November 22, 2015] Art of Time Ensemble

aotWhen I saw that the Art of Time Ensemble was coming to RVCC I was crazy excited.  Especially when I saw that Steven Page and Craig Northey would be singing with them.  I didn’t even care what it was they were doing, but when I saw that they’d be playing Sgt. Peppers Lonely Hearts Club Band, I immediately got seats (3rd row!) and then tried to explain to Sarah what we’d be seeing.

The Art of Time Ensemble does many things although my exposure to them is through their string performances of rock songs

Led by Artistic Director Andrew Burashko, Art of Time Ensemble transforms the way you experience music. Fusing high art and popular culture in concerts that juxtapose the best of each genre, Art of Time entertains as it enlightens, revealing the universal qualities that lie at the heart of all great music.

This show was a string and brass (and piano, guitar, drum and possibly sitar) version of the classic Beatles album.  But it was more than just a symphonic version of the record.  The Art of Time Ensemble created new arrangements of the songs.  There were enough changes that it wasn’t always evident what song was being played–even though they played the album start to finish. Continue Reading »

Posted in Andy Maize, Art of Time Ensemble, Barenaked Ladies, Branchburg, NJ, Corner Gas, Craig Northey, Glen Phillips, New Odds, Odds, RVCC Arts, Skydiggers, The Beatles, Toad the Wet Sprocket | 1 Comment »

Guster (Wellmont Theater, Montclair, NJ, November 21, 2015 )

November 21, 2015 by Paul Debraski

[ATTENDED: November 21, 2015] Guster        

2015-11-21 21.05.07We saw Guster just seven months ago in Philly.  And when I saw that they were playing again in New jersey (to a theater I’d never been to but at which a ton of great bands have played), I bought us some tickets.

It’s funny how many times we have seen them, and I’ve never considered them a favorite band or anything.  But I like all of their albums, I really like most of their songs, they put on a great show, they usually play cheap venues, and they are a whole lotta fun.  And yup, I’d see them again if they came back.  Maybe they are my favorite band.

What was especially great is that they played a very different set list from the show we saw just a few months ago.  Even though it may have technically been the same tour–it’s a little unclear, but it sounded like this may have been a three week jaunt.  But the stage had the same look as the last time–complete with blankets and other crocheted items strewn about the stage. Continue Reading »

Posted in George Michael, Guster, Happy Birthday, Montclair, NJ, Set in New Jersey!, Vangelis, Wellmont Theater | Leave a Comment »

Zoyka’s Apartment (Berlind Theatre, Princeton, NJ, November 19, 2015)

November 20, 2015 by Paul Debraski

[ATTENDED: November 19, 2015] Zoyka’s Apartment

zoykaI was offered free tickets to this show.  I read a brief review, saw the word “farce” and decided it would be fun to go to it.

This play was written by Mikhail Bulgakov, an author I’ve heard of but know little about.  Turns out that all of his plays were banned by the Soviet government.  Including this one, even though it was not an anti-Soviet play.  After the banishment, he wrote to Stalin requesting permission to emigrate, but was denied.

As this play opens, there is a lectern at which an announcer reads a 1990 review of the play by Frank Rich in the New York Times (which you can read here).  Perhaps the most fascinating thing that I heard from the review was this:

Boris A. Morozov’s production of Mikhail Bulgakov’s ”Zoya’s Apartment” at the Circle in the Square. Mr. Morozov is resident director of the Maly Theater in Moscow. His New York cast is headed by such actors as Bronson Pinchot.

Since Pinchot is my new favorite audio book reader, I immediately paid attention. Continue Reading »

Posted in Beer, Berlind Theatre, Boris A. Morozov, Bronson Pinchot, Funny (ha ha), Funny (strange), Gender, Play (Drama), Princeton, NJ, Revenge, Russia, Sex, Sexism, Surreal, Unfinished, Zoyka's Apartment | 1 Comment »

Jasper Gibson–A Bright Moon for Fools (2013)

November 19, 2015 by Paul Debraski

moonfoolsSOUNDTRACK: MARTIN TIELLI-Ottawa Bluesfest Ottawa, ON (July 5, 2008).

bluesfestThis brief set at the Ottawa Bluesfest was for a Six Shooter Records showcase. As such it is short (about 30 minutes).  By the end there are tons of guests playing with him, which is fun.

He opens with three solo acoustic songs: “I’ll Never Tear You Apart” which sounds great and “Something in Those Woods” which would appear on his third album The Ghost of Danny Gross the following year. When the song ends, he says he is still  “working on it.” The third song “The Underbrush” will also appear on Danny.

