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Archive for the ‘Union Transfer’ Category

[ATTENDED: November 15, 2024] Sasami

When this tour was announced, I thought it would be perfect for myself and my kids.  My daughter loved seeing Crawlers, the original opening act, my son loves Destroy Boys and in addition to liking both bands, I had wanted to see Sasami for quite a while.

I had heard that Sasami’s shows for her album Squeeze were insane–intense rocking shows in which Sasami didn’t hold back in trying to create “maximum chaos per capita.”

That tour had a full band and they rocked hard.

So I was disappointed that this set from Sasami was all over the place.  It was just her and her Colombian drummer Juan Diego Patiño (who was pretty great).  And she played songs from all over her career.

And honestly there was nothing bad about her set, it was just totally not was I was expecting.  (more…)

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[ATTENDED: November 15, 2024] Chokecherry

When this tour was announced, I thought it would be perfect for myself and my kids.  My daughter loved seeing Crawlers, the original opening act, my son loves Destroy Boys and in addition to liking both bands, I had wanted to see Sasami for quite a while.

But then Crawlers dropped off the tour (I’m not sure why) and they were replaced by Chokecherry who I hadn’t heard of.  I listened to a song or two and liked them.  So I was pleased to arrive early enough to see them.

I’m not really sure what the details are of this band, but I’m guessing that the two women who were up front, Guitarist Izzie A. Clark and bassist E. Scarlett Levinson are the fixtures of the band.  Other articles list two different members in the band. but for this show, Jack Lillian played second guitar and Sean Aaron  was on drums.

Izzie, Scarlett and Jack were dressed in provocative outfits–undergarments and corsets and they played up this flirtatiousness.  But their music totally rocked and their look proved to be an accent to their songs.   I couldn’t really see Sean who was behind the drums, so I’m not sure if he was wearing only boxers or what.

They opened with Lisa 1 and 2.  It starts with Izzie and Scarlett, quietly singing Lisa, I miss you, Lisa I’m sorry.  And then the song takes off.  But it’s in pat 2 that he real blistering punk comes out.  Two minutes of intensity.

Scarlett sang Afterglow, a song that builds with her softish voice into a terrific loud/quiet rocker.  It features one of several songs that have great guttural screams in them.  Around Around Around had a bit of a shoegaze vibe to it

The two singers had great harmonies together and I loved when Izzie left the mic for a few seconds to walk around while soloing.

They ended with Mirror Mirror a kicking rocker with fuzzy guitars and big loud chords.

I enjoyed their set a ton and would happily see them again.

 

2024 Union Transfer
Lisa 1
Lisa 2
Afterglow
Around Around Around §
I Know You
Glass Jaw §
Mirror Mirror

∀ Messy Star (2024)
§ single (2023)

 

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[DID NOT ATTEND: November 13, 2024] Slow Pulp / Free Range

In 2022 Slow Pulp opened for Alvvays and I wrote

Slow Pulp is a funny name.  Especially if (like to me) it sounds like your band is just a slower version of the band Pulp, which they are not.  Rather, they are kind of a slow version of Alvvays.  They are slow and introspective.  Seems like a good (if maybe dull?) fit.

I still don’t like the name (for the same reason), but I’ve become somewhat more interested in them.

Last year, they were playing The Foundry on Halloween on the same night that we were seeing Japanese Breakfast.  I listened to them a bit since them and while I still think they are too slow for me (the name is apt), I liked some of their stuff more than I thought I would.

I was intrigued to see them live, but this show was the same night as Palehound and Ratboys, so, I wasn’t going to miss that one.

I have actually seen Free Range live twice.  Technically I only heard them on one occasion–they were playing when we arrived at All Things Go and we could hear  them through the speakers.  But I also saw them open for, of all bands, Ratboys (so the band they opened for last time prevented me from seeing them this time).

About them I wrote

Sofia Jensen’s voice sounded familiar–maybe a kind of Phoebe Bridgers vibe–a kind of strong whispery style, and her songs had a strong Pinegrove feel to me (turns out that Nick Levin from Pinegrove plays pedal steel on on two of the tracks).  I guess the songs are indie rock with a whiff of country about them.  Although, interestingly, the chill vibe was often smashed by the loud jamming sections of some of the songs, especially the final one “Want to Know” which rocked out more than the others.

I would have enjoyed this show if I was in a mellow mood.

