Feeds:
Posts
Comments

[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

[ATTENDED: October 21, 2023] Genesis Owusu / Godly the Ruler

My wife and I joke about how we don’t really like Genesis Owusu but he is so damned catchy that it’s inevitable  to become a fan.  When his show was announced I grabbed a ticket and then forgot about it because it was months away.

I realize that he’s Australian and may not come to the States that often, but when the Wax Jaw show was announced, I was sure that I could get to the Genesis show after the Wax Jaw set.

Wax Jaw was finishing at 9:30 and most Underground Arts shows start at 9.  So, I’d miss Godly the Ruler and be there in enough time to catch the Genesis set.

But for reasons I cannot imagine, Godly went on at 8:30! Continue Reading »

[DID NOT ATTEND: October 24, 2023] Les Claypool’s Flying Frog Brigade

This is yet another show that I bought a ticket for in Philly only to find out later that there was a show in Montclair.  Montclair is certainly easier for me to get to, although honestly I don’t live The Wellmont–I don’t know what it is, but I seem to have an iffy time when I go there.  Especially for a metal show.

I don’t think this is going to be a metal show, but I wonder who will show up.

By the same token, the last time I saw Primus, the meathead crowd was really high.  I hope they don’t come to my show since it doesn’t say Primus.

I’ll find out tomorrow.

[CANCELLED: October 24, 2023] Thurston Moore reading Sonic Life

This summer, Thurston Moore announced that he would be touring to read his new book Sonic Life:

Thurston Moore has a new memoir on the way, Sonic Life, which he describes as telling “the story of my childhood and teenage years as I fell in love with music (for the most part unbridled rock ’n’ roll) and how it drove me to New York City, where I would co-found Sonic Youth.”

A couple of weeks ago, he cancelled the tour.  I wasn’t planning on going, but it still sucks that he feel so crappy.

To all my dear Sonic friends and family,
It utterly bereaves me to pass on the news that I have been advised by my medical team here in the UK to cancel my upcoming USA book tour. For years I have been dealing with a longstanding health condition, though it has never seriously stopped me from touring and recording. Regardless it’s always been an underlying issue and as I reach my mid-60s this year it has become rather, and consistently, debilitating. After a recent consultation, my doctors have strongly advised against me flying anywhere under any circumstance until they get it all sorted out.

Continue Reading »

[ATTENDED: October 21, 2023] Wax Jaw 

Wax Jaw has only been around for a little over a year.  In that time, they have released a couple of singles and amassed a huge local following.

Wax Jaw was born out of the summer-time daydreams and blossoming friendship of Greg Blanc (bass) and Sean Vannata (guitar) in June 2022. They immediately shared a vision of writing lively, upbeat tunes that would make even the most reserved audience member come alive during their shows. Keeping this priority in mind, a five-person lineup was curated one member at a time until the band reached its final form in January 2023. Since then, Wax Jaw has wasted no time sinking their teeth into the bleeding hearts of Philly audiophiles through their animated stage presence, vintage visuals, and high-energy performances. They recently played back-to-back sold out shows at Silk City and PhilaMOCA – most notably sharing a stage with nationally acclaimed acts Wine Lips and Acid Dad. With a six-song EP set to release in September, Wax Jaw is the innovative, all-gas-no-breaks band to watch!

I could have seen them open for Acid Dad a little while ago, but decided to stay home that night. Continue Reading »

[DID NOT ATTEND: October 22, 2023] Be Your Own Pet / Birthday Girl

I remember when Be Your Own Pet came out in 2006–they were endorsed and supported by members of Sonic Youth.

They played bratty teenage punk and were a ton of fun.  And then they broke up.

They have recently reunited (wikipedia says)

Following a fourteen year hiatus, they reunited in 2021 after being specifically requested by  Jack White to open up on a few dates of his Supply Chain Issues Tour.

Their own blurb says

On the heels of playing to packed rooms and enthusiastic audiences at SXSW, Nashville’s Be Your Own Pet have dropped a new single, “Hand Grenade,” via Third Man Records. The song marks their first new music since the release of their seminal Get Awkward album (XL Recordings) in 2008 and was written and recorded by the three founding members Jemina Pearl Abegg (vocals), Jonas Stein (Guitar), Nathan Vasquez (bass), and longtime drummer John Eatherly. Picking up right where they left off and clocking in at just over 3 minutes, “Hand Grenade” is an exuberant return and leaves no question they are the same band that Pitchfork called “vibrantly charismatic” and Rolling Stone labeled “charmingly raw.”

I had not heard of Birthday Girl which is surprising only because of the band’s lineage.  A Pessimist is Never Disappointed notes:

I think some folks are, rightly, going to check out Birthday Girl because Mabel Canty’s father is Brendan Canty (Rites of Spring, Fugazi, The Messthetics, etc.), or because Isabella MacKaye’s dad is Alec MacKaye (The Faith, Ignition, The Warmers, Hammered Hulls, etc.). But people are going to stay with this band because the music those two make with drummer Tess Kontarinis is sharply realized and emotive. What’s here on the band’s self-titled debut isn’t so much the sound of a new generation of harDCore, as it is that of the heyday of college rock. Less Beefeater and more Bettie Serveert is what I’m saying.