Then the band comes in: Ford Pier, Greg Smith and Doots (Steven Pitkin) on drums.   Someone in the band says that Martin looks great, the treatments really paid off to which Martin replies “What?” incredulously.

The rocking “My Sweet Relief” segues nicely into the rocking “That’s What You Get for Having Fun.”  Interestingly, Martin seems to forget the words, so they play an entirely instrumental verse (complete with a solo) before resuming the song.

The final song is a great version of “Shaved Head,” with a full cast of Six Shooter Records players in the guest list: Luke Doucet, Paul LaPlante, Christine Fellows, Justin Rutledge, NQ Arbuckle, Casey Laforet and  Mark Sasso as well as a few others whose names I missed.

It’s a great fun show and a great quality recording.

[READ: July 1, 2015] A Bright Moon for Fools

I found this book at work and was intrigued by it.  Not by its title or cover, which is dreadful, but because on the edge of the pages was printed Up on two legs, man!  I love a book that plays with convention so I decided to check it out.  Then on the front is a blurb from Michael Palin(!) which says “Very funny, very unpleasant and very moving.”  And this is a very apt blurb for this book.  It is quite funny, it is very unpleasant and it is also rather moving.

The story is about a man named Harry Christmas.  Christmas is a scoundrel.  He is mid-fifties but appears much older–fat, drunk and be-mustached.  He fancies that he looks fantastic, but no one is fooled.

Christmas suffers no fools. He expounds vociferously about any slight (especially slights against common courtesy–for although he is belligerent, he does believe in common courtesy).  He hates all of the vulgar inanities of modern life, which he calls, “The Rot.”  He hates people who use air quotes, he hates people who listen to walkmen (or whatever other technological marvel is out there), he hates people who want to sit and talk to him while he is eating, and worst yet he hates those who assume that because he is British, he loves football.  None of these hatreds seems that unreasonable to me, but since Harry is a big drunken man, his belligerence moves past justifiable and into the realm of scary.

And yet, he is a funny and enjoyable protagonist to be sure.  Well, except that he has stolen the life savings from his previous girlfriend and has fled London for Venezuela. Continue Reading »

Posted in Big Books, Canadian Music, Drinking, Funny (ha ha), Jasper Gibson, Knives, Luke Doucet, Mark Sasso, Marriage (Happy), Martin Tielli, Michael Palin, Murder, NQ Arbuckle, Sex, Six Shooter Records, Threats, Unlikable main character, Violence, Yuck! | Leave a Comment »

Y York–Bleachers in the Sun (2010)

November 18, 2015 by Paul Debraski

bleachersSOUNDTRACK: MARTIN TIELLI-The Hudson, Hamilton, ON (January 28, 2006).

hamilton After the flurry of solo activity, the Rheos released their final album and toured and then broke up.  Dave Bidini said that Tim Vesely wanted to quit in January 2006. Who knows exactly when that was made clear or how this solo show from Martin came about.

It’s only 29 minutes long.  When he comes out someone asks where he came from. So who knows what’s going on.

The recording is too loud and feels kind of harsh. But he says “I’m gonna try some songs on you.”

I think the entire set is him solo although it sounds like there may be an extra guitar on “My Sweet Relief” and “I’ll Never Tear You Apart.”  He doesn’t mention anyone though, so maybe he’s just awesome.

There’s only 7 songs “Digital Beach” (an unusual Rheos cover by itself).  Then six songs from his debut album.  “World In A Wall” which is great (but again, kind of harsh sounding), “Waterstriders (The Bridge)” “My Sweet Relief” “I’ll Never Tear You Apart,” a rocking “That’s How They Do It In Warsaw” and “Wetbrain.”

It’s a brief show with very little chatter, but it’s interesting to hear him do many of these songs solo.  Given that he tends to play songs from newer albums I can’t help but wonder if this was actually an older concert.

[READ: June 15, 2015] Bleachers in the Sun

Every now and then a big pile of short plays comes to my desk.  The ones that sound interesting I’ll give a read–it usually doesn’t take too long.

This one is about 4 eleven year old girls (in the play the performers are adults).

The blurb on the back says “Why would adults go to see a play about eleven-year-olds?  Possibly because none of us ever really stop being eleven.  [This play] holds a mirror up to grown ups to darkly illuminate the world of modern adolescent girls, which is just like ours, only amplified.”

