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Archive for the ‘Union Transfer’ Category

[ATTENDED: March 22, 2025] Wishy

I Was happy that Wishy opened for Momma.  I knew one or two songs by them and really liked them.

The band came out–a five piece, with the two singer/guitarists Kevin Krauter and Nina Pitchkites.  They harmonize perfectly with each other–both vocally and on guitar.  There’s something very appealing about the two singers going Ah ah ah in harmony on Planet Popstar.  There’s a few different parts in this song so I actually wasn’t sure if they were playing different songs or one long one (it’s only 4 minutes, but is pretty complicated)

Wishy released an EP this year and they played half of it.  That left five songs from last year’s Triple Seven, which is the album t hat I first heard them from.  The (very simple ) guitar riff in Persuasion is wonderful–and when the harmony guitar came in–fantastic.

Love on the Outside is mostly Kevin on guitar, but after a verse, the band kicks in and the harmonies are terrific.  The rest of the band is guitarist Dimitri Morris , bassist Mitch Collins, and drummer Conner Host.  It almost seems like overkill to have three guitarists in the band, but all three do different things to make the sound enormous. (more…)

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[ATTENDED: March 5, 2025] The Spirit of the Beehive [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.

I enjoyed them–they were weird and fun to watch.  I wasn’t sure I ever needed to see the again, but I figured I’d see what they’d been up to for the last 7 years.

Their set was wild and chaotic.  Again, I was right at the barrier, so I’m sure I missed a lot.  Like last time, I couldn’t tell if the songs were really short or much longer.  The first song I thought might have been three different ones.  It was made even mor confusing because the musicians would switch instruments in the middle.  Their third guitarist Phil Warner, switched from electric to acoustic and back again in one song.

I also really enjoyed watching drummer Sean Hallock keep time to all of the different changes and styles of music (often in one song).

Zack Schwartz was on the far side from me and I felt like I heard his vocals the least, although his guitar was clear.  Bassist (mostly) Rivka Ravede has a fantastic bass sound–I loved when you could hear it over the rest of the music. She also sings on nearly every song, which is great–it adds so much dimension to the songs to have two (or three) lead vocalists in one song.

I was right in front of Corey Wichlin who sang a lot of lead parts in very different vocal styles–it was often hard to know who was singing.  He also played guitars and keys and the occasional triangle. (more…)

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[ATTENDED: March 5, 2025] Kassie Krut [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.  The opening band was Kassie Krut who I’d never heard of. I looked them up and found out that Kassie Krut was formed from Palm!

The band was formed by Kasra Kurt, guitarist, who wanted to explore more electronic music and Eve Alpert (both of who are phenomenal guitarists but who play no guitars on the album).  They were joined by Matt Anderegg on drums.

Their EP is loud and dancey and fun, but very noisy.  And live they were noisy, noisy and more noisy.  As with Polo Perks, this may have been because I was so close to the stage.  But I believe that all of the sounds were coming from the overhead speakers (there were no guitar amps to have sound coming from the stage).  Whatever the case I absolutely could not hear Eve singing (except the quieter bits of Reckless) and I couldn’t hear Kasra at all when he took to the mic.

Matt was on my right playing an electronic drum kit,  It was fun to watch because the bass pedal was literally a pedal hitting a small pad, slightly larger than the pedal itself, but it was cavernously loud.  The rest of the pads that he played generated all kinds of percussive sounds. (more…)

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[ATTENDED: March 5, 2025] Polo Perks ❤ ❤ ❤ [rescheduled from November 9, 2024]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  Here it was all this time later and I was able to see them again.

Originally, the opening band was Kassie Krut, but sometime more recently they added Polo Perks ❤ ❤ ❤ to the roster.

I’d never heard of him and didn’t know if the ❤ was part of his name (it is) or if it’s supposed to be three asses or what (I still don’t).  Apparently, he is a NYC drill pioneer.

His DJ came out first, set up a folding table, laid down a laptop and a mic and started a beat.  Then Polo Perks came out on stage.  His DJ tried to get everyone really hyped up.  I was at the barrier and couldn’t see who was behind me.  But the guy next to me knew a lot of the words. (more…)

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[ATTENDED: February 20, 2025] Alcest 

I hadn’t heard of Alcest before this tour.  I was mostly excited when I saw that Mono was playing Union Transfer.  But when I listened to Alcest, I rather liked them.  Especially their latest album Les Chants de l’aurore, which is the album they were touring.

