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Archive for the ‘Union Transfer’ Category

The Get Up Kids: 25 Years of Something to Write Home About / Smoking Popes (Union Transfer, Philadelphia, PA, September 27, 2024) [DID NOT ATTEND]

Posted in Philadelphia, PA, Smoking Popes, The Get Up Kids, Union Transfer on September 27, 2024| Leave a Comment »

[DID NOT ATTEND: September 27, 2024] The Get Up Kids / Smoking Popes

Back in 2022 I wrote

My friend Al got me into The Get Up Kids back in the early 2000s.  “Mass Pike” is a frequently played song on road trips.  My Get Up Kids album is Something to Write Home About.  I never really got that into Four Minute Mile.  So, even though this show could have been fun, it wouldn’t quite have been for me.

And here they are two years later touring for that very album.

But it was the same night that I was going to see Mannequin Pussy and Margaritas Podridas, who I was really excited to see.

So, once again I missed The Get Up Kids.

Smoking Popes seem like an unlikely opening act.  I didn’t even know they were still a band.  I enjoyed their Born to Quit album quite a bit.  And the one after that was pretty good too.  Apparently at some point in their career, someone in the band became a Christian and the band broke up.

Then they reunited about twenty years ago (!) and have put out a few records since.   I’m sure it would have been fun to hear the old songs again.  Maybe I’ll bust them out on Spotify.

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Margaritas Podridas (Asbury Lanes, Asbury Park, NJ, September 27, 2024) [MANNEQUIN PUSSY]

Posted in Mannequin Pussy, Margaritas Podridas, Philadelphia, PA, Union Transfer on September 27, 2024| Leave a Comment »

[ATTENDED: September 27, 2024] Margaritas Podridas

I’m not sure how I first heard about Mexico’s Margaritas Podridas, but as soon as I did I wanted to see them live.  They had yet to play on the East Coast of the U.S. but they did open for Mannequin Pussy on the West Coast, so I was pretty excited that they were at least playing in the U.S.

When they were announced as the support for Mannequin Pussy in Asbury, I had to get tickets even if I had just seen the headliners in May (and really I was happy to see them again so soon).

The band came out as a trio (they are listed as a quartet in all their promo material) and proceeded to rip the house down.

Margaritas Podridas does play some shoegaze, but at this show they were in full on rage mode (as their newest singles have indicated).

They opened with a killer 2022 single “No quiero ser madre” (I don’t want to be a mother), and bassist Carolina Enríquez demonstrated that in addition to having a lovely singing voice, she can strip paint off the walls with her screams.

The rowdy Asbury Park crowd responded immediately.

Going forward, she introduced every song with the English translation of the title, playing the two songs from their 2023 single Corazón and Muñeca (Heart and Doll)

The song “Vómito” (no translation needed) even featured her retching.  That song from 2023 and “Tornillo” (Screw) are from a 2023 single.

They slowed things down for the middle section with the shoegazey “Wow” and the starts-as-shoegaze but then gets really intense “Parabrisas” (Windshield).

Then it was back to the heavy, grungy “Margaritas” (Daisies).  At this point the crowd started a small mosh pit–a rarity for an opening band, but the crowd was totally into it.

Things got even more intense (with lots more screaming) on “Agujas” (Needles) and “Pólvora” (Gunpowder).

They played one song in English (their first album was all in English) called Malign, and then ended  the set with a blistering “Filosa ” (Philosopher).  When the song ended, the band jut exploded with sound, with feedback galore and Carolina scratching her bass against the mic stand.

By then the pit had pushed me pretty far away from where I started, and I feel like the band really appreciate the crowd’s energy.

I would happily see them again.  Such a great energy.  I also enjoyed that they were really happy to be in New Jersey because they love My Chemical Romance.