Okay, well, yes it sort of does that,  But the mirror was so dark that I found the play less than illuminating. Continue Reading »

Posted in Canadian Music, Cigarettes, Dave Bidini music, Food, Humiliation, Play (Drama), Revenge, Threats, Unlikable main character, Y York | Leave a Comment »

Jesse Armstrong–Love, Sex & Other Foreign Policy Goals (2015)

November 17, 2015 by Paul Debraski

jessee SOUNDTRACK: MARTIN TIELLI-Operation Infinite Joy (2003).

oijThis was Martin Tielli’s second solo album and the first disc in his Subscription Series.  Basically, you paid up front and were guaranteed four discs from the man.  Each disc came in a cool metal box, with artwork on the outside and gorgeous artwork in the booklet.  This disc was also available commercially, but I believe the other three were never made available.

This album is really lovely–lots of epic, dramatic moments, with sweeping guitars and choirs.  It’s a real testament to Martin’s songwriting and playing chops.  Although interestingly, Martin is a guitar guy and this album has a lot of piano (from Ford Pier I believe).

The disc opens with “Beauty On” which has some fanfare and a grand introduction about the rock singer who shouts, “Are you with me, Cincinnati are you ready to rock???!!” and a pause and a quietly spoken, “i am not.”  When playing this song live he often left out that intro and simply included the piano melody and the second part of the song.

“OK by Me” has a jaunty feel as it opens.  It has a simple but ornery guitar riff which morphs into several different things in this five-minute song.  There’s an acoustic guitar bridge that gives way to a chorus of voices and then the main verse melody line.  It’s catchy and meandering at the same time.  After the line “I’m playing guitar with all my dinosaurs and me” he busts out  wild raging guitar solo that sounds uncannily like Queen.

“The Temperance Society Choir” is another great dramatic song, with a choir (naturally) and some wonderful harmony vocals.  It also features lead vocals by Selina Martin for the opening lines.  There’s some great guitar and bass sounds in it (mixed low in the mix) and the wonderful lines: “All those in favor just say Aye.”  “Aye!”  “All those opposed just say no.” (pause, quietly) “no.”  It even features an old style piano interlude.

“Segeant Kraulis” is a weird song with lots of great sections.  It opens with a vocoder’d voice saying it is 60238 in the narcotics division.  After several sections, there’s a super catchy chorus, and then a noisy section with presumably Sgt Kraulis screaming “make me visible, you fuckers.”  The last section of the song devolves into a  kind of reggae section with all kinds of glitchy sounds and the repeated declaration, “We were opening packages we did not know the contents of.”

“Andy by the Lake” is the first of Martin’s longer, quieter songs.  Like some of the songs on his first solo album this song is quiet and meandering although the spikes of drama (thunder, lightning) are much welcomed.  The most conventional song on the album is a cover of Smog’s “Cold Blooded Old Times.”  I like the original but there’s something about the way Martin does it that I think is even better–the bassline is great (not present on the original).  I love Bill Callahan’s delivery on the original, but Martin makes it more dramatic (surprise).

“Winnipeg” is a great long song with multiple parts.  It’s got a fantastic intro on bells or vibes (when the wind blows, 50 below) and then shifts into a Neil Young-esque epic.  It features the interesting line “I’ve had cole slaw.”  (Cole slaw also was mentioned on his first solo record). I love the chorus of vocals singing the “ahhhha” before “any day.”  There are so many parts to this song that when people first started recording it live before it was released, I saw three different possible titles for it.

“Waterstriders” is another slower song but the intricate guitar lines are gorgeous throughout.  It’s a great chance for Martin to create all kinds of interesting sounds over a simple rhythm.

“Ship of Fire” also has a Neil Young feel–especially when the intro guitar comes in over the bass.  This song also has many parts and is a pretty fascinating story.  There’s a recurring section about a boy across the Atlantic that is very trippy.  But the lyrics are dark.  There’s also a really noisy section that builds in drama until the final concluding chorus and roaring, guitar-fueled outro.

“Kathleen” ends the disc as a delicate ballad.  I really like this disc a lot.  It’s my favorite of Martin’s solo records and is just an all around great album (with amazing artwork in the booklet).

The Subscription Series disc features two bonus tracks.  “National Pride” which is simple but nice.  And “Diamonds on Our Toes” which is a great song with a fantastic end section and the bizarre screams of “I play electric guitar!”  Both of these tracks come from the Instant Klazzix session which you can download on Rheostatics live.   The versions here have been remixed by martin.