So Alcest has been around for almost 20 years, although their first album came out in 2007.  After some lineup changes, the band was solely the work of Stéphane “Neige” Paut who played everything.  In 2009, drummer Winterhalter from Les Discrets joined Alcest, after eight years with Neige as its sole full-time member.  Neige still plays everything except drums on the records.

Since 2010, the live shows include Pierre “Zero” Corson on second guitar and backing vocals and Indria Saray on bass.

I was really pleased with my spot near the stage when, with moments to go before the band came out, two women pushed their way up next to me taking up more room than there was between us.  And when the band started she proceeded to either really get into it or was just messing with me as she kept putting her hands through her hair and then raising her arms high and wide for minutes at a time.  I’ve literally never had one person ruin a show as much as this sociopath did.

Fortunately she (presumably) got sick after four songs.  She was clearly very drunk, and then after a couple of songs she seemed to just stop and stare straight ahead of her and then after the fourth song she bolted for the back of the room (to which a guy behind me said, thank god).  Her friend (who was very short) then proceeded to take up enough space for both of them, headbanging in a way that ensured you didn’t want to stand behind her.  A song or two later, she received a text and then headed to the back of the room.  In my mind, the tall one got drunk and nauseous and them ruined the second half of the show for herself and her friend after she ruined the first part of the show for me and everyone around me. (more…)

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[ATTENDED: February 20, 2025] Mono

I saw Mono back in 2019 and I was blown away by their show.  I haven’t been able to see them since, and I was mildly bummed that they were opening instead of headlining this show.  But any chance to see them is a good one.  And, it introduced me to Alcest!

The crowd was really really into Mono.  In fact a couple of people up front left after their set.

They played mostly new songs.  All of their songs are instrumental and sound vaguely similar, so I can’t tell them apart.  That’s not an insult, they play seven to ten minute epic tracks that build to varying degrees of intensity and I could listen to them all night.

I was in front of guitarist Hideki “Yoda” Suematsu who is described as a rhythm guitarist but who does a lot more than that.   Bassist Tamaki Kunishi was in the middle (except for the one song she played keys on).   And Takaakira “Taka” Goto was on the far side of the stage (and hard to see on the mostly dark atmosphere).

Their drummer Dahm Majuri Cipolla was tucked in behind a rack of amps, and it was hard to see him.  He also had a gong!  And I was a little bummed that I could only see a part of it, but it was cool to see him smack it on two different songs. (more…)

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[ATTENDED: February 20, 2025] Kælan Mikla

I had never heard of Kælan Mikla before this show was announced.  And, since I love music from afar  Was instantly intrigued by this is Icelandic band whose name means (according to Google) The Great Chill or (according to Wikipedia) Lady of the Cold.

They are a trio of Laufey Soffía on lead vocals, Margrét Rósa Dóru-Harrýsdóttir on bass and Sólveig Matthildur Kristjánsdóttir. on keys and more (although only keys for this show).

They came out on stage in dark and spooky lighting (later when I saw them at the merch table, I saw that they had interesting cracked and cobwebby makeup under their eyes.  And Soffia was dressed in an all black gown (seemingly made of toile) with super long fingernails.  It was like a goth flashback and I loved it.

So I guess this music is darkwave, a genre I don’t really know.  I feel like the few darkwave songs I’ve heard I didn’t like.  But maybe seeing it live is a different story, because the whole gothy presentation was fantastic.  I couldn’t really hear Soffia’s vocals (in part because they were in Icelandic, but mostly because of where I was standing), but she sang in variants of quiet, almost whispery singing and screams.  But it combined perfectly to generate a really retro spooky feel with cool modern feminist trappings.  (more…)

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[ATTENDED: February 17, 2025] Lauren Mayberry

I was a fan of Chvrches when their first album came out.  Then I kind of lost track of them.  But in that time my wife became a fan.  We missed their last tour in Philly (back in 2021 (!)).  When Lauren Mayberry released a solo album, we both loved the single “Something in the Air” and  thought it would be neat to see her live.

