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[ATTENDED: April 22, 2026] Sir Chloe [rescheduled from December 7, 2025]

This show was initially scheduled for December, but Dana had appendicitis and had to postpone the east coast shows.  This worked out for me because I couldn’t get to the December show.

Suzy Clue was supposed to open the previous show and she opened this one as well.  When I looked her up last time I discovered that Suzy Clue

is the internet’s newest “hot emo girl.” Her music is angsty but not overly precious, breathing fresh life into traditional shoegaze sound palettes. As a self-taught musician, Suzy is reminding the music industry what it’s like to start from scratch. She’s gone from not knowing what a bassline is to writing and producing a song that thrashes and shatters your heart over and over again.

I was intrigued to see her.  When the band came out I was fascinated by the set up.  Bass and guitar were really far apart with the drums tucked in behind the guitar. I thought that it was odd that Suzy on bass would be way over to the side of the stage.  And t hen as the first song started, I realized my foolish mistake.  Because they were leaving room for Suzy herself, who came out looking far sexier than I expected with “hot emo girl” taking on a very different meaning.  I was genuinely surprised at how oddly sexual her performance was (especially since Sir Chloe is totally not that).

I had listened to a few of her songs before the show (she has 4 songs released at this time) and they were cool–heavy guitars and soft vocals.  But live, I found the soft vocals to be “sexy” rather than “dreamy.”

Love Me the Same opened with a quiet guitar part and Suzy danced around the stage before singing her sultry vocals.  And then the song exploded with guitars and bass and Suzy danced around some more.  It was weird–like she didn’t know what to do, so she danced like she was trying to seduce us all.

I really liked the drum part of Holy Touch and there were some cool effects on the guitar.  In fact I liked a lot of the sounds the band generated.  But it honestly felt like she was trying way too hard to be sexy.  At one point she dropped to the floor and did something I couldn’t see and then said “oops, my pants slid down, I hate when that happens.”  She also did a sexy thing where it looked like she might make out with the bass player (but didn’t).  It was just too much.

There was also a funny moment when she said this was all so surreal because she used to work here (Brooklyn Bowl), well, not this one, the one in New York.  Hmmm.

So overall, I liked the music and I still like her recorded songs, but the live show just felt off to me.

Love Me the Same (2026)
Holy Touch (2024)
*Froze*
*No Defense*
*Feed* (2026)
*Attached*
*Rest My Mind*
Remember Me (2023)
Uneasy (2025)

All songs were released only as singles.  Songs with * are unreleased.

[ATTENDED: April 20, 2026] Pallbearer

I saw I had heard of Pallbearer but didn’t really know all that much about them.  I assumed they were a really heavy growling type of band.  So when Knoll announced that they were opening for them, I checked them out, enjoyed them and bought a ticket to the show.

It turns out that they are a doom metal band and the album that they were touring, Foundations of Burden, is a classic of the genre.

I had enjoyed the first two bands but when Knoll was done, a whole bunch of guys rushed to the stage.  One of them was actually a guy I’ve seen at a couple of shows recently (MMJ and Band of Horses–he even looks a bit like Jim James).  He is a massive headbanger (headbanging to Band of Horses!).  So he was finally in his element and he knew this album really well. There were a bunch of guys together who knew each other and they were all headbangers and fist pumpers.  And  while it was all harmless, I didn’t enjoy the vibe.

And when the band started I realized the real problem for me.  I was standing right in front of Brett Campbell’s guitar amps.  And it was LOUD!  So when he stepped up to the microphone and I literally couldn’t hear him I wasn’t too happy.  Later on, bassist Joseph D. Rowland sang another part and I couldn’t hear him either.

By the third song, when Devin Holt played a solo and I could hear it until Campbell started playing his guitar, I knew I had to move.

So the album has 6 songs which meant I was already half way through.  But I just wasn’t really enjoying myself.  So I left the front and headed toward the back.  And things were much better back there.  The sound was phenomenal–balanced perfectly and still loud as anything.  Mark Lierly was on drums with a fairly small kit net to the wall of amps–but he was certainly loud enough. Continue Reading »

[ATTENDED: April 20, 2026] Knoll

I saw Knoll open for Agriculture three months ago.  Then I saw that they were returning in three months to open for Pallbearer.  And they are the reason I went to this show (and why I listened to Pallbearer for the first time).

Knoll’s show in January was just mind blowing–intense and wild and loud and a little scary.  And I really wanted to see them again.  Last time I was in front of guitarist Cameron Giarraputo, so this time I wanted to experience it from the other side of the stage in front of Ryan Cook guitarist and trumpet (!) player.