I can’t find all that much out about Instant Klazzix, but there is stuff online about the “group.”  One of these days I’ll post about it.

[READ: June 10, 2015] Love, Sex & Other Foreign Policy Goals

This book was written by a writer of the British comedy Peep Show, which I liked a lot.  However, this book is not very funny (I don’t think it is supposed to be very funny).  Rather, this book falls into the “how far would you go to win a girl” category.  And it wonders if you would go all the way to war-torn Bosnia?

For narrator Andrew, if the girl is smoking hot Penny, then the answer is yes.

Andrew is a middle class working guy.  He is part of the Department of Works, although he’s not glamorous like the real construction guys–he’s more of a gopher.  He has been dating Helen for quite some time.  But he’s quite sure that she is cheating on him.

One night he meets a bunch of students.  They are radical and interesting, and Andrew enjoys their company.  Then they start talking about the problems in Yugoslavia (the book is set in 1994).  They decide that they should drive to Bosnia, bring some aid and, yes, put on a play that will blow everyone’s minds and stop the war. Continue Reading »

Posted in Charity, Funny (ha ha), Guns, Humiliation, Instant Klazzix, Jesse Armstrong, Martin Tielli, Neil Young, Peep Show, Political Humor, Queen, Selina Martin, Sex, Smog, Threats, Travel, Violence, War | Tagged | Leave a Comment »

Brendan Connell–Jottings from a Far Away Place (2015) [prepub]

November 16, 2015 by Paul Debraski

jottingsSOUNDTRACK: マキシマム ザ ホルモン–“え・い・り・あ・ん” (2013) [MAXIMUM THE HORMONE-“A.L.I.E.N” (2013).

maxi2This Japanese band has gained some ground in the United States (having two of their songs used in the anime Death Note).  They are a heavy, heavy metal band which explores many different genres.

This song begins with a heavy metal guitar riff.  When the song proper starts, it is clearly a heavy song sing in Japanese.  The second vocalist (who screams like Yamantaka Eye with John Zorn) screams in an unmistakably Japanese way.  And at 1:15, the song slows down into a very heavy almost mosh.

So far so good.  The first big surprise comes at 1:44 when the song is hijacked by a funk metal bass line and the follow up section is a less scary sounding but still heavy metal.

And then it’s back to the speed and noise once more, complete with a pause and a “Go!” and then a series of “He!y Hey! Hey!” metal chants.

maxiBut the real surprise comes at 3 minutes when the whole song slows to a sweet section with whispered vocals by the (female) drummer?  And then the entire song switches to a sweet song–delicate guitar and super sweet vocals with the new lyrics “Stop Stop Winny Upload.”  The boys come back in, but now they are playing along to this poppy (but guitar heavy) “Stop Stop Winny” section.

This runs on until the end of the song which has the band members conversing in Japanese (about what, I have no idea).

It is one of the most jarring songs I’ve heard, combing at least five genres in its 5 and a half minutes (and several of their other songs do this too (check out “Yoshu Fukushu”).

maxi3This is to say nothing of the video, which opens with the band playing in a live setting.  The  guitarist has long hair and a beard and sings the first verses.  The short-haired singer sings the really fast growly stuff and the bassist has a nifty side shave.

As the funk metal stuff starts, the band switches to a studio scene in which, why not, they all grow extra heads and limbs.

The Stop Stop Winny section switches from a segment with the drummer in a wedding dress singing gently.  And then the final section shows the band in a psychedelic set with little kids and balloons.

It’s fantastic.

[READ: November 13, 2015] Jottings from a Far Away Place

Brendan Connell has this new book coming out (on December 1st) from the wonderfully named Snuggly Press.  (I love that it says This is a Snuggly Book) on the title page verso.

Connell has written all kinds of books in his career but this one is something of a new style in his vast oeuvre.  The title word “Jottings” is a giveaway because so many of the parts of the book are very short–notations, indeed, jottings, that may or may not relate directly to the rest of the pieces.  I found the book a little challenging to read at first because of this.  However, when I wrapped my head around what was going on, it really gelled.  And when I read it a second time, with this in mind, it worked beautifully.

Connell has created a kind of labyrinth of a book in which some fragments lead to dead ends, but other fragments lead to longer stories.  And when you hit on the right path you are rewarded with a longer story that is as well written (Connell’s eye for detail is, as always, exceptional) as it is interesting.  But unlike the mythological labyrinth, there is no Minotaur if you take a wrong path–rather there is just a fragment that forces you to think about where it might belong. Continue Reading »

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