Sounds great.

Unfortunately, I am trying not to go to as many shows in quick succession.  And since I was out last night, I decided to give this one a miss.  I’d like to check out Birthday Girl some time though.

[ATTENDED: October 21, 2023] Grace Vonderkuhn 

Grace Vonderkuhn has been on my list of bands to see for a while now, although I don’t exactly remember how I first heard about this band from Deleware.

Grace Vonderkuhn is a 3-piece rock band from Wilmington, Delaware. Uniting in 2016, the outfit consists of Grace Koon, songwriter, singer, and guitarist, Brian Bartling—bassist, and Dave McGrory, who plays the drums and sings. They combine shoegaze, post-punk, and psych influences with sharp pop sensibilities. The band toured throughout the US, showcased at SXSW, recorded an Audiotree live session, and were featured on NPR following the release of their first full-length album, Reveries (2018 Egghunt Records). Grace Vonderkuhn went on to release their sophomore album, Pleasure Pain, on Philly-based record label Sheer Luck Records in 2021. They have shared the stage with countless bands including Camp Cope, Shame, Ought, Titus Andronicus, Lower Dens, No Age, and The Districts. The band is currently working on their third full-length album and playing shows.

I had heard good things about them, but I guess I didn’t actually listen to them that much before the show because they blew me away.

Grace Koon is a killer guitar player. She’s not showoffy at all, but she can play great solos, weird chords and a pretty diverse array of sounds. She also sings in a couple of different styles from gentle to deep and menacing.  Brian Barling on bass doesn’t just keep up with Grace, he often plays counterpoint to her melodies.  And Dave McGrory on drums is the secret weapon. He plays different patterns and rhythm and his backing vocals are great–he often sings high over Grace’s low, grittier vocals. Continue Reading »

[ATTENDED: October 21, 2023] The Cowpokes

So much was going on tis evening that I didn’t know what I’d get to see.

A long time ago I had purchased a ticket to see Genesis Owusu on this evening.  Then this Wax Jaw show was announced.  I’ve been really wanting to see wax Jaw live, so I decided maybe I’d go to that show instead.  Then I found out that the Wax Jaw show would be over by like 9:30 (because of a late night DJ show at Silk City). Then mu daughter decided to have a birthday party that night.  Fortunately she didn’t need me to be there.

So I left after picking up the food and figured that I’d probably miss The Cowpokes.

Cowpokes are a country rock band from Philadelphia. Comprised of Jia Binder, Cami Bachman, Dylan Michael, and Winnie Malcarney, they are among the enlightened few to understand that the Byrds are better than the Beatles.

I wasn’t sure I’d mind missing them as the whole country angle doesn’t appeal to me.  But a country PUNK band turned out to be a lot of fun.  I arrived in the beginning of their set but missed a song or two.

They were stomping and pogoing.  There was a kind of country twang in the vocals, but it was like a Philly country twang which I rather liked.

I don’t know who was who, but I enjoyed that the guitarist who I presume is male was wearing a house dress.  I loved that the guitar who presented female also played  flute solo and then later played lap steel!  And the bass player/singer had a great voice.   I also loved that the drummer had some really fast fills and rolls and even knocked one of his cymbals off its stand at some point (someone in the crowd jumped up on stage and replaced it).

I don’t know what they played (they have only one song out on bandcamp), but it was rocking and good fun.  I’m glad I caught them.

[DID NOT ATTEND: October 20, 2023] Palehound / Empath

I saw Palehound twice within a few months back in 2018.

Palehound singer/guitarist Ellen Kempner is a fantastic guitarist and a really compelling frontwoman.  I’m not entirely sure what she’s been up to since then (two albums apparently).

As far as I can see they haven’t played Philly since then.  I was pretty excited to see them, but her date landed right on my daughter’s birthday.  So, yeah, that isn’t happening.

No questions asked.

Empath are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

I could have seen Empath 4 times, but each time something happened.  The most recent time, they were supposed to open for Fucked Up but cancelled (and I got to see Pony, so that was okay).

I do hope to see them one of these days.

 

Continue Reading »

[DID NOT ATTEND: October 19, 2023] Bahamas / Fortunate Ones

This is the second concert (which I did not attend) that has been at Union Transfer and then Asbury Lanes (if there’s ever someone I love, I could see them twice!).

I’ve been surprised that the bands are playing these two venues as I tend to think of Asbury Lanes as being very very small.  But I see that the capacity of Asbury Lanes is 700 and the capacity of Union Transfer is 1200.  I would have guessed Asbury Lanes to be about 300, but then I’ve never seen anyone there when it was sold out.

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.