What did I write three months ago?

I have seen a lot of extreme bands, but there’s nothing to prepare you for this.

And the show was largely the same.  Possibly the same songs, but it’s kind of hard to tell.  So I’ll quote from myself a bunch.

Knoll set up their gear.  They had an old-looking end table (I would guess like 100 years old, with all kinds of filigree–but probably not worth anything) and interesting gear on it.  The table also had a little light on it and there were four floor lamps around the stage.

This time I watched as singer Jamie Eubanks asked them to cut all of the lights.

These lights were the only things that lit the stage!  And, most interesting of all, each band member had a step on plug which turned their individual light on and off throughout the show.

All five members of the band were dressed in all black–button down shirts and black pants.  And the lead singer, James Eubanks, has his head shaved, (possibly his eyebrows), his fingernails shaped into points.  He looks like Nosferatu.

Last time I noted that Giarraputo was like a machine with the speed and technical expertise he brought to these incredibly fast songs.  The same was true of Cook–his wrsits moved so fast!

Drummer Jack Anderson must be exhausted by the end of the show playing so fast.

Continue Reading »

[ATTENDED: April 20, 2026] Lástima

I hadn’t heard of Lástima.  They are a Philly band who plays blackgaze which may be a term they made up, or maybe not.  But it makes sense.

They play fast, heavy, dark music with mostly growled vocals.  Back in the day we called these cookie monster vocals.  But cookie monster vocals are for fast singers and I think singers of this style of music sing more like real monsters–slow and deep and creepy AF.

What set this band apart was the inclusion of Thuy Nguyen on violin! (!).  From where I was you couldn’t always hear the violin (again, I need to stand further back from the stage) but when the rest of the band quieted down, the violin was a wonderfully mournful component.

I was in front of Eric Mauro on guitars and Hazel Whitman on bass.  I could kind of see Sam Hyla on drums, but really the most entertaining person was singer/guitarist Richie DeVon.

DeVon sang.  Sometimes in a normal voice (during the quiet section) but usually with a growl or a scream.   There were a few songs (or openings of songs) which had quiet piano parts.  DeVon played them and was usually accompanied by Nguyen on violin.  Toward the end he got down on his knees and screamed his head off while messing about with his effects pedals.  It was quite cathartic.  Continue Reading »

[ATTENDED: April 15, 2026] The Last Dinner Party

The Last Dinner Party played Johnny Brenda’s in Philly back in 2023 and I really wanted to go.  But we had tickets to another show so I missed out. It’s amusing that they mentioned that show at this show and how they hadn’t been back since then (yes, we know).  I’m still bummed that I missed that one, but my daughter and I did get to see them at All Things Go and tonight, my daughter and my wife joined me for this much much bigger show.  (To go from Johnny Brenda’s to Franklin Music Hall is a huge leap).

The stage was set up simply but with a cool look–fabric draped all along the back wall and a mobile of birds high above the stage.  At one point the mobile spun and the birds, which were reflective, shone lighted birds across the black of the stage–very cool looking.

So The Last Dinner Party is slightly gimmicky with the way dress, but it does look very cool and they transcend that look with fantastic songs and a great stage presence.  And indeed, this was one of the best shows I’ve seen in a long time.  They didn’t do anything especially fancy, but their engagement with the audience, their presence and their sheer kickassery was phenomenal.  I loved them at All Things Go but this show was even better.

The opening strains of Walking Into the Pyre played over the speakers as they came out on stage.  The four women filled the front of the stage–keys (Aurora Nishevci), lead guitar, mandolin and flute! (Emily Roberts), vocals (Abigail Morris) and guitar (Lizzie Mayland).  Something was amiss though as their bassist was clearly not Georgia Davies.  Well, it turned out that Georgia hurt her back and was being attended to by a doctor.  She would be heading back to England shortly.  In her stead was Max Lilley who is their bass tech (he’s in a band called Slow Team as well).

They have always had a rotating touring drummer.  I think his leg of the tour it’s Davo–he off in the back, essential but not prominent. Continue Reading »

[ATTENDED: April 15, 2026] Florence Road

Florence Road is a band from Bray, County Wicklow in Ireland.  I had listened to one song before this show and it must have been Rabbits Can Swim, because I thought that they were a pretty but mellow indie rock band.