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[ATTENDED: November 11, 2024] Pond 

I saw Pond here six years ago and it remains a memorable show for me, primarily because I got a great close up of lead singer Nick Allbrook as he was about to lean into the crowd.

I’m not sure why I didn’t go to see  them in 2019 or 2022, when they played Underground Arts–I assume Allbrook was just wandering around the crowd at that show given how interactive he was with us at Union Transfer.

When they announced this tour, I was interested but also a little unsure (again, I’m not sure why, had I forgotten how much I enjoyed their last show?)

So, when they came on stage, I wasn’t exactly sure what to expect.  Allbrook didn’t have make up on like last time, but he was immediately and amazing frontman–dancing, getting close to the edge of the stage, and engaging fully with the audience.

When I saw them last time, all I really knew about them was that they were connected to Tame Impala and the few songs I listened to were really good.  [Allbrook was a touring member with Tam Impala until 2013, but Pond is far beyond any mention of Tame Impala].

They opened with a slow number called Daisy from their 2019 album Tasmania (which I don’t know at all).  The song picks up into a bouncier, synthy number and it was a good opportunity to check out what the band was doing.  (more…)

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[DID NOT ATTEND: November 12, 2024] Panchiko / Trauma Ray

I really only know about Panchiko because of their fascinating story.

The band first received public attention in 2016 when their 2000 demo EP D>E>A>T>H>M>E>T>A>L was discovered by a 4chan user in a charity shop in Sherwood, Nottingham and shared online. The EP’s status as lost media led to a dedicated cult following and a community devoted to tracking down its band members. This was unbeknownst to the band until 2020, when Davies was found and contacted by a fan through Facebook. In November 2021, they amassed over 10 million streams on Spotify.

I genuinely don’t know if I’d go to see them, but I feel like I might give them a chance.

Opening for them was Trauma Ray, who, I didn’t know.

Their blurb sounds pretty awesome:

Among the current wave of shoegaze revivalists, Fort Worth’s trauma ray rank as high as any at capturing its complexity, intensity, and expressive devastation.   One of trauma ray’s greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an ear-worm, without production tricks or gimmicks: “Riff, verse, chorus, three guitar parts – that’s all you need.”

I listened to a couple of songs and they’re really good.  I guess maybe I should have gone to this one.

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[ATTENDED: November 11, 2024] Fazerdaze

When I saw Pond six years ago, I loved their opening act, Fascinator.   I was equally intrigued by their opening act this time, Fazerdaze, although I didn’t really look into them too much.

When they came out on stage, it was just two of them facing each other in the center of the stage.  Fazerdaze is the creation of Amelia Murray. She stood facing our side of the stage with her guitar and electronic gear.  Dave Rowlands stood facing her with his guitar and synth.

And perhaps most interesting is that they’re from New Zealand.

Murray would start the drum loop and then the two of them would play together.  The lights were dim so it wasn’t always clear who was doing what, but it was clear that it was Amelia’s show.

She told us that her new album was officially coming out at midnight and the set had five of the eleven songs in it.

The songs are mostly mellow with gentle psychedelic notions thrown in.  Amelia has a terrific voice and the melodies were quite lovely.  Although overall the vibe was a little too mellow for me.  The set was fairly short, but it still felt a little long to me.

I also thought they were also a bit of an odd choice as an opening act since musically they are quite different.  But I’m happy that they were getting exposure in the States and there were quite a lot of people there to see Fazerdaze.  The woman in front of me sang along to every song and actually left (my area) when they were done.

SETLIST

  1. Break!
  2. Winter
  3. Soft Power §
  4. A Thousand Years §
  5. Purple_02 §
  6. Cherry Pie §
  7. Bigger §

⇑ Break!
§ Soft Power (2024)

2024 2018
Daisy ⊥ 30,000 Megatons ≅
(I’m) Stung ⊗ Waiting Around for Grace ⇔
Neon River ⊗ Sweep Me Off My Feet ≅
America’s Cup ∇ Fire in the Water ≅
Sweep Me Off My Feet Zen Automaton ≅
So Lo ⊗ Don’t Look at the Sun or You’ll Go Blind ♥
Black Lung ⊗ Sitting Up On Our Crane ⇔
Constant Picnic ⊗ Paint Me Silver ≅
Edge of the World, Pt. 3 ⊗ Edge of the World, Pt. 1 ≅
Human Touch ∇ Edge of the World, Pt. 2 ≅
Aloneaflameaflower Ψ Giant Tortoise Ψ
Paint Me Silver The Weather ≅
Giant Tortoise Ψ encore
Toast ∇ Midnight Mass (At the Market St. Payphone) Ψ
encore Holding Out for You ⇔
Fantastic Explosion of Time ♣ Man It Feels Like Space Again ⇔
Hang a Cross on Me ∇
Don’t Look at the Sun or You’ll Go Blind