2024 Asbury
No quiero ser madre Ø
Corazón ♥
Muñeca ♥
Vómito ⊗
Tornillo ⊗
Wow ∪
Parabrisas ∪
Margaritas ∪
Agujas λ
Pólvora §
Malign λ
Filosa ⊗

§ single (2024)
♥ Corazón de Muñeca single (2023)
⊗ single (2023)
Ø single (2022)
∪ Margaritas Podridas (2021)
λ Porcelain Mannequin (2018)

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Stars (Union Transfer, Philadelphia, PA, September 21, 2024)

Posted in Christine Bougie, Lydia Persaud, Philadelphia, PA, Stars, Union Transfer on September 21, 2024| Leave a Comment »

[ATTENDED: September 21, 2024] Stars

I have been a fan of Stars since about 2004.  I finally got to see them on their Christmas tour of 2022.  Singer Torq said that they would definitely be back for a Christmas tour the following year (they weren’t) and they didn’t do one in 2024 either.  But instead they did this: a 20th anniversary of Set Yourself on Fire, the album that introduced me to the band and which I love.  So yes, I was going to this one, too.

No surprises in the setlist then.

Instead it was a great band playing a great album

Amy Millan and Torquil Campbell sounded great and their onstage rapport is always amazing together–like (sometimes jilted) lovers (although they are not).

The rest of the band has remained the same for 20+ years.  Last tour I learned that bassist Evan Cranley and guitarist Chris Seligman are the main composers of Stars’ music. They repeat a riff or tune until something develops, and then Campbell and Amy Millan write lyrics.  (This according to Wikipedia).

Drummer Pat McGee and lead guitarist Chris McCarron were joined by a violin and sax player for some of the songs. (more…)

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Lydia Persaud & Christine Bougie (Union Transfer, Philadelphia, PA, September 21, 2024) [STARS]

Posted in Christine Bougie, Lydia Persaud, Philadelphia, PA, Stars, Union Transfer on September 21, 2024| Leave a Comment »

[ATTENDED: September 21, 2024] Lydia Persaud & Christine Bougie

Back in 2022, I saw Stars for the first time (on their Christmas tour) and loved them.  The opening act was Lydia Persaud (& Christine Bougie).

I believe that they both play together in a lot of things.  Lydia has been a member of The Soul Motivators, The O’Pears and Dwayne Gretzky and she and Christine are part of the the Queer Songbook Orchestra.  

They played a jazzy set of remarkably sad music.

When Stars announced this new tour for Set Yourself on Fire, I was super excited.  And, they announced some interesting opening acts along the way (including Dears, a band I could have seen before the pandemic but missed them and they haven’t been back since).  (more…)

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Peter Hook & The Light (Union Transfer, Philadelphia, PA, September 4, 2024)

Posted in Joy Division, New Order, Peter Hook & The Light, Philadelphia, PA, Union Transfer on September 4, 2024| Leave a Comment »

[ATTENDED: September 4, 2024] Peter Hook & The Light

Back in 2022, Peter Hook & The Light toured Philly.  I grabbed tickets but we wound up not going.

This show was described as being all Substance–both the Joy Division and the New Order compilation albums.  I was pretty excited to see the show.  Last time El Ten Eleven opened and I had REALLY wanted to see them.  This time there was no opener, which was great in that it would be a pretty early night but bad because it mean there was no good parking nearby.

But that’s okay.  I arrived plenty early and got a decent spot near the stage (between two really tall guys one of whom didn’t smile for the whole show).

And after a show time, Peter & the Light came out on stage.  I hadn’t really given any thought to his band, which includes David Potts guitar (and lead vocals on a couple of New Order songs), Paul Kehoe drums (at first I wasn’t sure what he was doing since here were a lot of electronic drums, but when he kicked in it filled up the room) and Martin Rebelski keyboards and synthesizers (who frankly did most of the heavy listing in this show–playing bass lines and synth lines and drum lines).  Hook’s son Jack Bates plays bass, and guitar.  Indeed, when Hook wasn’t playing those super memorable bass lines, Bates played them.

I knew roughly what they were going to play (they told us, after all), but I didn’t realize that New Order would come first.

I also thought I knew Substance quite well, so I was puzzled how come I didn’t recognize the first couple of songs.  It turns out that each show they are playing a couple songs not on the album first (and they vary per show).

I thought I knew Substance really well, but it’s possible I haven’t listened to it in a really long time.  It wasn’t until Temptation that I started to fully recognize everything.  The early songs sounded great and sounded familiar, but it took me a while to really groove to it (unlike the guy in front of me who was literally dancing (and had a lot of room around him) from the time of the house music. (more…)

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Mdou Moctar / J.R.C.G. (Union Transfer, Philadelphia, PA, June 28, 2024) [DID NOT ATTEND]

Posted in J.R.C.G., Mdou Moctar, Philadelphia, PA, Union Transfer on June 28, 2024| Leave a Comment »

[DID NOT ATTEND: June 28, 2024] Mdou Moctar / J.R.C.G.