They came out on stage right around 8: lead singer and guitarist Lily Aron, guitarist Emma Brandon, bassist Ailbhe Barry, and drummer Hannah Kelly.  And they proceeded to blow our hair off.  They opened with None the Wiser.  Aron’s voice is really powerful.  My wife, who normally doesn’t even really pay attention to the opening band remarked at how strong her voice was.  And the band kept up with her–they rocked hard and were really impressive.  It was also interesting that they just put out their second EP (Spring Forward) but this opening song wasn’t on it–it’s new.

There were a lot of people there who knew the band (apparently) but they won the entire crowd over by the end of the song.  The next song Miss was a bit quieter, but Aron’s voice still soared around the room.  By the time of Storm Warning  which had some really cool staccato power chords near the end, they could do no wrong.  Heavy continued with more loud guitars and then switched to a pretty, quiet ending with drummer Kelly on piano.

They stayed quiet for Rabbits with Barry on acoustic guitar.  Hanging Out to Dry was a mid tempo song showing that they can do it all.  They followed it with another new song 7563–no idea what that means, but it was fun hearing them sing that chorus at the end.  That brought the tempo back up.  And then someone in the audience shouted for Break the Girl, which seems to be one of their dancier songs.

They ended the set with the aptly named Goodnight.

Aron and Emma Brandon were both funny when they chatted to us.  They told us it was their first time in Philly and I have to assume it won’t be their last.  They made a ton of new fans tonight.

2025
None the Wiser §
Miss ⇒
Storm Warnings ⇒
Heavy ♣
Rabbits Can Swim ⇒
Hanging Out to Dry ⇒
7563 §
Break the Girl  ♣
Goodnight  ♣

§ single (2026)
⇒ Spring Forward EP (2026)
♣ Fall Back EP (2025)

 

 

[DID NOT ATTEND: April 15, 206] An Evening With Band of Horses

My wife and I saw Band of Horses here about a year and a half ago.  The show was great.  When this show was announced, our friend Jonathan who lives nearby asked if we were going.  But it turned out we were going to The Last Dinner Party already on this night.  So we had gotten tickets for Philly.

We actually know a lot of people who went to this show and the consensus was that the sound was pretty bad.  So I guess we picked the right one (even if we didn’t actually have a choice). The did play two songs tonight that they didn’t for us (NW Apt. and Cigarettes, Wedding Bands) but I still think we got the better show.

[ATTENDED: April 14, 2026] Band of Horses

This is our fifth time seeing Band of Horses.  It was almost exactly ten years ago that we first saw them headline and it was in this very venue.  It’s funny how much times change because back then I wrote

We love The Fillmore in Philly, it’s a great venue with really good sound (and nice parking).

Ten years later, I really don’t like the Fillmore.  I mean, it’s actually still a really good venue for lots of reasons (including the sound) but the parking is now a nightmare and I always feel like when bands play a bigger venue like this, the crowd tends to suck.

However, this show proved to be really great.  A 20 year anniversary for them and a ten year anniversary for us.  I had wondered why it had been sol long since we’d seen them (yes, we saw them in 2024, but before that it had been almost ten years) and it turns out they didn’t tour much since 2016, so that makes sense (they’ve only had one album since 2016).  But anyway, this was a tour for their fabulous debut album.  And they played it start to finish.

After the first song (The First Song), Ben acknowledged that his voice is a little shot (and this only the 7th night of the tour with a bunch of downtime).  But it wasn’t really shot, there were just a few times when his voice cracked.  It was unclear if he was sick or what. But he mostly sounded great, and apologized for the bum notes–fortunately the crowd was supportive of the whole thing.  I noted that the last time we saw him, he had also lost his voice–maybe he just can’t handle touring?

Having seen them five times, we had seen most of this album at one time or another.  And it is funny to think that the only sons we hadn’t seen live were the less popular ones like Wicked Gil and Monsters.  But there’s something special about hearing the album front to back.  I loved watching Ben play the lap steel to get that cool sliding effect on The First Song.

Ben notoriously cleaned house back in 2017 (depending on whose version of the story you pay attention to) so none of these musicians were around for the release of this album.  When we saw them last time, they played an acoustic set followed by an electric set.

I was fascinated to find out that Our Swords was played entirely on bass guitar!  I mean it sounds like it, but it’s true.  Both Ben and Matt Gentling played bass. Only Creighton Barrett stayed on stage to play drums for this one.  Brett Nash (lead guitar) and the guy in the back who I don’t think was Ryan Monore on keys and guitar and lots of other things, sat out for this song.

Then came the gorgeous The Funeral.  My wife and I joked that normally this song is like a show ender, so it was kind of weird to hear it so early.  But if course, it sounded great.