 

⊗ Stung (2014)
∇ 9 (2021)
⊥ Tasmania (2019)

≅ The Weather (2017)
⇔ Man It Feels Like Space Again (2015)
Ψ Hobo Rocket (2013)
♣ Beard, Wives, Denim (2012)
♥ Psychedelic Mango  (2009)

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[DID NOT ATTEND: November 9, 2024] The Spirit of the Beehive / Kassie Krut [moved to March 5, 2025]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

They’ve been around a few times and I wasn’t planning on going to this show because it was the same night as Makoto Kawabata.

But then they had all of their gear stolen.

On October 5, SOTB announced on social media that their van and trailer were stolen at a hotel by the Seattle airport. The trailer had all the band’s gear and most of their merch inside of it. Later that day, they shared an update that they had found the trailer, but it was virtually empty. On Sunday morning, SOTB found out that the van had been found in Seattle and impounded, but before they were able to claim it, the van was somehow restolen from the impound lot.

Their GoFundMe raised over $75,000, and they are rescheduling shows.  I don’t know if they had any specialized gear. (more…)

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[ATTENDED: November 2, 2024] Touché Amoré

I saw Touché Amoré open for Deafheaven last year and I knew I wanted to see them again as a headliner.

I was happy to see them at Union Transfer and I was happy that my son wanted to go with me.  But a four-band night was a lot to ask.  And having too much food for dinner and being way overdressed for a concert (it was cold out, but warm inside) meant that he didn’t enjoy the show as much as I hoped he would.  And his unhappiness always mars a show for me.

And yet, Touché Amoré was amazing.  My son admitted that even though he didn’t feel great, he was really impressed by them.

The band has a big, clean sound and singer Jeremy Bolm screaming the lyrics.  The best thing about his screaming is that it is intense like old school punk, but it is completely clear. so the powerful lyrics really show through.

Like last time, for every last line of a verse or chorus he put the mic out for the audience to sing the last word or phrase. And they did.

I love the sound of the band–not too complicated–but every song has something interesting going on in it.  Drummer Elliot Babin is a maniac behind the kit.  And I loved that you could hear both guitarists Clayton Stevens and Nick Steinhardt very clearly. And bassist Tyler Kirby would punctuate songs with excellent thumping bass.

Some of their songs are really short.  Art Official is about 90 seconds, and Nine is 45 seconds! (more…)

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[ATTENDED: November 2, 2024] Soul Glo

I had seen Soul Glo back in May and was happy to have seen them, but I didn’t think I needed to see them again.  So their appearance on this bill was enjoyable for me mostly because I thought my son would really enjoy their set.

Like last time, there is no setlist written out online, although setlists from a few days earlier make it seem like they played a longer show for this concert (which I don’t think was true).

I was on the other side of the stage this time, closer to GG Guerra on guitar.   But aside from that, the set was the same chaotic, wild fun.

Pierce Jordan has a pretty harsh voice–the better to scream the lyrics.  I really couldn’t understand much of anything, but the tone was quite clear.

But he has great stage presence and did engage the audience in a speaking voice where he made the point of the songs pretty clear. (more…)

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[ATTENDED: November 2, 2024] Portrayal of Guilt

Portrayal of Guilt is a black metal band with an album called Christfucker.  They are a growly/screamy band and they are heavy as anything.

So it was kind of funny to see the guys in the band wearing Tshirts and jeans and baseball hats and then growling in an inhuman way.

I also get a kick out of when a band that sings so growly then speaks pleasantly between songs.

This kind of music isn’t really my thing, but my son and I agreed that seeing a band like this is such a visceral experience that we were both glad to have seen them.  He enjoyed them so much he bought a shirt.

I’m always happy to see a band like this open for someone (bring earplugs) and they were particularly good.  (more…)

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