I saw Mdou Moctar at Ardmore Music Hall and it was pretty fantastic.  I wasn’t sure if I needed to see him again at a bigger venue, but this show was on my radar.

I didn’t buy a ticket because I assumed it wouldn’t sell out.  It was also squeezed right in between a few other shows I was going to and I am trying to limit the amount of shows I see in a week (honestly).  I was also assuming  that since I’d seen him fairly recently I wasn’t sure if I needed to see him again so soon.  Although it turns out he just announced an intimate semi-acoustic show in early July that I’m going to go to.

There are four Tuareg musicians who I’m interested in seeing.
Bombino, Imarhan, Mdou Moctar and Tinariwen.

I have seen Mdou Moctar.  I’ll be seeing Tinarwen in a few weeks.  We’ll see if the other two come my way. (more…)

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Ted Leo + Pharmacists (Union Transfer, Philadelphia, PA, June 21, 2024)

Posted in Dead Best, Ekko Astral, Philadelphia, PA, Ted Leo, Ted Leo + Pharmacists, Union Transfer on June 21, 2024| Leave a Comment »

[ATTENDED: June 21, 2024] Ted Leo + Pharmacists / Ekko Astral

I saw Ted Leo + Pharmacists back in 2019 and really enjoyed the show.  At the time IW rote

Even though I like Ted Leo I really don’t know a lot of his songs–I’ve been more of a casual fan.  So I was delighted by the variety of sounds and styles he played from throughout his career.

Over the last five years I’ve wanted to see him again but for one reason or another I didn’t.  So when he announced a show at Union Transfer I grabbed a ticket.  I didn’t really give much thought to the fact that he was playing Shake the Sheets because I don’t really know any of his albums per se.  So I didn’t really care about that (It turns out when I saw him last time he played a bunch of songs from that album).

When the Isiliel show was announced for the same night I was quite torn.  I thought that the Ted Leo show would be more fun, but I didn’t know if Isiliel would ever come back, so I opted for that one. It ended at 10:30 and I had seen that most of the Ted Leo shows were ending around 11:30.  Since Union Transfer is about four block from PhilMOCA I decided to pop in and catch the end of Ted Leo and I’m really glad that I did.

So I missed the entire set from openers Ekko Astral (whom Ted praised very very highly and made me wish I had seen them–if I could have seen them in stead of Isenmor, that would have been amazing).  I’s like to make sure I see them again someday.

Luckily for me (but I would have hated this is I was there), Ted and the band didn’t go on until 9:40.  I just found out though that there were actually TWO opening bands, which explains the delay for Ted.

The middle opening act was (more…)

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Los Campesinos! (Union Transfer, Philadelphia, PA, June 17, 2024)

Posted in Los Campesinos!, Philadelphia, PA, Short Fictions, Union Transfer on June 18, 2024| Leave a Comment »

[ATTENDED: June 17. 2024] Los Campesinos!

I have been a fan of Los Campesinos! (who are actually Welsh) since their debut album.  But I have never seen them live.  I missed the 2022 show because our postponed Ben Folds concert was rescheduled to this evening.  Bummer.

I didn’t really follow them much after their first couple of albums, but their overall vibe hasn’t changed dramatically over the years.  They write funny, literate songs about loss disguised as really catchy scream along type anthems.

Singer Gareth David Paisey has a yelling kind of voice that is really fun to get behind.  (Util this year all of the band members used Campesinos as their last name, but now they acknowledge their actual names.

I had always thought they were a totally under the radar band.  But I was shocked to see how many people were at this show, in particular how many younger people were at this show. I mean, where do you hear about Los Campesinos! in 2024?  But everyone there knew all the words and shouted along.  It’s also fun to realize that most of the band has been with them since the beginning and the newer people are all in the band over ten years by this point.  Pitchfork describes their fan base

emo-curious indie adults, indie-curious emo kids, DIY scenesters and Genius annotators, avid consumers of hard cider and hard-left politics, obsessives of European football and American Football alike.