They had played Part One in the acoustic set last time with just Ben and Brett.  It was full band for this one, although not much heavier.

It’s funny how excited I get to hear songs that I have literally heard every time I see a band.  But The Great Salt Lake is so good and it’s always cool to see them play the interesting sounds like the slides at he beginning of the guitar riff.  Somehow I hadn’t realized that Weed Party was called Weed Party until the last time we saw them when they ended the acoustic set with this and jammed it out for along time.  It was definitely more fun in the loose acoustic jam, but I loved hearing it as a more rocking band too.

The two songs before the end I’d never seen before.  In fact, I feel like I didn’t even recognize them–although I must have if I’ve gotten through to the final song.  The oddly titled “I Go to the Barn Because I Like The” is a slow acoustic number and “Monsters” is even slower with a banjo

The rest of the band left and Ben sang the gorgeous St. Augustine solo.  He grimaced beforehand and said this would be rough, but a deal’s a deal.  He definitely scratched a few notes but overall he sounded quite good and as they headed into the fifteen minute break and we all hoped he would have some honey tea to coat his throat.

They seemed to be playing 12 songs in the second set and while the songs are mostly the same, the order has been getting mixed up and it seems like one song gets swapped out and another back in.  In this case, we missed Cigarettes, Wedding Bands (a personal fave) but we did get Ode to LRC, which other places didn’t).

We were happy to move our location to get away from the one really tall guy who was in the way.  We moved and had a much better view but wound up behind my pet peeve–the woman who holds one arm up randomly.  Ugh.  But she wasn’t terrible.  The guy who moved in front of my wife and then kept slowly stepping backwards was far worse.  Is Band of Horses a bro band? Maybe.  There were lots of whoops and hollers which seemed odd, especially during the quieter songs, but hey, people are going to do what they want, right?

But first thy started with a terrific version of Is There a Ghost–the song which exploded after the opening quieter moments. That explosion of sound is always a great moment.  They followed it was Casual Party, a major favorite in our house.  That was the only song the played from that album, which was a bit of a bummer because we really wanted to hear In a Drawer, but maybe we’re the only ones who love that song.

They wound up playing six songs from their second album, Cease to Begin, and there was nothing wrong with that!  I could easily see them doing a 20th anniversary tour of Cease since it’s easily as good as the debut.  It was really fun to dance along to Islands on the Coast, and then to swoon and soar to the gorgeous No One’s Gonna Love You.   And then to chill out once again to the groove of Detlef Schrempf.

I tend to think that BoH put out two great albums in a row, but they actually put out three.  Because Infinite Arms is, if not as great as the first two, certainly close.  Factory is a great opening track and I was pretty happy to hear it and when they played Laredo it was, as always, magnificent.

They had released a new album in 2022, and it was totally off my radar.  I knew of only one song that was played on the radio, the fun and bouncy “Crutch” which I always assume is called Crush.  It was another fun and bouncy song.  Back to Infinte Arms for Dilly.  And if I could have requested one change it would have been for that albums NW Apartment over Dilly, which is a pleasant song but nowhere near as catchy.

The crowd around us was kind of weird–into the show but something felt off.  It wasn’t too bad, and the music sounded too good to complain.  Especially when they played so many great songs.

They even played a new song–I don’t really think of them as making new music when they are touring an old album, but I’m glad the creativity is still there.

Let’s hope the new music is as good as Ode to LRC and The General Specific, two of my favorite songs and a great way to end the show.

I was really glad we got tickets to this show.  It was a lot of fun.  I would have probably picked the show the following night in Montclair if we weren’t busy already.  I actually know four people who went to that show (which never happens) and two of them said it was the loudest show they’d ever been to.  I don’t know if they don’t go to many rock shows or if there was something wrong with the sound system, but that strikes me as very odd and rather unlikely.  But then I’m sure they’ve never been to Sunn0))).