The show didn’t sell very well, which was surprising I thought, since Chvrches has sold out Franklin Music Hall, a much bigger venue.  But it meant that we had a really intimate show, which was awesome.

Overall I liked most of the album Vicious Creature, although there were a few songs that I wasn’t that excited by.  But wow, these songs were fantastic live!  

She had two band members on stage and, I think, a guy on the side with a bank of Apple laptops (I joked that it looked like an Apple store–there were about five!).  The two members on stage were Marian Li-Pino on drums and Heather Nation doing guitar or bass depending on the song.  Later in the set, Heather played piano and Marian played guitar for a song, too.

Heather Nation was ferocious on guitar–generating great sounds.  And Marian Li-Pino was a beast on the drums.  They had a cool cymbal that was bent and made a great metallic, non-cymbal sound.  And Lauren Mayberry was an excellent front woman–she knows how to perform a show.   And what a voice!  I mean, it was amazing.

She played the entire album.  The bangers were amazing–bigger and louder than I expected.  The quieter songs were pretty, a little too mellow for my enjoyment, but hey, you need to vary the mood.  (more…)

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[ATTENDED: February 17, 2025] Cult of Venus

It was a cold windy night when we headed out to this show.  Luckily, we managed to get really close parking (Monday night shows are good for that).  Which meant we were plenty early to see the opening act, Cult of Venus.

Cult of Venus has had a lot of mystery surrounding her.  I’m sure her identity is known (I didn’t look too hard to find it), but the two main articles I saw gave this info:

Forgoing any photos to remain completely anonymous and undefined, Cult of Venus have given themself the perfect platform from which to build and long and exciting career. ][They make] music that illustrates and illuminates the dystopian world today, challenging the patriarchy and resonating with the “divine feminine.” Her on-the-ground activist work includes support for incarcerated women and environmental protest movements. Her mysterious presentation is often shrouded in darkness, with her identity and face in the shadows. Her secretive appearance aligns her poetic soundscape in a way that not only drives more curiosity to her audience but is calming in a world so focused on desperate self-promotion.  With shows in all-female prisons and detention centres in the books already, as well as a show as part of New York City’s Women’s March, Cult of Venus have a big year planned while being rooted in reform.

They opened the show with a prerecorded message about strength in the face of oppression.  And then she came out, picked up her guitar and stood in front of the keyboard.  

The only problem to me was the fairly lengthy (I mean, it was probably less than a minute, but it was SO QUIET) pause before the first song started.  I feel like she could have timed that a little more smoothly.  But whatever.

She generated some beats and some synths and proved to have a fantastic voice.  When she played guitar, she clearly had it patched into an effects box because it didn’t sound like a guitar–it was very cool. (more…)

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[ATTENDED: January 25, 2025] Soccer Mommy

I saw Soccer Mommy back in 2021 and was surprised that it sold out.  And this show, four years later, also sold out.

After seeing her last time I knew what was to expect.  The only bad part was that I didn’t know her new album that well.

Sophie Allison (who is Soccer Mommy) plays guitar and sings.  She has a standard four piece behind her–Rollum Haas: drums, Nick Widener: bass, Julian Powell: guitar and Rodrigo Avendano: guitar/keys.

As I said last time, the band is really good and they bring these songs to life live in a more powerful way than on the album.

The thing that most surprised me last time and surprised me this time is that she played her big hits pretty early in the set.  Last time, Circle the Drain was her big single and she played it second!  Well, she played it second this time as well.

And her song Driver, which is one of my favorite songs of 2024 she played third!  It sounded amazing–her voice is fantastic live.

Then after playing one more new song she played the other big song that she had out recently, Shotgun.  So that was the three biggest songs I know by her all done within the first five songs.

After that she played a bunch of songs from the new album. I didn’t know them very well, but they sounded great.  However, the show slowed down quite a bit during these songs as each one was more chill than the previous.

At some point Eagles fans started a chant (there are Eagles fans at Soccer Mommy shows?)  Sophie asked what that was all about and then said I don’t really care about football, which led to a huge cheer.  (more…)

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