The new album All Hell is just as good if not better than their others.  The lyrics are still wordy and verbose with words like selenograph and phrases like “a cavalcade through antemortem, terminal suburban boredom.”  If these words appeal and you can imagine more or less screaming them over catchy melodies, then this is the band for you. (more…)

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Short Fictions (Union Transfer, Philadelphia, PA, June 17, 2024) [LOS CAMPESIONS!]

Posted in Los Campesinos!, Philadelphia, PA, Short Fictions, Union Transfer on June 17, 2024| Leave a Comment »

[ATTENDED: June 17. 2024] Short Fictions

I didn’t know Short Fictions before this show.

They have a similar vibe to Los Campesinos!  A kind of delightful chaos that resolves into really catchy songs.  With a trombone!  Anda  xylophone!

The band rocked in a kind of bouncy ramshackle way, singing songs with titles like “Living in Places Like These Can Be Bad for Your Health (Can’t Live Here Anymore)”

They were fun and funny, introducing “I’m Going to Kill Myself with a Gun” by saying that the singer’s mom begged them not  to play that horrible song. But what she doesn’t realize is that it’s about unfair wages and economic inequality!

Some of the songs, like “Wasting” rocked a little harder than other, but other songs are twitchy and weird but also somehow sing-along worthy.  And then a song like “Self Betterment in a Time of Loneliness” had a middle section where the band just went crazy with super fast drums and cymbals.  Jittery and punky and a lot of fun. (more…)

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Kim Gordon and the Collective (Union Transfer, Philadelphia, PA, June 14, 2024)

Posted in Bill Nace, Kim Gordon, Philadelphia, PA, Union Transfer on June 15, 2024| Leave a Comment »

[ATTENDED: June 14, 2024] Kim Gordon 

I could have seen Kim Gordon a couple of years ago but didn’t get a ticket (and then we went out to something else that night anyway),

I’m not sure what that show was like and I wasn’t entirely sure what to expect for this show either.

I hadn’t really listened to her new album and I’m not entirely sure that I needed to, because I feel like her live band transcended the beats-n-effects of the album.

Kim’s band was fantastic.  They all looked like they could have been teenagers (they’re not) and they made an exquisite noise that was not like Sonic Youth in any way but spirit.  And yet, it was noisy and delicious, with guitars that didn’t sound like guitars, snyths that spanned the gamut of sounds and a drummer who bashed and bashed.

I loved watching guitarist Sarah Register (who was in my sight line while I looked at Kim) play…everything.  She played chords of course, but also played shapes and sounds and scrapes and everything.  It wasn’t like watching Thurston and Lee, it was far more controlled.  But it was awesome.

Bassist Camilla Charlesworth doubled occasionally on electronics (apparently, she was responsible for the the nagging John Carpenter-like synth stabs on “Bye Bye”, although it was impossible to know who was playing what half of the time.  She played a great fuzzy almost electronic sounding low end, both on the bass and on the synths

And drummer Madi Vogt , whom I was closest to, was a machine, pummeling the drums and then pulling back when the songs got quiet.

I’m focusing on the band because I went there to see Kim and was amazed at how much I was impressed by the band.  Kim herself was pure Kim–very cool, very much in control.

She played occasional guitar and mostly recited lyrics (that I think she had written on the book in front of her).  It’s a testament to Kim that she was the least interested person on stage and yet I couldn’t take my eyes off of her, she has that much charisma.

Given Kim’s diverse recording history and tendency towards out-there avant garde, I wasn’t really sure what I’d be getting at this show.  This set was nothing that I was expecting and was far better than anything I had hoped for.  And I have since followed everyone of her backing band to see what else they get up to.

  1. BYE BYE ©
  2. The Candy House ©
  3. I Don’t Miss My Mind ©
  4. I’m a Man ©
  5. Trophies ©
  6. It’s Dark Inside ©
  7. Psychedelic Orgasm ©
  8. Tree House ©
  9. Shelf Warmer ©
  10. The Believers ©
  11. Dream Dollar ©
    Encore:
  12. Air BnB Ø
  13. Paprika Pony Ø
  14. Cookie Butter Ø
  15. Hungry Baby Ø
  16. Grass Jeans §
  17. BYE BYE ©

© The Collective (2024)
Ø No Home Record (2019)
§ Single (2021)

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