 

 

The Fillmore, 2026 Wellmont Theatre 2024 The Fillmore, 2016
Everything All the Time ACOUSTIC SET Dull Times/The Moon ‰
The First Song ⇔ [3] St. Augustine ⇔ [2] The Great Salt Lake ⇔ [3]
Wicked Gil ⇔ Part One ⇔ Casual Party ‰
Our Swords ⇔ [2] No One’s Gonna Love You ⊗ [4] Islands on the Coast ⊗ [2]
The Funeral ⇔ [5] Barrel House ‰ Solemn Oath ‰
Part One ⇔ [2] Dilly ∞ Laredo ∞ [3]
The Great Salt Lake ⇔ [5] Laredo ∞ [4] St. Augustine
Weed Party ⇔ [4] In Need of Repair ♦ No One’s Gonna Love You ⊗ [3]
I Go to the Barn Because I Like The ⇔ Detlef Schrempf ⊗ Our Swords ⇔
Monsters ⇔ Factory ∞ [2] Throw My Mess ‰
St. Augustine ⇔ [3] Weed Party ⇔ [3] Older ∞
SET TWO ELECTRIC SET In a Drawer ‰
Is There a Ghost ⊗ [5] Cigarettes, Wedding Bands ⊗ [3] The First Song ⇔ [2]
Casual Party ‰ [3] Casual Party ‰ [2] Hag ‰
Islands on the Coast ⊗ [3] Warning Signs ♦ NW Apt. ∞ [2]
No One’s Gonna Love You ⊗ [5] Is There a Ghost ⊗ [4] The Funeral ⇔ [3]
Detlef Schrempf ⊗ [2] The Great Salt Lake ⇔ [4] encore
Factory ∞ [3] Hag ‰ [2] Is There a Ghost ⊗ [3]
Crutch ♦ [2] Crutch ♦ Weed Party ⇔ [2]
Dilly ∞ [2] Ode to LRC ⊗ [3] The General Specific ⊗ [2]
Laredo ∞ [5] The Funeral ⇔ [4]
new song The General Specific ⊗ [3]
Ode to LRC ⊗ [4]
The General Specific ⊗ [4]

 

opening for Neil Young 2015 opening for Beck 2014
The First Song ⇔ For Annabelle ∞
Compliments ∞ Laredo ∞
Laredo ∞ [2] Powderfinger [Neil Young cover]
The Great Salt Lake ⇔ [2] Factory ∞
Is There a Ghost ⊗ [2] Cigarettes, Wedding Bands ⊗
No One’s Gonna Love You ⊗ [2] Ode to LRC ⊗
Cigarettes, Wedding Bands ⊗ [2] NW Apt. ∞
Ode to LRC ⊗ [2] The General Specific ⊗
The Funeral ⇔ [2] No One’s Gonna Love You ⊗
Weed Party ⇔
Is There a Ghost ⊗
Islands on the Coast ⊗
The Great Salt Lake ⇔
The Funeral ⇔


♦ Things Are Great (2022)
‰ Why Are You OK (2016)
≅ Mirage Rock (2012)
∞ Infinite Arms (2010)
⊗ Cease to Begin (2007)
⇔ Everything All the Time (2006)
t, ironically, I would totally see them again.

[ATTENDED: April 11, 2026] The Belair Lip Bombs

The Belair Lip Bombs are a young band from Victoria Australia.  They have been bubbling under around Philly with their insanely catchy song Hey You which was one of my favorite songs of the year so far.  They had played a Free at Noon the day earlier and I opted not to go since I was seeing them tonight.  And it’s pretty good I didn;t go because their set was almost exactly the same!

The band plays a fun bouncy alt rock with Maisie Everett’s delightful voice ringing clear.  Again and Again is a fun bouncy poppy song with the insanely catchy repeated chorus Again and Again and Again and Again….  Bassist Jimmy Droughton kept the bouncy songs bouncing, opening Another World with a catchy melody.

There was a guy behind me who knew the album by heart (which I certainly didn’t) and he sang along occasionally, but not too loudly.  He was really excited when they played Back of My Hand, a bubbly song with, at times only bass and drums (from Daniel Devlin), but when the twin guitars come in the song really blows up.

So Everett plays guitar (some lead moments and riffs) but most of the lead guitar is played by Mike Bradvica.  Standing in front of both guitarists, it was fun to see them both playing these distinctive parts while the bass held things together, especially on a song like Stay or Go which featured rocking guitar from Everett and running lead parts from Bradvica.

Look the Part was an older song with a cool bassline during the middle section.  There weren’t too many traditional guitar solos although Price of a Man had a relatively long one.  Continue Reading »

[DID NOT ATTEND: April 12, 2026] Wanda Sykes

Whenever I think about comedians that I like, they’re usually British.  Because I receive ads for comedy clubs, I feel like there are hundreds of American comedians and I don’t know any of them. So I forget that there are quite a few American comedians who I really like.  Nick Offerman makes me laugh in anything he does and yet for some reason I have never really thought about going to his stand up show.

I had gone out the night before, but my wife wasn’t really interested in going out on a Sunday night, so we blew him off.  I’ll have to put him on my list of comedians to make sure I see at least once.